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Cello Music By French
Composers
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About Cello Music By
French Composers
Arranged by Otto Deri.
Instrumental solo/piano
accompaniment set for
Cello and piano. 68
pages. Published by G.
Schirmer, Inc.
Composed by Antonin
Dvorak (1841-1904).
Stapled. Czech title:
Klid op. 68, 5.
Classical. Performance
score, part(s). With
Publication language:
Czech/German/English/Fren
ch. Opus 68, No. 5.
Editio Baerenreiter Praha
#H01532. Published by
Editio Baerenreiter Praha
Starter Solos Violoncelle, Piano [Partition + CD] - Facile Anglo Music
Cello and Piano - easy SKU: BT.AMP-347-400 20 Progressive Pieces with ...(+)
Cello and Piano - easy
SKU:
BT.AMP-347-400
20
Progressive Pieces with
Piano Accompaniment.
Composed by Philip
Sparke. Starter Solos.
Tuition. Book with CD.
Composed 2013. 32 pages.
Anglo Music Press #AMP
347-400. Published by
Anglo Music Press
(BT.AMP-347-400).
ISBN
9789043138659. 9x12
inches.
English-German-French-Dut
ch.
Philip
Sparke’s
Starter Solos is
the first volume of a
progressive series of
books that takes the
young wind player from
beginner to accomplished
musician. Specifically
tailored for each
instrument, this
collection of 20 solos
starts with pieces based
on only a handful of
notes and carefully
introduces new musical
elements, such as
articulation, dynamics
and key signatures, in a
structured progression to
speed the learning
process. The books
provide invaluable
additional material to
complement any teaching
method.Starter
Solos comes with a
play-along CD. The
advantages of playing
either with piano or CD
accompaniment are that
the beginning player can
nowexperience the
important aspects of
ensemble playing from
their earliest lessons,
thus developing the
essential skills of
listening while they play
and maintaining strict
tempo, which is not
always a factor when
playing alone.
Philip
Sparke’s
Starter Solos is
het eerste deel van een
serie boeken met muziek
voor jonge blazers. Deze
bundel van twintig
solo’s begint met
stukken die op een
handvol noten zijn
gebaseerd. Nieuwe
muzikale elementen
(articulatie,
dynamiek,enz.) worden op
een doordachte,
gestructureerde manier
toegevoegd. Dit
studiemateriaal vult elke
leermethode aan en is
steeds toegesneden op het
betreffende
instrument.Uitgave met
cd: De voordelen van het
spelen met begeleiding -
hetzij op de piano,hetzij
op de cd - zijn dat de
beginnende speler de
belangrijke aspecten van
het ensemblespel kan
ervaren vanaf de eerste
lessen en essentiële
vaardigheden kan
aanleren: het luisteren
tijdens het spelen en het
handhaven van een strak
tempo. Bij hetalleen
spelen komen deze
factoren minder aan de
orde.
Das frühe
Lernstadium ist, neben
einem guten Lehrer im
Unterricht, für jedes
Instrument zweifellos das
Wichtigste. Von großer
Bedeutung ist aber auch
motivierendes
Lehrmaterial. Für
diese zwei Solobücher
beriet sich Philip Sparke
mit vielen Lehrern, wie
man am besten neue Noten
einführt und zugleich
einen Rahmen schafft, in
den sich neue
musikalische Elemente in
sinnvoller Reihenfolge
einfügen lassen.
Unterstützt von
diesenSoli und Etüden
in drei verschiedenen
Schwierigkeitsstufen
können
Instrumentalschüler
schnell zu richtigen
Musikern heranreifen.
Jedes Buch ist genau auf
die Bedürfnisse und
Anforderungen des
einzelnen Instrumentes
zugeschnitten.
