From Jewish Life Violoncelle, Piano Guitare classique Carl Fischer
Chamber Music Cello, Piano SKU: CF.BF141 Composed by Ernest Bloch. Edited...(+)
Chamber Music Cello,
Piano
SKU:
CF.BF141
Composed by
Ernest Bloch. Edited by
Julian Schwarz. 12+8
pages. Carl Fischer Music
#BF141. Published by Carl
Fischer Music (CF.BF141).
ISBN 9781491159989.
UPC:
680160918584.
The
three pieces From Jewish
Life were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.
The
first movement, Prayer,
is a deeply heartfelt
plea to the almighty. As
Neil W Levin writes, The
initial four-note motive
in the minor mode,
together with its
elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt
pathos.
The second
movement, Supplication
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish
experience.
The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917.
Though
the popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance. The first
movement, Prayer, is a
deeply heartfelt plea to
the almighty. As Neil W
Levin writes, The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos. The
second movement,
Supplication (the act of
begging humbly), has more
angst, almost a sense of
urgency as a result of
the rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience. The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917. Though the
popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.The first
movement,
“Prayerâ€, is
a deeply heartfelt plea
to the almighty. As Neil
W Levin writes,
“The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max
Janowski’s
(1912–1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu.†This
prayer has special
meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both
“Prayer†and
Janowski’s Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos.The
second movement,
“Supplicationâ€
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, “Jewish
Songâ€, evokes a
quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience.The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of
Bloch’s most
celebrated work, Schelomo
in 1917.Though the
popularity of
Bloch’s oeuvre has
been dominated by works
of Jewish connection, we
should not forget that
Bloch had many other
stylistic periods,
including Franco-Belgian,
modal, serial, and even
American folk. In 1927,
he was awarded Musical
America’s
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music.
18 Recital Pieces in First Position for Cello and Piano or Two Celli. Edited b...(+)
18 Recital Pieces in
First
Position for Cello and
Piano
or Two Celli. Edited by
Christoph Sassmannshaus /
Melissa Lusk. Stapled.
Baerenreiter's
Sassmannshaus.
Performance score, parts.
22/24/17 pages pages.
Published by Baerenreiter
Verlag
Schott Student Edition Repertoire. Composed by Jean Baptiste Breval. Edit...(+)
Schott Student Edition
Repertoire. Composed
by Jean Baptiste Breval.
Edited by Beverley Ellis.
This edition: Saddle
stitching. Sheet music.
Schott Student Edition.
Repertoire. Softcover.
Op. 40/1. 36 pages.
Schott Music #SE1006.
Published by Schott Music
(HL.49045503).
12 Recital Pieces in First Position for Cello and Piano or Two Celli. Edited b...(+)
12 Recital Pieces in
First
Position for Cello and
Piano
or Two Celli. Edited by
Christoph Sassmannshaus /
Melissa Lusk. Stapled.
Baerenreiter's
Sassmannshaus.
Performance score, parts.
16/23/21 pages pages.
Published by Baerenreiter
Verlag
Cello and Piano - easy SKU: BT.EMBZ6748 Easy concert pieces in first p...(+)
Cello and Piano - easy
SKU: BT.EMBZ6748
Easy concert pieces in
first position. By
Arpad Pejtsik. By Endre
Lengyel. EMB Music for
Beginners. Educational
Tool. Book Only. Composed
1973. 64 pages. Editio
Musica Budapest
#EMBZ6748. Published by
Editio Musica Budapest
(BT.EMBZ6748).
Hungarian-English-Germ
an-French.
The
volumes of the series
cover the entire music
literature from the
earliest centurties to
our days. The material of
the individual volumes
containing short, easy
pieces to be played in
the first three-four
years of studying the
instrument has been
compiled by accomplished
music teachers. The
majority of the
contemporary works
included in the volumes
have been published in
this series for the first
time. An ABRSM syllabus
title, 2010-16, Grade
2-3.
By Camille Saint-SaÌÇns. For Cello and Piano. Masterworks; Part(s); Score; Sol...(+)
By Camille
Saint-SaÌÇns. For Cello
and Piano. Masterworks;
Part(s); Score; Solo;
String - Cello and Piano.
Faber Edition.
Masterwork; Romantic.
Published by Faber Music
Op. 112 B Minor Cello and Piano Student Level 3. Composed by Sebastian Lee ...(+)
Op. 112 B Minor Cello and
Piano Student Level 3.
Composed by Sebastian Lee
(1805-1887). Edited by
Anna
Catharina Nimczik. This
edition: Saddle
stitching.
Sheet music. Schott
Student
Edition. Classical.
Softcover. Op. 112. 16
pages.
Schott Music #SE1023.
Published by Schott Music
Urtext. Composed by Pauline Viardot-Garcia (1821-1910). Edited by Miriam-Alexa...(+)
Urtext. Composed by
Pauline
Viardot-Garcia
(1821-1910).
Edited by
Miriam-Alexandra
Wigners. Breitkopf and
Haertel #EB 8887.
Published
by Breitkopf and Haertel
Kurt Weill Songs Violoncelle, Piano [Partition + CD] Universal Edition
(Violoncello and Piano with CD of Performance and Play-Along Tracks Book/CD). Co...(+)
(Violoncello and Piano
with CD of Performance
and Play-Along Tracks
Book/CD). Composed by
Kurt Weill (1900-1950).
