In a Minor, Op. Posth. D 821 - Version for Violoncello and Piano. By Franz Schub...(+)
In a Minor, Op. Posth. D
821 - Version for
Violoncello and Piano. By
Franz Schubert. Edited by
W.-D. Seiffert.
Violoncello. Pages: Score
= XI and 29 * Vc Part =
13. Edition for
Violoncello-paper bound.
Published by G. Henle.
(Cello and Piano). Composed by Edward Gregson. For Cello, Piano Accompaniment. M...(+)
(Cello and Piano).
Composed by Edward
Gregson. For Cello, Piano
Accompaniment. Music
Sales America. 52 pages.
Novello and Co Ltd.
#NOV958089. Published by
Novello and Co Ltd.
Composed by Johannes Brahms (1833-1897). Edited by Clive Brown / Neal Peres Da C...(+)
Composed by Johannes
Brahms (1833-1897).
Edited by Clive Brown /
Neal Peres Da Costa /
Kate Bennett Wadsworth.
For cello and piano. This
edition: Urtext edition.
Stapled. With an Urtext
solo part by Clive Brown
and a solo part with
bowing and fingering by
Kate Bennett Wadsworth;
Fingering in the piano
part by Neal Peres Da
Costa; Performance
Practice Commentary by C.
Brown, N. P. Da Costa and
K. B. Wadsworth. Level 3.
Score and part. Text
Language: German/English.
Opus 38. Published by
Baerenreiter Verlag
Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Part.
12 pages. Duration 23'.
Breitkopf and Haertel #OB
5283-15. Published by
Breitkopf and Haertel
(BR.OB-5283-15).
ISBN
9790004332832. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.
Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Part.
12 pages. Duration 23'.
Breitkopf and Haertel #OB
5283-19. Published by
Breitkopf and Haertel
(BR.OB-5283-19).
ISBN
9790004332856. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.
Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Part.
12 pages. Duration 23'.
Breitkopf and Haertel #OB
5283-23. Published by
Breitkopf and Haertel
(BR.OB-5283-23).
ISBN
9790004332863. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.
Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
Folder.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Set
of parts. 78 pages.
Duration 23'. Breitkopf
and Haertel #OB 5283-30.
Published by Breitkopf
and Haertel
(BR.OB-5283-30).
ISBN
9790004332887. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.
Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Part.
12 pages. Duration 23'.
Breitkopf and Haertel #OB
5283-16. Published by
Breitkopf and Haertel
(BR.OB-5283-16).
ISBN
9790004332849. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.
Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Part.
8 pages. Duration 23'.
Breitkopf and Haertel #OB
5283-27. Published by
Breitkopf and Haertel
(BR.OB-5283-27).
ISBN
9790004332870. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.
Edited by George A. Speckert. Stapled. Ready to Play. Performance score, part(s...(+)
Edited by George A.
Speckert. Stapled. Ready
to Play. Performance
score, part(s),
anthology. With Language:
German/English. 43301
pages. Baerenreiter
Verlag #BA10632.
Published by Baerenreiter
Verlag (BA.BA10632).
Cello and piano SKU: M7.SAE-22-01 Composed by Lucian Moraru. Sheet music....(+)
Cello and piano
SKU:
M7.SAE-22-01
Composed
by Lucian Moraru. Sheet
music. Piano reduction
with solo part. 16 pages.
SonArt Edition #SAE
22-01. Published by
SonArt Edition
(M7.SAE-22-01).
ISBN
9790707651551.
This
is a unique improvisation
for Cello and Piano based
on a theme by Erik Satie
and to which other
original themes have been
added. The work will
certainly be a delight
for the public because
the sound material is
treated in both classical
and jazzy style.
Certainly this is a piece
to be enjoyed by the
players, but audiences
have shown that they too
share the same pleasure,
for sure it is a smart
choice for the players
that want to achieve the
acclaim from the
audience. This piece of
music is suitable both
for concerts given by
professionals and for
auditions in schools,
colleges, conservatories
or can be used in various
other private events.
