Cello and Piano - easy SKU: BT.EMBZ6748 Easy concert pieces in first p...(+)
Cello and Piano - easy
SKU: BT.EMBZ6748
Easy concert pieces in
first position. By
Arpad Pejtsik. By Endre
Lengyel. EMB Music for
Beginners. Educational
Tool. Book Only. Composed
1973. 64 pages. Editio
Musica Budapest
#EMBZ6748. Published by
Editio Musica Budapest
(BT.EMBZ6748).
Hungarian-English-Germ
an-French.
The
volumes of the series
cover the entire music
literature from the
earliest centurties to
our days. The material of
the individual volumes
containing short, easy
pieces to be played in
the first three-four
years of studying the
instrument has been
compiled by accomplished
music teachers. The
majority of the
contemporary works
included in the volumes
have been published in
this series for the first
time. An ABRSM syllabus
title, 2010-16, Grade
2-3.
Score & Parts Cello SKU: HL.51481132 For Violoncello and Piano. Co...(+)
Score & Parts Cello
SKU: HL.51481132
For Violoncello and
Piano. Composed by
Jean-Louis Duport. Edited
by Norbert Gertsch. Henle
Music Folios. Classical.
Softcover. 42 pages. G.
Henle #HN1132. Published
by G. Henle
(HL.51481132).
UPC:
840126989656.
9.0x12.0x0.35
inches.
“More
than 20 years ago I was
called upon by friends,
artists, and aficionados
to write about fingerings
for the
violoncello,â€
then-famous Berlin
cellist Jean-Louis Duport
thus opens his
“Essai†from
1806, dedicated to
“Professeurs de
Violoncelle.†His
methodology
revolutionized cello
technique, and the 21
etudes printed in its
appendix are still
regarded today as perhaps
the most important set of
studies for all budding
cellists. Modelled after
the volumes of etudes for
violin, Henle is also
issuing the Urtext here,
together with all
original fingerings and
bowings, while also
offering alternatives by
the famous cellist and
teacher Wolfgang Emanuel
Schmidt. This edition
also offers a second
cello part provided by
Duport for
accompaniment.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Set of Parts Cello; Chamber Music; Piano Accompaniment; Violin (Ensemble) SKU...(+)
Set of Parts Cello;
Chamber Music; Piano
Accompaniment; Violin
(Ensemble)
SKU:
HL.51481532
Set of
Parts for Violin, Cello
and Piano. Composed
by Felix Bartholdy
Mendelssohn. Henle Music
Folios. Classical.
Softcover. G. Henle
#HN1532. Published by G.
Henle (HL.51481532).
UPC: 840126989298.
9.25x12.25x0.357
inches.
After the
great success of his
first Piano Trio in d
minor op. 49, some five
years passed before
Mendelssohn set to work
on a new composition for
this formation. But then
the c-minor Trio came
into being in a
relatively short period
in March/April 1845 and
was published around a
year later. Much more
sombre in character than
the sibling work, this
second trio is also
considered much more
difficult in terms of
technique (above all in
the piano part). Thus, it
has always stood somewhat
in the shadow of the
earlier trio. However,
chamber music aficionados
generally regard it as
the more mature and
challenging work in terms
of compositional
technique. The trio,
taken from the volume
Mendelssohn • Piano
Trios HN 957, is now
available from Henle for
the first time also as a
practical single
edition.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages with
a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most
beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
(Movements I and II Arranged for Cello and Piano). Composed by Igor Fyodorovich ...(+)
(Movements I and II
Arranged for Cello and
Piano). Composed by Igor
Fyodorovich Stravinsky.
Arranged by David
Dutkanicz. For cello,
piano. 8 2 pages.
Published by Carl Fischer
From Jewish Life Violoncelle, Piano Guitare classique Carl Fischer
Chamber Music Cello, Piano SKU: CF.BF141 Composed by Ernest Bloch. Edited...(+)
Chamber Music Cello,
Piano
SKU:
CF.BF141
Composed by
Ernest Bloch. Edited by
Julian Schwarz. 12+8
pages. Carl Fischer Music
#BF141. Published by Carl
Fischer Music (CF.BF141).
