Cello and Piano

SKU: BT.EMBZ14779

Composed by Franz Liszt. Book Only. Composed 2011. 16 pages. Editio Musica Budapest #EMBZ14779. Published by Editio Musica Budapest (BT.EMBZ14779).

The arranger of this work (a well-known Hungarian composer living in Romania) writes: This piece has always excited my imagination, from several points of view. First of all, its name. The German title, the obstinate one, may refer to its ostinato character. This is close to Liszt's programme concept, but the French word 'obstiné' is closer in meaning to stubborn. There is just a shade of difference, but to me it is important, because the latter suggests the description of a type of behaviour, the emotional state of a dancer's inner frame of mind abstracted into movements, expressed in dance movements, and this is a fascinating interpretation. The demonstration ofstubborn resistance and defiance to the point of exhaustion was not a frequently occurring phenomenon with Liszt. Secondly, at the beginning of the seventies Zoltán Kocsis played the piece in Transylvania. At that time, I asked the composer, Is the character of the continuous staccato in the left hand sharp, short, or an accompanying background like a constant shadow? Is it a weighty Brahmsian staccato, an ominous knocking? - and so on. Then there are the Bartókian false relations that keep recurring in the work, the B-E flat-G, etc. That foreshadows Debussy, creating harmonic thrills that, when I hear the work, keep my continuing interest alive for it. Finally, my immediate reason for arranging the work was of a family nature: in connection with Liszt's jubilee year, my daughter, who is a cellist, wanted a 'more energetic' piece to play at a bicentenary concert an addition to the existing slow, lyrical, or sombre works written by Liszt for the cello.

The arranger of this work, the well-known Romania-based Hungarian composer Cs ky Boldizsár writes: This piece has always excited my imagination, from several points of view. First of all, its name. The German title, the obstinateone, may refer to its ostinato character, this is close to Liszt's programme concept, but the French word 'obstiné' is closer in meaning to stubborn. There is just a shade of difference, but to me it is important, because the lattersuggests the description of a type of behaviour, the emotional state of a dancer's inner frame of mind abstracted into movements, expressed in dance movements, and this is a fascinating interpretation. The demonstration of stubbornresistance , defiance to the point of exhaustion, was not a frequently occurring phenomenon with Liszt. Secondly, at the beginning of the seventies Zoltán Kocsis played the piece here in Transylvania (Romania).

Der Bearbeiter des Werkes, der renommierte ungarische Komponist aus Rumänien, schreibt: Dieses Stück reizte immer schon meine Phantasie, sogar in vielerlei Hinsicht. Als erstes sein Name. Der deutsche Titel ‚Hartnäckiger' kann auf den ihm innewohnenden ostinativen Charakter hinweisen, was der Liszt'schen Programm-Konzeption näher kommt, das französische ,obstiné' steht jedoch eher dem Wort ‚dickköpfig' nah. Das sind nur geringfügige Unterschiede, mir ist das dennoch wichtig, weil aus Letzterem die Darstellung eines Verhaltens, der in Tanzgesten ausgedrückte, zur Bewegung abstrahierte innere emotionale Zustand eines Tänzers durchscheint, und das ist eine überaus beeindruckendeErklärun g. Die Demonstration des bis zur Erschöpfung reichenden Trotzes, der störrischen Kraft erscheint bei Liszt selten. Der zweite Aspekt: Zu Beginn der 70er Jahre spielte bei uns Zoltán Kocsis das Stück. Schon damals (und seitdem) frage ich den Komponisten:.

Fingerprints for Cello and Piano. (Grade 1-4). For Cello and Piano. Book; Method/Instruction; String - Cello Studies or Collection. Faber Edition. Published by Faber Music

Cello and Piano (Volume 2). By Various. Edited by Arpad Pejtsik. EMB. 136 pages. Editio Musica Budapest #Z14637. Published by Editio Musica Budapest

Cello; Piano Accompaniment

SKU: HL.50512037

Cello and Piano. Composed by Franz Liszt. Edited by Csiky Boldizsar. Arranged by Csí, ky Boldizsá, and r. Romantic. EMB. Classical. Softcover. 14 pages. Editio Musica Budapest #Z14779. Published by Editio Musica Budapest (HL.50512037).

ISBN 9790080147795. UPC: 884088668723. 9.0x12.0x0.079 inches. Ferenc Liszt; Boldizsar Csiky.

