Cello and Piano SKU: IS.VCP6187EM Composed by Dirk Brosse. Strings - Cell...(+)
Cello and Piano
SKU:
IS.VCP6187EM
Composed
by Dirk Brosse. Strings -
Cello. The Dirk Brosse
Collection. Metropolis
Music Publishers
#VCP6187EM. Published by
Metropolis Music
Publishers
(IS.VCP6187EM).
For
Narrator, Oboe, Trombone,
Percussion, Cello, and
Piano. Composed by
Daniel Dorff. Premiered
by members of the
Philadelphia Orchestra,
Charlotte Blake Alston,
narrator; Philadelphia,
PA. Traditional. Set of
Score and Parts. With
Standard notation.
Composed 13-Mar.
16+2+2+2+2 pages.
Duration 6 minutes.
Theodore Presser Company
#111-40244. Published by
Theodore Presser Company
(PR.111402440).
ISBN
9781491101308. UPC:
680160616053. 9.5 x 13
inches. Old MacDonald Had
A
Farm.
Commissioned
by the Philadelphia
Orchestra Association,
Dorff uses the familiar
Old MacDonald to
introduce children to
various instruments
within an orchestra,
calling upon each in turn
for examples of their
sounds, and then merging
all of the soloists into
an original variation on
the theme. An effective
showcase for children's
concerts. Duration:
6'.
For
Narrator, Oboe, Trombone,
Percussion, Cello, and
Piano. Composed by
Daniel Dorff. Premiered
by members of the
Philadelphia Orchestra,
Charlotte Blake Alston,
narrator; Philadelphia,
PA. Traditional.
Performance score. With
Standard notation.
Composed 13-Mar. 16
pages. Duration 6
minutes. Theodore Presser
Company #111-40244S.
Published by Theodore
Presser Company
(PR.11140244S).
UPC:
680160616077. 9.5 x 13
inches. Old MacDonald Had
A
Farm.
Commissioned
by the Philadelphia
Orchestra Association,
Dorff uses the familiar
Old MacDonald to
introduce children to
various instruments
within an orchestra,
calling upon each in turn
for examples of their
sounds, and then merging
all of the soloists into
an original variation on
the theme. An effective
showcase for children's
concerts. Duration:
6'.
Violoncello, piano SKU: FG.55011-903-1 Composed by Victoria Yagling. Arra...(+)
Violoncello, piano
SKU:
FG.55011-903-1
Composed by Victoria
Yagling. Arranged by
Yuriy Leonovich.
Classical, contemporary.
Score and part. Fennica
Gehrman #55011-903-1.
Published by Fennica
Gehrman (FG.55011-903-1).
ISBN
9790550119031.
Vict
oria Yagling's Suite for
Cello and String
Orchestra (1967) is one
of her first successes as
a composer. The movement
layout of the Suite is
fast-slow-fast-slow. The
first movement, Toccata,
is a perpetual motion
with a brisk tempo of 100
per dotted half. The Aria
is reminiscent of
Rachmaninov's Vocalise
melody and Prokofiev's
tonal language. This
movement is the
centerpiece of the Suite.
The Humoresque is closely
connected in style and
motives to the March and
Aria movements from Boris
Tchaikovsky's Suite for
Cello Solo. Mostly
homophonic Finale plays
with bitonality and
contains several
circle-of-fifth
sequences.
This
product is is the
reduction for violoncello
and piano by prof. Yuriy
Leonovich. Orchestral
material available on
hire from the publisher.
Stydy score with solo
part is available for
sale (ISMN
9790550116436).
Vi
ctoria Yagling
(1946?2011) was born in
Russia and lived in
Finland since 1990. Her
long career as a cellist
served as an excellent
accompaniment to the
composition she began at
an early age. For 11
years she was a cello
student of Mstislav
Rostropovich at the
Moscow Conservatory and
Dmitry Kabalevsky and
Tikhon Khrennikov taught
her
composition.
Yagli
ng won the first prize in
the Gaspar Cassadò
Cello Competition and the
following year the second
prize in the Moscow
Tchaikovsky Competition.
Her solo engagements took
her to countless
countries. She has also
taught at several
international music
courses and master
classes and was often a
jury member for
international cello
competitions.
Yagl
ing left a profilic
oeuvre, and the three
cello concertos are her
main works. Her other
orchestral works include
Finnish Notebook, Lyrical
Preludes and the Suite
for Cello and String
Orchestra. She has also
composed solo works (e.g.
the Suite for Cello Solo
No. 1 chosen as an
obligatory piece for the
7th Tchaikovsky
Competition in Moscow in
1982), chamber works,
including two string
quartets, and vocal
music. Her expressive,
romantically orientated
style is Russian in
spirit and has grown out
of the soil provided by
Prokofiev and
Shostakovich.
