Composed by Ludwig van Beethoven (1770-1827). Set of performance parts for Cello...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Set of performance parts
for Cello and piano. With
bowings and fingerings.
Series: Great Performer's
Edition. 166 pages.
Published by G. Schirmer,
Inc.
Score and Parts violin, cello and piano SKU: HL.49044407 Violin, Cello...(+)
Score and Parts violin,
cello and piano
SKU:
HL.49044407
Violin, Cello, and
Piano. Composed by
Arthur William Foote.
This edition: Saddle
stitching. Sheet music.
Ensemble. Softcover. Op.
5. 86 pages. Schott Music
#BSS 23779. Published by
Schott Music
(HL.49044407).
Violoncelle, Piano [Set de Parties séparées] - Intermédiaire Schirmer
Composed by Antonio Vivaldi (1678-1741), edited by Nikolai Graudan. For cello an...(+)
Composed by Antonio
Vivaldi (1678-1741),
edited by Nikolai
Graudan. For cello and
piano. Schirmer's
Library, volume 1794.
Format: set of
performance parts
(includes separate
pull-out cello part).
With solo part, piano
accompaniment and
performance notes.
Baroque. 73 pages. 9x12
inches. Published by
Schirmer.
Violoncelle, Piano [Set de Parties séparées] Carl Fischer
Composed by Camille Saint-Saens (1835-1921), arranged by Alvin Buechner. Set of ...(+)
Composed by Camille
Saint-Saens (1835-1921),
arranged by Alvin
Buechner. Set of
performance parts for
cello and piano
(Cello/Piano). With
bowings and fingerings. 5
pages. Published by Carl
Fischer.
Violoncelle, Piano [Set of Parts|Collection / Songbook] G. Henle
(With Marked and Unmarked String Parts Version for Violoncello and Piano). By Ro...(+)
(With Marked and Unmarked
String Parts Version for
Violoncello and Piano).
By Robert Schumann.
Edited by Ernst
Herttrich. Henle Music
Folios. Softcover. 48
pages. G. Henle Verlag
#HN910. Published by G.
Henle Verlag
Violoncelle, Piano [Set de Parties séparées] IMC (International Music Co.)
Transcribed for cello by Pablo Casals (1876-1973), composed by Gabriel Faure (18...(+)
Transcribed for cello by
Pablo Casals (1876-1973),
composed by Gabriel Faure
(1845-1924). Set of
performance parts for
cello and piano
accompaniment. With
fingerings and bowings. C
Minor. 5 pages. Published
by International Music
Co.
Composed by William Henry Squire (1871-1963). Set of performance parts for cello...(+)
Composed by William Henry
Squire (1871-1963). Set
of performance parts for
cello and piano. With
bowings and fingerings.
10 pages. Published by
Carl Fischer.
By Bruno Mantovani. For cello and piano. Classical: 20th Century (Contemporary)....(+)
By Bruno Mantovani. For
cello and piano.
Classical: 20th Century
(Contemporary). Score and
parts. 22 + 20 + 9 pages.
Duration 12 minutes 30
seconds. Published by
Editions Henry Lemoine
Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
Folder.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Set
of parts. 78 pages.
Duration 23'. Breitkopf
and Haertel #OB 5283-30.
Published by Breitkopf
and Haertel
(BR.OB-5283-30).
ISBN
9790004332887. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.
Chamber Music Cello, Piano SKU: PR.114422760 Composed by Ricky Ian Gordon...(+)
Chamber Music Cello,
Piano
SKU:
PR.114422760
Composed
by Ricky Ian Gordon. Set
of Score and Parts. 8+4
pages. Duration 5
minutes. Theodore Presser
Company #114-42276.
Published by Theodore
Presser Company
(PR.114422760).
ISBN
9781491135785. UPC:
680160687855.
