12 Recital Pieces in First Position for Cello and Piano or Two Celli. Edited b...(+)
12 Recital Pieces in
First
Position for Cello and
Piano
or Two Celli. Edited by
Christoph Sassmannshaus /
Melissa Lusk. Stapled.
Baerenreiter's
Sassmannshaus.
Performance score, parts.
16/23/21 pages pages.
Published by Baerenreiter
Verlag
18 Recital Pieces in First Position for Cello and Piano or Two Celli. Edited b...(+)
18 Recital Pieces in
First
Position for Cello and
Piano
or Two Celli. Edited by
Christoph Sassmannshaus /
Melissa Lusk. Stapled.
Baerenreiter's
Sassmannshaus.
Performance score, parts.
22/24/17 pages pages.
Published by Baerenreiter
Verlag
Souvenirs Violoncelle, Piano - Intermédiaire Salabert
Cello and Piano - intermediate SKU: BT.SLB-00595900 Extrait de la musi...(+)
Cello and Piano -
intermediate
SKU:
BT.SLB-00595900
Extrait de la musique
de scène pour « Le
Voyageur sans bagages
». Composed by
Francis Poulenc.
Classical. Book and
Part(s). Composed 2016. 5
pages. Editions Salabert
#SLB 00595900. Published
by Editions Salabert
(BT.SLB-00595900).
Cello and Piano - easy SKU: BT.EMBZ6748 Easy concert pieces in first p...(+)
Cello and Piano - easy
SKU: BT.EMBZ6748
Easy concert pieces in
first position. By
Arpad Pejtsik. By Endre
Lengyel. EMB Music for
Beginners. Educational
Tool. Book Only. Composed
1973. 64 pages. Editio
Musica Budapest
#EMBZ6748. Published by
Editio Musica Budapest
(BT.EMBZ6748).
Hungarian-English-Germ
an-French.
The
volumes of the series
cover the entire music
literature from the
earliest centurties to
our days. The material of
the individual volumes
containing short, easy
pieces to be played in
the first three-four
years of studying the
instrument has been
compiled by accomplished
music teachers. The
majority of the
contemporary works
included in the volumes
have been published in
this series for the first
time. An ABRSM syllabus
title, 2010-16, Grade
2-3.
Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.48024888 ...(+)
Cello; Piano
Accompaniment (Cello Part
And Piano Score)
SKU:
HL.48024888
Cello
and Piano. Composed
by Bertold Hummel. Boosey
& Hawkes Chamber Music.
Classical. Softcover. 20
pages. Duration 360
seconds. Simrock
#M221122575. Published by
Simrock (HL.48024888).
UPC:
840126919769.
As a
lesson and lecture piece,
Bertold Hummel's Sonatine
op. 35, created in 1969,
accompanied many young
musicians on their way.
Sold a thousand times all
over the world, it is one
of the composer's
best-known works and has
been included in the
repertoire list for the
'Jugend musiziert'
competition by the German
Music Council. Warmth and
sparkling rhythm
characterize the three
movements: inthe powerful
maestoso, the sonority of
the main theme is
contrasted with a lyrical
side theme; the
recapitulation ends with
an impulsive fugato. The
second movement Elegie
consists of a single
soulful melody about
spherical harmonies of
the piano. As the
highlight in the Finale
vivace, playful
lightness, marching
rhythms and dramatic
increases replace each
other in quick
succession; wild
arpeggios lead to the
end. Originally composed
for violin, versions for
viola and cello were
already familiar. For the
50th birthday, Simrock /
Boosey &
Hawkespresents the work
in a revised, revised
edition. A repertoire
enrichment for beginning
instrumentalists are the
first available versions
for alto and tenor
saxophone, which the
composer made himself in
the 1990s.
(Movements I and II Arranged for Cello and Piano). Composed by Igor Fyodorovich ...(+)
(Movements I and II
Arranged for Cello and
Piano). Composed by Igor
Fyodorovich Stravinsky.
Arranged by David
Dutkanicz. For cello,
piano. 8 2 pages.
Published by Carl Fischer
Composed by
Jimmy Baas. Sws.
Performance Score. 16
pages. Duration 3
minutes, 49 seconds. Carl
Fischer Music #CM9625.
Published by Carl Fischer
Music (CF.CM9625).
ISBN 9781491156988.
UPC: 680160915545. 6.875
x 10.5 inches. Key: Bb
major. English, English.
William Butler
Yeats.
The
Everlasting Voices is the
perfect blend of textural
variety and harmonic
interest for the advanced
treble ensemble.
