By A. Vivaldi (1678-1741). For Cello. DOWANI Urtext 3 Tempi Play Along - Cello...(+)
By A. Vivaldi
(1678-1741). For Cello.
DOWANI Urtext 3 Tempi
Play Along - Cello.
Artist: Sergey
Sudzilovsky - Cello;
Vitaly Junitsky - Piano.
Level: Intermediate.
Sheet Music with CD (3
Tempi Play Along).
Published by Dowani
International. .
Composed by Various Artists. Dowani Book/CD. Play Along. Book with CD. Composed ...(+)
Composed by Various
Artists. Dowani Book/CD.
Play Along. Book with CD.
Composed 2006. 24 pages.
Dowani International #DOW
03506-400. Published by
Dowani International
Violoncelle, Piano [Partition + CD] - Intermédiaire Dowani
By G. Goltermann (1824-1898). For Cello. DOWANI Urtext 3 Tempi Play Along - Ce...(+)
By G. Goltermann
(1824-1898). For Cello.
DOWANI Urtext 3 Tempi
Play Along - Cello.
Artist: Konstantin
Krimets - Conductor;
Russian Philharmonic
Orchestra - Orchestra
accompaniment; Sergey
Sudzilovsky - Cello;
Vitaly Junitsky - Piano.
Level: Intermediate.
Sheet Music with CD (3
Tempi Play Along).
Published by Dowani
International.
Cello and Piano - easy SKU: BT.EMBZ6748 Easy concert pieces in first p...(+)
Cello and Piano - easy
SKU: BT.EMBZ6748
Easy concert pieces in
first position. By
Arpad Pejtsik. By Endre
Lengyel. EMB Music for
Beginners. Educational
Tool. Book Only. Composed
1973. 64 pages. Editio
Musica Budapest
#EMBZ6748. Published by
Editio Musica Budapest
(BT.EMBZ6748).
Hungarian-English-Germ
an-French.
The
volumes of the series
cover the entire music
literature from the
earliest centurties to
our days. The material of
the individual volumes
containing short, easy
pieces to be played in
the first three-four
years of studying the
instrument has been
compiled by accomplished
music teachers. The
majority of the
contemporary works
included in the volumes
have been published in
this series for the first
time. An ABRSM syllabus
title, 2010-16, Grade
2-3.
Orignally for Cello and Piano. By Frederic Chopin. Arranged by Thomas Robertello...(+)
Orignally for Cello and
Piano. By Frederic
Chopin. Arranged by
Thomas Robertello. For
Flute Solo, Piano, Flute
Solo, Piano. Classical.
Solo part with piano
reduction. Opus 65. 44
pages. Published by
Theodore Presser Company.
Souvenirs Violoncelle, Piano - Intermédiaire Salabert
Cello and Piano - intermediate SKU: BT.SLB-00595900 Extrait de la musi...(+)
Cello and Piano -
intermediate
SKU:
BT.SLB-00595900
Extrait de la musique
de scène pour « Le
Voyageur sans bagages
». Composed by
Francis Poulenc.
Classical. Book and
Part(s). Composed 2016. 5
pages. Editions Salabert
#SLB 00595900. Published
by Editions Salabert
(BT.SLB-00595900).
Chamber Music Cello, Piano SKU: PR.114423720 Composed by Andrii Dido...(+)
Chamber Music Cello,
Piano
SKU:
PR.114423720
Composed
by Andrii Didorenko. Set
of Score and Parts.
Duration 10 minutes.
Theodore Presser Company
#114-42372. Published by
Theodore Presser Company
(PR.114423720).
ISBN
9781491129487. UPC:
680160690404.
POSTC
ARDS FROM UKRAINE is a
charming-yet-fiery suite
of six character pieces
reflecting the culture
and music of
Didorenkoâ??s homeland.
