Kurt Weill Songs Violoncelle, Piano [Partition + CD] Universal Edition
(Violoncello and Piano with CD of Performance and Play-Along Tracks Book/CD). Co...(+)
(Violoncello and Piano
with CD of Performance
and Play-Along Tracks
Book/CD). Composed by
Kurt Weill (1900-1950).
Arranged by Martin
Reiter. For Cello, Piano
Accompaniment. String
Solo. Universal Edition
#UE34682. Published by
Universal Edition
CD
available
here (Selections
from the Cello
Repertoire). Compiled,
ed., arr., and composed
by Carey Cheney. For
Cello and Piano. String -
Cello Studies or
Collection. Companion CD
also available (see item
21620X). Instrumental
Solo Book and Piano
Accompaniment Book. 88
pages. Published by
Alfred Publishing.
Composed by
Jimmy Baas. Sws.
Performance Score. 16
pages. Duration 3
minutes, 49 seconds. Carl
Fischer Music #CM9625.
Published by Carl Fischer
Music (CF.CM9625).
ISBN 9781491156988.
UPC: 680160915545. 6.875
x 10.5 inches. Key: Bb
major. English, English.
William Butler
Yeats.
The
Everlasting Voices is the
perfect blend of textural
variety and harmonic
interest for the advanced
treble ensemble.
Employing a powerful
text, Baas' vocal
layering coupled with
piano and optional cello
make this compelling
piece a programming
must!. O sweet
everlasting Voices, be
still; Go to the guards
of the heavenly fold And
bid them wander obeying
your will, Flame under
flame, till Time be no
more; Have you not heard
that our hearts are old,
That you call in birds,
in wind on the hill, In
shaken boughs, in tide on
the shore? O sweet
everlasting Voices, be
still. This SSAA choral
work by Jimmy Baas was
comissioned by the
Lumberton HS Varsity
Treble Choir. The opening
and closing lines of the
poem, O sweet everlasting
voices, be still provide
the perfect bookends for
two larger sections of
the poem. These two
sections are equally
divided into verses. The
opening line is used once
again as a transition
between the verses. The
previously mentioned
lines, O sweet
everlasting voices, are
overlapped as different
layers of voices enter
and sustain. A fifth and
sixth voice, the cello
and piano accompaniment
take part in these layers
as well. The words be
still are very much a
part of the mood each
time as the everlasting
voices become quiet and
still. The two verses
feature different voices
within the SSAA choir.
Verse 1, the sopranos,
and verse 2 the altos.
There are many moments in
this piece to explore the
full range and color of
the SSAA choir. The piano
and cello play an
important part
throughout, making this
piece an excellent choice
for any festival women's
chorus. O sweet
everlasting Voices, be
still;Go to the guards of
the heavenly foldAnd bid
them wander obeying your
will,Flame under flame,
till Time be no more;Have
you not heard that our
hearts are old,That you
call in birds, in wind on
the hill,In shaken
boughs, in tide on the
shore?O sweet everlasting
Voices, be still.This
SSAA choral work by Jimmy
Baas wascomissioned by
the Lumberton HS Varsity
Treble Choir.The opening
and closing lines of the
poem, “O
sweeteverlasting voices,
be still†provide
the perfect bookendsfor
two larger sections of
the poem. These two
sectionsare equally
divided into verses. The
opening line is usedonce
again as a transition
between the verses.The
previously mentioned
lines, “O sweet
everlastingvoices,â€
are overlapped as
different layers of
voices enterand sustain.
A fifth and sixth voice,
the cello and
pianoaccompaniment take
part in these layers as
well.The words “be
still†are very
much a part of the
moodeach time as the
everlasting voices become
quietand still.The two
verses feature different
voices within the
SSAAchoir. Verse 1, the
sopranos, and verse 2 the
altos. Thereare many
moments in this piece to
explore the full range
andcolor of the SSAA
choir. The piano and
cello play an
importantpart throughout,
making this piece an
excellent choice for
anyfestival
women’s
chorus.
6 Easy Concert Pieces. Composed by Arnold Trowell. Edited by Beverley Ellis. ...(+)
6 Easy Concert Pieces.
Composed by Arnold
Trowell.
Edited by Beverley Ellis.
This edition: Saddle
stitching. Sheet music.
Schott Student Edition. 6
leichte Stucke fur
Violoncello und Klavier.
Classical. Softcover. Op.
4/7-12. 40 pages. Schott
Music #SE 1050. Published
by
Schott Music
Composed by Johannes Brahms (1833-1897). Edited by Clive Brown / Neal Peres Da C...(+)
Composed by Johannes
Brahms (1833-1897).
