Clarinet in A, cello and piano (P/ST) - difficult

SKU: HL.49033276

Composed by Joerg Widmann. This edition: Saddle stitching. Sheet music. Edition Schott. Score and parts. Composed 1998. 28 pages. Duration 9'. Schott Music #ED 9764. Published by Schott Music (HL.49033276).

ISBN 9790001137096. 9.25x12.0x0.094 inches.

This is one of the early works by which the clarinettest Jorg Widmann also made himself a name as a composer. The form develops from the - at first only tentative - interaction of the three instruments. Sound-sensitive and eruptive moments alternate unexpectedly. Between 'jazzy-secco' and the 'Spieluhr' solo, the piano announces the passage of time: '12 Glockenschlage Mitternacht'.

Soprano voice, cor anglais, viola, cello and piano (P/ST) - difficult

SKU: HL.49033261

Composed by Ekkehard Jost. This edition: Saddle stitching. Sheet music. Edition Schott. Score and Parts. Composed 1999. 50 pages. Duration 12'. Schott Music #ED 9740. Published by Schott Music (HL.49033261).

ISBN 9790001136679. German.

Ein Liebespaar, unter deren Gier der Boden nachgibt und deren Lust zu Treibholz wird: dies ist das Herz von Hans Thills Gedicht Paradox und stellt den ersten Moment der Inspiration fur Christian Jost dar, diesem Text musikalische Gestalt zu verleihen. Die reduzierte Sprache des Gedichts, seine surreale erotische Welt, eroffnet Raume, in denen Satze zu Romanen und einzelne Worter zu endlosen Linien werden. Kompositorisch hat dies fur Jost nicht nur die Moglichkeit geschaffen, eine Geschichte hinter der Geschichte zu erzahlen, sondern auch jedes einzelen Wort in Klange einzuschweissen, deren Richtung er bestimmt. Folgerichtig ist demnach im Text und nicht an ihm entlang komponiert worden. Was bedeutet: der ohnehin zerschnittenen Sprache wurde eine weitere Ebene hinzugefugt, indem die jeweiligen Textschwerpunkte in verschiedene Klangbilder gefasst wurden, deren Summe dann die Dramaturgie des Ganzen bestimmt hat. Dadurch haben sich grossere atmosplarische Unterschiede und Spannungen ergeben, als das sehr lyrische Gedicht vermuten liesse. So aber konnte der Komponist eine Dichte an Ausdruck und Intensitat entwickeln, die bereits im Text enthalten sind, auch wenn er sich in ein lyrisches Gewand verkleidet hat.

(Violoncello and Piano). By Johannes Brahms (1833-1897). Arranged by Cord Garben. Score and Parts. String. Book only. 10 pages. Sikorski #SIK1738. Published by Sikorski

Set of performance parts. By Darius Milhaud. (Cello). String Solo. Size 8.5x11 inches. 32 pages. Published by Associated.

Set of performance parts. By Darius Milhaud. (Cello). String Solo. Size 8.25x11.75 inches. 28 pages. Published by Salabert.

SKU: HL.50564341

Violin, cello and piano - set of parts. Composed by Gabriel Pierné. Editions Durand. Classical. 114 pages. Editions Durand #DF1013100. Published by Editions Durand (HL.50564341).

10.0x13.5x0.374 inches.

(Violoncello and Piano With Marked and Unmarked String Parts). Composed by Edward Elgar (1857-1934). Edited by Claus Kanngiesser, Rolf Koenen, and Rupert Marshall-Luck. For Cello, Piano Accompaniment. Henle Music Folios. Softcover. 8 pages. G. Henle #HN1189. Published by G. Henle

(Piano and Violoncello). By Carl Reinecke (1824-1910). For Cello, Piano Accompaniment (Score and Parts). String. Softcover. 52 pages. Sikorski #SIK1667. Published by Sikorski . Softcover.

Violin, Cello and Piano

SKU: HL.14001776

Composed by Peter Dickinson. Music Sales America. Classical. Set. 70 pages. Music Sales #NOV120771. Published by Music Sales (HL.14001776).

ISBN 9780853605256. 8.5x11.75x0.27 inches.

Commissione d by Michigan State University, USA, for the Verdehr Trio.