After Colonna Violoncelle, Piano [Conducteur et Parties séparées] University Of York Music Press
Cello and Piano SKU: BT.MUSM570201778 Composed by Sadie Harrison. Classic...(+)
Cello and Piano
SKU:
BT.MUSM570201778
Composed by Sadie
Harrison. Classical. Set
(Score & Parts). 28
pages. University of York
Music Press
#MUSM570201778. Published
by University of York
Music Press
(BT.MUSM570201778).
English.
After
Colonna was expertly
composed, in 2001, by
Sadie Harrison . First
performed at Hampstead
Town hall in March 2001
by Miriam Lowbury and
David Carhart . After
Colonna later featured on
Harrison ’s 2002 album,
No Title Required .
Australian born freelance
composer and performe,
Sadie Harrison ’s
unique fusion of elements
from indigenous
Lithuanian music and
poetry with her own
modernist, often abrasive
style, have led her to be
compared with Bartok, but
with her own warmth and
grandeur. Since 2012
Harrison has been working
along side a long list of
well accomplished
musicians; Paul Carey,
Peter Sheppard Skaerved,
Sergej Okrushko, Alex
South, Duncan Honeybourne
are among many whohave
had the privilege to work
with Harrison so far.
Performances of Harrison
's works have been given
across the world by
Lontano, London Chamber
Symphony, Music Projects/
London, Ixion, Okeanos,
Bournemouth Sinfonietta,
Kokoro and the St.
Christopherus Chamber
Orchestra, and many
others.
Chamber Music Cello and Piano SKU: CF.O4963 Composed by Peter Mennin. Thi...(+)
Chamber Music Cello and
Piano
SKU:
CF.O4963
Composed by
Peter Mennin. This
edition: Piano Reduction.
Set of Score and Parts.
With Standard notation.
64+20 pages. Carl Fischer
Music #O4963. Published
by Carl Fischer Music
(CF.O4963).
ISBN
9780825894374. UPC:
798408094379. 9 x 12
inches.
A director
of Peabody Conservatory
and long-time president
of the Juilliard School
of Music, the very busy
Mennin found time to
compose a number of major
works in the post-World
War II American music
scene, up until his
untimely death at age 60.
His Cello Concerto was
commissioned by the
Juilliard Music
Foundation in 1955, one
of many commissions from
prestigious
organizations. Enjoy a
YouTube performance from
Albany Records' American
Archives, as performed by
Janos Starker and the
Louisville Orchestra
(Jorge Mester,
cond.).
(Cello and Piano). Composed by Edward Gregson. For Cello, Piano Accompaniment. M...(+)
(Cello and Piano).
Composed by Edward
Gregson. For Cello, Piano
Accompaniment. Music
Sales America. 52 pages.
Novello and Co Ltd.
#NOV958089. Published by
Novello and Co Ltd.
Cello and Piano SKU: HL.14041367 Composed by Per Norgard. Music Sales Ame...(+)
Cello and Piano
SKU:
HL.14041367
Composed
by Per Norgard. Music
Sales America. Classical.
Piano Reduction. 38
pages. Edition Wilhelm
Hansen #WH31033C.
Published by Edition
Wilhelm Hansen
(HL.14041367).
ISBN
9788759818893.
10.0x14.0x0.436
inches.
This is
the Piano reduction for
Momentum - Cello
Concerto No. 2
for Violoncello Solo and
Chamber Orchestra by
Per
Nørgård
(2009).
Cello and Piano SKU: HL.14007473 Composed by Sir Arthur Drummond Bliss. M...(+)
Cello and Piano
SKU:
HL.14007473
Composed
by Sir Arthur Drummond
Bliss. Music Sales
America. Post-1900. Book
[Softcover]. Music Sales
#NOV120348. Published by
Music Sales
(HL.14007473).
8.25x11.75x0.419
inches.
Arth
ur Bliss'
Concerto For
Violoncello.
Reduction for Cello and
Piano.
This work
was first performed at
the Aldeburgh Festival on
24th June 1970 by
Mstislav Rostropovich and
the English Chamber
Orchestra, conducted by
Benjamin Britten.
For Oboe, Bassoon, Violin, Violoncello and Piano - Piano Reduction. By Franz Jos...(+)
For Oboe, Bassoon,
Violin, Violoncello and
Piano - Piano Reduction.
