Cello and Piano. Composed by Gabriel Faure (1845-1924). Edited by Jean-Christophe Monnier. Sheet Music. Paperbound. Henle Music Folios. With marked and unmarked string parts. Classical. Score and Parts. 14 pages. G. Henle #HN1088. Published by G. Henle

Cello & Piano

SKU: SU.80601640

For Cello & Piano. Composed by Freda Gronowetter. Strings, Cello. Accompanied by piano. Score & Parts. Edward B. Marks Music #80601640. Published by Edward B. Marks Music (SU.80601640).

Cello & Piano Composed: 1942 Published by: E.B. Marks.

(Violoncello and Piano). Composed by Justin Dello Joio. For Cello, Piano Accompaniment (Score and Parts). E.B. Marks. Softcover. Published by Edward B. Marks Music

(Violoncello and Piano With Marked and Unmarked String Parts). Composed by Edward Elgar (1857-1934). Edited by Claus Kanngiesser, Rolf Koenen, and Rupert Marshall-Luck. For Cello, Piano Accompaniment. Henle Music Folios. Softcover. 8 pages. G. Henle #HN1189. Published by G. Henle

Composed by Johannes Brahms (1833-1897). Edited by Clive Brown / Neal Peres Da Costa / Kate Bennett Wadsworth. For cello and piano. This edition: Urtext edition. Stapled. With an Urtext solo part by Clive Brown and a solo part with bowing and fingering by Kate Bennett Wadsworth; Fingering in the piano part by Neal Peres Da Costa; Performance Practice Commentary by C. Brown, N. P. Da Costa and K. B. Wadsworth. Level 3. Score and part. Text Language: German/English. Opus 38. Published by Baerenreiter Verlag

For Violoncello and Piano With Marked and Unmarked String Parts. Composed by Gabriel Fauré. Edited by David Geringas and Jean- Christophe Monnier. Henle Music Folios. Softcover. G. Henle #HN1038. Published by G. Henle

(Revised Edition With Marked and Unmarked String Parts). By Ludwig van Beethoven (1770-1827). Edited by Jens Dufner. For cello and piano. Henle Music Folios. Solo part and accompaniment. 266 pages

(Edition for Violoncello and Piano With Marked and Unmarked String). By Robert Schumann. Edited by Ernst Herttrich. Henle Music Folios. Book only. G. Henle #HN1024. Published by G. Henle

Cello and Piano. Composed by Evgeny Kissin. Edited by Steven Isserlis. Sheet Music. Paperbound. Henle Music Folios. With marked and unmarked string parts. Classical. Score and Parts. 20 pages. G. Henle #HN1050. Published by G. Henle

(With Marked and Unmarked String Parts). By Gabriel Fauré. Edited by Cornelia N̦ckel. Score and Parts. Henle Music Folios. Book only. 12 pages. G. Henle #HN1019. Published by G. Henle

(With Marked and Unmarked String Parts). By Gabriel Faure (1845-1924). Edited by Jean-Christophe Monnier. For Cello, Piano Accompaniment (Score and Solo Part). Henle Music Folios. Softcover. 8 pages. G. Henle #HN563. Published by G. Henle

(Edition for Violoncello and Piano With Marked and Unmarked String Parts). Composed by Cesar Auguste Franck (1822-1890). Edited by Peter Jost. Arranged by Jules Delsart. For Cello, Piano Accompaniment. Henle Music Folios. Softcover. 60 pages. G. Henle #HN570. Published by G. Henle

(with marked and unmarked string parts). By Johannes Brahms (1833-1897). Edited by Egon Voss and Johannes Behr. For Cello, Piano. Henle Music Folios. Softcover. 62 pages. G. Henle #HN1135. Published by G. Henle

(Cello and Piano). By Mark-Anthony Turnage (1960-). For Cello, Piano Accompaniment. Boosey and Hawkes Chamber Music. Softcover. 14 pages. Boosey and Hawkes #M060120534. Published by Boosey and Hawkes

By Martino Bohuslav. Czech title: Sonata . 3 pro violoncello a klavir (rev. Vyd., ed. A. BYezina). Published by Praha.

Cello, Piano SKU: HU.HN711 Composed by Camille Saint-Saens. Edited by Peter Jost. Strings, Repertoire, Solos. Cello Concerto No. 1 in A minor Op. 33. Softcover Book. 58 pages. G. Henle #HN711. Published by G. Henle (HU.HN711). 12.2 x 9.2 x 0.2 inches. This urtext edition has been marked up by David Geringas and supplied with a detailed preface by the editor, Peter Jost. Johannes Umbreit has revised the composer's highly playable piano reduction to suit the needs of today's performers.

Cello and Piano Reduction. By Robert Schumann. Arranged by Andre Navarra and Marcel Bardon. String. Book and CD Package. Size 9x12 inches. Published by Salabert.

