Cello and Piano SKU: BT.EMBZ2525 Composed by Gabor Lisznyay. Educational ...(+)
Cello and Piano
SKU:
BT.EMBZ2525
Composed
by Gabor Lisznyay.
Educational Tool. Book
Only. Composed 1958. 8
pages. Editio Musica
Budapest #EMBZ2525.
Published by Editio
Musica Budapest
(BT.EMBZ2525).
English-Hungarian.
ABRSM Cello Syllabus
title - Grade 7.Gábor
Lisznyay Szabó
(1913-1981) was a pupil
of Ernst von Dohnányi
at the Music Academy in
Budapest and he later
worked for decades as an
organist. The years he
spent studying in Belgium
left a significant mark
on his composition style.
His work entitled Autumn
also captures the French
essence: the cello's
flowing melody is
reminiscent of the
noblest chansons and
filled with emotion, and
as such it is akin to the
Adagio that Zoltán
Kodály wrote for cello
during his younger years
as a composer.
Cello and piano SKU: FG.55011-609-2 Variaatioita sellolle ja orkesteri...(+)
Cello and piano
SKU:
FG.55011-609-2
Variaatioita sellolle
ja orkesterille op 5.
Composed by Aulis
Sallinen. Fennica Gehrman
#55011-609-2. Published
by Fennica Gehrman
(FG.55011-609-2).
ISBN
9790550116092.
Auli
s Sallinen (b. 1935) is
one of the most famous
Finnish contemporary
composers. In his early
instrumental works,
Sallinen was still
seeking to establish a
style of his own. He had
studied at the Sibelius
Academy in the late
1950s, first with Aarre
Merikanto - a composer
representing a national
brand of Neoclassicism -
and then with Joonas
Kokkonen, at that time
just transitioning from
Neoclassicism to
dodecaphony. Twelve-tone
music had won fairly
widespread acceptance in
contemporary Finn-ish
music, and Sallinen was
influenced, too. The
Variations are Sallinen's
first real work for the
cello - an instrument
that would later be one
of his favourites, its
warm, deep voice
corres-ponding to his
music's often dark
undercurrent.
The Variations for Cello
and Orchestra, Op. 5 were
composed in 1961-1962 and
premiered in October
1962. The basic motif
consists of a set of
three descending
intervals stated by the
cello at the beginning:
D-D flat-F, C-B-G and B
flat-A-F sharp. Their use
as basic material is a
ref-lection of the
composer's
dodecaphony-oriented
period, and variation of
this material provides
the framework for the
piece.
Variations for Cello and
Orchestra are now
published for the first
time. Available are a
reduction for cello and
piano, study score and
complete performance
material with
orchestra.