Cello; Piano Accompaniment (Cello Part And Piano Score)

SKU: HL.48024730

Cello and Piano. Composed by Einojuhani Rautavaara. Boosey & Hawkes Chamber Music. Classical. Softcover. Fennica Gehrman #M550114319. Published by Fennica Gehrman (HL.48024730).

UPC: 888680955731.

Rauta vaara reworked his touching song from the opera Aleksis Kivi for cello and piano in 2000, to commemorate his late composer colleague Lepo Sumera. The melody is calm, in the style of chanson sans paroles - fit for many occasions. Song of My heart for celloand piano has been recorded (Ondine, 2018) by Tanja Tetzlaff and Gunilla Sussmann.

Chamber Music Cello, Piano

SKU: PR.114418340

For Cello and Piano. Composed by Eric Ewazen. Sws. Set of Score and Parts. 12+2 pages. Duration 7 minutes. Theodore Presser Company #114-41834. Published by Theodore Presser Company (PR.114418340).

ISBN 9781491132166. UPC: 680160641826. 9 x 12 inches.

A beautiful cantabile song without words, A SONG FROM THE HEART has all of Ewazen’s expressive elegance, and is a perfect recital piece both for  students and professionals. Originally composed for Trumpet and Piano, this lyrical work has been transcribed for Cello by the composer.

Cello; Piano Accompaniment

SKU: HL.14043442

Bass Clef Version. Composed by Richard Reed Parry. Music Sales America. Classical, Contemporary. Score. 20 pages. Chester Music #CH83127. Published by Chester Music (HL.14043442).

9.25x12.0x0.082 inches.

Bass Clef version for cello (or other instrument of suitable range) and piano (or other polyphonic instrument). Package includes two performing scores.

Piano; Violin; Cello

SKU: AP.12-0571540805

Composed by Tom Coult. Piano Trio; Trio. Score. Faber Music #12-0571540805. Published by Faber Music (AP.12-0571540805).

ISBN 9780571540808. English.

Accelerati on, deceleration, and the inconsistent nature of time are at the heart of Piano Trio The Chronophage by Tom Coult. Throughout the 17-minute work, cello and piano lines constantly speed up or slow down relative to one another, while the violin has only one role---to accelerate throughout. The listener feels clunky gear changes, as previously reliable demarcations of time seem unsteady, even unsafe. The trio's subtitle comes from The Corpus Clock in Cambridge, a clock that plays with exactly this perception. Completely accurate every five minutes, the clock lurches unevenly from second to second, the grinding mechanism driven by the terrifying metal insect escapement known as the Chronophage (from the Greek meaning of time-eater).

(Cello and Piano). Composed by Edward Gregson. For Cello, Piano Accompaniment. Music Sales America. 52 pages. Novello and Co Ltd. #NOV958089. Published by Novello and Co Ltd.

Choral Cello, Piano, alto 1, alto 2, soprano 1, soprano 2

SKU: CF.CM9625

Composed by Jimmy Baas. Sws. Performance Score. 16 pages. Duration 3 minutes, 49 seconds. Carl Fischer Music #CM9625. Published by Carl Fischer Music (CF.CM9625).

ISBN 9781491156988. UPC: 680160915545. 6.875 x 10.5 inches. Key: Bb major. English, English. William Butler Yeats.

The Everlasting Voices is the perfect blend of textural variety and harmonic interest for the advanced treble ensemble. Employing a powerful text, Baas' vocal layering coupled with piano and optional cello make this compelling piece a programming must!.
O sweet everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will, Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore? O sweet everlasting Voices, be still. This SSAA choral work by Jimmy Baas was comissioned by the Lumberton HS Varsity Treble Choir. The opening and closing lines of the poem, O sweet everlasting voices, be still provide the perfect bookends for two larger sections of the poem. These two sections are equally divided into verses. The opening line is used once again as a transition between the verses. The previously mentioned lines, O sweet everlasting voices, are overlapped as different layers of voices enter and sustain. A fifth and sixth voice, the cello and piano accompaniment take part in these layers as well. The words be still are very much a part of the mood each time as the everlasting voices become quiet and still. The two verses feature different voices within the SSAA choir. Verse 1, the sopranos, and verse 2 the altos. There are many moments in this piece to explore the full range and color of the SSAA choir. The piano and cello play an important part throughout, making this piece an excellent choice for any festival women's chorus.
O sweet everlasting Voices, be still;Go to the guards of the heavenly foldAnd bid them wander obeying your will,Flame under flame, till Time be no more;Have you not heard that our hearts are old,That you call in birds, in wind on the hill,In shaken boughs, in tide on the shore?O sweet everlasting Voices, be still.This SSAA choral work by Jimmy Baas wascomissioned by the Lumberton HS Varsity Treble Choir.The opening and closing lines of the poem, “O sweeteverlasting voices, be still” provide the perfect bookendsfor two larger sections of the poem. These two sectionsare equally divided into verses. The opening line is usedonce again as a transition between the verses.The previously mentioned lines, “O sweet everlastingvoices,” are overlapped as different layers of voices enterand sustain. A fifth and sixth voice, the cello and pianoaccompaniment take part in these layers as well.The words “be still” are very much a part of the moodeach time as the everlasting voices become quietand still.The two verses feature different voices within the SSAAchoir. Verse 1, the sopranos, and verse 2 the altos. Thereare many moments in this piece to explore the full range andcolor of the SSAA choir. The piano and cello play an importantpart throughout, making this piece an excellent choice for anyfestival women’s chorus.

