Stylish Arrangements of Selected Highlights from the Leading 20th Century Composer. Composed by Bela Bartok (1881-1945). Edited by Hywel Davies. Boosey & Hawkes Chamber Music. Classical. Softcover with CD. 76 pages. Boosey & Hawkes #M060135217. Published by Boosey & Hawkes

Cello

SKU: HL.48184289

Composed by Kyrill Volkov. Leduc. Classical. Softcover. Alphonse Leduc #AL27256. Published by Alphonse Leduc (HL.48184289).

UPC: 888680865023. 9.0x12.0x0.053 inches.

Kyrill Volkov: Poeme-Tableau (Cello & Piano).

Cello and piano

SKU: BO.B.3652

Composed by Jordi Cervello. Published by Editorial de Musica Boileau (BO.B.3652).

Sonata for cello and piano was written between September and October of 2010. It is made up of three movements, each of which has unique characteristics. The first, Allegro appassionato, is monothematic, although the theme itself is presented in several ways. Following a vigorous start featuring cello cadenza, the movement is developed with a lively feel, alternating lyrical fragments with other energetic ones. Its conclusion is resounding.
Meanwhile, the second movement, Quasi un lamento, is introspective and fragile. A long melody is sustained by a delicate and transparent piano accompaniment, evoking once again the theme of the first movement and concluding with a Lento of descending piano harmonies while the cello follows, in octaves, with heartfelt glissando.

The third movement, Scherzando-Allegro, is a light-hearted game between the piano and the cello. The main theme is repeated once again, this time with a binary time signature. The cello uses ricochet (the rebounding of notes in a bow stroke), as well as natural and artificial harmonies in quick time. The piano part unfolds completely naturally, excluding any gratuitous artifice.

The piece lasts approximately 20 minutes.

Composed by Jan Vicar. Classical; 21st century. Piano score and part. Composed 2007. Published by Alea Publishing (A7.ALEA1055C).

By Manuel de Falla. For Violonchelo y Piano. Published by Editorial de Musica Boileau (Spanish import).

Cello and piano

SKU: BO.BC0002

Composed by Pau Casals. Published by Editorial de Musica Boileau (BO.BC0002).

By Domenec Mas I Serracant. For violin, cello and piano. Keyboard/Piano. Published by Editorial de Musica Boileau (Spanish import).

By George Frideric Handel. For violin, cello and piano. Keyboard/Piano. Published by Editorial de Musica Boileau (Spanish import).

By Manuel Oltra. For Cello and piano. Bowed Instruments. Duration 16:35. Published by Editorial de Musica Boileau

Cello and piano

SKU: BO.B.3176

Composed by Manuel Oltra. Bowed Instruments. Duration 9:55. Published by Editorial de Musica Boileau (BO.B.3176).

ISBN 9788480202343.

Come ntarios del Espanol:
Se trata de una coleccion de dos piezas breves para violonchelo y piano de dificultad media-alta. Fantasia y fuga es una obra compuesta en 1953 y esta dedicada al violonchelista Joaquim Guerin. La fantasia consta de dos fragmentos diferenciados por el contraste melodicorritmico y de tempo (andante, quasi lento y doppio mosso). La fuga, un allegretto mosso, es de una gran claridad ritmica. La obra entera tiene una duracion aproximada de 5'. Danza triste fue compuesta en 1945. Presenta un tema lirico en re menor que se va desarrollando. Tiene una duracion aproximada de 5'05.

Cello and piano

SKU: BO.B.3724

Composed by J. Cassado/M. Mestre. Published by Editorial de Musica Boileau (BO.B.3724).

Cassado could be considered are the first great Catalan symphonist of the 19th Century and one of the first pre-coursers of Nationalism in our country. His is a Nationalism that is solidly based on central European traditions, mainly Germanic in its.

Plus Ultra is a special case in which the desire to exhibit his deepest Nationalist sentiments took a second place to a more global style into which he incorporated harmonies and melodic turns that recall Rachmaninoff more than Albeniz. Plus Ultra can be considered as a musical thought which, in spite of references or paraphrases of some typical aspects of Spanish music of the era, is an authentic lied in which the cello sings out, using maximum of its expressive possibilities, with a piano accompaniment of the first order.

In this work Cassado makes more extensive use of pianissimo, which is more typical of the French school, than in any other of his works. Through the use of gestures which are almost Impressionist, as well as refined and tasteful harmonies, the composer divides the musical discourse between the two instruments creating a fantastic work which his son Gaspar performed in concerts.

