Cello - intermediate SKU: HL.49001544 Cello and Piano. Composed by...(+)
Cello - intermediate
SKU: HL.49001544
Cello and Piano.
Composed by Pietro
Giuseppe Gaetano Boni.
Edited by Hugo Ruf.
Arranged by Hugo Ruf.
This edition: Saddle
stitching. Sheet music.
Cello-Bibliothek (Cello
Library). Classical.
Composed 1717. Op. 1/10.
20 pages. Schott Music
#CB53. Published by
Schott Music
(HL.49001544).
ISBN
9790001016902. UPC:
073999355949.
9.0x12.0x0.059
inches.
The edition
is the part of the ABRSM
syllabus (grade 5).
Cello and piano SKU: BR.EB-8298 Composed by Felix Bartholdy Mendelssohn. ...(+)
Cello and piano
SKU:
BR.EB-8298
Composed
by Felix Bartholdy
Mendelssohn. Solo
instruments; stapled.
Edition Breitkopf.
Violoncello part arranged
by Michael Denhoff.
Sonata; Romantic. Score.
52 pages. Breitkopf and
Haertel #EB 8298.
Published by Breitkopf
and Haertel (BR.EB-8298).
ISBN 9790004176139. 9
x 12 inches.
The
cello sonata stands
between a conservative
return to classical forms
and the full development
of Mendelssohnian
characteristics in the
late work, which
ultimately led to the
abandonment of the sonata
form. Violoncello part
arranged by Michael
Denhoff.
Cello and piano SKU: M7.BP-2758 Composed by Carl Heinrich Graun. Edited b...(+)
Cello and piano
SKU:
M7.BP-2758
Composed
by Carl Heinrich Graun.
Edited by Michael Jappe.
Sheet music. Score and
parts. Amadeus Verlag #BP
2758. Published by
Amadeus Verlag
(M7.BP-2758).
ISBN
9790015275807.
Die
von Amadeus als ERSTDRUCK
publizierte Sonate für
Violoncello und Clavier
von Carl Heinrich Graun
ist 1775 entstanden, also
während der
spätbarocken
Ãœbergangszeit, als das
Fortepiano das Cembalo
langsam zu verdrängen
begann. Die
dreisätzige Sonate
(Largo, Poco Allegro und
Allegretto) ist eine
willkommene Ergänzung
zur Literatur dieser
Zeit. Sie ist
einfallsreich, aber nicht
schwer zu spielen.
Violoncelle, Piano [Partition + CD] - Intermédiaire Dowani
By G. Goltermann (1824-1898). For Cello. DOWANI Urtext 3 Tempi Play Along - Ce...(+)
By G. Goltermann
(1824-1898). For Cello.
DOWANI Urtext 3 Tempi
Play Along - Cello.
Artist: Konstantin
Krimets - Conductor;
Russian Philharmonic
Orchestra - Orchestra
accompaniment; Sergey
Sudzilovsky - Cello;
Vitaly Junitsky - Piano.
Level: Intermediate.
Sheet Music with CD (3
Tempi Play Along).
Published by Dowani
International.
Cello and piano SKU: BR.EB-32072 Urtext. Composed by Eduard Franck...(+)
Cello and piano
SKU:
BR.EB-32072
Urtext. Composed
by Eduard Franck. Solo
instruments; stapled.
Edition Breitkopf.
For Sonata No.
1 in D major Op. 6 please
click he
re.
Sonata;
Romantic. Score. 60
pages. Breitkopf and
Haertel #EB 32072.
Published by Breitkopf
and Haertel
(BR.EB-32072).
ISBN
9790004186619. 9 x 12
inches.
Eduard
Franck's two Violoncello
Sonatas opp. 6 and 42
were published in 1843
and 1882, respectively,
thus, almost 40 years
apart. Although no
authentic manuscripts
sources are extant, the
sonatas were likely
composed fairly close to
the years of their
publication. That for
decades Eduard Franck was
reluctant to publish some
of his works is well
known; this then led him,
only a few years before
his death, to pour out a
cornucopia of new
compositions, some of
them composed decades
earlier. With this new
edition of the two
sonatas we are offering
an important addition to
the field of romantic
cello sonatas.