The arranger of this work (a well-known Hungarian composer living in Romania) writes: +This piece has always excited my imagination, from several points of view. First of all, its name. The German title, the obstinate one, may refer to its ostinato character. This is close to Liszt's programme concept, but the French word 'obstine' is closer in meaning to stubborn. There is just a shade of difference, but to me it is important, because the latter suggests the description of a type of behaviour, the emotional state of a dancer's inner frame of mind abstracted into movements, expressed in dance movements, and this is a fascinating interpretation. The demonstration of stubborn resistance and defiance to the point of exhaustion was not a frequently occurring phenomenon with Liszt. Secondly, at the beginning of the seventies Zoltan Kocsis played the piece in Transylvania. At that time, I asked the composer, +Is the character of the continuous staccato in the left hand sharp, short, or an accompanying background like a constant shadow? Is it a weighty Brahmsian staccato, an ominous knocking? - and so on. Then there are the Bartokian false relations that keep recurring in the work, the B-E flat-G, etc. That foreshadows Debussy, creating harmonic thrills that, when I hear the work, keep my continuing interest alive for it. Finally, my immediate reason for arranging the work was of a family nature: in connection with Liszt's jubilee year, my daughter, who is a cellist, wanted a 'more energetic' piece to play at a bicentenary concert an addition to the existing slow, lyrical, or sombre works written by Liszt for the cello.+.

Op. 112 B Minor Cello and Piano Student Level 3. Composed by Sebastian Lee (1805-1887). Edited by Anna Catharina Nimczik. This edition: Saddle stitching. Sheet music. Schott Student Edition. Classical. Softcover. Op. 112. 16 pages. Schott Music #SE1023. Published by Schott Music

Edited by Rachel Lonergan. Arranged by Daniel Kelley. For Cello and Piano. Solos. Recital. Level: Intermediate. Piano Score and Solo Part. Published by Last Resort Music Publishing.

Volume 1 Cello; Piano Accompaniment (Cello Part And Piano Score)

SKU: HL.48024686

Tarantelle - Trois Andante - Marche chinoise. Composed by Jacques Offenbach. Edited by Jean-Christophe Keck. Boosey & Hawkes Chamber Music. Classical. Softcover. 48 pages. Bote & Bock #M202535332. Published by Bote & Bock (HL.48024686).

ISBN 9781540058768. UPC: 888680952938.

Jacqu es Offenbach was not only a composer of inexhaustible imagination, but also a virtuoso cellist. Even after his first years in Paris, he liked to perform as a musician again and again. To mark his 200th birthday in 2019, the Offenbach Edition Keck OEK publishes original compositions by the 'Mozart of the Champs-Elysees' for 'his' instrument plus piano accompaniment. The pieces are suitable for amateur studies and concert performances alike - not only in the anniversary year! Some of them were already available in older separate editions, some of them have been unpublished until now. In the present edition, they are published in three volumes according to their musical relation, based on the multiple award-winning editorial standards of the OEK. Vol. 1 contains dance-like pieces (Tarantelle / Trois Andante / Marche chinoise), Vol. 2 baroque-style parodies (Musette / Chant des mariniers galants dapres Rameau / Tambourin dapres Rameau) and Vol. 3 Romantic character pieces (La Course en traineau / Introduction et valse melancolique / Reverie au bord de mer / Deux ames au ciel).

Cello; Piano Accompaniment (Cello Part And Piano Score)

SKU: HL.48024688

Le Course en traineau, Introduction et valse melancolique, Feverie au bord de mer, Deux ames au ciel. Composed by Jacques Offenbach. Edited by Jean-Christophe Keck. Boosey & Hawkes Chamber Music. Classical. Softcover. 56 pages. Bote & Bock #M202535356. Published by Bote & Bock (HL.48024688).

ISBN 9781540058782. UPC: 888680952952.

Jacqu es Offenbach was not only a composer of inexhaustible imagination, but also a virtuoso cellist. Even after his first years in Paris, he liked to perform as a musician again and again. To mark his 200th birthday in 2019, the Offenbach Edition Keck OEK publishes original compositions by the 'Mozart of the Champs-Elysees' for 'his' instrument plus piano accompaniment. The pieces are suitable for amateur studies and concert performances alike - not only in the anniversary year! Some of them were already available in older separate editions, some of them have been unpublished until now. In the present edition, they are published in three volumes according to their musical relation, based on the multiple award-winning editorial standards of the OEK. Vol. 1 contains dance-like pieces (Tarantelle / Trois Andante / Marche chinoise), Vol. 2 baroque-style parodies (Musette / Chant des mariniers galants dapres Rameau / Tambourin dapres Rameau) and Vol. 3 Romantic character pieces (La Course en traineau / Introduction et valse melancolique / Reverie au bord de mer / Deux ames au ciel).