For Piano and Cello. By The Piano Guys. Personality. Classical Crossover, Pop. Softcover. 112 pages. Published by Hal Leonard

(Arranged for Cello and Piano With a CD of Piano Accompaniments). Composed by Leonard Bernstein (1918-1990). Arranged by Joel Boyd and Joshua Parman. For Cello, Piano Accompaniment (Cello). Instrumental. Softcover with CD. 88 pages. Boosey and Hawkes #M051106509. Published by Boosey and Hawkes

Arranged by Daniel Kelley. For Cello (or Bassoon) and Piano. Solos. Recital, Church. Level: Intermediate/Advanced. Piano Score and Solo Part. Published by Last Resort Music Publishing.

By Jean-Marc Allerme. For cello and piano. Pop / Jazz. Score and CD. 46 15 pages. Published by Editions Henry Lemoine

By William J. Kirkpatrick. Arranged by Joseph Hoffman. For Cello and Piano. Christmas. Level: Medium Easy. Duration 2:45. Published by Jackman Music Corporation.

By ABRSM. Edited by Catherine Black and Paul Harris. For violoncello, piano. (Grades 3-4). Published by ABRSM (Associated Board of the Royal Schools of Music).

Encore! (Cello and Piano). Arranged by John Lenehan and Julian Lloyd Webber. For Cello. Music Sales America. Classical. 24 pages. Chester Music #CH63965. Published by Chester Music

Violoncello & Piano or CD Play Back / Play Along - Grade 3

SKU: MA.EMR-56154

Composed by Michal Worek. Score and parts. Duration 19'32. Editions Marc Reift #EMR 56154. Published by Editions Marc Reift (MA.EMR-56154).

1. Storm In My Soul / 2. Look In The Mirror / 3. Wild Heart / 4. Less Is More / 5. Funny Dream.

Cello and piano

SKU: BO.B.3652

Composed by Jordi Cervello. Published by Editorial de Musica Boileau (BO.B.3652).

Sonata for cello and piano was written between September and October of 2010. It is made up of three movements, each of which has unique characteristics. The first, Allegro appassionato, is monothematic, although the theme itself is presented in several ways. Following a vigorous start featuring cello cadenza, the movement is developed with a lively feel, alternating lyrical fragments with other energetic ones. Its conclusion is resounding.
Meanwhile, the second movement, Quasi un lamento, is introspective and fragile. A long melody is sustained by a delicate and transparent piano accompaniment, evoking once again the theme of the first movement and concluding with a Lento of descending piano harmonies while the cello follows, in octaves, with heartfelt glissando.

The third movement, Scherzando-Allegro, is a light-hearted game between the piano and the cello. The main theme is repeated once again, this time with a binary time signature. The cello uses ricochet (the rebounding of notes in a bow stroke), as well as natural and artificial harmonies in quick time. The piano part unfolds completely naturally, excluding any gratuitous artifice.

The piece lasts approximately 20 minutes.

Everybody's Favorite Series, Volume 40. Composed by Various. Music Sales America. Classical. Softcover. 192 pages. Music Sales #AM40205. Published by Music Sales

By Pat Legg. For Cello and Piano. Book; String - Cello Studies or Collection. Faber Edition. Elementary. Published by Faber Music

By Pat Legg. For Cello and Piano. Book; String - Cello Studies or Collection. Faber Edition