By Franz Joseph Haydn.
Edited by S. Gerlach.
Arranged by Siegfried
Petrenz. (Piano). This
edition: HN154. Chamber
Music with Winds. Henle
Music Folios. Urtext
edition (Paper-bound). 86
pages. Published by Henle
URTEXT Edition.
Cello, Piano SKU: PR.UE008600 For Cello and Chamber Orchestra. Com...(+)
Cello, Piano
SKU:
PR.UE008600
For
Cello and Chamber
Orchestra. Composed
by Alexander Tcherepnine.
This edition: Edition For
Cello And Piano. With
Standard notation. Opus
37 Number 2. Universal
Edition #UE008600.
Published by Universal
Edition (PR.UE008600).
Cello and Piano. By Sergei Prokofiev. Arranged by Vladimir Blok. (Cello). Boose...(+)
Cello and Piano. By
Sergei Prokofiev.
Arranged by Vladimir
Blok. (Cello). Boosey
and Hawkes Chamber Music.
Book only. Size 9x12
inches. 24 pages.
Published by Boosey &
Hawkes.
Flute, horn, viola, cello and piano (P/ST) - difficult SKU: HL.49033137 C...(+)
Flute, horn, viola, cello
and piano (P/ST) -
difficult
SKU:
HL.49033137
Composed
by Leon Kirchner. This
edition: Saddle
stitching. Sheet music.
Edition Schott. Score and
parts. Composed 2001. 36
pages. Duration 6'.
Schott Music #ED 9511.
Published by Schott Music
(HL.49033137).
ISBN
9790001133272.
Volk
er David Kirchner's works
encompass every genre; in
addition to numerous
compositions for musical
theatre and for
orchestra, this viola
player who formerly
played in orchestras and
chamber ensembles still
shows a preference for
composing chamber music.
Yet even in this field of
'pure, absolute' music,
Kirchner's work has a
theatrical quality which
shows itself very clearly
in his choice of titles
(e.g. Mysterion, Il canto
della notte, Lamento
d'Orfeo, Exil).In this
Quintet Kirchner manages
to use the various
possible combinations of
the different instruments
to create highly
expressive music.
From Jewish Life Violoncelle, Piano Guitare classique Carl Fischer
Chamber Music Cello, Piano SKU: CF.BF141 Composed by Ernest Bloch. Edited...(+)
Chamber Music Cello,
Piano
SKU:
CF.BF141
Composed by
Ernest Bloch. Edited by
Julian Schwarz. 12+8
pages. Carl Fischer Music
#BF141. Published by Carl
Fischer Music (CF.BF141).
ISBN 9781491159989.
UPC:
680160918584.
The
three pieces From Jewish
Life were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.
The
first movement, Prayer,
is a deeply heartfelt
plea to the almighty. As
Neil W Levin writes, The
initial four-note motive
in the minor mode,
together with its
elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt
pathos.
The second
movement, Supplication
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish
experience.
The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917.
Though
the popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance. The first
movement, Prayer, is a
deeply heartfelt plea to
the almighty. As Neil W
Levin writes, The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos. The
second movement,
Supplication (the act of
begging humbly), has more
angst, almost a sense of
urgency as a result of
the rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience. The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917. Though the
popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.The first
movement,
“Prayerâ€, is
a deeply heartfelt plea
to the almighty. As Neil
W Levin writes,
“The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max
Janowski’s
(1912–1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu.†This
prayer has special
meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both
“Prayer†and
Janowski’s Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos.The
second movement,
“Supplicationâ€
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, “Jewish
Songâ€, evokes a
quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience.The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of
Bloch’s most
celebrated work, Schelomo
in 1917.Though the
popularity of
Bloch’s oeuvre has
been dominated by works
of Jewish connection, we
should not forget that
Bloch had many other
stylistic periods,
including Franco-Belgian,
modal, serial, and even
American folk. In 1927,
he was awarded Musical
America’s
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music.
Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.48025324 ...(+)
Cello; Piano
Accompaniment (Cello Part
And Piano Score)
SKU:
HL.48025324
Cello
and Piano. Composed
by Elena Kats-Chernin.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. Duration 180
seconds. Bote & Bock
#M202536346. Published by
Bote & Bock
(HL.48025324).
UPC:
196288175445.
The
piece is part of the
ballet Wild Swans,
choreographed by Meryl
Tankard at the Sydney
Opera House in 2002,
based on the fairy tale
The Wild Swans by Hans
Christian Andersen.