A
heartfelt memorial to the
composer’s sister,
SAMBA FOR SUSAN bears a
tempo marking of
“Sensual,â€
and this 5-minute elegy
is set as a slow bossa
nova, full of the jazz
flavor and syncopations
of samba tradition. In
the hands of this
celebrated opera and
theater composer,
Gordon’s samba is
a drama cast in a dance
feel. Themes alternate,
always returning
transformed into fresh
textures at each
recurrence, creating a
work that is catchy on
first hearing, and
reveals its depth upon
repeated hearings.
Chamber Music cello, piano SKU: PR.114413830 Reflections On A Memorial...(+)
Chamber Music cello,
piano
SKU:
PR.114413830
Reflections On A
Memorial Service At The
Riverside. Composed
by Robert Maggio.
Premiere: cellist
Michelle Djokic and
pianist Gail Niwa, Martin
W. Luther memorial
service. Contemporary.
Set of Score and Parts.
With Standard notation.
Composed 5-Mar. 16+4
pages. Duration 9
minutes. Theodore Presser
Company #114-41383.
Published by Theodore
Presser Company
(PR.114413830).
UPC:
680160587315. 8.5 x 11
inches.
Maggio was
moved during a riverside
memorial service to write
his new cello solo, using
the hymn At the River as
his basis. Subtitled
Reflections on a Memorial
Service at the Riverside,
We Gathered At the River
is a powerful tribute and
a moving memorial in its
own right.
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Michael
Struck. Folder.
Orchester-Bibliothek
(Orchestral Library). The
piano reduction and the
study score
(,,Studien-Edition) are
available at G. Henle
Verlag. Solo concerto;
Romantic. Set of parts.
100 pages. Duration 35'.
Breitkopf and Haertel #OB
16104-30. Published by
Breitkopf and Haertel
(BR.OB-16104-30).
ISBN
9790004339466. 10 x 12.5
inches.
The
publishers Henle and
Breitkopf & Hartel are
continuing their
collaboration, now with
Brahms, by publishing the
performance material of
the double concerto.
Brahms's last work with
orchestra was published
in the new Brahms
Complete Edition in 2002,
whereby the editor was
able to base himself on
newly accessible sources.
Of particular interest
are the additional
performance instructions
for the solo violin and
solo cello, which were
gathered from the first
edition of the solo
parts. These indications
were supplied by the
soloists of the first
performance, Joseph
Joachim and Robert
Hausmann. No doubt
authorized by Brahms,
they communicate valuable
insights into the
performance practice of
the time. The new
material also contains a
part in which the solo
violin and cello are
notated one above the
other. The trio edition
for violin, violoncello
and piano (EB 6040),
which was made by Brahms
himself, has proven
itself for chamber
performances; it
continues to be
available.The full score
is a conductor's dream:
big, bold, and
beautifully laid out on
glare-free bluff paper.
(Strings).
Cello and piano SKU: BR.EB-9406 Urtext. Composed by Joachim Raff. ...(+)
Cello and piano
SKU:
BR.EB-9406
Urtext. Composed
by Joachim Raff. Edited
by Claus Kanngiesser.
Solo instruments;
stapled. Edition
Breitkopf. Sonata;
Romantic. Score. 80
pages. Duration 27'.
Breitkopf and Haertel #EB
9406. Published by
Breitkopf and Haertel
(BR.EB-9406).
ISBN
9790004188804. 9 x 12
inches.
Raff's
Cello Sonata op. 183
appeared in print in late
1873; at a time when
Raff's success was at its
zenith with Symphonies
Nos. 3 and 5 as well as
many chamber works.
Little is known about the
circumstances of its
genesis and possible
performances. Since Raff
did not dedicate this
sonata to any
distinguished artist,
unlike most of his other
chamber works, it
apparently lacked a
drawing card for
distribution. While Raff
composed several
well-known works for
violin and piano, the
present cello sonata is
one of his few
outstanding works for
cello and piano.
Incidentally, in the
first edition, the score
is headed for piano and
cello, as was quite often
the case in the 19th
century, for instance
also with Brahms's
sonatas. This is also
evident in the music:
Cello and piano are equal
partners that develop the
musical material and are
challenged both
technically and
artistically. This
current edition contains
an Urtext cello part as
well as a part with
markings by Claus
Kanngiesser. In
collaboration with the
Joachim-Raff-Archiv
Lachen (CH)
With a
preface by Severin Kolb.
