Songbook, accompaniment/performance CD, set of performance parts and for cello and piano accompaniment. With bowings and chord names. Series: Pop Hits for the Instrumental Soloist. 72 pages. Published by Alfred Publishing.

Composed by Jean Brizard/Henri Classens. For cello and piano. Classical. Score. 29 16 pages. Published by Editions Combre

Chamber Music Cello, Piano

SKU: CF.BF141

Composed by Ernest Bloch. Edited by Julian Schwarz. 12+8 pages. Carl Fischer Music #BF141. Published by Carl Fischer Music (CF.BF141).

ISBN 9781491159989. UPC: 680160918584.

The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.

The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.

The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.

The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917.

Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.
The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance. The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos. The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience. The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917. Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.
The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.The first movement, “Prayer”, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, “The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski’s (1912–1991) now well-known setting of the High Holyday prayer Avinu Malkenu.” This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both “Prayer” and Janowski’s Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.The second movement, “Supplication� � (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, “Jewish Song”, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch’s most celebrated work, Schelomo in 1917.Though the popularity of Bloch’s oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America’s composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.

Violin 1 (solo: vc - 2.2.2.2 - 2.2.0.0 - timp - str)

SKU: BR.OB-5283-15

Urtext. Composed by Robert Schumann. Edited by Joachim Draheim. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). A key work of the romantic concerto repertoirePiano reduction annotated by Robert Schumann. Solo concerto; Romantic. Part. 12 pages. Duration 23'. Breitkopf and Haertel #OB 5283-15. Published by Breitkopf and Haertel (BR.OB-5283-15).

ISBN 9790004332832. 10 x 12.5 inches.

Robert Schumann's Violoncello Concerto op. 129 can be regarded as the first great concerto for this instrument's repertoire. It is thus somewhat surprising that this work had an extremely problematic reception history at the outset.Schumann wrote the score in 1850, during his Dusseldorf years, but there was neither a concrete occasion nor a soloist for a world premiere. After its publication, more years elapsed before the world premiere. It was only towards the end of the 19th century that Schumann's Cello Concerto finally made its breakthrough as a repertoire piece. The Urtext edition is based on the original print of the parts and the piano reduction, which had still been supervised by Schumann. In addition, the autograph of the score was consulted for purposes of comparison. The internationally renowned soloist Heinrich Schiff took part in the preparation of the edition for violoncello and piano. His experiences have been incorporated into his arrangement of the solo part. With his comments, Schiff also provides valuable tips on the interpretation of the work.

A key work of the romantic concerto repertoireThe piano reduction by Robert Schumann contains the unsigned solo part as well as the solo part arranged and annotated by Heinrich Schiff.

Cello; Piano Accompaniment (Cello Part And Piano Score)

SKU: HL.48024838

Cello and Piano Reduction. Composed by Magnus Lindberg. Boosey & Hawkes Chamber Music. Classical. Softcover. 100 pages. Duration 1500 seconds. Bote & Bock #M060123436. Published by Bote & Bock (HL.48024838).

ISBN 9780851627946. UPC: 840126908787. 9.0x12.0x0.256 inches.

Commissione d by the Orchestre de Paris, and first performed by them in 1999 with soloist Anssi Karttunen, conducted by Esa-Pekka Salonen. The work is cast in a 25-minute span punctuated by an improvised cadenza. Performers not wishing to improvise may substitute Boria from Lindbergs solo cello suite Partia, which is included in the publication. Diapason commented, The writing is homogeneous, virtuosic, energetic, with the cello up near the bridge almost without interruption in a highly taut style which travels at a quickstep through all the possibilities of the instrument. Those possibilities include scordatura (for both soloist and orchestral cellos) and the so-called 'seagull' glissando.

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Woodwinds (solo: vc - 2.2.2.2 - 2.2.0.0 - timp - str)

SKU: BR.OB-5283-30

Urtext. Composed by Robert Schumann. Edited by Joachim Draheim. Orchestra; Folder. Orchester-Bibliothek (Orchestral Library). A key work of the romantic concerto repertoirePiano reduction annotated by Robert Schumann. Solo concerto; Romantic. Set of parts. 78 pages. Duration 23'. Breitkopf and Haertel #OB 5283-30. Published by Breitkopf and Haertel (BR.OB-5283-30).