Cello - intermediate to advanced SKU: HL.49018992 8 Tangos. Compos...(+)
Cello - intermediate to
advanced
SKU:
HL.49018992
8
Tangos. Composed by
Peter Ludwig. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Softcover. 92
pages. Schott Music
#ED20884. Published by
Schott Music
(HL.49018992).
ISBN
9790001172417. UPC:
841886015265.
9.0x12.0x0.24
inches.
The
pianist, composer,
arranger and cabaret
artist Peter Ludwig is an
all-round talent from
Bavaria. He writes film
music, chansons, chamber
music, piano music, and,
above all, beautiful
inspired tangos bridging
the gap between South
America and Europe.
Together with the cellist
Anja Lechner, he received
the award of the German
Phono Academy for his CD
'Tango mortale' in the
1980s. Since then, he has
not been able to get the
tango out of his mind,
and today he performs as
a pianist of the piano
trio 'Tango a trois'. The
tangos for violoncello
and piano are a valuable
addition to the cello
repertoire and also
perfect for concert
performances.
Cello and Piano SKU: AP.36-M399091 Arranged by Franz Schubert and ed./arr...(+)
Cello and Piano
SKU:
AP.36-M399091
Arranged by Franz
Schubert and ed./arr. by
Janos Starker/ Emilio
Colon. Cello. Starker
Performance Editions -
LudwigMasters. Book.
LudwigMasters
Publications #36-M399091.
Published by
LudwigMasters
Publications
(AP.36-M399091).
ISBN
9798892704205. UPC:
659359782817.
English.
Originally
composed in 1824 for the
arpeggione, a 6 string
bowed guitar, this
arrangement of Schubert's
SONATA IN A MINOR is a
beautiful and challenging
piece of cello
repertoire. This
excellent edition for
cello and piano is edited
by Janos Starker and
Emilio Colón.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Chamber Music Cello, Piano SKU: PR.114418340 For Cello and Piano. ...(+)
Chamber Music Cello,
Piano
SKU:
PR.114418340
For
Cello and Piano.
Composed by Eric Ewazen.
Sws. Set of Score and
Parts. 12+2 pages.
Duration 7 minutes.
Theodore Presser Company
#114-41834. Published by
Theodore Presser Company
(PR.114418340).
ISBN
9781491132166. UPC:
680160641826. 9 x 12
inches.
A beautiful
cantabile song without
words, A SONG FROM THE
HEART has all of
Ewazen’s
expressive elegance, and
is a perfect recital
piece both forÂ
students and
professionals. Originally
composed for Trumpet and
Piano, this lyrical work
has been transcribed for
Cello by the
composer.
By Various. Arranged by Darwin Wolford. For cello and piano. Includes part for c...(+)
By Various. Arranged by
Darwin Wolford. For cello
and piano. Includes part
for cello only. Piano
accompaniment available
separately (see item
01436). Medium. Published
by Jackman Music
Corporation (JK.01162).
This book of hymns for
cello with piano
accompaniment includes:
"A Poor Wayfaring Man of
Grief" "Abide with Me;
'Tis Eventide" "Beautiful
Zion for Me" "Come Thou
Fount of Every Blessing"
"God Is Love" "I Am a
Child of God" "I Know
That My Redeemer Lives"
"Love at Home" "Sweet
Hour of Prayer" "The Lord
is My Shepherd".
By Ludwig van Beethoven. Edited by Stutschewsky. For violoncello, piano. 12 Vari...(+)
By Ludwig van Beethoven.
Edited by Stutschewsky.
For violoncello, piano.
12 Variations on a theme
by Handel(Judas
Maccabaeus)(WoO45); 12
Variations on a theme by
Mozart(The Magic
Flute)(Op.66); 7
Variations on a theme by
Mozart(The Magic
Flute)(WoO46). Published
by C.F. Peters.
