Cello and piano SKU: B9.789 Composed by Laura Kaminsky. This edition: sad...(+)
Cello and piano
SKU:
B9.789
Composed by
Laura Kaminsky. This
edition: saddle stitch.
Score and part. Duration
ca. 13 minutes. Bill
Holab Music #789.
Published by Bill Holab
Music (B9.789).
Violoncelle, Piano [Livre + CD] - Facile Warner Brothers
Composed by Howard Shore, edited by Bill Gallifor, Jeannette DeLisa. For cello s...(+)
Composed by Howard Shore,
edited by Bill Gallifor,
Jeannette DeLisa. For
cello solo and piano
accompaniment. Includes
cello/piano book and
accompaniment CD. With
solo part and piano
accompaniment. Movies. 80
pages. 9x12 inches.
Published by Warner
Brothers.
By John Williams, arranged by Bill Galliford, Ethan Neuburg, Tod Edmondson. Cell...(+)
By John Williams,
arranged by Bill
Galliford, Ethan Neuburg,
Tod Edmondson. Cello solo
book and accompaniment CD
for cello solo and piano
accompaniment. 72 pages.
Published by Alfred
Publishing.
Cello; Piano Accompaniment SKU: HL.133113 Cello and Piano. Compose...(+)
Cello; Piano
Accompaniment
SKU:
HL.133113
Cello
and Piano. Composed
by Alexander
Wierzbillowicz, Ignacy
Feliks Dobrzynski,
Ludomir Michal Rogowski,
Various, and Zygmunt
Noskowski. Edited by
Kazimierz Michalik and
Maciej Paderewski. PWM.
Classical. Softcover.
Polskie Wydawnictwo
Muzyczne #11329010.
Published by Polskie
Wydawnictwo Muzyczne
(HL.133113).
Chamber Music Cello, Piano SKU: PR.114418630 Composed by Stacy Garrop. Se...(+)
Chamber Music Cello,
Piano
SKU:
PR.114418630
Composed
by Stacy Garrop. Set of
Score and Parts. With
Standard notation. 24+8
pages. Duration 13
minutes. Theodore Presser
Company #114-41863.
Published by Theodore
Presser Company
(PR.114418630).
ISBN
9781491114063. UPC:
680160642724. 9 x 12
inches.
The film
noir genre of 1940s
cinema typically includes
a strong but flawed male
lead (often a detective),
a beautiful woman who
coerces the male into
committing murder or is a
killer herself (a
“femme
fataleâ€), and a
twisting plot line that
involves one or more
homicides. These movies
typically are shot in
black and white, with
emphasis on shadows and
light, alcohol and
cigarettes, trench coats
and fedoras. Most of the
story lines do not have
happy endings. Inspired
by this genre, NOIR
VIGNETTES consists of
four movements, each
depicting an aspect of
film noir: Murder at
Midnight, Loaded Gun,
Femme Fatale, and Last
Cigarette. In the
mid-1940s, film critics
in France noticed a trend
emerging in movies from
the United States, which
they coined film noir
(which translates to
“black
filmâ€). These
movies were dark, moody,
and pessimistic,
reflecting the agitation
and anxiety present in
society following World
War II. Several
characteristics are
commonly found in many of
these movies, including a
strong but flawed male
lead (often a detective),
a beautiful woman who
either coerces the male
lead into committing
murder for her or is a
killer herself (a
“femme
fataleâ€), and a
twisting, turning plot
line that involves one or
more homicides.
Additionally, there are
several visual elements
that these movies share:
many are shot in black
and white, with great
emphasis on the use of
shadows and light;
alcohol and cigarettes
are heavily consumed by
men and women alike; and
men typically wear trench
coats and fedoras. Most
of the story lines do not
have happy endings.
Examples of film noir
include Orson
Welles’ The Lady
from Shanghai, Billy
Wilder’s Double
Indemnity, and John
Huston’s The
Maltese Falcon.NOIR
VIGNETTES consists of
four movements, each
depicting a different
aspect of film noir:
Murder at Midnight,
Loaded Gun, Femme Fatale,
and Last Cigarette.This
piece was commissioned by
the University of
Illinois Research Board
on behalf of double
bassist Michael Cameron;
and it also published for
Double Bass and Piano
(114-41811). The cello
version is transcribed by
the composer.-- Stacy
Garrop.