Employing a powerful
text, Baas' vocal
layering coupled with
piano and optional cello
make this compelling
piece a programming
must!. O sweet
everlasting Voices, be
still; Go to the guards
of the heavenly fold And
bid them wander obeying
your will, Flame under
flame, till Time be no
more; Have you not heard
that our hearts are old,
That you call in birds,
in wind on the hill, In
shaken boughs, in tide on
the shore? O sweet
everlasting Voices, be
still. This SSAA choral
work by Jimmy Baas was
comissioned by the
Lumberton HS Varsity
Treble Choir. The opening
and closing lines of the
poem, O sweet everlasting
voices, be still provide
the perfect bookends for
two larger sections of
the poem. These two
sections are equally
divided into verses. The
opening line is used once
again as a transition
between the verses. The
previously mentioned
lines, O sweet
everlasting voices, are
overlapped as different
layers of voices enter
and sustain. A fifth and
sixth voice, the cello
and piano accompaniment
take part in these layers
as well. The words be
still are very much a
part of the mood each
time as the everlasting
voices become quiet and
still. The two verses
feature different voices
within the SSAA choir.
Verse 1, the sopranos,
and verse 2 the altos.
There are many moments in
this piece to explore the
full range and color of
the SSAA choir. The piano
and cello play an
important part
throughout, making this
piece an excellent choice
for any festival women's
chorus. O sweet
everlasting Voices, be
still;Go to the guards of
the heavenly foldAnd bid
them wander obeying your
will,Flame under flame,
till Time be no more;Have
you not heard that our
hearts are old,That you
call in birds, in wind on
the hill,In shaken
boughs, in tide on the
shore?O sweet everlasting
Voices, be still.This
SSAA choral work by Jimmy
Baas wascomissioned by
the Lumberton HS Varsity
Treble Choir.The opening
and closing lines of the
poem, “O
sweeteverlasting voices,
be still†provide
the perfect bookendsfor
two larger sections of
the poem. These two
sectionsare equally
divided into verses. The
opening line is usedonce
again as a transition
between the verses.The
previously mentioned
lines, “O sweet
everlastingvoices,â€
are overlapped as
different layers of
voices enterand sustain.
A fifth and sixth voice,
the cello and
pianoaccompaniment take
part in these layers as
well.The words “be
still†are very
much a part of the
moodeach time as the
everlasting voices become
quietand still.The two
verses feature different
voices within the
SSAAchoir. Verse 1, the
sopranos, and verse 2 the
altos. Thereare many
moments in this piece to
explore the full range
andcolor of the SSAA
choir. The piano and
cello play an
importantpart throughout,
making this piece an
excellent choice for
anyfestival
women’s
chorus.
(Fantasia for Cello and Piano). Composed by Edward Mollenhauer. Edited by Christ...(+)
(Fantasia for Cello and
Piano). Composed by
Edward Mollenhauer.
Edited by Christoph
Sassmannshaus. For cello
solo and piano. Stapled.
Barenreiter's Concert
Pieces. Transcribed for
Violoncello and Piano.
Level 2. Piano reduction,
part(s). Published by
Baerenreiter Verlag
Cello and piano (VC/PF) - intermediate to advanced SKU: HL.49008105 14...(+)
Cello and piano (VC/PF) -
intermediate to advanced
SKU: HL.49008105
14 Pieces. Edited
by Barbara Heller and Eva
Rieger. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. 128
pages. Schott Music #ED
8628. Published by Schott
Music (HL.49008105).
ISBN 9790001115964.
UPC: 196288077473.
9.0x12.0x0.355
inches.
Cello Music By French Composers See larger cover Your pri...(+)
Cello Music By French
Composers
See larger cover
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About Cello Music By
French Composers
Arranged by Otto Deri.
Instrumental solo/piano
accompaniment set for
Cello and piano. 68
pages. Published by G.
Schirmer, Inc.
By ABRSM. Edited by Catherine Black and Paul Harris. For violoncello, piano. (Gr...(+)
By ABRSM. Edited by
Catherine Black and Paul
Harris. For violoncello,
piano. (Grades 1-2).
Published by ABRSM
(Associated Board of the
Royal Schools of Music).
(Easy Piano Arrangements with Optional Cello Parts). By The Piano Guys. For ...(+)
(Easy Piano Arrangements
with
Optional Cello Parts). By
The
Piano Guys. For Cello,
Piano/Keyboard. Easy
Piano
Personality. Softcover.
106
pages. Published by Hal
Leonard
Marimba, violin, viola, cello and piano SKU: HL.49019626 For Marimba, ...(+)
Marimba, violin, viola,
cello and piano
SKU:
HL.49019626
For
Marimba, Violin, Viola,
Cello and Piano.
Composed by Mohamed Saad
Basha. This edition:
Saddle stitching. Sheet
music. Ensemble.
Softcover. Composed 2009.
60 pages. Duration 7'.
Schott Music #ED21631.
Published by Schott Music
(HL.49019626).
ISBN
9790001193252. UPC:
888680071165.
9.0x12.0x0.2
inches.