The work was composed in
early 2022 following the
invasion. Movements 2 and
3 are inspired by folk
music with the piano
imitating sounds of the
bandura, and the other
four movements are free
settings of authentic
folk melodies. More
and more in recent times,
I turn to the musical
heritage of my native
Ukraine for inspiration.
Shortly after the start
of the war in Spring
2022, my friend and New
York pianist Evelyne
Luest approached me with
a suggestion to compose a
piece based on Ukrainian
folk music. As I began to
research authentic song
and dance styles, I was
immediately drawn to
their soulful melodies
and stirring rhythms.
Postcards from Ukraine
came into being in just
under a month.The second
of these six pieces is
written in the style of
duma, a sung epic poem
recited by itinerant
bards, accompanied on a
bandura; strumming on the
high piano strings
imitates the banduraâ??s
sound. In the third
piece, an ostinato bass
is another impression of
bandura playing, while
the cello references
Carpathian dance tunes.
The other four pieces are
my interpretations of
true Ukrainian folk
songs, typically sung a
cappella by a womenâ??s
choir, from small
villages that keep their
vocal traditions
alive.
Soprano voice, violin, cello and piano - difficult SKU: HL.49018711 Fo...(+)
Soprano voice, violin,
cello and piano -
difficult
SKU:
HL.49018711
For
soprano and piano
trio. Composed by
Thomas Larcher. This
edition: Saddle
stitching. Sheet music.
Score and parts. Composed
2002. 86 pages. Duration
15'. Schott Music
#ED20066. Published by
Schott Music
(HL.49018711).
ISBN
9790001145190. UPC:
884088794019.
9.25x12.0x0.244 inches.
English.
In a
magazine with reports on
mental institutions,
Thomas Larcher came
across interviews with
patients: 'These
sentences are of a strong
inner power, yet do not
claim to convey an
overall picture of these
people. There rather
appear snatches from
their world like a
stroboscope.' The soprano
part in Larcher's
composition attends to
these texts in a very
restraint, often
introverted manner, but
they continue to have an
effect in the
instrumental parts, like
catalysts of seemingly
disturbing processes. The
world premiere with
Juliane Banse, Christian
Tetzlaff, Nikolaj
Schneider and the
composer on the piano
took place at the
renowned festival
'Spannungen' in the power
station of Heimbach in
2002. Recently, a
recording has been
released by ECM New
Series.
From Jewish Life Violoncelle, Piano Guitare classique Carl Fischer
Chamber Music Cello, Piano SKU: CF.BF141 Composed by Ernest Bloch. Edited...(+)
Chamber Music Cello,
Piano
SKU:
CF.BF141
Composed by
Ernest Bloch. Edited by
Julian Schwarz. 12+8
pages. Carl Fischer Music
#BF141. Published by Carl
Fischer Music (CF.BF141).
ISBN 9781491159989.
UPC:
680160918584.
The
three pieces From Jewish
Life were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.
The
first movement, Prayer,
is a deeply heartfelt
plea to the almighty. As
Neil W Levin writes, The
initial four-note motive
in the minor mode,
together with its
elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt
pathos.
The second
movement, Supplication
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish
experience.
The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917.
Though
the popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance. The first
movement, Prayer, is a
deeply heartfelt plea to
the almighty. As Neil W
Levin writes, The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos. The
second movement,
Supplication (the act of
begging humbly), has more
angst, almost a sense of
urgency as a result of
the rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience. The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917. Though the
popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.The first
movement,
“Prayerâ€, is
a deeply heartfelt plea
to the almighty. As Neil
W Levin writes,
“The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max
Janowski’s
(1912–1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu.†This
prayer has special
meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both
“Prayer†and
Janowski’s Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos.The
second movement,
“Supplicationâ€
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, “Jewish
Songâ€, evokes a
quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience.The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of
Bloch’s most
celebrated work, Schelomo
in 1917.Though the
popularity of
Bloch’s oeuvre has
been dominated by works
of Jewish connection, we
should not forget that
Bloch had many other
stylistic periods,
including Franco-Belgian,
modal, serial, and even
American folk. In 1927,
he was awarded Musical
America’s
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music.