Cello; Piano Accompaniment - intermediate SKU: HL.49019267 Violoncello...(+)
Cello; Piano
Accompaniment -
intermediate
SKU:
HL.49019267
Violoncello and
Piano. Composed by
George Goltermann. Edited
by Fritz Zumkley. This
edition: Saddle
stitching. Sheet music.
String. Stilistisch ganz
dem romantischen Geist
ihrer Zeit verhaftet,
handelt es sich um
relativ kurze Stucke.
Nicht zuletzt aufgrund
ihrer melodischen und
harmonischen
Eingangigkeit erfreuen
sie sich nachhaltiger
Beliebtheit sowohl im
Unterricht wie im
hausliche. Classical.
Softcover. Op. 54/3. 8
pages. Schott Music
#CB247. Published by
Schott Music
(HL.49019267).
ISBN
9790001180689. UPC:
841886018143.
9.0x12.0x0.074 inches.
Edited with fingerings
and bowings by Fritz
Zumkley.
Goltermann
(1824-1898) left a
plethora of works for his
instrument, including
seven cello concertos
which sometimes go to the
limitsof what was
considered to be
technically playable in
his time. Even today,
these works have
maintained their
importance throughout the
methodological progress
in literature. Apart from
the concertos, Goltermann
also composed a large
number of character
pieces, including
romances, reveries,
nocturnes and serenades.
Stylistically wholly
rooted in the Romantic
spirit of their time, the
pieces are relatively
short and of medium
difficulty as regards the
technical demands. It is
not least due to their
melodic and harmonic
catchiness that they
enjoy a lasting
popularity both in music
lessons and in domestic
concerts.
Chamber Music Cello, Piano SKU: PR.114418880 Composed by Eric Ewazen. Sws...(+)
Chamber Music Cello,
Piano
SKU:
PR.114418880
Composed
by Eric Ewazen. Sws. Set
of Score and Parts. 12+4
pages. Duration 6:30.
Theodore Presser Company
#114-41888. Published by
Theodore Presser Company
(PR.114418880).
ISBN
9781491129289. UPC:
680160668618. 9 x 12
inches.
Idealism,
humanity, world peace,
and altruism, have been
recurring themes and
inspirations in many
compositions by Eric
Ewazen. In 2007, the
Sejong Soloists
commissioned this work
for Cello and Strings to
feature Paula Zahn as
guest soloist –
the celebrated
telejournalist is an
exceptional cellist, and
a frequent and
distinguished host for
the concerts Sejong
performs in New York
City. The work was
written for a gala
concert honoring Ban
Ki-Moon, Secretary
General of the United
Nations, and therefore
the ultimate leader of
international
peacekeeping efforts. The
resulting work, equally
suitable for Cello and
Piano, is appropriately
titled A POEM OF
HOPE.
Cello and piano (solo: vc - 2.2.2.2 - 2.0.0.0 - str) SKU: BR.CB-215 Or...(+)
Cello and piano (solo: vc
- 2.2.2.2 - 2.0.0.0 -
str)
SKU:
BR.CB-215
Original
Version. Composed by
Pjotr Iljitsch
Tschaikowsky. Edited by
Thomas Kohlhase. Solo
instruments; Softcover.
Variations; Solo
concerto; Romantic. Piano
reduction. 48 pages.
Duration 18'. Breitkopf
and Haertel #CB 215.
Published by Breitkopf
and Haertel (BR.CB-215).
ISBN 9790001157223. 9
x 12 inches.
The
triumphal concert hall
success of Tchaikovsky's
most popular and
musically most valuable
concert pieces for solo
instrument and orchestra
was preceded by severe
teething troubles. His
Piano Concerto No. 1 Op.
