Cello and Piano. Composed by Evgeny Kissin. Edited by Steven Isserlis. Sheet ...(+)
Cello and Piano. Composed
by
Evgeny Kissin. Edited by
Steven Isserlis. Sheet
Music. Paperbound. Henle
Music Folios. With marked
and unmarked string
parts.
Classical. Score and
Parts.
20 pages. G. Henle
#HN1050.
Published by G. Henle
(Revised Edition With Marked and Unmarked String Parts). By Ludwig van Beethoven...(+)
(Revised Edition With
Marked and Unmarked
String Parts). By Ludwig
van Beethoven
(1770-1827). Edited by
Jens Dufner. For cello
and piano. Henle Music
Folios. Solo part and
accompaniment. 266 pages
La Vida Breve Primera Danza Espanola. (for Cello and Piano). By Manuel de Falla ...(+)
La Vida Breve Primera
Danza Espanola. (for
Cello and Piano). By
Manuel de Falla
(1876-1946). For Cello,
Piano Accompaniment.
Music Sales America.
Classical. Book only. 18
pages. Union Musical
Ediciones #UMF1024.
Published by Union
Musical Ediciones
Schott Student Edition Repertoire. Composed by Jean Baptiste Breval. Edit...(+)
Schott Student Edition
Repertoire. Composed
by Jean Baptiste Breval.
Edited by Beverley Ellis.
This edition: Saddle
stitching. Sheet music.
Schott Student Edition.
Repertoire. Softcover.
Op. 40/1. 36 pages.
Schott Music #SE1006.
Published by Schott Music
(HL.49045503).
Cello; Piano Accompaniment - intermediate SKU: HL.49019267 Violoncello...(+)
Cello; Piano
Accompaniment -
intermediate
SKU:
HL.49019267
Violoncello and
Piano. Composed by
George Goltermann. Edited
by Fritz Zumkley. This
edition: Saddle
stitching. Sheet music.
String. Stilistisch ganz
dem romantischen Geist
ihrer Zeit verhaftet,
handelt es sich um
relativ kurze Stucke.
Nicht zuletzt aufgrund
ihrer melodischen und
harmonischen
Eingangigkeit erfreuen
sie sich nachhaltiger
Beliebtheit sowohl im
Unterricht wie im
hausliche. Classical.
Softcover. Op. 54/3. 8
pages. Schott Music
#CB247. Published by
Schott Music
(HL.49019267).
ISBN
9790001180689. UPC:
841886018143.
9.0x12.0x0.074 inches.
Edited with fingerings
and bowings by Fritz
Zumkley.
Goltermann
(1824-1898) left a
plethora of works for his
instrument, including
seven cello concertos
which sometimes go to the
limitsof what was
considered to be
technically playable in
his time. Even today,
these works have
maintained their
importance throughout the
methodological progress
in literature. Apart from
the concertos, Goltermann
also composed a large
number of character
pieces, including
romances, reveries,
nocturnes and serenades.
Stylistically wholly
rooted in the Romantic
spirit of their time, the
pieces are relatively
short and of medium
difficulty as regards the
technical demands. It is
not least due to their
melodic and harmonic
catchiness that they
enjoy a lasting
popularity both in music
lessons and in domestic
concerts.
6 Easy Concert Pieces. Composed by Arnold Trowell. Edited by Beverley Ellis. ...(+)
6 Easy Concert Pieces.
Composed by Arnold
Trowell.
Edited by Beverley Ellis.
This edition: Saddle
stitching. Sheet music.
Schott Student Edition. 6
leichte Stucke fur
Violoncello und Klavier.
Classical. Softcover. Op.
4/7-12. 40 pages. Schott
Music #SE 1050. Published
by
Schott Music
Composed by Jean-Baptiste Breval. Edited by Christoph Sassmannshaus. Stapled...(+)
Composed by Jean-Baptiste
Breval. Edited by
Christoph
Sassmannshaus. Stapled.
Barenreiter's
Concert
Pieces. Piano reduction,
part(s). 7/12 pages.
Duration 8:00.
Baerenreiter
Verlag #BA 10698.
Published
by Baerenreiter Verlag
Cello and Piano Schott Student Edition Level 1. Composed by Arnold Trowell. ...(+)
Cello and Piano Schott
Student Edition Level 1.
Composed by Arnold
Trowell.
Edited by Beverley Ellis.
This edition: Saddle
stitching. Sheet music.
Schott Student Edition.
Classical. Softcover. Op.
4/1-6. 40 pages. Schott
Music
#SE 1024. Published by
Schott
Music
Cello and piano (Cello Part And Piano Score) - intermediate SKU: HL.49019221<...(+)
Cello and piano (Cello
Part And Piano Score) -
intermediate
SKU:
HL.49019221
Composed
by George Goltermann.