Contains 2 cello
parts.
Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Part.
12 pages. Duration 23'.
Breitkopf and Haertel #OB
5283-15. Published by
Breitkopf and Haertel
(BR.OB-5283-15).
ISBN
9790004332832. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.
Winter Rondo Violoncelle, Piano Theodore Presser Co.
Chamber Music Cello, Piano SKU: PR.114415500 For Cello and Piano. ...(+)
Chamber Music Cello,
Piano
SKU:
PR.114415500
For
Cello and Piano.
Composed by Eric Ewazen.
Christmas and Holiday.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 2007. 16+8
pages. Theodore Presser
Company #114-41550.
Published by Theodore
Presser Company
(PR.114415500).
UPC:
680160607280. 8.5 x 11
inches.
Another
commissioned work has
Ewazen borrowing from his
own The Eternal Dance of
Life for a special new
gift for cello and piano.
The composer says it
best: As a former cellist
in my youth, have always
loved the instrument, and
have enjoyed writing for
it. The work contains
swirling arpeggiated
gestures, a lilting
compound meter and a real
sense of expressivity,
allowing the cello to
sing with soaring lines
and genuine lyricism. For
advanced performers.
Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Part.
12 pages. Duration 23'.
Breitkopf and Haertel #OB
5283-19. Published by
Breitkopf and Haertel
(BR.OB-5283-19).
ISBN
9790004332856. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.
Chamber Music Cello, Piano SKU: PR.114415120 For Cello and Piano. ...(+)
Chamber Music Cello,
Piano
SKU:
PR.114415120
For
Cello and Piano.
Composed by Ralph Shapey.
Contemporary. Set of
Score and Parts. With
Standard notation. 4+1
pages. Duration 1 minute,
40 seconds. Theodore
Presser Company
#114-41512. Published by
Theodore Presser Company
(PR.114415120).
UPC:
680160600397. 8.5 x 11
inches.
We are
pleased to make available
For Lucy, a deceptively
simple cello solo paired
with a somewhat demanding
piano accompaniment. For
intermediate to advanced
performers.
Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Part.
12 pages. Duration 23'.
Breitkopf and Haertel #OB
5283-23. Published by
Breitkopf and Haertel
(BR.OB-5283-23).
ISBN
9790004332863. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.
Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Part.
12 pages. Duration 23'.
Breitkopf and Haertel #OB
5283-16. Published by
Breitkopf and Haertel
(BR.OB-5283-16).
ISBN
9790004332849. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.
Clarinet in C/violin, cello & piano - Difficult SKU: OU.9780193359857 Com...(+)
Clarinet in C/violin,
cello & piano - Difficult
SKU:
OU.9780193359857
Composed by Michael
Finnissy. Mixed Ensemble.
22 pages. Duration 9.5'.
Oxford University Press
#9780193359857. Published
by Oxford University
Press (OU.9780193359857).
ISBN 9780193359857. 12
x 8 inches.
For
clarinet in C/violin,
cello and piano As is
typical of Finnissy, this
piece is demanding for
the performers. The tempo
is slow and much of the
music of the upper two
parts consists of
sustained notes, with
more movement occurring
in the piano. The
clarinet part can be
played on the violin.
Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Part.
8 pages. Duration 23'.
Breitkopf and Haertel #OB
5283-27. Published by
Breitkopf and Haertel
(BR.OB-5283-27).
ISBN
9790004332870. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.
For
Narrator, Oboe, Trombone,
Percussion, Cello, and
Piano. Composed by
Daniel Dorff. Premiered
by members of the
Philadelphia Orchestra,
Charlotte Blake Alston,
narrator; Philadelphia,
PA. Traditional. Set of
Score and Parts. With
Standard notation.
Composed 13-Mar.
16+2+2+2+2 pages.
Duration 6 minutes.