STARTER SOLOS und
SKILFUL SOLOS können
dank der im Buch und auf
der CD enthaltenen
Begleitungen auch gut
alleine oder mit einem
Pianisten einstudiert und
aufgeführt werden. Der
Vorteil dabei ist, dass
Anfänger so nicht nur
die wichtigsten Aspekte
desEnsemblespiels
erfahren sondern auch von
Anfang an die
Fähigkeit entwickeln,
zu hören während
sie spielen und das Tempo
zu halten.
Inhalt:
Follow me •Best
Foot Forward •Folk
Song •My Homeland
•Missing You
•Russian Winter
•On a Carousel
•Rush Hou •A
Dynamic Start
•Short but Sweet
•Ballad
•London Bridge
•Summer Breezes
•Modal Melody
•Toon Tune
•In a Balloon
•Yankee Doodle
•SadSong
•Count Me In
•Ragtime
March
Accanto
ad un buon insegnante, il
materiale da studio
valido è senza dubbio
la cosa più importante
al fine di un buon
apprendimento. E’
quindi importante mettere
a disposizione
dell’allievo
materiale motivante.
Nello scrivere questi
soli, PhilipSparke si
è consultato a più
riprese con insegnanti ed
allievi per mettere a
punto brani che
consentono anche ai
più inesperti di
suonare in modo
soddisfacente. Gli
accompagnamenti al piano
sono inclusi nel CD.
Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.49047040 ...(+)
Cello; Piano
Accompaniment (Cello Part
And Piano Score)
SKU:
HL.49047040
30
Concert and Salon Pieces
for Cello and Piano.
Composed by Various.
Edited by Beverley Ellis
and Rainer Mohrs. String.
Classical. Softcover. 192
pages. Schott Music
#ED22414. Published by
Schott Music
(HL.49047040).
ISBN
9783795711436. UPC:
196288116332.
9.0x12.0x0.535
inches.
Autumn Violoncelle, Piano EMB (Editio Musica Budapest)
Cello and Piano (VIOLONCELLO) SKU: HL.50511723 Composed by Gabor Lisznyay...(+)
Cello and Piano
(VIOLONCELLO)
SKU:
HL.50511723
Composed
by Gabor Lisznyay. EMB.
Pedagogical performance
pieces. Book [Softcover].
8 pages. Editio Musica
Budapest #Z2525.
Published by Editio
Musica Budapest
(HL.50511723).
ISBN
9790080025253. UPC:
884088402907.
8.25x11.75x0.052 inches.
Hungarian,
English.
ABRSM
Cello Syllabus title -
Grade 7.Gabor Lisznyay
Szabo (1913-1981) was a
pupil of Ernst von
Dohnanyi at the Music
Academy in Budapest and
he later worked for
decades as an organist.
The years he spent
studying in Belgium left
a significant mark on his
composition style. His
work entitled Autumn also
captures the French
essence: the cello's
flowing melody is
reminiscent of the
noblest chansons and
filled with emotion, and
as such it is akin to the
Adagio that Zoltan Kodaly
wrote for cello during
his younger years as a
composer.
Cello and Piano SKU: BT.EMBZ2525 Composed by Gabor Lisznyay. Educational ...(+)
Cello and Piano
SKU:
BT.EMBZ2525
Composed
by Gabor Lisznyay.
Educational Tool. Book
Only. Composed 1958. 8
pages. Editio Musica
Budapest #EMBZ2525.
Published by Editio
Musica Budapest
(BT.EMBZ2525).
English-Hungarian.
ABRSM Cello Syllabus
title - Grade 7.Gábor
Lisznyay Szabó
(1913-1981) was a pupil
of Ernst von Dohnányi
at the Music Academy in
Budapest and he later
worked for decades as an
organist. The years he
spent studying in Belgium
left a significant mark
on his composition style.
His work entitled Autumn
also captures the French
essence: the cello's
flowing melody is
reminiscent of the
noblest chansons and
filled with emotion, and
as such it is akin to the
Adagio that Zoltán
Kodály wrote for cello
during his younger years
as a composer.