Edited by Fritz Zumkley.
This edition: Saddle
stitching. Sheet music.
String Solo. Softcover.
Op. 92/2. 12 pages.
Schott Music #CB246.
Published by Schott Music
(HL.49019221).
ISBN
9790001180672. UPC:
841886018136.
9.0x12.0x0.092
inches.
Georg
Goltermann (1824-1898)
left a plethora of works
for his instrument,
including seven cello
concertos which still
play an important role in
the cello literature of
today. In addition, he
composed a large number
of character pieces,
including romances,
reveries, nocturnes and
serenades. Rooted
entirely in the romantic
spirit of their time with
regard to style, they are
relatively short pieces
of medium difficulty. It
is not least due to its
melodic and harmonic
catchiness that the
rather easy Reverie in G
minor Op. 92/2 enjoys
great popularity both in
lessons and in concerts.
The expression marking
'Allegro appassionato'
refers to the fundamental
character of the piece
which demands, in
particular, an expressive
vibrato rich in
modulation.
Cello; Piano - intermediate SKU: HL.49045283 For Cello and Piano Reduc...(+)
Cello; Piano -
intermediate
SKU:
HL.49045283
For
Cello and Piano
Reduction. Composed
by Wolfgang Koehler. This
edition: Saddle
stitching. Sheet music.
String Solo. Classical.
Softcover. 16 pages.
Schott Music #ED22651.
Published by Schott Music
(HL.49045283).
ISBN
9790001162470. UPC:
841886028913.
9.0x12.0x0.073
inches.
Take Seven
is a tried and trusted
showpiece with audience
appeal. The title Take
Seven is of course a play
on Paul Desmond's famous
Take Five and its
recording by the Dave
Brubeck Quartet. As
there, the rhythms in
this piece are largely
based on an asymmetric
metre - in this case, 7/4
time. Unlike most jazz
pieces with an uneven
metre, however, Take
Seven goes through
various moods, sections
and tempo changes,
illuminating the main
theme from different
angles.
From Jewish Life Violoncelle, Piano Guitare classique Carl Fischer
Chamber Music Cello, Piano SKU: CF.BF141 Composed by Ernest Bloch. Edited...(+)
Chamber Music Cello,
Piano
SKU:
CF.BF141
Composed by
Ernest Bloch. Edited by
Julian Schwarz. 12+8
pages. Carl Fischer Music
#BF141. Published by Carl
Fischer Music (CF.BF141).
ISBN 9781491159989.
UPC:
680160918584.
The
three pieces From Jewish
Life were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.
The
first movement, Prayer,
is a deeply heartfelt
plea to the almighty. As
Neil W Levin writes, The
initial four-note motive
in the minor mode,
together with its
elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt
pathos.
The second
movement, Supplication
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish
experience.
The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917.
Though
the popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance. The first
movement, Prayer, is a
deeply heartfelt plea to
the almighty. As Neil W
Levin writes, The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos. The
second movement,
Supplication (the act of
begging humbly), has more
angst, almost a sense of
urgency as a result of
the rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience. The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917. Though the
popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.The first
movement,
“Prayerâ€, is
a deeply heartfelt plea
to the almighty. As Neil
W Levin writes,
“The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max
Janowski’s
(1912–1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu.†This
prayer has special
meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both
“Prayer†and
Janowski’s Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos.The
second movement,
“Supplicationâ€
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, “Jewish
Songâ€, evokes a
quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience.The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of
Bloch’s most
celebrated work, Schelomo
in 1917.Though the
popularity of
Bloch’s oeuvre has
been dominated by works
of Jewish connection, we
should not forget that
Bloch had many other
stylistic periods,
including Franco-Belgian,
modal, serial, and even
American folk. In 1927,
he was awarded Musical
America’s
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music.
From The Barber of Seville . Composed by Gioachino Rossini (1792-1868). ...(+)
From The Barber of
Seville . Composed by
Gioachino Rossini
(1792-1868). Edited by
Gregor Piatigorsky.
Arranged by Mario
Castelnuovo-Tedesco. With
Standard notation. Carl
Fischer #B002670.
Published by Carl Fischer
(CF.B2670).
Cello and Piano. Composed by Cesar Antonovich Cui (1835- 1918). Edited by Est...(+)
Cello and Piano. Composed
by
Cesar Antonovich Cui
(1835-
1918). Edited by Estelle
Revaz. This edition:
Saddle
stitching. Sheet music.
Schott Student Edition.
Classical. Softcover. Op.
50/9. 14 pages. Schott
Music
#SE 1038. Published by
Schott Music
Schirmer's Library of Musical Classics Volume 2081 Intermediate to Advanced Leve...(+)
Schirmer's Library of
Musical Classics Volume
2081 Intermediate to
Advanced Level. By
Various. String. Book
only. 188 pages.