Cello and Piano - intermediate-advanced SKU: HL.14009506 Composed by E.J ...(+)
Cello and Piano -
intermediate-advanced
SKU: HL.14009506
Composed by E.J Morean.
Music Sales America.
Classical. Book
[Softcover]. 56 pages.
Music Sales #NOV317198.
Published by Music Sales
(HL.14009506).
8.25x11.75x0.222
inches.
Cello
Concerto was one of
Moeran's last major
works, written for his
wife - the cellist Peers
Coetmore - in 1945, and
stands as a robust and
sweeping confirmation of
his compositional
brilliance. This is a
version arranged for
cello with piano
accompaniment. Piano
reduction.
Composed by
Jimmy Baas. Sws.
Performance Score. 16
pages. Duration 3
minutes, 49 seconds. Carl
Fischer Music #CM9625.
Published by Carl Fischer
Music (CF.CM9625).
ISBN 9781491156988.
UPC: 680160915545. 6.875
x 10.5 inches. Key: Bb
major. English, English.
William Butler
Yeats.
The
Everlasting Voices is the
perfect blend of textural
variety and harmonic
interest for the advanced
treble ensemble.
Employing a powerful
text, Baas' vocal
layering coupled with
piano and optional cello
make this compelling
piece a programming
must!. O sweet
everlasting Voices, be
still; Go to the guards
of the heavenly fold And
bid them wander obeying
your will, Flame under
flame, till Time be no
more; Have you not heard
that our hearts are old,
That you call in birds,
in wind on the hill, In
shaken boughs, in tide on
the shore? O sweet
everlasting Voices, be
still. This SSAA choral
work by Jimmy Baas was
comissioned by the
Lumberton HS Varsity
Treble Choir. The opening
and closing lines of the
poem, O sweet everlasting
voices, be still provide
the perfect bookends for
two larger sections of
the poem. These two
sections are equally
divided into verses. The
opening line is used once
again as a transition
between the verses. The
previously mentioned
lines, O sweet
everlasting voices, are
overlapped as different
layers of voices enter
and sustain. A fifth and
sixth voice, the cello
and piano accompaniment
take part in these layers
as well. The words be
still are very much a
part of the mood each
time as the everlasting
voices become quiet and
still. The two verses
feature different voices
within the SSAA choir.
Verse 1, the sopranos,
and verse 2 the altos.
There are many moments in
this piece to explore the
full range and color of
the SSAA choir. The piano
and cello play an
important part
throughout, making this
piece an excellent choice
for any festival women's
chorus. O sweet
everlasting Voices, be
still;Go to the guards of
the heavenly foldAnd bid
them wander obeying your
will,Flame under flame,
till Time be no more;Have
you not heard that our
hearts are old,That you
call in birds, in wind on
the hill,In shaken
boughs, in tide on the
shore?O sweet everlasting
Voices, be still.This
SSAA choral work by Jimmy
Baas wascomissioned by
the Lumberton HS Varsity
Treble Choir.The opening
and closing lines of the
poem, “O
sweeteverlasting voices,
be still†provide
the perfect bookendsfor
two larger sections of
the poem. These two
sectionsare equally
divided into verses. The
opening line is usedonce
again as a transition
between the verses.The
previously mentioned
lines, “O sweet
everlastingvoices,â€
are overlapped as
different layers of
voices enterand sustain.
A fifth and sixth voice,
the cello and
pianoaccompaniment take
part in these layers as
well.The words “be
still†are very
much a part of the
moodeach time as the
everlasting voices become
quietand still.The two
verses feature different
voices within the
SSAAchoir. Verse 1, the
sopranos, and verse 2 the
altos. Thereare many
moments in this piece to
explore the full range
andcolor of the SSAA
choir. The piano and
cello play an
importantpart throughout,
making this piece an
excellent choice for
anyfestival
women’s
chorus.
Virtuoso and Entertaining Pieces for Cello and Piano. Composed by Various. Edi...(+)
Virtuoso and Entertaining
Pieces for Cello and
Piano.
Composed by Various.
Edited
by Beverley Ellis and
Rainer
Mohrs. String. Softcover.
Schott Music #ED23310.
Published by Schott Music