'El-Metfarn
ageen' is the first piece
by the young Egyptian
composer and
percussionist Mohamed
Saad Basha published by
Schott Music.In the
Egyptian colloquial
language,
'El-Metfarnageen' refers
to a person who, strongly
influenced by the Western
way of living, has almost
forgotten his/her true
origin. As a consequence,
the piece's musical
motifs critically examine
the influence of Western
culture in North Africa
while at the same time
emphasizing the origins
of Egypt's own musical
culture shaped over
millennia.'El-Metfarnagee
n' was commissioned by
the world-famous
Bibliotheca Alexandrina
and performed for the
first time in its
historic rooms.
Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.49046442 ...(+)
Cello; Piano
Accompaniment (Cello Part
And Piano Score)
SKU:
HL.49046442
Cello
and Piano. Composed
by Richard Strauss.
String Solo. Classical.
Softcover. 80 pages.
Duration 1560 seconds.
Schott Music #CB301.
Published by Schott Music
(HL.49046442).
ISBN
9781540094780. UPC:
842819113003.
The
Cello Sonata Op. 6 was
composed over an
apparently frequently
interrupted period of
three years, an
extraordinarily long time
for Strauss's early
creative phase. The
compositional process
spawned two independent
versions of the work, the
first of which is
published for the first
time on the basis of the
text in the Critical
Edition of the Works of
Richard Strauss in the
current editionas a
practical musical text.
The genesis of the two
versions and the reasons
for revision can only be
reconstructed in part:
only one of the surviving
autographs bears a date
and the second version
only survives in printed
form. What is more,
Strauss did not
communicate in greater
detail on this
composition in
correspondence with his
family and friends. There
are enormous differences
between the two versions
of the Sonata: Strauss
deleted the entire second
and third movements
Larghetto and Allegro
vivace, replacing them
with a newly composed
Andante and Finale. In
the first movement,
Allegro con brio, Strauss
retained the
thematic-motivic material
and compositionally
complex passages such as
the three-voice fugue in
the developmentsection
(from bar 241 in the
first version and bar 275
in the second version)
almost intact in the new
version of the sonata,
but also undertook
extensive alterations,
particularly in the
structure of the piano
part, the
motivic-thematic
development of the
movement and its harmony
which became far more
ambitious.12 Particular
attention should be drawn
to the repetitive
accompaniment of the con
espressione theme
beginning in bar 32 and
the significantly shorter
development in the first
version. The current
printed edition of the
first version of Richard
Strauss's Cello Sonata
now makes it possible to
follow Strauss's
compositional development
during this period. The
significance of the
differences between the
versions also mean that
two sonata compositions
for violoncello and piano
by Richard Strauss with
fundamental disparities
in their underlying
character are now
available for
performance.
Encore! (Cello and Piano). Arranged by John Lenehan and Julian Lloyd Webber. For...(+)
Encore! (Cello and
Piano). Arranged by John
Lenehan and Julian Lloyd
Webber. For Cello. Music
Sales America. Classical.
24 pages. Chester Music
#CH63965. Published by
Chester Music
Soprano voice, violin, cello and piano - difficult SKU: HL.49018711 Fo...(+)
Soprano voice, violin,
cello and piano -
difficult
SKU:
HL.49018711
For
soprano and piano
trio. Composed by
Thomas Larcher. This
edition: Saddle
stitching. Sheet music.
Score and parts. Composed
2002. 86 pages. Duration
15'. Schott Music
#ED20066. Published by
Schott Music
(HL.49018711).
ISBN
9790001145190. UPC:
884088794019.
9.25x12.0x0.244 inches.
English.
In a
magazine with reports on
mental institutions,
Thomas Larcher came
across interviews with
patients: 'These
sentences are of a strong
inner power, yet do not
claim to convey an
overall picture of these
people. There rather
appear snatches from
their world like a
stroboscope.' The soprano
part in Larcher's
composition attends to
these texts in a very
restraint, often
introverted manner, but
they continue to have an
effect in the
instrumental parts, like
catalysts of seemingly
disturbing processes. The
world premiere with
Juliane Banse, Christian
Tetzlaff, Nikolaj
Schneider and the
composer on the piano
took place at the
renowned festival
'Spannungen' in the power
station of Heimbach in
2002. Recently, a
recording has been
released by ECM New
Series.
(Cello Part And Piano Score) SKU: HL.48186482 Composed by Reynaldo Hahn. ...(+)
(Cello Part And Piano
Score)
SKU:
HL.48186482
Composed
by Reynaldo Hahn. Leduc.
24 pages. Alphonse Leduc
#AL30749. Published by
Alphonse Leduc
(HL.48186482).