Published by G. Schirmer,
Inc.
Cello and Piano SKU: HL.14006318 Exam Material. Book [Softcover]. 4 pages...(+)
Cello and Piano
SKU:
HL.14006318
Exam
Material. Book
[Softcover]. 4 pages.
Music Sales #NOV120641.
Published by Music Sales
(HL.14006318).
ISBN
9780853602897.
8.5x11.0x0.073
inches.
Cello Time
is a sequel to Colin
Evans' Take a Cello, and
Basic Bass. Cellists who
have moved on from the
open string writing can
now take up the challenge
of these seven new pieces
written for the first
position.
Cello and Piano or 3 Cellos, Level 3 Schott Student Edition Repertoire. C...(+)
Cello and Piano or 3
Cellos, Level 3 Schott
Student Edition
Repertoire. Composed
by Bernhard Romberg.
Edited by Beverley Ellis.
Arranged by Friedrich
Janssen. This edition:
Saddle stitching. Sheet
music. Schott Student
Edition. Repertoire.
Softcover. Op. 38/1. 32
pages. Schott Music
#SE1007. Published by
Schott Music
(HL.49045501).
Chamber Music & Piano Accompaniment 1 Cello 1 Piano - Grade 1 SKU: FL.FX07432...(+)
Chamber Music & Piano
Accompaniment 1 Cello 1
Piano - Grade 1
SKU:
FL.FX074322
Composed
by Andre Telman. Original
Composition. Classical,
Educational. Score and
Set of Parts. FLEX
Editions #FX074322.
Published by FLEX
Editions (FL.FX074322).
This sweet and
singing piece, for cello
and piano, will allow the
young budding artist,
from the first years of
practice, to develop
his/her sensitivity, as
in a dream... - Andre
TELMAN ; Instruments: 1
Cello 1 Piano; Difficuly
Level: Grade 1; Duration:
1 mn 15 s; Musical Style:
Classical, Educational;
Category: Original
Composition; Composer:
Andre TELMAN.
Cello Music By French Composers See larger cover Your pri...(+)
Cello Music By French
Composers
See larger cover
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About Cello Music By
French Composers
Arranged by Otto Deri.
Instrumental solo/piano
accompaniment set for
Cello and piano. 68
pages. Published by G.
Schirmer, Inc.
Composed by Johannes Brahms (1833-1897). Edited by Clive Brown / Neal Peres Da C...(+)
Composed by Johannes
Brahms (1833-1897).
Edited by Clive Brown /
Neal Peres Da Costa /
Kate Bennett Wadsworth.
For cello and piano. This
edition: Urtext edition.
Stapled. With an Urtext
solo part by Clive Brown
and a solo part with
bowing and fingering by
Kate Bennett Wadsworth;
Fingering in the piano
part by Neal Peres Da
Costa; Performance
Practice Commentary by C.
Brown, N. P. Da Costa and
K. B. Wadsworth. Level 3.
Score and part. Text
Language: German/English.
Opus 38. Published by
Baerenreiter Verlag
By Various. Arranged by Darwin Wolford. For cello and piano. Includes part for c...(+)
By Various. Arranged by
Darwin Wolford. For cello
and piano. Includes part
for cello only. Piano
accompaniment available
separately (see item
01436). Medium. Published
by Jackman Music
Corporation (JK.01162).
This book of hymns for
cello with piano
accompaniment includes:
"A Poor Wayfaring Man of
Grief" "Abide with Me;
'Tis Eventide" "Beautiful
Zion for Me" "Come Thou
Fount of Every Blessing"
"God Is Love" "I Am a
Child of God" "I Know
That My Redeemer Lives"
"Love at Home" "Sweet
Hour of Prayer" "The Lord
is My Shepherd".
Souvenirs Violoncelle, Piano - Intermédiaire Salabert
Cello and Piano - intermediate SKU: BT.SLB-00595900 Extrait de la musi...(+)
Cello and Piano -
intermediate
SKU:
BT.SLB-00595900
Extrait de la musique
de scène pour « Le
Voyageur sans bagages
». Composed by
Francis Poulenc.
Classical. Book and
Part(s). Composed 2016. 5
pages. Editions Salabert
#SLB 00595900. Published
by Editions Salabert
(BT.SLB-00595900).
Sonata brevis, Op. 11a. (Cello and Piano). By Bertold Hummel (1925-2002). For Ce...(+)
Sonata brevis, Op. 11a.
(Cello and Piano). By
Bertold Hummel
(1925-2002). For Cello,
Piano. Boosey and Hawkes
Chamber Music. Softcover.
28 pages. Simrock
#M221120786. Published by
Simrock