(Movements I and II Arranged for Cello and Piano). Composed by Igor Fyodorovich ...(+)
(Movements I and II
Arranged for Cello and
Piano). Composed by Igor
Fyodorovich Stravinsky.
Arranged by David
Dutkanicz. For cello,
piano. 8 2 pages.
Published by Carl Fischer
Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.284546 (+)
Cello; Piano
Accompaniment (Cello Part
And Piano Score)
SKU:
HL.284546
Cello
and Piano Version.
Composed by Kevin Volans.
Music Sales America.
Classical. Softcover.
Chester Music #CH86372 .
Published by Chester
Music (HL.284546).
For Bob is
arranged for Cello and
Piano. First performed by
Elisabeth Smalt and Kevin
Volans, London 2016.
Composers Note: I have no
idea where this piece
came from and how it is
structured. But before
and after I wrote it I
was nagged by the
question: what does the
viola have to do with the
piano? Did this
combination evolve by
unfortunate accident? The
viola was perfected in
the 18th century. Its
natural metier is
(private) chamber music.
The piano on the other
hand kept growing and
blossomed in the 19th
century as the ultimate
public instrument. If the
piano is to play with the
viola, it has to rein
back its power and pose
as an accompanist. Maybe
a third instrument,
perhaps from the 20th
century, is needed to
mediate between these two
very different sound
worlds. So whenwe play
this 'trio' with 2
instruments I invite the
listener to mentally add
the silent part(ner). -
Kevin Volans.
Un Automne a Paris Violoncelle, Piano [Conducteur et Parties séparées] - Facile FLEX Editions
Cello, Piano - Grade 2 SKU: FL.FX071927 Composed by Alain Lopez. Classica...(+)
Cello, Piano - Grade 2
SKU: FL.FX071927
Composed by Alain Lopez.
Classical, Educational.
Score and Set of Parts.
FLEX Editions #FX071927.
Published by FLEX
Editions (FL.FX071927).
The wind
carries away the yellow
leaves fallen on the
pavement, the cafes put
tables and chairs in... I
evoke here a fall tour
that is difficult to do
quietly in Paris. How to
take your time in this
city with so many streets
to cross (musical phrases
of 3 measures), cars or
buses to avoid (musical
phrases starts on the
second time). While the
chestnut vendors are on
subway entrances, how not
to hurry like others
(theme B) to 'catch' the
subway...
Cello; Piano Accompaniment SKU: HL.50512037 Cello and Piano. Compo...(+)
Cello; Piano
Accompaniment
SKU:
HL.50512037
Cello
and Piano. Composed
by Franz Liszt. Edited by
Csiky Boldizsar. Arranged
by Csí, ky
Boldizsá, and r.
Romantic. EMB. Classical.
Softcover. 14 pages.
Editio Musica Budapest
#Z14779. Published by
Editio Musica Budapest
(HL.50512037).
ISBN
9790080147795. UPC:
884088668723.
9.0x12.0x0.079 inches.
Ferenc Liszt; Boldizsar
Csiky.
The arranger
of this work (a
well-known Hungarian
composer living in
Romania) writes: +This
piece has always excited
my imagination, from
several points of view.
First of all, its name.
The German title, the
obstinate one, may refer
to its ostinato
character. This is close
to Liszt's programme
concept, but the French
word 'obstine' is closer
in meaning to stubborn.
There is just a shade of
difference, but to me it
is important, because the
latter suggests the
description of a type of
behaviour, the emotional
state of a dancer's inner
frame of mind abstracted
into movements, expressed
in dance movements, and
this is a fascinating
interpretation. The
demonstration of stubborn
resistance and defiance
to the point of
exhaustion was not a
frequently occurring
phenomenon with Liszt.