Arranged by Martin
Reiter. For Cello, Piano
Accompaniment. String
Solo. Universal Edition
#UE34682. Published by
Universal Edition
Composed by Johannes Brahms (1833-1897). Edited by Clive Brown / Neal Peres Da C...(+)
Composed by Johannes
Brahms (1833-1897).
Edited by Clive Brown /
Neal Peres Da Costa /
Kate Bennett Wadsworth.
For cello and piano. This
edition: Urtext edition.
Stapled. With an Urtext
solo part by Clive Brown
and a solo part with
bowing and fingering by
Kate Bennett Wadsworth;
Fingering in the piano
part by Neal Peres Da
Costa; Performance
Practice Commentary by C.
Brown, N. P. Da Costa and
K. B. Wadsworth. Level 3.
Score and part. Text
Language: German/English.
Opus 38. Published by
Baerenreiter Verlag
By Antonin Dvorak (1841-1904). Edited by Jonathan Del Mar. For cello and orchest...(+)
By Antonin Dvorak
(1841-1904). Edited by
Jonathan Del Mar. For
cello and orchestra. This
edition: Urtext. Solo
part and piano reduction.
Opus 104. Published by
Baerenreiter Verlag
14 Easy Pieces. Composed by Daniel Kemminer. Edited by Katharina Deserno. This...(+)
14 Easy Pieces. Composed
by
Daniel Kemminer. Edited
by
Katharina Deserno. This
edition: Saddle
stitching.
Sheet music. Schott
Student
Edition. Classical.
Softcover. 1035. 56
pages.
Schott Music #SE 1035.
Published by Schott Music
(
If Only: Only If Violoncelle, Piano [Conducteur et Parties séparées] Subito Music
Cello & Piano SKU: SU.32030070 For Cello & Piano. Composed by Davi...(+)
Cello & Piano
SKU:
SU.32030070
For
Cello & Piano.
Composed by David Lipten.
Strings, Cello.
Accompanied by piano.
Score & Parts. Subito
Music Corporation
#32030070. Published by
Subito Music Corporation
(SU.32030070).
Lyrical duet
for cello and piano
Duration: 10' Composed:
2014 Published by:
Distributed Composer.
Cello, piano SKU: KU.GM-1105 Composed by Werner Thomas-Mifune. Edited by ...(+)
Cello, piano
SKU:
KU.GM-1105
Composed
by Werner Thomas-Mifune.
Edited by Werner
Thomas-Mifune. Bach
format (230 x 302).
Staple Bound. Piano
score, part. 6 pages.
Edition Kunzelmann
#GM-1105. Published by
Edition Kunzelmann
(KU.GM-1105).
Accompanies Second Edition. Composed by David Blackwell and Kathy Blackwell....(+)
Accompanies Second
Edition.
Composed by David
Blackwell
and Kathy Blackwell.
Cello
Time. Oxford University
Press
#9780193563315. Published
by
Oxford University Press
Cello, piano SKU: KU.GM-1235 Composed by Werner Thomas-Mifune. Edited by ...(+)
Cello, piano
SKU:
KU.GM-1235
Composed
by Werner Thomas-Mifune.
Edited by Werner
Thomas-Mifune. Bach
format (230 x 302).
Staple Bound. Piano
score, part. 5 pages.
Edition Kunzelmann
#GM-1235. Published by
Edition Kunzelmann
(KU.GM-1235).
A Life Violoncelle, Piano [Conducteur et Parties séparées] Subito Music
Cello & Piano SKU: SU.80103038 For Cello & Piano. Composed by Erns...(+)
Cello & Piano
SKU:
SU.80103038
For
Cello & Piano.
Composed by Ernst Bacon.
Strings, Cello.
Accompanied by piano.
Score & Parts. Subito
Music Corporation
#80103038. Published by
Subito Music Corporation
(SU.80103038).
The five
movements are Birth,
Light, Love, Young
Manhood, Departure; not
to be confused with
Bacon’s Cello
Sonata (1946) Edition by:
Joel Krosnick and Gilbert
Kalish Published by:
Columbia University Music
Press.
Souvenirs Violoncelle, Piano - Intermédiaire Salabert
Cello and Piano - intermediate SKU: BT.SLB-00595900 Extrait de la musi...(+)
Cello and Piano -
intermediate
SKU:
BT.SLB-00595900
Extrait de la musique
de scène pour « Le
Voyageur sans bagages
». Composed by
Francis Poulenc.
Classical. Book and
Part(s). Composed 2016. 5
pages. Editions Salabert
#SLB 00595900. Published
by Editions Salabert
(BT.SLB-00595900).
Strutt Sonata Violoncelle, Piano - Intermédiaire Faber Music Limited
For Cello and Piano. Composed by Carl Vine (1954-). Duet or Duo; Piano Supple...(+)
For Cello and Piano.
Composed by Carl Vine
(1954-). Duet or Duo;
Piano
Supplemental; String -
Cello
Solo and Piano. Faber
Edition. Form: Sonata.
20th
Century. Part(s); Score.
Faber Music
#12-0571540635.
Published by Faber Music
Grade 3-4. Composed by Pam Wedgwood. Series; String - Cello Studies or Collectio...(+)
Grade 3-4. Composed by
Pam Wedgwood. Series;
String - Cello Studies or
Collection. Faber
Edition: Up-Grade!
Series. Book. Faber Music
#12-0571519636. Published
by Faber Music