23 of 1874/75 was slated
by Tchaikovsky's mentor
and potential performer
at the premiere, the
pianist, conductor and
director of the Moscow
Conservatory, Nikolai
Rubinstein. So Hans von
Bulow premiered it
gratefully and
enthusiastically (in
Boston, USA, on 25
October 1875). Leopold
Auer, violin virtuoso and
professor at the
Petersburg Conservatory,
to whom Tchaikovsky
wanted to dedicate his
Violin Concerto Op. 35 of
1878, refused to premiere
it - he regarded the solo
part as unrewarding and
unplayable. On 4 December
1881, Adolf Brodsky
premiered the Violin
Concerto in Vienna, with
Hans Richter conducting,
but Eduard Hanslick wrote
a crushing and unpleasant
review. The Variations on
a Rococo Theme for Cello
and Orchestra Op. 33 were
finally published by
their dedicatee, the
German cellist and
professor at the Moscow
Conservatory, Wilhelm
Fitzenhagen, after he had
almost completely
rewritten and then
premiered it on 18
December 1877 in Moscow,
while Tchaikovsky, who
had asked him to publish
the work, was abroad. The
original version, which
can be found in this
edition, was not
published until the
1950s.
Cello, Piano SKU: HU.HN711 Composed by Camille Saint-Saens. Edited by Peter Jos...(+)
Cello, Piano
SKU: HU.HN711
Composed by Camille
Saint-Saens. Edited by
Peter Jost. Strings,
Repertoire, Solos. Cello
Concerto No. 1 in A minor
Op. 33. Softcover Book.
58 pages. G. Henle
#HN711. Published by G.
Henle (HU.HN711).
12.2 x 9.2 x 0.2 inches.
This urtext edition has
been marked up by David
Geringas and supplied
with a detailed preface
by the editor, Peter
Jost. Johannes Umbreit
has revised the
composer's highly
playable piano reduction
to suit the needs of
today's performers.
Cello and Piano. Composed by Jacques Offenbach (1819- 1880). Boosey & Haw...(+)
Cello and Piano. Composed
by
Jacques Offenbach (1819-
1880). Boosey &
Hawkes
Chamber Music. Classical.
Softcover. Boosey &
Hawkes
#M202535080. Published by
Boosey & Hawkes
It's a Cello Thing Violoncelle, Piano [Partition + Accès audio] - Intermédiaire Boosey and Hawkes
Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.48025039 ...(+)
Cello; Piano
Accompaniment (Cello Part
And Piano Score)
SKU:
HL.48025039
Book
2. Composed by Ailbhe
McDonagh. Boosey & Hawkes
Chamber Music. Classical,
Instruction. Softcover
Audio Online. 68 pages.
Boosey & Hawkes
#M060138003. Published by
Boosey & Hawkes
(HL.48025039).
ISBN
9781784546359. UPC:
196288021032. 0.199
inches.
It's a
Cello Thing - Book 2
*fourteen distinctive
pieces - perfect for
developing cellists of
all ages *inventive
progressive repertoire
players of grade 4-8
standard *informative
tips on style and
technique for every piece
*audio demonstrations by
the composer...it's a
cello thing.
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Michael
Struck. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
piano reduction and the
study score
(,,Studien-Edition) are
available at G. Henle
Verlag. Solo concerto;
Romantic. Part. 12 pages.
Duration 35'. Breitkopf
and Haertel #OB 16104-19.
Published by Breitkopf
and Haertel
(BR.OB-16104-19).
ISBN
9790004339435. 10 x 12.5
inches.
The
publishers Henle and
Breitkopf & Hartel are
continuing their
collaboration, now with
Brahms, by publishing the
performance material of
the double concerto.
Brahms's last work with
orchestra was published
in the new Brahms
Complete Edition in 2002,
whereby the editor was
able to base himself on
newly accessible sources.
Of particular interest
are the additional
performance instructions
for the solo violin and
solo cello, which were
gathered from the first
edition of the solo
parts. These indications
were supplied by the
soloists of the first
performance, Joseph
Joachim and Robert
Hausmann. No doubt
authorized by Brahms,
they communicate valuable
insights into the
performance practice of
the time. The new
material also contains a
part in which the solo
violin and cello are
notated one above the
other. The trio edition
for violin, violoncello
and piano (EB 6040),
which was made by Brahms
himself, has proven
itself for chamber
performances; it
continues to be
available.The full score
is a conductor's dream:
big, bold, and
beautifully laid out on
glare-free bluff paper.