ISBN 9781491159989.
UPC:
680160918584.
The
three pieces From Jewish
Life were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.
The
first movement, Prayer,
is a deeply heartfelt
plea to the almighty. As
Neil W Levin writes, The
initial four-note motive
in the minor mode,
together with its
elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt
pathos.
The second
movement, Supplication
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish
experience.
The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917.
Though
the popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance. The first
movement, Prayer, is a
deeply heartfelt plea to
the almighty. As Neil W
Levin writes, The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos. The
second movement,
Supplication (the act of
begging humbly), has more
angst, almost a sense of
urgency as a result of
the rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience. The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917. Though the
popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.The first
movement,
“Prayerâ€, is
a deeply heartfelt plea
to the almighty. As Neil
W Levin writes,
“The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max
Janowski’s
(1912–1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu.†This
prayer has special
meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both
“Prayer†and
Janowski’s Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos.The
second movement,
“Supplicationâ€
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, “Jewish
Songâ€, evokes a
quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience.The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of
Bloch’s most
celebrated work, Schelomo
in 1917.Though the
popularity of
Bloch’s oeuvre has
been dominated by works
of Jewish connection, we
should not forget that
Bloch had many other
stylistic periods,
including Franco-Belgian,
modal, serial, and even
American folk. In 1927,
he was awarded Musical
America’s
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music.
For Cello and Piano Reduction. Composed by Richard Strauss (1864-1949). Edite...(+)
For Cello and Piano
Reduction. Composed by
Richard Strauss
(1864-1949).
Edited by Peter Jost.
Henle
Music Folios. Softcover.
G.
Henle #HN1468. Published
by
G. Henle
Violoncello & Piano SKU: SU.94010750 For Violoncello & Piano. Comp...(+)
Violoncello & Piano
SKU: SU.94010750
For Violoncello &
Piano. Composed by
James Lee III. Strings,
Cello. Accompanied by
piano. Score & Parts.
Subito Music Corporation
#94010750. Published by
Subito Music Corporation
(SU.94010750).
Ekah is the
Hebrew word for
Lamentations, as in the
book of Lamentations in
the Bible. The literal
translation of this word
would be How or Ah! How.
When the cellist, Inbal
Segev asked me to write a
new piece for cello and
piano, and as a part of
our discussion, I decided
to compose a new piece
that reflected on the
immense challenges that
the year 2020 has
presented. The hows and
lamentations in this
piece might be: how can
there still be so much
hate in the world since
we are all equal and
created in the image of
God? How can there be
such police brutality in
2020? How and why is the
whole world suffering
with the Coronavirus
(COVID-19)? How can our
mental health, cities,
and communities be so
desolate? We can hope,
pray, and do our
responsible part to make
our life on this planet
meaningful during these
challenging times of the
year 2020. — James
Lee III Violoncello &
Piano Duration: 6'
Composed: 2020 Published
by: Subito Music
Publishing.
Cello and Piano - Grade 2 SKU: AP.36-52730061 Composed by Ted Hunter. Met...(+)
Cello and Piano - Grade 2
SKU:
AP.36-52730061
Composed by Ted Hunter.
Method/Instruction;
Reference Textbooks; Solo
Small Ensembles. Ludwig
Masters. Sacred. Book.
Latham Music Enterprises
#36-52730061. Published
by Latham Music
Enterprises
(AP.36-52730061).
ISBN
9781628760101. UPC:
746241200297.
English.
1st-4th
positions; cello plays
melody with simple
accompaniments. Includes
optional descant for
violin in addition to
descant part for cello.
Hymns included: Jesus
Loves Me; I Sing the
Mighty Power of God; Take
My Life, and Let it Be;
Come Thou Long-Expected
Jesus; Joyful, Joyful, We
Adore Thee; Amazing
Grace; For the Beauty of
the Earth; Holy, Holy,
Holy; Be Thou My Vision;
Fairest Lord Jesus.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.