Theodore Presser Company
#111-40244. Published by
Theodore Presser Company
(PR.111402440).
ISBN
9781491101308. UPC:
680160616053. 9.5 x 13
inches. Old MacDonald Had
A
Farm.
Commissioned
by the Philadelphia
Orchestra Association,
Dorff uses the familiar
Old MacDonald to
introduce children to
various instruments
within an orchestra,
calling upon each in turn
for examples of their
sounds, and then merging
all of the soloists into
an original variation on
the theme. An effective
showcase for children's
concerts. Duration:
6'.
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Michael
Struck. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
piano reduction and the
study score
(,,Studien-Edition) are
available at G. Henle
Verlag. Solo concerto;
Romantic. Part. 12 pages.
Duration 35'. Breitkopf
and Haertel #OB 16104-19.
Published by Breitkopf
and Haertel
(BR.OB-16104-19).
ISBN
9790004339435. 10 x 12.5
inches.
The
publishers Henle and
Breitkopf & Hartel are
continuing their
collaboration, now with
Brahms, by publishing the
performance material of
the double concerto.
Brahms's last work with
orchestra was published
in the new Brahms
Complete Edition in 2002,
whereby the editor was
able to base himself on
newly accessible sources.
Of particular interest
are the additional
performance instructions
for the solo violin and
solo cello, which were
gathered from the first
edition of the solo
parts. These indications
were supplied by the
soloists of the first
performance, Joseph
Joachim and Robert
Hausmann. No doubt
authorized by Brahms,
they communicate valuable
insights into the
performance practice of
the time. The new
material also contains a
part in which the solo
violin and cello are
notated one above the
other. The trio edition
for violin, violoncello
and piano (EB 6040),
which was made by Brahms
himself, has proven
itself for chamber
performances; it
continues to be
available.The full score
is a conductor's dream:
big, bold, and
beautifully laid out on
glare-free bluff paper.
(Strings).
Composed by Matthias Pintscher. For cello and piano. In a folder. Part III of th...(+)
Composed by Matthias
Pintscher. For cello and
piano. In a folder. Part
III of the cycle
Profiles of Light . Level
5. Performance score, set
of parts. Text Language:
German/English. Composed
2012. 6/11 pages.
Published by Baerenreiter
Verlag
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Michael
Struck. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
piano reduction and the
study score
(,,Studien-Edition) are
available at G. Henle
Verlag. Solo concerto;
Romantic. Part. 12 pages.
Duration 35'. Breitkopf
and Haertel #OB 16104-27.
Published by Breitkopf
and Haertel
(BR.OB-16104-27).
ISBN
9790004339459. 10 x 12.5
inches.
The
publishers Henle and
Breitkopf & Hartel are
continuing their
collaboration, now with
Brahms, by publishing the
performance material of
the double concerto.
Brahms's last work with
orchestra was published
in the new Brahms
Complete Edition in 2002,
whereby the editor was
able to base himself on
newly accessible sources.
Of particular interest
are the additional
performance instructions
for the solo violin and
solo cello, which were
gathered from the first
edition of the solo
parts. These indications
were supplied by the
soloists of the first
performance, Joseph
Joachim and Robert
Hausmann. No doubt
authorized by Brahms,
they communicate valuable
insights into the
performance practice of
the time. The new
material also contains a
part in which the solo
violin and cello are
notated one above the
other. The trio edition
for violin, violoncello
and piano (EB 6040),
which was made by Brahms
himself, has proven
itself for chamber
performances; it
continues to be
available.The full score
is a conductor's dream:
big, bold, and
beautifully laid out on
glare-free bluff paper.
(Strings).
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Michael
Struck. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
piano reduction and the
study score
(,,Studien-Edition) are
available at G. Henle
Verlag. Solo concerto;
Romantic. Part. 12 pages.
Duration 35'. Breitkopf
and Haertel #OB 16104-16.
Published by Breitkopf
and Haertel
(BR.OB-16104-16).
ISBN
9790004339428. 10 x 12.5
inches.