Soprano voice, flute, clarinet, saxophone, violin, cello and piano (Score & Parts)

SKU: HL.49045225

Soprano, flute, clarinet, saxophone, violin, cello and piano. Composed by Thierry Pé and cou. This edition: Saddle stitching. Sheet music. Ensemble. Softcover. Composed 2015. 44 pages. Duration 9'. Schott Music #ED22340. Published by Schott Music (HL.49045225).

ISBN 9790001129602. 9.0x12.0x0.122 inches. French.

If a chanson is combined with a birthday celebration (in this case, that of the Ensemble Utopik who commissioned this new work), this inevitably brings back scenes of childhood. For me, Adieu Madras conjures up memories of the homeland of my family, and in particular Henri and Jacqueline Salvador whose wonderful TV programmes I watched during the 1970s. It is without doubt thanks to Henri Salvadors wonderful interpretation that this old chanson from Martinique, dating from the late eighteenth century and almost a national anthem both in Martinique and Guadeloupe, has also gained such popularity in France. Thierry Pecou.

Voice, flute, violin, cello and piano - intermediate

SKU: HL.49019838

Composed by Carl Maria von Weber. Edited by Marjorie Rycroft. This edition: Saddle stitching. Sheet music. Edition Schott. Softcover. Composed 1826. 44 pages. Schott Music #ED 21638. Published by Schott Music (HL.49019838).

ISBN 9790001193481. UPC: 841886021044. 9.0x12.0x0.212 inches. German.

In 1826 Weber wrote musical arrangements of ten traditional Scottish melodies. Some of the texts of the German edition follow the original English texts, others are completely independent texts.The individual parts are available as well.

Cello (cello part and piano score)

SKU: HL.48180232

Composed by Luigi Boccherini. Leduc. Classical. Softcover. 8 pages. Alphonse Leduc #AL16769. Published by Alphonse Leduc (HL.48180232).

UPC: 888680795016. 9.0x12.0x0.04 inches.

As a prestigious composer of the late 18th century, Luigi Boccherini's (1743-1805) Rondo, transcribed for the cello by Paul Bazelaire, contains many features which continue to make the composer's music popular and loved to this day. Known for his courtly, gallant style, Rondo, originally composed for violin and harpsichord, clearly exemplifies these qualities through the 2/4 time signature, flourishing cello lines and evocative, chordal and rhythmic Piano accompaniment. Moreover, syncopation rhythms and ornamentation heard throughout the piece create further excitement. All of these musical elements combine to create a highly enjoyable piece for the cello repertoire. In addition, the clear print of separate cello and piano parts in this edition of Rondo add to this irresistable purchase for budding cellists.

Clarinet in C/violin, cello & piano - Difficult

SKU: OU.9780193359857

Composed by Michael Finnissy. Mixed Ensemble. 22 pages. Duration 9.5'. Oxford University Press #9780193359857. Published by Oxford University Press (OU.9780193359857).

ISBN 9780193359857. 12 x 8 inches.

For clarinet in C/violin, cello and piano As is typical of Finnissy, this piece is demanding for the performers. The tempo is slow and much of the music of the upper two parts consists of sustained notes, with more movement occurring in the piano. The clarinet part can be played on the violin.

Composed by Ludwig van Beethoven (1770-1827). Set of performance parts for Cello and piano. With bowings and fingerings. Series: Great Performer's Edition. 166 pages. Published by G. Schirmer, Inc.

(Violoncello and Piano With Marked and Unmarked String Parts). By Camille Saint-Saëns. Edited by Peter Jost. For Cello, Piano Accompaniment. Henle Music Folios. Softcover. 70 pages. G. Henle #HN1057. Published by G. Henle

Composed by William Henry Squire (1871-1963). Set of performance parts for cello and piano. With bowings and fingerings. 10 pages. Published by Carl Fischer.

Composed by Arvo Part (1935-). Set of performance parts for cello and piano. 9 pages. Published by Universal Edition, Inc.

Set of performance parts. By Heitor Villa-Lobos. (Cello). String Solo. Softcover. Size 9x12 inches. 36 pages. Published by Associated.

Chamber Music Cello, Piano

SKU: PR.114415500

For Cello and Piano. Composed by Eric Ewazen. Christmas and Holiday. Contemporary. Set of Score and Parts. With Standard notation. Composed 2007. 16+8 pages. Theodore Presser Company #114-41550. Published by Theodore Presser Company (PR.114415500).