Cello; Piano Accompaniment (Cello Part And Piano Score)

SKU: HL.48024687

Musette - Chant des mariniers galants d'apres Rameau - Tambourin d'apres Rameau. Composed by Jacques Offenbach. Edited by Jean-Christophe Keck. Boosey & Hawkes Chamber Music. Classical. Softcover. 52 pages. Bote & Bock #M202535349. Published by Bote & Bock (HL.48024687).

ISBN 9781540058775. UPC: 888680952945.

Jacqu es Offenbach was not only a composer of inexhaustible imagination, but also a virtuoso cellist. Even after his first years in Paris, he liked to perform as a musician again and again. To mark his 200th birthday in 2019, the Offenbach Edition Keck OEK publishes original compositions by the 'Mozart of the Champs-Elysees' for 'his' instrument plus piano accompaniment. The pieces are suitable for amateur studies and concert performances alike - not only in the anniversary year! Some of them were already available in older separate editions, some of them have been unpublished until now. In the present edition, they are published in three volumes according to their musical relation, based on the multiple award-winning editorial standards of the OEK. Vol. 1 contains dance-like pieces (Tarantelle / Trois Andante / Marche chinoise), Vol. 2 baroque-style parodies (Musette / Chant des mariniers galants dapres Rameau / Tambourin dapres Rameau) and Vol. 3 Romantic character pieces (La Course en traineau / Introduction et valse melancolique / Reverie au bord de mer / Deux ames au ciel).

Cello and Piano

SKU: BT.EMBZ14110

By Lajos Vigh. By Arpad Pejtsik. Educational Tool. Book Only. Composed 1996. 40 pages. Editio Musica Budapest #EMBZ14110. Published by Editio Musica Budapest (BT.EMBZ14110).

ABRSM Syllabus title, Grade 5 The original source of these sonatas for cello and double bass duo was a collection created by G.A. Perti and his pupils in Bologna around 1695. Among the easy and small-scale movements (at most 28 measures long), the most quintessential dances of the Baroque era are represented.Some of these compositions can be played after a mere 3 years of instrumental study, therefore music students can use them as an opportunity to familiarize themselves with the fundamentals of baroque style. The simple development of the continuo allows for it to be played by a pupil performing alongside their teacher. The pieces also sound great when played on two cellos.

Cello and Piano. By David Popper. Arranged by Arpad Pejtski, Arpad Pejtsik. EMB. Size 9x12 inches. 27 pages. Published by Editio Musica Budapest.

Chamber Music Cello, Piano

SKU: PR.114422760

Composed by Ricky Ian Gordon. Set of Score and Parts. 8+4 pages. Duration 5 minutes. Theodore Presser Company #114-42276. Published by Theodore Presser Company (PR.114422760).

ISBN 9781491135785. UPC: 680160687855.

A heartfelt memorial to the composer’s sister, SAMBA FOR SUSAN bears a tempo marking of “Sensual,” and this 5-minute elegy is set as a slow bossa nova, full of the jazz flavor and syncopations of samba tradition. In the hands of this celebrated opera and theater composer, Gordon’s samba is a drama cast in a dance feel. Themes alternate, always returning transformed into fresh textures at each recurrence, creating a work that is catchy on first hearing, and reveals its depth upon repeated hearings.

Cello and Piano

SKU: BT.EMBZ14636

By Arpad Pejtsik. ABRSM Cello Exam Pieces 2016-2019. Educational Tool. Book and Part(s). Composed 2008. 144 pages. Editio Musica Budapest #EMBZ14636. Published by Editio Musica Budapest (BT.EMBZ14636).

ABRSM Syllabus title - Grades 5, 6, 8The two volumes contain a selection from 200 years of music. Eight Baroque sonatas are included, apart from the famous D minor one by Corelli there are some that are appearing in a modern edition for the first time in 300 years. In addition to cyclical works (Haydn: Sonatina, Mozart: Divertimento, Vivaldi: Concerto) and sets of variations (Beethoven, Tartini) there are many shorter pieces as well, not only the famous minuets by Boccherini, Mozart and Beethoven but also works published for the first time here. Virtuoso pieces are represented by Goltermann s Etude-caprice and Jenkinson s Dance of the sylphids, the lighter kind includeJoplin s Ragtime. This colourful, ample selection provides a good basis for a music-lover s library. ABRSM Cello Syllabus title - Grade 5, 6, 8.