Reynaldo Hahn:
Works for cello and piano
[AL 30 749] For quite
some time, posterity
remembered Reynaldo Hahn
(1874-1947) for just a
handful of songs and the
operetta Ciboulette,
overlooking the
incredible diversity of a
catalogue as eclectic as
it is appealing. Yet his
chamber music contains
many little-known
treasures: thus, cellist
Steven Isserlis, in his
preface, hastens to hail
the first modern edition
of these two scores,
which he regularly plays
in recital, so much does
their beauty enchant the
audience. Published in
1911, the Two
Improvisations on Irish
Airs for cello and piano
turn out to be the
transcription of his
first and third Preludes
for piano four hands
(1894). These folk themes
come from the collection
Songs of Old Ireland,
published 12 years
earlier by Charles
Villiers Stanford:
gracefully and tenderly,
The Little Red Lark
unfurls a melancholic
tune of which the regular
foundation respects the
breadth of phrase typical
of folk songs; in The
Willow-Tree, the lover
begs his beloved in vain
to take him in her arms
one last time before he
lies down, lifeless, in
the shade of the tree.
Beyond this sensitive
exploration of the Irish
soul, Hahn offers us a
journey into the past:
the Variations chantantes
sur un air ancien develop
a theme borrowed from
Cavalli?s opera Xerse. In
this aria (1660 version:
Act IV, sc. 6),
Ambassador Periarco
dreams of moving away
from court intrigues to
be able to taste the
pleasures ?to which the
gods have destined him?.
Reynaldo Hahn?s
variations succeed in
maintaining the sweet
simplicity of this theme,
as noble as it is
refined. Let us wager
that this publication
will delight cellists and
pianists alike: it
contains some nuggets.
Deux improvisations sur
des airs irlandais (The
Little Red Lark, The
Willow-Tree) Variations
chantantes sur un air
ancien.
Virtuoso and Entertaining Pieces for Cello and Piano. Composed by Various. Edi...(+)
Virtuoso and Entertaining
Pieces for Cello and
Piano.
Composed by Various.
Edited
by Beverley Ellis and
Rainer
Mohrs. String. Softcover.
Schott Music #ED23310.
Published by Schott Music
By Janice Tucker Rhoda. For Cello, Cello and Piano. CD contains piano accompanim...(+)
By Janice Tucker Rhoda.
For Cello, Cello and
Piano. CD contains piano
accompaniments as audio
and printable PDF; Also
includes complete
performances.
Instructional.
Instructional book and
CD. Published by Carl
Fischer
Cello and piano - intermediate SKU: YM.GTW01101761 Covers from Nausica...(+)
Cello and piano -
intermediate
SKU:
YM.GTW01101761
Covers from Nausicaa
of the Valley of the Wind
to The Boy and the
Heron. Composed by
Joe Hisaishi. Studio
Ghibli Selection. Studio
Ghibli, Anime. Score and
part. Yamaha Music Media
#GTW01101761. Published
by Yamaha Music Media
(YM.GTW01101761).
ISBN
9784636114430. 8.75 x 12
inches.
From
Nausicaä of the Valley
of the Wind to the
chart-topping sensation
The Boy and the Heron,
including the poignant
theme song Spinning
Globe, this compilation
boasts 31 cherished
melodies from Studio
Ghibli's illustrious
repertoire. Crafted with
simple yet faithful
arrangements, these
pieces are tailored for
piano enthusiasts,
perfect for recitals,
concerts, and public
showcases. Experience the
captivating allure of
Studio Ghibli's timeless
classics firsthand!
Score and Parts Cello SKU: HL.51481469 For Violoncello and Piano. ...(+)
Score and Parts Cello
SKU: HL.51481469
For Violoncello and
Piano. Composed by
Richard Strauss. Edited
by Peter Jost. Henle
Music Folios. Classical.
Softcover. 64 pages. G.
Henle #HN1469. Published
by G. Henle
(HL.51481469).
UPC:
840126989649.
9.0x12.0x0.258
inches.
Fingering
Michael Korstick;
fingering & bowing
for cello Johannes Moser
Aside from the Piano
Quartet op. 13 and the
Violin Sonata op. 18, the
Cello Sonata numbers
among the most mature
works of chamber music
from Strauss' early
oeuvre. The influences of
Mendelssohn, Schumann,
and Brahms are
noticeable, while leaving
sufficient space for a
very personal tonal
language, often with
surprising rhythmic and
harmonic turns of phrase.
Strauss subjected the
first version completed
in early 1881 to a
radical revision over the
winter of 1882/83; the
opening movement was
thoroughly reworked, the
two subsequent movements
rewritten completely. It
was worth it, because
after the premiere in
Dresden, the composer
wrote to his mother,
“My sonata garnered
extraordinary acclaim,
the applause was
enormous, congratulations
came to me from all
sides.â€.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
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catalogue
world-wide
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experience (founded 1948
exclusively for Urtext
editions)