Cello and piano - easy to intermediate SKU: HL.49044195 Composed by Georg...(+)
Cello and piano - easy to
intermediate
SKU:
HL.49044195
Composed
by George Gershwin.
Arranged by Wolfgang
Birtel. This edition:
Saddle stitching. Sheet
music. String. Inspiriert
von den 24 Preludes
Chopins begann George
Gershwin er Mitte der
20er Jahre selbst
'Preludes' fur Klavier zu
schreiben. Diese
verbinden klassische
Momente mit
Jazz-Elementen zu einem
wirkungsvollen Ganzen,
konnen einzeln oder als
kleine Jazz-Son.
Softcover. 16 pages.
Schott Music #ED21485.
Published by Schott Music
(HL.49044195).
ISBN
9790001190879. UPC:
840126933604.
9.0x12.0x0.065
inches.
The
melodies from George
Gershwin's (1898-1937)
musicals, from 'Porgy and
Bess', from orchestral
pieces like 'Rhapsody in
Blue' or 'An American in
Paris', we all know them!
But the career of the
young musician started as
a pianist in a music
publishing house where he
was to encourage
customers to buy music by
playing it. Soon he began
to compose music himself
and caught the attention
of the Broadway, which
paved the way to his
international career.
Inspired by Frederic
Chopin's 24 Preludes, he
began to write his own
'Preludes' for the piano
in the mid-1920s: Of the
five preludes composed by
him, he used two for the
violin composition 'Short
Story' and presented the
other three at a concert
on 4 December 1926. These
'Preludes' combine
classical moments and
jazz elements into an
effective whole and can
be played individually or
as a little jazz sonata
(fast - slow - fast).
Thanks to the present
arrangement, the charming
miniatures are now
available in a version
for solo instrument and
piano accompaniment.
Old American Songs Violoncelle, Piano [Partition + Accès audio] Boosey and Hawkes
Cello and Piano. Composed by Aaron Copland (1900-1990). Boosey and Hawkes Cham...(+)
Cello and Piano. Composed
by
Aaron Copland
(1900-1990).
Boosey and Hawkes Chamber
Music. Softcover Audio
Online. 56 pages.
Published
by Boosey and Hawkes
From Jewish Life Violoncelle, Piano Guitare classique Carl Fischer
Chamber Music Cello, Piano SKU: CF.BF141 Composed by Ernest Bloch. Edited...(+)
Chamber Music Cello,
Piano
SKU:
CF.BF141
Composed by
Ernest Bloch. Edited by
Julian Schwarz. 12+8
pages. Carl Fischer Music
#BF141. Published by Carl
Fischer Music (CF.BF141).
ISBN 9781491159989.
UPC:
680160918584.
The
three pieces From Jewish
Life were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.
The
first movement, Prayer,
is a deeply heartfelt
plea to the almighty. As
Neil W Levin writes, The
initial four-note motive
in the minor mode,
together with its
elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt
pathos.
The second
movement, Supplication
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish
experience.
The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917.
Though
the popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance. The first
movement, Prayer, is a
deeply heartfelt plea to
the almighty. As Neil W
Levin writes, The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos. The
second movement,
Supplication (the act of
begging humbly), has more
angst, almost a sense of
urgency as a result of
the rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience. The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917. Though the
popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.The first
movement,
“Prayerâ€, is
a deeply heartfelt plea
to the almighty. As Neil
W Levin writes,
“The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max
Janowski’s
(1912–1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu.†This
prayer has special
meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both
“Prayer†and
Janowski’s Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos.The
second movement,
“Supplicationâ€
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, “Jewish
Songâ€, evokes a
quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience.The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of
Bloch’s most
celebrated work, Schelomo
in 1917.Though the
popularity of
Bloch’s oeuvre has
been dominated by works
of Jewish connection, we
should not forget that
Bloch had many other
stylistic periods,
including Franco-Belgian,
modal, serial, and even
American folk. In 1927,
he was awarded Musical
America’s
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music.
By Janice Tucker Rhoda. For Cello, Cello and Piano. CD contains piano accompanim...(+)
By Janice Tucker Rhoda.
For Cello, Cello and
Piano. CD contains piano
accompaniments as audio
and printable PDF; Also
includes complete
performances.
Instructional.
Instructional book and
CD. Published by Carl
Fischer
Violin, Cello and Piano Piano Accompaniment; String Duet (Score & Parts) SKU:...(+)
Violin, Cello and Piano
Piano Accompaniment;
String Duet (Score &
Parts)
SKU:
HL.49046306
Violin, Cello and
Piano Score and
Parts. Composed by
Jose Fernandez Diaz.
Ensemble. Classical.
Softcover. 16 pages.
Schott Music #ED21587.
Published by Schott Music
(HL.49046306).
ISBN
9781540070982. UPC:
842819109921.
Who
does not know the song
Guantanamera? Dating back
to a tune of the Cuban
musical style Guajira and
a text by the national
hero Jose Marti, it was
used by Jose Fernandez
Diaz in the 30s as a
refrain to improvise on
current day topics. Pete
Seeger reopened the Marti
original in 1963 at a
concert in New York's
Carnegie Hall - it became
a hymn to the American
trade union movement. The
song has since been sung
in countless versions,
right up to the Rudi
Voller battle song, which
echoed in 2002 in the
football stadiums. This
issue gives you the
opportunity to play the
world hit with piano trio
- have fun!