ISBN 9790004332887. 10 x 12.5 inches.

Robert Schumann's Violoncello Concerto op. 129 can be regarded as the first great concerto for this instrument's repertoire. It is thus somewhat surprising that this work had an extremely problematic reception history at the outset.Schumann wrote the score in 1850, during his Dusseldorf years, but there was neither a concrete occasion nor a soloist for a world premiere. After its publication, more years elapsed before the world premiere. It was only towards the end of the 19th century that Schumann's Cello Concerto finally made its breakthrough as a repertoire piece. The Urtext edition is based on the original print of the parts and the piano reduction, which had still been supervised by Schumann. In addition, the autograph of the score was consulted for purposes of comparison. The internationally renowned soloist Heinrich Schiff took part in the preparation of the edition for violoncello and piano. His experiences have been incorporated into his arrangement of the solo part. With his comments, Schiff also provides valuable tips on the interpretation of the work.

A key work of the romantic concerto repertoireThe piano reduction by Robert Schumann contains the unsigned solo part as well as the solo part arranged and annotated by Heinrich Schiff.

Violin 2 (solo: vc - 2.2.2.2 - 2.2.0.0 - timp - str)

SKU: BR.OB-5283-16

Urtext. Composed by Robert Schumann. Edited by Joachim Draheim. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). A key work of the romantic concerto repertoirePiano reduction annotated by Robert Schumann. Solo concerto; Romantic. Part. 12 pages. Duration 23'. Breitkopf and Haertel #OB 5283-16. Published by Breitkopf and Haertel (BR.OB-5283-16).

ISBN 9790004332849. 10 x 12.5 inches.

Robert Schumann's Violoncello Concerto op. 129 can be regarded as the first great concerto for this instrument's repertoire. It is thus somewhat surprising that this work had an extremely problematic reception history at the outset.Schumann wrote the score in 1850, during his Dusseldorf years, but there was neither a concrete occasion nor a soloist for a world premiere. After its publication, more years elapsed before the world premiere. It was only towards the end of the 19th century that Schumann's Cello Concerto finally made its breakthrough as a repertoire piece. The Urtext edition is based on the original print of the parts and the piano reduction, which had still been supervised by Schumann. In addition, the autograph of the score was consulted for purposes of comparison. The internationally renowned soloist Heinrich Schiff took part in the preparation of the edition for violoncello and piano. His experiences have been incorporated into his arrangement of the solo part. With his comments, Schiff also provides valuable tips on the interpretation of the work.

A key work of the romantic concerto repertoireThe piano reduction by Robert Schumann contains the unsigned solo part as well as the solo part arranged and annotated by Heinrich Schiff.

Chamber Music Cello, Piano

SKU: PR.114418880

Composed by Eric Ewazen. Sws. Set of Score and Parts. 12+4 pages. Duration 6:30. Theodore Presser Company #114-41888. Published by Theodore Presser Company (PR.114418880).

ISBN 9781491129289. UPC: 680160668618. 9 x 12 inches.

Idealism, humanity, world peace, and altruism, have been recurring themes and inspirations in many compositions by Eric Ewazen. In 2007, the Sejong Soloists commissioned this work for Cello and Strings to feature Paula Zahn as guest soloist – the celebrated telejournalist is an exceptional cellist, and a frequent and distinguished host for the concerts Sejong performs in New York City. The work was written for a gala concert honoring Ban Ki-Moon, Secretary General of the United Nations, and therefore the ultimate leader of international peacekeeping efforts. The resulting work, equally suitable for Cello and Piano, is appropriately titled A POEM OF HOPE.

Cello and Piano

SKU: BT.EMBZ13622

By Miklos Perenyi. By Claude Debussy and Zoltan Kocsis. Classical. Book Only. Composed 1989. 38 pages. Editio Musica Budapest #EMBZ13622. Published by Editio Musica Budapest (BT.EMBZ13622).