Edited by Clive Brown /
Neal Peres Da Costa /
Kate Bennett Wadsworth.
For cello and piano. This
edition: Urtext edition.
Stapled. With an Urtext
solo part by Clive Brown
and a solo part with
bowing and fingering by
Kate Bennett Wadsworth;
Fingering in the piano
part by Neal Peres Da
Costa; Performance
Practice Commentary by C.
Brown, N. P. Da Costa and
K. B. Wadsworth. Level 3.
Score and part. Text
Language: German/English.
Opus 38. Published by
Baerenreiter Verlag
Cello & Piano 1 Violoncelle, Piano - Intermédiaire EMB (Editio Musica Budapest)
Cello and Piano SKU: BT.EMBZ14636 By Arpad Pejtsik. ABRSM Cello Exam Piec...(+)
Cello and Piano
SKU:
BT.EMBZ14636
By Arpad
Pejtsik. ABRSM Cello Exam
Pieces 2016-2019.
Educational Tool. Book
and Part(s). Composed
2008. 144 pages. Editio
Musica Budapest
#EMBZ14636. Published by
Editio Musica Budapest
(BT.EMBZ14636).
ABRSM Syllabus
title - Grades 5, 6, 8The
two volumes contain a
selection from 200 years
of music. Eight Baroque
sonatas are included,
apart from the famous D
minor one by Corelli
there are some that are
appearing in a modern
edition for the first
time in 300 years. In
addition to cyclical
works (Haydn: Sonatina,
Mozart: Divertimento,
Vivaldi: Concerto) and
sets of variations
(Beethoven, Tartini)
there are many shorter
pieces as well, not only
the famous minuets by
Boccherini, Mozart and
Beethoven but also works
published for the first
time here. Virtuoso
pieces are represented by
Goltermann s
Etude-caprice and
Jenkinson s Dance of the
sylphids, the lighter
kind includeJoplin s
Ragtime. This colourful,
ample selection provides
a good basis for a
music-lover s library.
ABRSM Cello Syllabus
title - Grade 5, 6, 8.
Die zwei Bände
präsentieren eine
Auswahl an Musik aus
zweihundert Jahren. Sie
beinhalten acht
Barocksonaten, neben der
berühmten Corelli in
d-Moll auch solche, die
nach 300 Jahren erst
jetzt in einer modernen
Ausgabe erscheinen. Es
kommen neben zyklischen
(Haydn: Sonatine, Mozart:
Divertimento, Vivaldi:
Concerto) und
Variationswerken
(Beethoven, Tartini),
auch mehrere kleinere
Stücke wie die
berühmten Mozart-,
Boccherini- und
Beethoven-Menuette sowie
solche vor, die hier das
erste Mal erscheinen. Die
virtuosen Stücke
werden durch Goltermanns
Etüde-Caprice und
Jenkinsons Tanz der
Sylphiden, die leichtere
Gattungen von Joplins
Ragtime vertreten. Die
reichhaltige, bunte
Auswahlkann für
Musikliebhaber zur
Grundlage einer
Notensammlung werden.
Arranged by Daniel Kelley. For Cello (or Bassoon) and Piano. Solos. Recital, Chu...(+)
Arranged by Daniel
Kelley. For Cello (or
Bassoon) and Piano.
Solos. Recital, Church.
Level:
Intermediate/Advanced.
Piano Score and Solo
Part. Published by Last
Resort Music Publishing.
Cello and Piano SKU: HL.14016246 Composed by Ludwig van Beethoven. Arrang...(+)
Cello and Piano
SKU:
HL.14016246
Composed
by Ludwig van Beethoven.
Arranged by Hugo Cole.
Music Sales America.
Classical. Book
[Softcover]. Music Sales
#NOV120308. Published by
Music Sales
(HL.14016246).
8.25x11.75x0.054
inches.
It is a
surprising fact of
Beethoven's life that of
all the categories of
pieces he composed, there
are more settings of
Irish songs than of any
other type of music.
Scottish poet Robert
Burns convinced a
Scottish music publisher
to commission Beethoven
to set his own words to
Irish airs. The death of
Burns in 1796 ended the
project, but Beethoven
went on to harmonise and
arrange the songs in 1814
through 1816, mainly, and
they were published,
though never achieved as
great a popularity as a
rival set by Thomas
Moore.This simplified
version for easy Cello
and Piano was arranged by
composer Hugo Cole, an
accomplished cellist who
was for many years a
music critic for
theGuardian
newspaper.
Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.49047040 ...(+)
Cello; Piano
Accompaniment (Cello Part
And Piano Score)
SKU:
HL.49047040
30
Concert and Salon Pieces
for Cello and Piano.
