(Fantasia for Cello and Piano). Composed by Edward Mollenhauer. Edited by Christ...(+)
(Fantasia for Cello and
Piano). Composed by
Edward Mollenhauer.
Edited by Christoph
Sassmannshaus. For cello
solo and piano. Stapled.
Barenreiter's Concert
Pieces. Transcribed for
Violoncello and Piano.
Level 2. Piano reduction,
part(s). Published by
Baerenreiter Verlag
Cello; Piano Accompaniment (CELLO/PIANO) SKU: HL.48025398 Cello and Pi...(+)
Cello; Piano
Accompaniment
(CELLO/PIANO)
SKU:
HL.48025398
Cello
and Piano. Composed
by Leon Gurvitch. Boosey
& Hawkes Chamber Music.
Classical. Softcover.
Duration 1200 seconds.
Bote & Bock #M202538289.
Published by Bote & Bock
(HL.48025398).
UPC:
196288195504.
The
composer, whose family
was severely affected by
the Second World War and
the Holocaust, considers
his Anne Frank Suite as a
“personal memorial
diary and a reminder in
view of the futility of
warâ€. The score is
prefaced by a quotation
from Anne Frank:
“In spite of
everything, I still
believe that people are
really good at
heartâ€, which has
impressed the composer
since his youth. His
three-movement suite
attempts to musically
reflect the emotionality
and thoughtfulness of the
theme, which eludes all
words. The piano is
treated in a classical
manner and creates the
emotional space for the
solo cello. Playing in a
high register in a
cantabilestyle over long
passages, the cello also
astounds with sound
effects, harmonics and an
expressive solo cadenza
in the middle of the
work.
Cello and piano SKU: BR.EB-9391 Urtext based on the Complete Edition J...(+)
Cello and piano
SKU:
BR.EB-9391
Urtext
based on the Complete
Edition Jean Sibelius
Works (JSW). Composed
by Jean Sibelius. Edited
by Anna Pulkkis. Solo
instruments; stapled.
Edition Breitkopf.
Late-romantic; Early
modern. Score. 28 pages.
Duration 12'. Breitkopf
and Haertel #EB 9391.
Published by Breitkopf
and Haertel (BR.EB-9391).
ISBN 9790004188651. 9
x 12 inches.
Jean
Sibelius composed far
less music for the cello
than for the violin.
Malinconia (op. 20) -
published in 1911 but
composed in 1900 under
the title Fantasia -
remained his only
opus-numbered work
exclusively for cello and
piano. The Fantasia for
cello and piano, an early
stage of Malinconia , was
premiered at a soiree in
the Solemnity Hall of the
University of Helsinki on
12 March 1900 and was
given positive press
reviews: The work, which
mainly drew attention
with its logical and
clear structure, begins
with a powerful and
substantial cello solo,
to which the piano
responds with a
glimmering series of
arpeggiated chords. At
the end where the
instruments unite in a
harmonious, deeply
emotional song, the
harmonic impression they
create is very bright and
lovely. The autograph
manuscript of Fantasia
shows that Sibelius
omitted a larger passage
of music between the
present bars 24 and 25
and that he made further
revisions to the work,
either before the
publishing process or in
the proofs he read in
April 1911 for
Breitkopf.
Chamber Music Cello, Piano SKU: PR.114423720 Composed by Andrii Dido...(+)
Chamber Music Cello,
Piano
SKU:
PR.114423720
Composed
by Andrii Didorenko. Set
of Score and Parts.
Duration 10 minutes.
Theodore Presser Company
#114-42372. Published by
Theodore Presser Company
(PR.114423720).
ISBN
9781491129487. UPC:
680160690404.
POSTC
ARDS FROM UKRAINE is a
charming-yet-fiery suite
of six character pieces
reflecting the culture
and music of
Didorenkoâ??s homeland.
The work was composed in
early 2022 following the
invasion. Movements 2 and
3 are inspired by folk
music with the piano
imitating sounds of the
bandura, and the other
four movements are free
settings of authentic
folk melodies. More
and more in recent times,
I turn to the musical
heritage of my native
Ukraine for inspiration.
Shortly after the start
of the war in Spring
2022, my friend and New
York pianist Evelyne
Luest approached me with
a suggestion to compose a
piece based on Ukrainian
folk music. As I began to
research authentic song
and dance styles, I was
immediately drawn to
their soulful melodies
and stirring rhythms.
Postcards from Ukraine
came into being in just
under a month.The second
of these six pieces is
written in the style of
duma, a sung epic poem
recited by itinerant
bards, accompanied on a
bandura; strumming on the
high piano strings
imitates the banduraâ??s
sound. In the third
piece, an ostinato bass
is another impression of
bandura playing, while
the cello references
Carpathian dance tunes.
The other four pieces are
my interpretations of
true Ukrainian folk
songs, typically sung a
cappella by a womenâ??s
choir, from small
villages that keep their
vocal traditions
alive.
Violoncello and Piano SKU: AP.36-M388991 Arranged by Johannes Brahms and ...(+)
Violoncello and Piano
SKU: AP.36-M388991
Arranged by Johannes
Brahms and ed./arr. by
Janos Starker/ Emilio
Colon. Cello. Starker
Performance Editions.
Book. LudwigMasters
Publications #36-M388991.
Published by
LudwigMasters
Publications
(AP.36-M388991).
ISBN
9798892704182. UPC:
659359984921.
English.
An
immensely powerful piece
for solo cello and piano,
Brahms' SONATA NO. 2, OP.
99 is one of the most
impressive cello
repertoire selections.
Composed of four
movements, the first
Allegro vivace contains
the grandiose main theme.
The hauntingly beautiful
second movement is Adagio
affetuoso. The fiery and
furious third movement is
Allegro passionato. The
fourth Allegro molto
movement ends the piece
with exhilaration and an
optimistic feeling.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Cello; Piano Accompaniment (Score and Solo Part) SKU: HL.50600437 Drei...(+)
Cello; Piano
Accompaniment (Score and
Solo Part)
SKU:
HL.50600437
Drei
mal vier. Composed by
Krzysztof Meyer. String.
Classical, Contemporary.
Softcover. 28 pages.
Sikorski #SIK1495.
Published by Sikorski
(HL.50600437).
8.0x11.75
inches.
For cello
and piano. “This
work was the result of a
collaboration with my
wonderful friend, the
outstanding cellist
Julius Berger. Several
years ago, his
exceptional
interpretation of my
Concerto for violin and
violoncello impressed me
deeply. Later, when he
played my 2nd Sonata for
violoncello solo, a work
written for him, my
enthusiasm became even
greater. In my new piece,
composed on the occasion
of his 60th birthday, I
intended to write kind of
music in which not only
virtuosity but also a
beautiful sound should
stand at the forefront.
Above all, however, I
wanted to please Julius
with it and also give
enjoyment to the
audience. The title
'three times four'
describes the basic idea
of the work: three
musical characters are
varied in four different
respective forms. Or put
the other way round: four
characteristic sound
designs appear in three
different shapes. It is
difficult to say more
about the piece than
that. My ideal is music
that is sufficient unto
itself, a kind of music
that requires no
commentary - that itself
says so much that all
commentary becomes
superfluous.â€
(Krzysztof Meyer).