Debussy's Small Suite written for piano duet in 1889 is being published by Editio Musica Budapest in a transcription for cello and piano for the first time. A guarantee for the quality of the transcription is the name of the two outstanding artists Zoltán Kocsis and Miklós Perényi who make us forget the difficulty of the task and exploit the full capabilities of their respective instruments, enchanting thereby the audience.

Cello; Piano Accompaniment (Cello Part And Piano Score)

SKU: HL.48025366

Cello and Piano. Composed by Hans Winterberg. Boosey & Hawkes Chamber Music. Classical. Softcover. Bote & Bock #M202538104. Published by Bote & Bock (HL.48025366).

UPC: 196288194279.

Hans Winterberg, born in Prague in 1901, lived through almost the entire period of the 20th century and was influenced as a composer by its most important artistic innovations. Already a brilliant pianist as an adolescent, he studied with Alois Hába and Alexander von Zemlinsky in Prague. Both his life and his music reflect the Austrian-Czech-Jewish cultural symbiosis; he saw himself as a bridge builder between Western and Eastern, i.e. Slavic, cultures. Owing to his Jewish ancestry, he was deported to the Terezin concentration camp after the annexation of Czechoslovakia by Nazi Germany. He was the only Jewish representative of the Czech musical avant-garde of the 1920s and 1930s to survive the Shoah and, in 1947, followed his non-Jewish wife and their daughter to the FRG in the course of the expulsion of the German-speaking population from Czechoslovakia. Winterberg's fascinating oeuvre, which was kept under lock and key in a German music archive for years after his death, is now being made accessible in first editions due to a cooperation between the Exilarte Center for Banned Music at the University of Music in Vienna and Boosey & Hawkes. The first printed edition is Winterberg's Cello Sonata, composed in 1951, in which all the characteristics of his unmistakable personal style come to the fore: dance-like energy, polyrhythm, intimate yet unsentimental melos, subtle handling of folkloristic material, and an unerring sense of form and balance. This work is of medium technical and great interpretative difficulty.

Violoncello and Piano (VIOLONCELLO)

SKU: HL.50487683

By Miklos Perenyi. By Claude Debussy. Romantic. EMB. Classical. Book Only. Editio Musica Budapest #Z13622. Published by Editio Musica Budapest (HL.50487683).

ISBN 9790080136225. 9.0x12.0x0.124 inches. French. Claude Debussy; Zoltan Kocsis; Miklos Perenyi.

Debussy's Small Suite written for piano duet in 1889 is being published by Editio Musica Budapest in a transcription for cello and piano for the first time. A guarantee for the quality of the transcription is the name of the two outstanding artists Zoltan Kocsis and Miklos Perenyi who make us forget the difficulty of the task and exploit the full capabilities of their respective instruments, enchanting thereby the audience.

Christian, Contemporary Christian, Gospel, Inspirational. Jackman Music Corporation #09008. Published by Jackman Music Corporation

Cello and piano - difficult

SKU: HL.49005942

Composed by Bernd Alois Zimmermann. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. 2 Exemplare zur Auffuhrung notig. Composed 1967. 40 pages. Duration 20'. Schott Music #ED 6004. Published by Schott Music (HL.49005942).

ISBN 9790001064354. 12.0x8.75x0.124 inches.

Cello and piano

SKU: BR.EB-8332

Composed by Louis de Caix d'Hervelois. Edited by Folkmar Langin. Solo instruments; stapled. Edition Breitkopf. Baroque period. Score. 36 pages. Breitkopf and Haertel #EB 8332. Published by Breitkopf and Haertel (BR.EB-8332).

ISBN 9790004176405. 9 x 12 inches.

