Arranged by Daniel Kelley. For Cello (or Bassoon) and Piano. Solos. Recital, Church. Level: Intermediate/Advanced. Piano Score and Solo Part. Published by Last Resort Music Publishing.

Everybody's Favorite Series, Volume 40. Composed by Various. Music Sales America. Classical. Softcover. 192 pages. Music Sales #AM40205. Published by Music Sales

Cello and Piano

SKU: BT.EMBZ14768

Composed by Franz Liszt. Book Only. Composed 2011. 76 pages. Editio Musica Budapest #EMBZ14768. Published by Editio Musica Budapest (BT.EMBZ14768).

Not many people know that Franz Liszt arranged some of his piano pieces for the cello, with piano accompaniment, and that these versions of the works appeared in print during the maestro's lifetime. Árpád Pejtsik selected two of these for this volume compiled to mark Liszt's jubilee: Elegies I and II. The other compositions by Liszt that appear in the collection were likewise originally works for piano: the Ave Maria and Cantique d'amour (pieces from the Harmonies poétiques et religieuses cycle) were transcribed by a pupil of Liszt, Robert Pflughaupt the cello version, transposed into G major, of the E Major Consolation is by Jules de Swert, solo cellist in the Weimar orchestraof those days that of the Angelus (the opening piece in Volume 3 of the cycle entitled Years of Pilgrimage ) is by Lothar Windsperger, a German composer who lived at the turn of the 19th-20th century. The Valse oubliée No. 1 was transcribed by Liszt s virtuoso piano pupil Ferruccio Busoni Notturno, which became famous as the third piece in the Liebesträume series, is a transposed version of the original song ( O lieb, so lang du lieben kannst ) made by the editor of this volume.

Not many people know that Ferenc Liszt arranged some of his piano pieces for the cello, with piano accompaniment, and this version of the works appeared in print during the maestro's lifetime. Árpád Pejtsik selected two of these forthis volume compiled to mark Liszt's jubilee: Elegy I and Elegy II. The other compositions by Liszt that appear in the collection were likewise originally works for piano: the Ave Maria and Cantique d'amour(pieces from the Harmonies poétiques et religieuses cycle) were transcribed by a pupil of Liszt, Robert Pflughaupt; the cello version, transposed into G major, of the E major Consolation is by Jules de Swert, solo cellistin the Weimar orchestra of those days; that of the Angelus (the opening piece in Volume 3 of the cycle entitled Years of Pilgrimage) is by Lothar Windsperger, a German composer who lived at the turn of the 19th-20thcentury.

Nur Wenigen ist bekannt, dass Liszt einige seiner Klavierstücke auch für Violoncello mit Klavierbegleitung bearbeitet hatte, und dass diese Version der Werke noch zu Lebzeiten des Komponisten in Druck erschien. In diesem Band nahm Árpád Pejtsik zwei dieser Stücke, die I. und II. Elegie auf. Die anderen Liszt-Kompositionen in der Sammlung sind auch ursprünglich Klavierwerke: der Bearbeiter ist beim Ave Maria und Cantique d'amour (Stücke aus dem Zyklus Harmonies poétiques et religieuses) der Liszt-Schüler Robert Pflughaupt. Von Jules de Swert, der damals Solocellist des Weimarer Orchesters war, wurde die in G-Dur transponierte Violoncelloversion der E-Dur Consolation, und vonLothar Windsperger, dem an der Wende zum 20. Jahrhundert lebenden deutschen Komponisten, das Angelus (das Eröffnungsstück des III. Bandes des Zyklus Pilgerjahre) bearbeitet.

Composed by Various. Softcover Audio Online. 48 pages. Published by Hal Leonard

Cello and piano

SKU: M7.SAE-5-01

Composed by Franz Schubert. Arranged by Lucian Moraru. Sheet music. Piano reduction with solo part. SonArt Edition #SAE 5-01. Published by SonArt Edition (M7.SAE-5-01).

ISBN 9790707665329.

This is a unique arrangement for cello and piano, a work that preserves the beauty of the original work, an master piece for sacred music, but at the same time different in essence due to the creative and innovative flavour that was introduced in orchestration on this occasion. The piece has been carefully adapted to suit the technical needs of each instrument, being a smart choice for players that want to achieve the acclaim from the audience. This piece of music is suitable both for concerts given by professionals and for auditions in schools, colleges, conservatories or can be used in various other private events.

Cello and piano

SKU: M7.SAE-3-01

Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Lucian Moraru. Sheet music. Piano reduction with solo part. SonArt Edition #SAE 3-01. Published by SonArt Edition (M7.SAE-3-01).

ISBN 9790707665312.

This is a unique arrangement for cello and piano, a work that preserves the beauty of the original work, an master piece for sacred music, but at the same time different in essence due to the creative and innovative flavour that was introduced in orchestration on this occasion. The piece has been carefully adapted to suit the technical needs of each instrument, being a smart choice for players that want to achieve the acclaim from the audience. This piece of music is suitable both for concerts given by professionals and for auditions in schools, colleges, conservatories or can be used in various other private events.