Secondly, at the
beginning of the
seventies Zoltan Kocsis
played the piece in
Transylvania. At that
time, I asked the
composer, +Is the
character of the
continuous staccato in
the left hand sharp,
short, or an accompanying
background like a
constant shadow? Is it a
weighty Brahmsian
staccato, an ominous
knocking? - and so on.
Then there are the
Bartokian false relations
that keep recurring in
the work, the B-E flat-G,
etc. That foreshadows
Debussy, creating
harmonic thrills that,
when I hear the work,
keep my continuing
interest alive for it.
Finally, my immediate
reason for arranging the
work was of a family
nature: in connection
with Liszt's jubilee
year, my daughter, who is
a cellist, wanted a 'more
energetic' piece to play
at a bicentenary concert
an addition to the
existing slow, lyrical,
or sombre works written
by Liszt for the
cello.+.
Score & Parts Cello SKU: HL.51481132 For Violoncello and Piano. Co...(+)
Score & Parts Cello
SKU: HL.51481132
For Violoncello and
Piano. Composed by
Jean-Louis Duport. Edited
by Norbert Gertsch. Henle
Music Folios. Classical.
Softcover. 42 pages. G.
Henle #HN1132. Published
by G. Henle
(HL.51481132).
UPC:
840126989656.
9.0x12.0x0.35
inches.
“More
than 20 years ago I was
called upon by friends,
artists, and aficionados
to write about fingerings
for the
violoncello,â€
then-famous Berlin
cellist Jean-Louis Duport
thus opens his
“Essai†from
1806, dedicated to
“Professeurs de
Violoncelle.†His
methodology
revolutionized cello
technique, and the 21
etudes printed in its
appendix are still
regarded today as perhaps
the most important set of
studies for all budding
cellists. Modelled after
the volumes of etudes for
violin, Henle is also
issuing the Urtext here,
together with all
original fingerings and
bowings, while also
offering alternatives by
the famous cellist and
teacher Wolfgang Emanuel
Schmidt. This edition
also offers a second
cello part provided by
Duport for
accompaniment.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Clarinet in Bb, cello and piano - difficult SKU: HL.49017074 Music for...(+)
Clarinet in Bb, cello and
piano - difficult
SKU:
HL.49017074
Music
for Clarinet in Bb, Cello
and Piano. Composed
by Christian Jost. This
edition: Saddle
stitching. Sheet music.
Misc. Score and parts.
Composed 2007. 52 pages.
Duration 12'. Schott
Music #ED 20369.
Published by Schott Music
(HL.49017074).
ISBN
9790001151573.
9.0x12.0x0.182
inches.
In this
trio, as in most of his
compositions, Jost has
pictures and associations
with true incidents,
films and novels in his
mind. What inspired him
to write this piece was
Joseph Conrad's novel
'Heart of Darkness' in
which the protagonist
Marlow says about the
city of Brussels: 'In a
few hours I arrived in a
city that always make me
think of a whited
sepulchre.'In 'Sepulchral
City', a work
commissioned to mark the
tenth anniversary of the
Jerusalem Chamber Music
Festival, however, the
title refers to
Jerusalem, the city of
white tombs. The topic of
Jost's trio is a travel
into the soul and living
spirit of a city, with no
physical movement being
needed to find the heart
of impenetrable darkness:
It lies within the city
walls.In this respect,
'Sepulchral City' equals
a compositionally
unfolded funeral bell.
Even the animated middle
section rather has
insisting than
progressive power. At the
end, the only thing to do
is to inhale and
exhale.
Violoncelle, Piano [Partition] - Intermédiaire Music Sales
Everybody's Favorite Series, Volume 40. Composed by Various. Music Sales America...(+)
Everybody's Favorite
Series, Volume 40.
Composed by Various.
Music Sales America.