Originally scored for
soprano and orchestra,
Eliza Aria introduces
Princess Elisa and
expresses her pure soul,
innocence and belief in
the goodness of the
world: Without saying a
word, she must weave
stinging nettles into
cloth to save her
enchanted brothers. The
short, enchanting
vocalise is perhaps Elena
Kats-Chernin's best-known
creation and went around
the world as music in a
promotional video on
YouTube. It is now
available in numerous
versions for `ifferent
instruments and
instrumentations.
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Michael
Struck. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
piano reduction and the
study score
(,,Studien-Edition) are
available at G. Henle
Verlag. Solo concerto;
Romantic. Part. 12 pages.
Duration 35'. Breitkopf
and Haertel #OB 16104-19.
Published by Breitkopf
and Haertel
(BR.OB-16104-19).
ISBN
9790004339435. 10 x 12.5
inches.
The
publishers Henle and
Breitkopf & Hartel are
continuing their
collaboration, now with
Brahms, by publishing the
performance material of
the double concerto.
Brahms's last work with
orchestra was published
in the new Brahms
Complete Edition in 2002,
whereby the editor was
able to base himself on
newly accessible sources.
Of particular interest
are the additional
performance instructions
for the solo violin and
solo cello, which were
gathered from the first
edition of the solo
parts. These indications
were supplied by the
soloists of the first
performance, Joseph
Joachim and Robert
Hausmann. No doubt
authorized by Brahms,
they communicate valuable
insights into the
performance practice of
the time. The new
material also contains a
part in which the solo
violin and cello are
notated one above the
other. The trio edition
for violin, violoncello
and piano (EB 6040),
which was made by Brahms
himself, has proven
itself for chamber
performances; it
continues to be
available.The full score
is a conductor's dream:
big, bold, and
beautifully laid out on
glare-free bluff paper.
(Strings).
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Michael
Struck. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
piano reduction and the
study score
(,,Studien-Edition) are
available at G. Henle
Verlag. Solo concerto;
Romantic. Part. 12 pages.
Duration 35'. Breitkopf
and Haertel #OB 16104-27.
Published by Breitkopf
and Haertel
(BR.OB-16104-27).
ISBN
9790004339459. 10 x 12.5
inches.
The
publishers Henle and
Breitkopf & Hartel are
continuing their
collaboration, now with
Brahms, by publishing the
performance material of
the double concerto.
Brahms's last work with
orchestra was published
in the new Brahms
Complete Edition in 2002,
whereby the editor was
able to base himself on
newly accessible sources.
Of particular interest
are the additional
performance instructions
for the solo violin and
solo cello, which were
gathered from the first
edition of the solo
parts. These indications
were supplied by the
soloists of the first
performance, Joseph
Joachim and Robert
Hausmann. No doubt
authorized by Brahms,
they communicate valuable
insights into the
performance practice of
the time. The new
material also contains a
part in which the solo
violin and cello are
notated one above the
other. The trio edition
for violin, violoncello
and piano (EB 6040),
which was made by Brahms
himself, has proven
itself for chamber
performances; it
continues to be
available.The full score
is a conductor's dream:
big, bold, and
beautifully laid out on
glare-free bluff paper.
(Strings).
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Michael
Struck. Folder.
Orchester-Bibliothek
(Orchestral Library). The
piano reduction and the
study score
(,,Studien-Edition) are
available at G. Henle
Verlag. Solo concerto;
Romantic. Set of parts.
100 pages. Duration 35'.
Breitkopf and Haertel #OB
16104-30. Published by
Breitkopf and Haertel
(BR.OB-16104-30).
ISBN
9790004339466. 10 x 12.5
inches.
The
publishers Henle and
Breitkopf & Hartel are
continuing their
collaboration, now with
Brahms, by publishing the
performance material of
the double concerto.
Brahms's last work with
orchestra was published
in the new Brahms
Complete Edition in 2002,
whereby the editor was
able to base himself on
newly accessible sources.
Of particular interest
are the additional
performance instructions
for the solo violin and
solo cello, which were
gathered from the first
edition of the solo
parts. These indications
were supplied by the
soloists of the first
performance, Joseph
Joachim and Robert
Hausmann. No doubt
authorized by Brahms,
they communicate valuable
insights into the
performance practice of
the time. The new
material also contains a
part in which the solo
violin and cello are
notated one above the
other. The trio edition
for violin, violoncello
and piano (EB 6040),
which was made by Brahms
himself, has proven
itself for chamber
performances; it
continues to be
available.The full score
is a conductor's dream:
big, bold, and
beautifully laid out on
glare-free bluff paper.