By Joaquin Rodrigo. For Violoncello y Piano. Published by Editorial de Musica Boileau (Spanish import).

Cello and piano

SKU: BO.B.3172

Composed by Ricardo Lamote De Grignon. Bowed Instruments. Published by Editorial de Musica Boileau (BO.B.3172).

By George Frideric Handel. For violin or cello and piano. Bowed Instruments. Published by Editorial de Musica Boileau (Spanish import).

Cello and piano

SKU: BO.B.3460

Composed by Cristina Vilallonga. Bowed Instruments. Published by Editorial de Musica Boileau (BO.B.3460).

By Antoni Massana. For cello and piano. Bowed Instruments. Published by Editorial de Musica Boileau

Cello and piano

SKU: BO.B.1002

Composed by Jan Joosten. Bowed Instruments. Published by Editorial de Musica Boileau (BO.B.1002).

By Giovanni Battista Pergolesi. For violin or cello and piano. Bowed Instruments. Published by Editorial de Musica Boileau (Spanish import).

Cello and piano

SKU: BO.B.3733

Composed by Joaquim Cassado. Published by Editorial de Musica Boileau (BO.B.3733).

By Richard Wagner (1813-1883). For cello and piano. Bowed Instruments. Published by Editorial de Musica Boileau

Cello and piano

SKU: BO.B.0075C

Composed by Richard Wagner. Bowed Instruments. Published by Editorial de Musica Boileau (BO.B.0075C).

By Joaquin Rodrigo. For Violoncello y Piano. Published by Editorial de Musica Boileau (Spanish import).

For Cello and Piano. Arranged by Alan Gout and Pat Legg. Strings, Methods. Learning the Tenor Clef. Softcover Book. 60 pages. Faber Music #F0571519172. Published by Faber Music

18 Recital Pieces in First Position for Cello and Piano or Two Celli. Edited by Christoph Sassmannshaus / Melissa Lusk. Stapled. Baerenreiter's Sassmannshaus. Performance score, parts. 22/24/17 pages pages. Published by Baerenreiter Verlag

Chamber Music Cello, Piano

SKU: CF.BF141

Composed by Ernest Bloch. Edited by Julian Schwarz. 12+8 pages. Carl Fischer Music #BF141. Published by Carl Fischer Music (CF.BF141).

ISBN 9781491159989. UPC: 680160918584.

The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.

The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.

The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.

The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917.

Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.
The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance. The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos. The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience. The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917. Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.
The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.The first movement, “Prayer”, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, “The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski’s (1912–1991) now well-known setting of the High Holyday prayer Avinu Malkenu.” This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both “Prayer” and Janowski’s Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.The second movement, “Supplication� � (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, “Jewish Song”, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch’s most celebrated work, Schelomo in 1917.Though the popularity of Bloch’s oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America’s composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.

12 Recital Pieces in First Position for Cello and Piano or Two Celli. Edited by Christoph Sassmannshaus / Melissa Lusk. Stapled. Baerenreiter's Sassmannshaus. Performance score, parts. 16/23/21 pages pages. Published by Baerenreiter Verlag

Cello (cello part and piano score)

SKU: HL.48180232

Composed by Luigi Boccherini. Leduc. Classical. Softcover. 8 pages. Alphonse Leduc #AL16769. Published by Alphonse Leduc (HL.48180232).

UPC: 888680795016. 9.0x12.0x0.04 inches.

As a prestigious composer of the late 18th century, Luigi Boccherini's (1743-1805) Rondo, transcribed for the cello by Paul Bazelaire, contains many features which continue to make the composer's music popular and loved to this day. Known for his courtly, gallant style, Rondo, originally composed for violin and harpsichord, clearly exemplifies these qualities through the 2/4 time signature, flourishing cello lines and evocative, chordal and rhythmic Piano accompaniment. Moreover, syncopation rhythms and ornamentation heard throughout the piece create further excitement. All of these musical elements combine to create a highly enjoyable piece for the cello repertoire. In addition, the clear print of separate cello and piano parts in this edition of Rondo add to this irresistable purchase for budding cellists.

Composed by Maurice Ravel (1875-1937). Leduc. Post- 1900. Softcover. 8 pages. Alphonse Leduc #AL24862. Published by Alphonse Leduc