Classical. Softcover. 192
pages. Music Sales
#AM40205. Published by
Music Sales
Set of Parts Cello; Chamber Music; Piano Accompaniment; Violin (Ensemble) SKU...(+)
Set of Parts Cello;
Chamber Music; Piano
Accompaniment; Violin
(Ensemble)
SKU:
HL.51481532
Set of
Parts for Violin, Cello
and Piano. Composed
by Felix Bartholdy
Mendelssohn. Henle Music
Folios. Classical.
Softcover. G. Henle
#HN1532. Published by G.
Henle (HL.51481532).
UPC: 840126989298.
9.25x12.25x0.357
inches.
After the
great success of his
first Piano Trio in d
minor op. 49, some five
years passed before
Mendelssohn set to work
on a new composition for
this formation. But then
the c-minor Trio came
into being in a
relatively short period
in March/April 1845 and
was published around a
year later. Much more
sombre in character than
the sibling work, this
second trio is also
considered much more
difficult in terms of
technique (above all in
the piano part). Thus, it
has always stood somewhat
in the shadow of the
earlier trio. However,
chamber music aficionados
generally regard it as
the more mature and
challenging work in terms
of compositional
technique. The trio,
taken from the volume
Mendelssohn • Piano
Trios HN 957, is now
available from Henle for
the first time also as a
practical single
edition.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages with
a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most
beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Cello and Piano with Online Accompaniments. Composed by Alain Boublil and Clau...(+)
Cello and Piano with
Online
Accompaniments. Composed
by
Alain Boublil and Claude-
Michel Schonberg. For
Classical Players.
Broadway,
Movies, Musicals.
Softcover
Audio Online. 56 pages.
Published by Hal Leonard
Ekah Violoncelle, Piano [Conducteur et Parties séparées] Subito Music
Violoncello & Piano SKU: SU.94010750 For Violoncello & Piano. Comp...(+)
Violoncello & Piano
SKU: SU.94010750
For Violoncello &
Piano. Composed by
James Lee III. Strings,
Cello. Accompanied by
piano. Score & Parts.
Subito Music Corporation
#94010750. Published by
Subito Music Corporation
(SU.94010750).
Ekah is the
Hebrew word for
Lamentations, as in the
book of Lamentations in
the Bible. The literal
translation of this word
would be How or Ah! How.
When the cellist, Inbal
Segev asked me to write a
new piece for cello and
piano, and as a part of
our discussion, I decided
to compose a new piece
that reflected on the
immense challenges that
the year 2020 has
presented. The hows and
lamentations in this
piece might be: how can
there still be so much
hate in the world since
we are all equal and
created in the image of
God? How can there be
such police brutality in
2020? How and why is the
whole world suffering
with the Coronavirus
(COVID-19)? How can our
mental health, cities,
and communities be so
desolate? We can hope,
pray, and do our
responsible part to make
our life on this planet
meaningful during these
challenging times of the
year 2020. — James
Lee III Violoncello &
Piano Duration: 6'
Composed: 2020 Published
by: Subito Music
Publishing.
Super Solos Violoncelle, Piano [Partition + CD] - Intermédiaire Anglo Music
Cello and Piano - late intermediate SKU: BT.AMP-353-400 10 Selected So...(+)
Cello and Piano - late
intermediate
SKU:
BT.AMP-353-400
10
Selected Solos with Piano
Accompaniment.
Composed by Philip
Sparke. Super Solos.
Tuition. Book with CD.
Composed 2013. 56 pages.
Anglo Music Press #AMP
353-400. Published by
Anglo Music Press
(BT.AMP-353-400).
ISBN
9789043138710. 9x12
inches.
English-German-French-Dut
ch.
Philip
Sparke’s Super
Solos is the third
volume of a progressive
series of solo books that
takes the young wind
player from beginner to
accomplished musician.
Following on from the
first two books in the
series (Starter
Solos and Skilful
Solos) this
collection generally
contains longer pieces
suitable for the
developing young
musicians. Specifically
tailored for each
instrument, Super
Solos extends
technical and musical
demands, takes the player
into new keys with larger
instrumental ranges and
adds new notes in a
gradual and logical
manner.The books provide
invaluable additional
material to complement
any teaching method.