(Strings).
Flute, Cello, Piano Chamber SKU: HL.14032647 Composed by Jacob Gade and P...(+)
Flute, Cello, Piano
Chamber
SKU:
HL.14032647
Composed
by Jacob Gade and Per
Norgard. Music Sales
America. Set. 37 pages.
Music Sales #KP00596.
Published by Music Sales
(HL.14032647).
ISBN
9788759876626.
Danish.
Per Norgard
's Tango Chikane ,
arranged for Flute, Cello
and Piano by Gunnar
Moller Pedersen (1969).
TANGO CHIKANE - music for
a ballet by Flemming
Flindt (1967).
“Tango
Chikane” is a
humorous paraphrase on
the evergreen hit from
the 1920s, the Danish
composer Jakob Gade's
“Tango
Tzigane” (also
known as 'Tango
Jalousie'). Per Norgard
Orig. version for
Orchestra: WH28904.
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Michael
Struck. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
piano reduction and the
study score
(,,Studien-Edition) are
available at G. Henle
Verlag. Solo concerto;
Romantic. Part. 12 pages.
Duration 35'. Breitkopf
and Haertel #OB 16104-16.
Published by Breitkopf
and Haertel
(BR.OB-16104-16).
ISBN
9790004339428. 10 x 12.5
inches.
The
publishers Henle and
Breitkopf & Hartel are
continuing their
collaboration, now with
Brahms, by publishing the
performance material of
the double concerto.
Brahms's last work with
orchestra was published
in the new Brahms
Complete Edition in 2002,
whereby the editor was
able to base himself on
newly accessible sources.
Of particular interest
are the additional
performance instructions
for the solo violin and
solo cello, which were
gathered from the first
edition of the solo
parts. These indications
were supplied by the
soloists of the first
performance, Joseph
Joachim and Robert
Hausmann. No doubt
authorized by Brahms,
they communicate valuable
insights into the
performance practice of
the time. The new
material also contains a
part in which the solo
violin and cello are
notated one above the
other. The trio edition
for violin, violoncello
and piano (EB 6040),
which was made by Brahms
himself, has proven
itself for chamber
performances; it
continues to be
available.The full score
is a conductor's dream:
big, bold, and
beautifully laid out on
glare-free bluff paper.
(Strings).
Oration Violoncelle, Piano [Conducteur et Parties séparées] Faber Music Limited
Oration by Frank Bridge (1879-1941). For Cello and Piano. Masterworks; Part(s); ...(+)
Oration by Frank Bridge
(1879-1941). For Cello
and Piano. Masterworks;
Part(s); Score; Solo;
String - Cello and Piano.
Faber Edition. 20th
Century; Masterwork.
Published by Faber Music
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Michael
Struck. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
piano reduction and the
study score
(,,Studien-Edition) are
available at G. Henle
Verlag. Solo concerto;
Romantic. Part. 12 pages.
Duration 35'. Breitkopf
and Haertel #OB 16104-23.
Published by Breitkopf
and Haertel
(BR.OB-16104-23).
ISBN
9790004339442. 10 x 12.5
inches.
The
publishers Henle and
Breitkopf & Hartel are
continuing their
collaboration, now with
Brahms, by publishing the
performance material of
the double concerto.
Brahms's last work with
orchestra was published
in the new Brahms
Complete Edition in 2002,
whereby the editor was
able to base himself on
newly accessible sources.
Of particular interest
are the additional
performance instructions
for the solo violin and
solo cello, which were
gathered from the first
edition of the solo
parts. These indications
were supplied by the
soloists of the first
performance, Joseph
Joachim and Robert
Hausmann. No doubt
authorized by Brahms,
they communicate valuable
insights into the
performance practice of
the time. The new
material also contains a
part in which the solo
violin and cello are
notated one above the
other. The trio edition
for violin, violoncello
and piano (EB 6040),
which was made by Brahms
himself, has proven
itself for chamber
performances; it
continues to be
available.The full score
is a conductor's dream:
big, bold, and
beautifully laid out on
glare-free bluff paper.
(Strings).
Chamber Music Cello, Piano SKU: PR.114419310 For Cello and Orchestra(+)
Chamber Music Cello,
Piano
SKU:
PR.114419310
For
Cello and Orchestra.
Composed by Lowell
Liebermann. Set of Score
and Parts. 48+12 pages.
Duration 26 minutes.
Theodore Presser Company
#114-41931. Published by
Theodore Presser Company
(PR.114419310).