Cello and Piano - easy SKU: BT.EMBZ6748 Easy concert pieces in first p...(+)
Cello and Piano - easy
SKU: BT.EMBZ6748
Easy concert pieces in
first position. By
Arpad Pejtsik. By Endre
Lengyel. EMB Music for
Beginners. Educational
Tool. Book Only. Composed
1973. 64 pages. Editio
Musica Budapest
#EMBZ6748. Published by
Editio Musica Budapest
(BT.EMBZ6748).
Hungarian-English-Germ
an-French.
The
volumes of the series
cover the entire music
literature from the
earliest centurties to
our days. The material of
the individual volumes
containing short, easy
pieces to be played in
the first three-four
years of studying the
instrument has been
compiled by accomplished
music teachers. The
majority of the
contemporary works
included in the volumes
have been published in
this series for the first
time. An ABRSM syllabus
title, 2010-16, Grade
2-3.
Accompanies Second Edition. Composed by David Blackwell and Kathy Blackwell....(+)
Accompanies Second
Edition.
Composed by David
Blackwell
and Kathy Blackwell.
Cello
Time. Oxford University
Press
#9780193563315. Published
by
Oxford University Press
Composed by Johannes Brahms (1833-1897). Edited by Clive Brown / Neal Peres Da C...(+)
Composed by Johannes
Brahms (1833-1897).
Edited by Clive Brown /
Neal Peres Da Costa /
Kate Bennett Wadsworth.
For cello and piano. This
edition: Urtext edition.
Stapled. With an Urtext
solo part by Clive Brown
and a solo part with
bowing and fingering by
Kate Bennett Wadsworth;
Fingering in the piano
part by Neal Peres Da
Costa; Performance
Practice Commentary by C.
Brown, N. P. Da Costa and
K. B. Wadsworth. Level 3.
Score and part. Text
Language: German/English.
Opus 38. Published by
Baerenreiter Verlag
Cello; Piano Accompaniment (Score and Solo Part) SKU: HL.14032602 For ...(+)
Cello; Piano
Accompaniment (Score and
Solo Part)
SKU:
HL.14032602
For
Cello and Piano
Reduction. Composed
by Joby Talbot. Music
Sales America. Classical.
Book [Softcover].
Composed 2006. 12 pages.
Chester Music #CH70092.
Published by Chester
Music (HL.14032602).
UPC: 884088814113.
8.25x12.0
inches.
Released in
2005, the album Once
Around the Sun is the
outcome of Joby Talbot's
residency with Classic
FM. During his year in
residence, Talbot
composed a new piece of
music each month, scored
for up to five
instruments. The
resulting twelve
compositions were then
premiered on Classic FM
and were recorded on CD.
May - Cumulonimbus was
the fifth piece to be
composed and is scored
here for cello with piano
accompaniment.
Composed by
Jimmy Baas. Sws.
Performance Score. 16
pages. Duration 3
minutes, 49 seconds. Carl
Fischer Music #CM9625.
Published by Carl Fischer
Music (CF.CM9625).
ISBN 9781491156988.
UPC: 680160915545. 6.875
x 10.5 inches. Key: Bb
major. English, English.
William Butler
Yeats.
The
Everlasting Voices is the
perfect blend of textural
variety and harmonic
interest for the advanced
treble ensemble.
Employing a powerful
text, Baas' vocal
layering coupled with
piano and optional cello
make this compelling
piece a programming
must!. O sweet
everlasting Voices, be
still; Go to the guards
of the heavenly fold And
bid them wander obeying
your will, Flame under
flame, till Time be no
more; Have you not heard
that our hearts are old,
That you call in birds,
in wind on the hill, In
shaken boughs, in tide on
the shore? O sweet
everlasting Voices, be
still. This SSAA choral
work by Jimmy Baas was
comissioned by the
Lumberton HS Varsity
Treble Choir. The opening
and closing lines of the
poem, O sweet everlasting
voices, be still provide
the perfect bookends for
two larger sections of
the poem. These two
sections are equally
divided into verses. The
opening line is used once
again as a transition
between the verses. The
previously mentioned
lines, O sweet
everlasting voices, are
overlapped as different
layers of voices enter
and sustain. A fifth and
sixth voice, the cello
and piano accompaniment
take part in these layers
as well. The words be
still are very much a
part of the mood each
time as the everlasting
voices become quiet and
still. The two verses
feature different voices
within the SSAA choir.
Verse 1, the sopranos,
and verse 2 the altos.
There are many moments in
this piece to explore the
full range and color of
the SSAA choir. The piano
and cello play an
important part
throughout, making this
piece an excellent choice
for any festival women's
chorus. O sweet
everlasting Voices, be
still;Go to the guards of
the heavenly foldAnd bid
them wander obeying your
will,Flame under flame,
till Time be no more;Have
you not heard that our
hearts are old,That you
call in birds, in wind on
the hill,In shaken
boughs, in tide on the
shore?O sweet everlasting
Voices, be still.This
SSAA choral work by Jimmy
Baas wascomissioned by
the Lumberton HS Varsity
Treble Choir.The opening
and closing lines of the
poem, “O
sweeteverlasting voices,
be still†provide
the perfect bookendsfor
two larger sections of
the poem. These two
sectionsare equally
divided into verses. The
opening line is usedonce
again as a transition
between the verses.The
previously mentioned
lines, “O sweet
everlastingvoices,â€
are overlapped as
different layers of
voices enterand sustain.
A fifth and sixth voice,
the cello and
pianoaccompaniment take
part in these layers as
well.The words “be
still†are very
much a part of the
moodeach time as the
everlasting voices become
quietand still.The two
verses feature different
voices within the
SSAAchoir. Verse 1, the
sopranos, and verse 2 the
altos. Thereare many
moments in this piece to
explore the full range
andcolor of the SSAA
choir. The piano and
cello play an
importantpart throughout,
making this piece an
excellent choice for
anyfestival
women’s
chorus.
Score and Parts Cello; Piano; Violin - difficult SKU: HL.49033212 For ...(+)
Score and Parts Cello;
Piano; Violin - difficult
SKU: HL.49033212
For Violin,
Violoncello and Piano
Score and Parts.
Composed by Jö and rg
Widmann. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. Score and
Parts. Composed
2000/2006. 46 pages.
Duration 30'. Schott
Music #ED9633. Published
by Schott Music
(HL.49033212).
ISBN
9790001135894. UPC:
073999282085.
9.0x12.0x0.132
inches.
This Piano
Trio Passacaglia is the
'junior' companion piece
to my Cello Concerto
Dunkle Saiten [Dark
Strings], or more
precisely to the
concerto's
large-dimensional
introductory section with
the indication
'Feierlich, schreitend'
[solemnly, striding].
What in the Cello
concerto then inescapably
culminates in a
catastrophe remains in
this composition
ostensibly largely
conflict-free. This is in
fact perhaps one of my
most peaceful and
conflict-free
compositions; it consists
of half an hour of almost
exclusively tonal
progressions. Here,
passacaglia (stepping
dance!) is taken
literally: the step
progressions themselves
become the subject of the
work. This also includes
pausing, not being able
to progress, feeling
one's way, stumbling and
taking compulsive steps
forward.As familiar as
the harmonic surface of
the structure appears,
for me the natural
adaptation of the musical
flow was new to a similar
degree. This is my
attempt to produce a
linear tonal band (a
horizontal) exclusively
with the aid of harmonic
- i.e. vertical -
progressions.- Jorg
Widmann.