Including play-along
CD.
Na Starter
Solos en Skilful
Solos sluit Philip
Spark deze reeks met het
nieuw verschenen boek
Super Solos. De
solos in deze boeken zijn
qua mogelijkheden en
moeilijkheidsgraad
perfect toegesneden op
het betreffende
instrument.Bovendien vult
het de vorige uitgaven in
deze reeks gestructureerd
aan, waardoor het de
instrumentalist een
zinvol en motiverend
vervolg biedt. Elk boek
bevat een cd met
begeleiding. Het voordeel
hiervan is dat jonge
muzikanten de
belangrijkeaspecten van
het samenspel al vanaf
het begin kunnen ervaren.
Zo ontwikkelen ze
essentiële
vaardigheden, zoals het
luisteren tijdens het
spelen en het handhaven
van een strak
tempo.
Nach
STARTER SOLOS und SKILFUL
SOLOS vollendete Philip
Sparke seine Reihe
Solobücher mit SUPER
SOLOS. Die Soli in jedem
Buch sind genau auf die
Bedürfnisse und
Anforderungen des
jeweiligen Instruments
zugeschnitten, im
Schwierigkeitsgrad
angepasstund schaffen
somit einen Rahmen, in
dem sich
Instrumentalschüler
neue Elemente in
sinnvoller Reihenfolge
aneignen können. Dank
der im Buch und auf CD
enthaltenen
Klavierbegleitung lernen
sie außerdem wichtige
Aspekte des
Ensemblespiels. SUPER
SOLOS für
fortgeschrittene
Schüler hält
mitreißende Stücke
parat, mit denen neue
technische und
musikalische
Schwierigkeiten
gemeistert und ein
größerer Tonumfang
sowie neue Tonarten
gelernt werden
können.
Inhalt:
Little Overture -
Berceuse - March of the
Toy Soldiers - Air and
Variations - Chicago
Blues - Moto Perpetuo -
Song of Farewell -
Promenade - September
Song - Scherzo
Finale
Dopo Starter
Solos e Skilful
Solos, Philip Sparke
completa la serie di
libri per strumenti
solisti con Super
Solos. I brani
proposti rispondono alle
richieste e alle
caratteristiche dei vari
strumenti. Grazie al CD
incluso,
conlaccompagnamento del
pianoforte, si apprendono
i vari aspetti del
suonare in ensemble.
By Antonio Vivaldi. Edited by Hoffmann, Bettina. For Violoncello, Basso continuo...(+)
By Antonio Vivaldi.
Edited by Hoffmann,
Bettina. For Violoncello,
Basso continuo. Score;
Set of Parts
(paperbound). RV 39-47.
Published by
Baerenreiter-Ausgaben
(German import). ISBN
M006520596.
Cello and Piano - Grade 2 SKU: AP.36-52730061 Composed by Ted Hunter. Met...(+)
Cello and Piano - Grade 2
SKU:
AP.36-52730061
Composed by Ted Hunter.
Method/Instruction;
Reference Textbooks; Solo
Small Ensembles. Ludwig
Masters. Sacred. Book.
Latham Music Enterprises
#36-52730061. Published
by Latham Music
Enterprises
(AP.36-52730061).
ISBN
9781628760101. UPC:
746241200297.
English.
1st-4th
positions; cello plays
melody with simple
accompaniments. Includes
optional descant for
violin in addition to
descant part for cello.
Hymns included: Jesus
Loves Me; I Sing the
Mighty Power of God; Take
My Life, and Let it Be;
Come Thou Long-Expected
Jesus; Joyful, Joyful, We
Adore Thee; Amazing
Grace; For the Beauty of
the Earth; Holy, Holy,
Holy; Be Thou My Vision;
Fairest Lord Jesus.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.