The
publishers Henle and
Breitkopf & Hartel are
continuing their
collaboration, now with
Brahms, by publishing the
performance material of
the double concerto.
Brahms's last work with
orchestra was published
in the new Brahms
Complete Edition in 2002,
whereby the editor was
able to base himself on
newly accessible sources.
Of particular interest
are the additional
performance instructions
for the solo violin and
solo cello, which were
gathered from the first
edition of the solo
parts. These indications
were supplied by the
soloists of the first
performance, Joseph
Joachim and Robert
Hausmann. No doubt
authorized by Brahms,
they communicate valuable
insights into the
performance practice of
the time. The new
material also contains a
part in which the solo
violin and cello are
notated one above the
other. The trio edition
for violin, violoncello
and piano (EB 6040),
which was made by Brahms
himself, has proven
itself for chamber
performances; it
continues to be
available.The full score
is a conductor's dream:
big, bold, and
beautifully laid out on
glare-free bluff paper.
(Strings).
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Michael
Struck. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
piano reduction and the
study score
(,,Studien-Edition) are
available at G. Henle
Verlag. Solo concerto;
Romantic. Part. 12 pages.
Duration 35'. Breitkopf
and Haertel #OB 16104-23.
Published by Breitkopf
and Haertel
(BR.OB-16104-23).
ISBN
9790004339442. 10 x 12.5
inches.
The
publishers Henle and
Breitkopf & Hartel are
continuing their
collaboration, now with
Brahms, by publishing the
performance material of
the double concerto.
Brahms's last work with
orchestra was published
in the new Brahms
Complete Edition in 2002,
whereby the editor was
able to base himself on
newly accessible sources.
Of particular interest
are the additional
performance instructions
for the solo violin and
solo cello, which were
gathered from the first
edition of the solo
parts. These indications
were supplied by the
soloists of the first
performance, Joseph
Joachim and Robert
Hausmann. No doubt
authorized by Brahms,
they communicate valuable
insights into the
performance practice of
the time. The new
material also contains a
part in which the solo
violin and cello are
notated one above the
other. The trio edition
for violin, violoncello
and piano (EB 6040),
which was made by Brahms
himself, has proven
itself for chamber
performances; it
continues to be
available.The full score
is a conductor's dream:
big, bold, and
beautifully laid out on
glare-free bluff paper.
(Strings).
Chamber Music Cello, Piano SKU: PR.114422730 Composed by Stacy Garrop. Se...(+)
Chamber Music Cello,
Piano
SKU:
PR.114422730
Composed
by Stacy Garrop. Set of
Score and Parts. 8+2
pages. Duration 5
minutes. Theodore Presser
Company #114-42273.
Published by Theodore
Presser Company
(PR.114422730).
Duo Violoncelle, Piano Guitare classique Carl Fischer
Chamber Music Cello, Piano SKU: CF.CY1388 Composed by Henry Brant. Set of...(+)
Chamber Music Cello,
Piano
SKU:
CF.CY1388
Composed by
Henry Brant. Set of Score
and Parts. With Standard
notation. Composed 1937.
52+18 pages. Carl Fischer
Music #CY1388. Published
by Carl Fischer Music
(CF.CY1388).
ISBN
9780825880612. UPC:
798408080617. 9.5 x 13
inches.
The Duo,
written by then
24-year-old Brant, was
revised and reworked in
1962 and dedicated to the
cellist George Finckel,
with whom Brant served on
the faculty at
Bennington. The Duo is
comprised of five
movements (I. Sonata; II.
Ballad; III. Scherzo; IV.
Recitative; V.
Invention).
Chamber Music Cello, Piano SKU: PR.144400530 Composed by Henri Lazarof. S...(+)
Chamber Music Cello,
Piano
SKU:
PR.144400530
Composed
by Henri Lazarof. Saddle.
Set of Score and Parts.
With Standard notation.
12+4 pages. Theodore
Presser Company
#144-40053. Published by
Theodore Presser Company
(PR.144400530).