UPC: 680160607280. 8.5 x 11 inches.

Another commissioned work has Ewazen borrowing from his own The Eternal Dance of Life for a special new gift for cello and piano. The composer says it best: As a former cellist in my youth, have always loved the instrument, and have enjoyed writing for it. The work contains swirling arpeggiated gestures, a lilting compound meter and a real sense of expressivity, allowing the cello to sing with soaring lines and genuine lyricism. For advanced performers.

Chamber Music Cello, Piano

SKU: PR.114415120

For Cello and Piano. Composed by Ralph Shapey. Contemporary. Set of Score and Parts. With Standard notation. 4+1 pages. Duration 1 minute, 40 seconds. Theodore Presser Company #114-41512. Published by Theodore Presser Company (PR.114415120).

UPC: 680160600397. 8.5 x 11 inches.

We are pleased to make available For Lucy, a deceptively simple cello solo paired with a somewhat demanding piano accompaniment. For intermediate to advanced performers.

Chamber Music Cello, Piano

SKU: PR.114418630

Composed by Stacy Garrop. Set of Score and Parts. With Standard notation. 24+8 pages. Duration 13 minutes. Theodore Presser Company #114-41863. Published by Theodore Presser Company (PR.114418630).

ISBN 9781491114063. UPC: 680160642724. 9 x 12 inches.

The film noir genre of 1940s cinema typically includes a strong but flawed male lead (often a detective), a beautiful woman who coerces the male into committing murder or is a killer herself (a “femme fatale”), and a twisting plot line that involves one or more homicides. These movies typically are shot in black and white, with emphasis on shadows and light, alcohol and cigarettes, trench coats and fedoras. Most of the story lines do not have happy endings. Inspired by this genre, NOIR VIGNETTES consists of four movements, each depicting an aspect of film noir: Murder at Midnight, Loaded Gun, Femme Fatale, and Last Cigarette.
In the mid-1940s, film critics in France noticed a trend emerging in movies from the United States, which they coined film noir (which translates to “black film”). These movies were dark, moody, and pessimistic, reflecting the agitation and anxiety present in society following World War II. Several characteristics are commonly found in many of these movies, including a strong but flawed male lead (often a detective), a beautiful woman who either coerces the male lead into committing murder for her or is a killer herself (a “femme fatale”), and a twisting, turning plot line that involves one or more homicides. Additionally, there are several visual elements that these movies share: many are shot in black and white, with great emphasis on the use of shadows and light; alcohol and cigarettes are heavily consumed by men and women alike; and men typically wear trench coats and fedoras. Most of the story lines do not have happy endings. Examples of film noir include Orson Welles’ The Lady from Shanghai, Billy Wilder’s Double Indemnity, and John Huston’s The Maltese Falcon.NOIR VIGNETTES consists of four movements, each depicting a different aspect of film noir: Murder at Midnight, Loaded Gun, Femme Fatale, and Last Cigarette.This piece was commissioned by the University of Illinois Research Board on behalf of double bassist Michael Cameron; and it also published for Double Bass and Piano (114-41811). The cello version is transcribed by the composer.-- Stacy Garrop.

Chamber Music Oboe, Trombone, Percussion:, - Glockenspiel, - 4 Temple Blocks, - Triangle, - Silly Bird Whistle, - 4 Tom-toms, - Duck call, - hi-hat, - bass drum, - sizzle cymbal, Cello, Piano

SKU: PR.111402440

For Narrator, Oboe, Trombone, Percussion, Cello, and Piano. Composed by Daniel Dorff. Premiered by members of the Philadelphia Orchestra, Charlotte Blake Alston, narrator; Philadelphia, PA. Traditional. Set of Score and Parts. With Standard notation. Composed 13-Mar. 16+2+2+2+2 pages. Duration 6 minutes. Theodore Presser Company #111-40244. Published by Theodore Presser Company (PR.111402440).

ISBN 9781491101308. UPC: 680160616053. 9.5 x 13 inches. Old MacDonald Had A Farm.

Commissioned by the Philadelphia Orchestra Association, Dorff uses the familiar Old MacDonald to introduce children to various instruments within an orchestra, calling upon each in turn for examples of their sounds, and then merging all of the soloists into an original variation on the theme. An effective showcase for children's concerts. Duration: 6'.