Piano Solo with optional Cello. By The Piano Guys. Personality. Softcover. 112 pages. Published by Hal Leonard

Cello and Piano. By Charles Francois Gounod. Arranged by Arpad Pejtski, Arpad Pejtsik. EMB. Size 9x12 inches. 4 pages. Published by Editio Musica Budapest.

By Charles Francois Gounod. Edited by Werner Thomas-Mifune. For violoncello (1-5), piano. Meditation about the first prelude in c major from the Well-Tempered Piano by J.S. Bach. Published by Edition Kunzelmann.

With piano accompaniment. By Craig Duncan. By Craig Duncan. For Cello. Solos. Sacred. Level: Beginning-Intermediate. Book. 80 pages. Published by Mel Bay Publications, Inc.

(Arranged for Violoncello and Piano). By Various. Edited by Kate Mitchell. Arranged by Wolfgang Birtel. For Cello, Piano Accompaniment (Score and Solo Part). String. Softcover. 103 pages. Schott Music #ED21584. Published by Schott Music

Edited by Franklin Collier. Piano/cello book (includes separate pull out performance part for cello) for cello and piano. 84 pages. Published by Carl Fischer.

Composed by Various. For cello and piano (organ). Grade 2-4. Published by Editions Marc Reift

By Various. For cello and piano (organ). Grade 2-4. Published by Editions Marc Reift

Cello, Piano - Grade 3

SKU: FL.FX071052

Composed by Franz Schubert. Arranged by Eric Vireton. Classical, Chamber Music. Score and Set of Parts. FLEX Editions #FX071052. Published by FLEX Editions (FL.FX071052).

SKU: HL.134059

PWM. Polskie Wydawnictwo Muzyczne #5044999. Published by Polskie Wydawnictwo Muzyczne (HL.134059).

UPC: 888680727956. Author: Schubert.

By Max Bruch (1838-1920). For cello and piano. String music. Score and part. Published by Noten Roehr

Composed by Various. For cello and piano (organ). Grade 2-4. Published by Editions Marc Reift

Cello and Piano. By Franz Schubert. Arranged by Fitzenhagen Pejtsik. EMB. Size 9x12 inches. 5 pages. Published by Editio Musica Budapest.

By Franz Liszt (1811-1886). Edited by ́rpÌÁd Pejtsik and . For Cello, Piano Accompaniment (Score and Parts). EMB. 84 pages. Editio Musica Budapest #Z14768. Published by Editio Musica Budapest

Cello and Piano. Composed by Various. Classical. Softcover. 136 pages. Published by Hal Leonard

By Charles Francois Gounod (1818-1893). Arranged by Eric Vireton. For Cello solo and Piano. Classical, Chamber Music. Grade 2. Score and set of parts. 5 (score); 1 (parts). Published by FLEX Editions

By Franz Schubert (1797-1828). For Violoncello and Piano. Swiss import. Grade 3.5. Published by Editions Marc Reift

By Jean-Marc Allerme. For cello and piano. Pop / Jazz. Score and CD. 46 15 pages. Published by Editions Henry Lemoine

Cello and piano

SKU: BR.EB-32083

Urtext. Composed by Camillo Schumann. Edited by Maria Kliegel. Solo instruments; stapled. Edition Breitkopf.

With supplementary violoncello part marked by Maria Kliegel

Sonata; Late-romantic. Score. 108 pages. Breitkopf and Haertel #EB 32083. Published by Breitkopf and Haertel (BR.EB-32083).

ISBN 9790004186299. 9 x 12 inches.

There are many composers about whom it is believed, today, that they composed conservatively, or against the taste of their time. The question is also raised, today, which extract of this large amount of effective and high-quality music, unknown for the most part, should receive our attention; which of it is worth rediscovering or re-editing. Camillo Schumann is one of the most important representatives of these composers, but his works are still largely unknown today. He was born on 10 March 1872 in Konigstein, Saxony. His musical language combines the sound world of Brahms with the grand, late-romantic Liszt School. He wrote piano parts of incredible power and virtuosity, approaching the sounds of Rachmaninoff. His wonderfully individual melodic language makes these works a valuable testimony to a composer who never had his due recognition. The cello sonatas Opp. 59 (EB 32082) and 99 (EB 32083) are the first of three works for this combination. Op. 59 was composed around 1905/06, Op. 99 followed in 1932. Nothing is known so far of the circumstances of the composition of this work, including for whom it was composed. However, it is quite evident that Schumann wrote it, like most of his works, primarily for his own concerts and befriended musicians. The extensive entries in the piano part bear witness to a considerably practical approach. Crossed-out bars, notes added or crossed out in chords as well as a number of revisions of other kinds are more the rule than the exception. The composer's own fingerings written in the piano part also underline this assumption. The present edition contains two solo-parts each. One clean Urtext-part free of any additions from the editor and a second one with bowing marks and fingerings by Maria Kliegel who recorded both sonatas for the first time with the label Naxos. Both sonatas show evident resemblance to the works of this combination by Johannes Brahms and are therefore a must have for ambitious cellists.

With supplementary violoncello part marked by Maria Kliegel.

With online audio of piano accompaniments. Composed by Richard Rodgers and Oscar Hammerstein. Broadway, Movies, Musicals. Softcover Audio Online. 60 pages. Published by Hal Leonard