Composed by Various.
Edited by Beverley Ellis
and Rainer Mohrs. String.
Classical. Softcover. 192
pages. Schott Music
#ED22414. Published by
Schott Music
(HL.49047040).
ISBN
9783795711436. UPC:
196288116332.
9.0x12.0x0.535
inches.
Ekah Violoncelle, Piano [Conducteur et Parties séparées] Subito Music
Violoncello & Piano SKU: SU.94010750 For Violoncello & Piano. Comp...(+)
Violoncello & Piano
SKU: SU.94010750
For Violoncello &
Piano. Composed by
James Lee III. Strings,
Cello. Accompanied by
piano. Score & Parts.
Subito Music Corporation
#94010750. Published by
Subito Music Corporation
(SU.94010750).
Ekah is the
Hebrew word for
Lamentations, as in the
book of Lamentations in
the Bible. The literal
translation of this word
would be How or Ah! How.
When the cellist, Inbal
Segev asked me to write a
new piece for cello and
piano, and as a part of
our discussion, I decided
to compose a new piece
that reflected on the
immense challenges that
the year 2020 has
presented. The hows and
lamentations in this
piece might be: how can
there still be so much
hate in the world since
we are all equal and
created in the image of
God? How can there be
such police brutality in
2020? How and why is the
whole world suffering
with the Coronavirus
(COVID-19)? How can our
mental health, cities,
and communities be so
desolate? We can hope,
pray, and do our
responsible part to make
our life on this planet
meaningful during these
challenging times of the
year 2020. — James
Lee III Violoncello &
Piano Duration: 6'
Composed: 2020 Published
by: Subito Music
Publishing.
Cello; Piano - intermediate SKU: HL.49045283 For Cello and Piano Reduc...(+)
Cello; Piano -
intermediate
SKU:
HL.49045283
For
Cello and Piano
Reduction. Composed
by Wolfgang Koehler. This
edition: Saddle
stitching. Sheet music.
String Solo. Classical.
Softcover. 16 pages.
Schott Music #ED22651.
Published by Schott Music
(HL.49045283).
ISBN
9790001162470. UPC:
841886028913.
9.0x12.0x0.073
inches.
Take Seven
is a tried and trusted
showpiece with audience
appeal. The title Take
Seven is of course a play
on Paul Desmond's famous
Take Five and its
recording by the Dave
Brubeck Quartet. As
there, the rhythms in
this piece are largely
based on an asymmetric
metre - in this case, 7/4
time. Unlike most jazz
pieces with an uneven
metre, however, Take
Seven goes through
various moods, sections
and tempo changes,
illuminating the main
theme from different
angles.
Book with Audio Online Cello; Piano Accompaniment (Cello Part And Piano Score) <...(+)
Book with Audio Online
Cello; Piano
Accompaniment (Cello Part
And Piano Score)
SKU:
HL.49047366
Cello
and Piano Book with Audio
Online. Composed by
Various. Edited by
Katharina Deserno and
Rainer Mohrs. String
Solo. Classical, Concert,
Recital, Renaissance.
Softcover Audio Online.
60 pages. Schott Music
#ED22216D. Published by
Schott Music
(HL.49047366).
ISBN
9783795731823. UPC:
196288207634.
9.0x12.0x0.207
inches.
Cello and piano, basso ad libitum SKU: HL.49044586 Famous Original Pie...(+)
Cello and piano, basso ad
libitum
SKU:
HL.49044586
Famous
Original Pieces for
Violoncello and
Piano. Edited by
Rainer Mohrs. This
edition: Saddle
stitching. Sheet music.
String Solo. Softcover.
32 pages. Schott Music
#ED22072-01. Published by
Schott Music
(HL.49044586).
ISBN
9783795749330. UPC:
841886023543. German -
English -
French.
13 pieces
of easy to intermediate
standard ideal for
lessons and concerts. As
well as popular Baroque
sonatas by the likes of
Vivaldi and de Fesch,
there are also some
charming, lesser-known
compositions by Lanzetti
and Zocarini. Also
included are Classical
sonatas by J. C. F. Bach,
Stephen Paxton and
Beethoven alongside
pieces from the Romantic
era including
Mendelssohn's Song
Without Words Op. 109,
Faure's Sicilienne Op. 79
as well as two little
pieces by Goltermann.
For Cello and Piano Reduction. Composed by Richard Strauss (1864-1949). Edite...(+)
For Cello and Piano
Reduction. Composed by
Richard Strauss
(1864-1949).
Edited by Peter Jost.
Henle
Music Folios. Softcover.
G.
Henle #HN1468. Published
by
G. Henle