By Louis Caix D'Hervelois. For cello and piano. Classical. Score. 13 + 7 pages. Published by Edition Delrieu

By Louis de Caix d'Hervelois (1670-1760). For Cello, Piano. Standard notation. Published by Gerard Billaudot Editeur

(Fantasia for Cello and Piano). Composed by Edward Mollenhauer. Edited by Christoph Sassmannshaus. For cello solo and piano. Stapled. Barenreiter's Concert Pieces. Transcribed for Violoncello and Piano. Level 2. Piano reduction, part(s). Published by Baerenreiter Verlag

(Movements I and II Arranged for Cello and Piano). Composed by Igor Fyodorovich Stravinsky. Arranged by David Dutkanicz. For cello, piano. 8 2 pages. Published by Carl Fischer

Cello & Piano

SKU: AP.12-0571572146

Cello & Piano. Composed by Carl Vine. Masterworks; Solo; Solo Small Ensembles; String - Cello and Piano. Faber Edition. Form: Concerto. 20th Century; Masterwork. Score and Part(s). Faber Music #12-0571572146. Published by Faber Music (AP.12-0571572146).

ISBN 9780571572144. English.

Composed for Steven Isserlis in 2004, Carl Vine's Concerto for Cello is an exhilarating 20-minute work that traverses a vast emotional palette. The concerto begins arrestingly, with soloist pitted against orchestra, though as it develops the two factions move towards union. A slow chorale led by the cellist frames the central section, whilst relentless motor rhythms drive the work to its close.

Cello and Piano

SKU: IS.VCP6187EM

Composed by Dirk Brosse. Strings - Cello. The Dirk Brosse Collection. Metropolis Music Publishers #VCP6187EM. Published by Metropolis Music Publishers (IS.VCP6187EM).

ISBN 9790365061877.

Sir Dirk Brossé, music director at the Philadelphia Chamber Orchestra, is a versatile composer of orchestral and symphonic repertoire, chamber music, film & musical. His compositions are performed worldwide by the most prominent orchestras and soloists.

Chamber Music Oboe, Trombone, Percussion:, - Glockenspiel, - 4 Temple Blocks, - Triangle, - Silly Bird Whistle, - 4 Tom-toms, - Duck call, - hi-hat, - bass drum, - sizzle cymbal, Cello, Piano

SKU: PR.111402440

For Narrator, Oboe, Trombone, Percussion, Cello, and Piano. Composed by Daniel Dorff. Premiered by members of the Philadelphia Orchestra, Charlotte Blake Alston, narrator; Philadelphia, PA. Traditional. Set of Score and Parts. With Standard notation. Composed 13-Mar. 16+2+2+2+2 pages. Duration 6 minutes. Theodore Presser Company #111-40244. Published by Theodore Presser Company (PR.111402440).

ISBN 9781491101308. UPC: 680160616053. 9.5 x 13 inches. Old MacDonald Had A Farm.

Commissioned by the Philadelphia Orchestra Association, Dorff uses the familiar Old MacDonald to introduce children to various instruments within an orchestra, calling upon each in turn for examples of their sounds, and then merging all of the soloists into an original variation on the theme. An effective showcase for children's concerts. Duration: 6'.

Chamber ensemble Oboe, Trombone, Percussion:, - Glockenspiel, - 4 Temple Blocks, - Triangle, - Silly Bird Whistle, - 4 Tom-toms, - Duck call, - hi-hat, - bass drum, - sizzle cymbal, Cello, Piano

SKU: PR.11140244S

For Narrator, Oboe, Trombone, Percussion, Cello, and Piano. Composed by Daniel Dorff. Premiered by members of the Philadelphia Orchestra, Charlotte Blake Alston, narrator; Philadelphia, PA. Traditional. Performance score. With Standard notation. Composed 13-Mar. 16 pages. Duration 6 minutes. Theodore Presser Company #111-40244S. Published by Theodore Presser Company (PR.11140244S).

UPC: 680160616077. 9.5 x 13 inches. Old MacDonald Had A Farm.

Commissioned by the Philadelphia Orchestra Association, Dorff uses the familiar Old MacDonald to introduce children to various instruments within an orchestra, calling upon each in turn for examples of their sounds, and then merging all of the soloists into an original variation on the theme. An effective showcase for children's concerts. Duration: 6'.