Die zwei Bände präsentieren eine Auswahl an Musik aus zweihundert Jahren. Sie beinhalten acht Barocksonaten, neben der berühmten Corelli in d-Moll auch solche, die nach 300 Jahren erst jetzt in einer modernen Ausgabe erscheinen. Es kommen neben zyklischen (Haydn: Sonatine, Mozart: Divertimento, Vivaldi: Concerto) und Variationswerken (Beethoven, Tartini), auch mehrere kleinere Stücke wie die berühmten Mozart-, Boccherini- und Beethoven-Menuette sowie solche vor, die hier das erste Mal erscheinen. Die virtuosen Stücke werden durch Goltermanns Etüde-Caprice und Jenkinsons Tanz der Sylphiden, die leichtere Gattungen von Joplins Ragtime vertreten. Die reichhaltige, bunte Auswahlkann für Musikliebhaber zur Grundlage einer Notensammlung werden.

Cello and Piano. Composed by Bela Bartok (1881-1945). Arranged by Hywel Davies. Boosey and Hawkes Chamber Music. Softcover. 28 pages. Boosey and Hawkes #M060132049. Published by Boosey and Hawkes

Cello and Piano

SKU: HL.14006318

Exam Material. Book [Softcover]. 4 pages. Music Sales #NOV120641. Published by Music Sales (HL.14006318).

ISBN 9780853602897. 8.5x11.0x0.073 inches.

Cello Time is a sequel to Colin Evans' Take a Cello, and Basic Bass. Cellists who have moved on from the open string writing can now take up the challenge of these seven new pieces written for the first position.

Stylish Arrangements of Selected Highlights from the Leading 20th Century Composer. Composed by Bela Bartok (1881-1945). Edited by Hywel Davies. Boosey & Hawkes Chamber Music. Classical. Softcover with CD. 76 pages. Boosey & Hawkes #M060135217. Published by Boosey & Hawkes

Cello and Piano. By Sheila Nelson. (Cello). Boosey and Hawkes Chamber Music. Size 9x12.25 inches. 25 pages. Published by Boosey and Hawkes.

By BULLARD. For violoncello, piano. (17 party pieces for violoncello and piano -- includes alternative pieces for the Preparatory Test for Cello). Published by ABRSM (Associated Board of the Royal Schools of Music).

18 Festival Solos with Piano Accompaniment. Composed by Tyler Arcari and Larry Clark. Edited by Diana Traietta. Solo and Ensemble Music. Solo Performnace Collection. Collection. Wingert-Jones Publications #SB2225. Published by Wingert-Jones Publications

Cello and Piano. By Howard Harrison. (Cello). Boosey and Hawkes Chamber Music. 56 pages. Published by Boosey and Hawkes.

By ABRSM. For violoncello, piano. Published by ABRSM (Associated Board of the Royal Schools of Music).

Cello and Piano. By Sheila Nelson. (Cello). Boosey and Hawkes Chamber Music. Book only. Size 9.25x12.25 inches. 44 pages. Published by Boosey and Hawkes.

Cello and Piano. (Cello). Boosey and Hawkes Chamber Music. Size 8.25x11.75 inches. 68 pages. Published by Boosey and Hawkes.

Cello; Piano Accompaniment (Cello Part And Piano Score)

SKU: HL.48025366

Cello and Piano. Composed by Hans Winterberg. Boosey & Hawkes Chamber Music. Classical. Softcover. Bote & Bock #M202538104. Published by Bote & Bock (HL.48025366).

UPC: 196288194279.

Hans Winterberg, born in Prague in 1901, lived through almost the entire period of the 20th century and was influenced as a composer by its most important artistic innovations. Already a brilliant pianist as an adolescent, he studied with Alois Hába and Alexander von Zemlinsky in Prague. Both his life and his music reflect the Austrian-Czech-Jewish cultural symbiosis; he saw himself as a bridge builder between Western and Eastern, i.e. Slavic, cultures. Owing to his Jewish ancestry, he was deported to the Terezin concentration camp after the annexation of Czechoslovakia by Nazi Germany. He was the only Jewish representative of the Czech musical avant-garde of the 1920s and 1930s to survive the Shoah and, in 1947, followed his non-Jewish wife and their daughter to the FRG in the course of the expulsion of the German-speaking population from Czechoslovakia. Winterberg's fascinating oeuvre, which was kept under lock and key in a German music archive for years after his death, is now being made accessible in first editions due to a cooperation between the Exilarte Center for Banned Music at the University of Music in Vienna and Boosey & Hawkes. The first printed edition is Winterberg's Cello Sonata, composed in 1951, in which all the characteristics of his unmistakable personal style come to the fore: dance-like energy, polyrhythm, intimate yet unsentimental melos, subtle handling of folkloristic material, and an unerring sense of form and balance. This work is of medium technical and great interpretative difficulty.