(Strings).
By Jan Krtitel Vanhal. For cello and piano. Cello. Czech title: Koncert A dur pr...(+)
By Jan Krtitel Vanhal.
For cello and piano.
Cello. Czech title:
Koncert A dur pro
violoncello a orchestr.
Classical. Piano
reduction. Publication
language: Czech.
Published by Editio
Baerenreiter Praha
Cello & piano - Difficult SKU: OU.9780193408654 Composed by Michael Berke...(+)
Cello & piano - Difficult
SKU:
OU.9780193408654
Composed by Michael
Berkeley. Score and part.
12 pages. Duration 7.5'.
Oxford University Press
#9780193408654. Published
by Oxford University
Press (OU.9780193408654).
ISBN 9780193408654. 12
x 8 inches.
A
virtuosic single movement
piece for cello and piano
which moves through a
series of moods from
mysterious and
atmospheric to turbulent
and agitated, and takes
full advantage of the
range of timbral,
rhythmic, and textural
possibilities allowed by
this combination of
instruments.
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Michael
Struck. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
piano reduction and the
study score
(,,Studien-Edition) are
available at G. Henle
Verlag. Solo concerto;
Romantic. Part. 12 pages.
Duration 35'. Breitkopf
and Haertel #OB 16104-27.
Published by Breitkopf
and Haertel
(BR.OB-16104-27).
ISBN
9790004339459. 10 x 12.5
inches.
The
publishers Henle and
Breitkopf & Hartel are
continuing their
collaboration, now with
Brahms, by publishing the
performance material of
the double concerto.
Brahms's last work with
orchestra was published
in the new Brahms
Complete Edition in 2002,
whereby the editor was
able to base himself on
newly accessible sources.
Of particular interest
are the additional
performance instructions
for the solo violin and
solo cello, which were
gathered from the first
edition of the solo
parts. These indications
were supplied by the
soloists of the first
performance, Joseph
Joachim and Robert
Hausmann. No doubt
authorized by Brahms,
they communicate valuable
insights into the
performance practice of
the time. The new
material also contains a
part in which the solo
violin and cello are
notated one above the
other. The trio edition
for violin, violoncello
and piano (EB 6040),
which was made by Brahms
himself, has proven
itself for chamber
performances; it
continues to be
available.The full score
is a conductor's dream:
big, bold, and
beautifully laid out on
glare-free bluff paper.
(Strings).
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Michael
Struck. Folder.
Orchester-Bibliothek
(Orchestral Library). The
piano reduction and the
study score
(,,Studien-Edition) are
available at G. Henle
Verlag. Solo concerto;
Romantic. Set of parts.
100 pages. Duration 35'.
Breitkopf and Haertel #OB
16104-30. Published by
Breitkopf and Haertel
(BR.OB-16104-30).
ISBN
9790004339466. 10 x 12.5
inches.
The
publishers Henle and
Breitkopf & Hartel are
continuing their
collaboration, now with
Brahms, by publishing the
performance material of
the double concerto.
Brahms's last work with
orchestra was published
in the new Brahms
Complete Edition in 2002,
whereby the editor was
able to base himself on
newly accessible sources.
Of particular interest
are the additional
performance instructions
for the solo violin and
solo cello, which were
gathered from the first
edition of the solo
parts. These indications
were supplied by the
soloists of the first
performance, Joseph
Joachim and Robert
Hausmann. No doubt
authorized by Brahms,
they communicate valuable
insights into the
performance practice of
the time. The new
material also contains a
part in which the solo
violin and cello are
notated one above the
other. The trio edition
for violin, violoncello
and piano (EB 6040),
which was made by Brahms
himself, has proven
itself for chamber
performances; it
continues to be
available.The full score
is a conductor's dream:
big, bold, and
beautifully laid out on
glare-free bluff paper.
(Strings).