(Op. 129). Composed by Robert Schumann. Edited by Emmanuel Feurmann. For cello, piano. Solo part with piano reduction. Standard notation. 28 pages. Published by Carl Fischer

Cello and piano

SKU: BR.EB-32083

Urtext. Composed by Camillo Schumann. Edited by Maria Kliegel. Solo instruments; stapled. Edition Breitkopf.

With supplementary violoncello part marked by Maria Kliegel

Sonata; Late-romantic. Score. 108 pages. Breitkopf and Haertel #EB 32083. Published by Breitkopf and Haertel (BR.EB-32083).

ISBN 9790004186299. 9 x 12 inches.

There are many composers about whom it is believed, today, that they composed conservatively, or against the taste of their time. The question is also raised, today, which extract of this large amount of effective and high-quality music, unknown for the most part, should receive our attention; which of it is worth rediscovering or re-editing. Camillo Schumann is one of the most important representatives of these composers, but his works are still largely unknown today. He was born on 10 March 1872 in Konigstein, Saxony. His musical language combines the sound world of Brahms with the grand, late-romantic Liszt School. He wrote piano parts of incredible power and virtuosity, approaching the sounds of Rachmaninoff. His wonderfully individual melodic language makes these works a valuable testimony to a composer who never had his due recognition. The cello sonatas Opp. 59 (EB 32082) and 99 (EB 32083) are the first of three works for this combination. Op. 59 was composed around 1905/06, Op. 99 followed in 1932. Nothing is known so far of the circumstances of the composition of this work, including for whom it was composed. However, it is quite evident that Schumann wrote it, like most of his works, primarily for his own concerts and befriended musicians. The extensive entries in the piano part bear witness to a considerably practical approach. Crossed-out bars, notes added or crossed out in chords as well as a number of revisions of other kinds are more the rule than the exception. The composer's own fingerings written in the piano part also underline this assumption. The present edition contains two solo-parts each. One clean Urtext-part free of any additions from the editor and a second one with bowing marks and fingerings by Maria Kliegel who recorded both sonatas for the first time with the label Naxos. Both sonatas show evident resemblance to the works of this combination by Johannes Brahms and are therefore a must have for ambitious cellists.

With supplementary violoncello part marked by Maria Kliegel.

Cello and Piano

SKU: BT.EMBZ14768

Composed by Franz Liszt. Book Only. Composed 2011. 76 pages. Editio Musica Budapest #EMBZ14768. Published by Editio Musica Budapest (BT.EMBZ14768).

Not many people know that Franz Liszt arranged some of his piano pieces for the cello, with piano accompaniment, and that these versions of the works appeared in print during the maestro's lifetime. Árpád Pejtsik selected two of these for this volume compiled to mark Liszt's jubilee: Elegies I and II. The other compositions by Liszt that appear in the collection were likewise originally works for piano: the Ave Maria and Cantique d'amour (pieces from the Harmonies poétiques et religieuses cycle) were transcribed by a pupil of Liszt, Robert Pflughaupt the cello version, transposed into G major, of the E Major Consolation is by Jules de Swert, solo cellist in the Weimar orchestraof those days that of the Angelus (the opening piece in Volume 3 of the cycle entitled Years of Pilgrimage ) is by Lothar Windsperger, a German composer who lived at the turn of the 19th-20th century. The Valse oubliée No. 1 was transcribed by Liszt s virtuoso piano pupil Ferruccio Busoni Notturno, which became famous as the third piece in the Liebesträume series, is a transposed version of the original song ( O lieb, so lang du lieben kannst ) made by the editor of this volume.

Not many people know that Ferenc Liszt arranged some of his piano pieces for the cello, with piano accompaniment, and this version of the works appeared in print during the maestro's lifetime. Árpád Pejtsik selected two of these forthis volume compiled to mark Liszt's jubilee: Elegy I and Elegy II. The other compositions by Liszt that appear in the collection were likewise originally works for piano: the Ave Maria and Cantique d'amour(pieces from the Harmonies poétiques et religieuses cycle) were transcribed by a pupil of Liszt, Robert Pflughaupt; the cello version, transposed into G major, of the E major Consolation is by Jules de Swert, solo cellistin the Weimar orchestra of those days; that of the Angelus (the opening piece in Volume 3 of the cycle entitled Years of Pilgrimage) is by Lothar Windsperger, a German composer who lived at the turn of the 19th-20thcentury.

Nur Wenigen ist bekannt, dass Liszt einige seiner Klavierstücke auch für Violoncello mit Klavierbegleitung bearbeitet hatte, und dass diese Version der Werke noch zu Lebzeiten des Komponisten in Druck erschien. In diesem Band nahm Árpád Pejtsik zwei dieser Stücke, die I. und II. Elegie auf. Die anderen Liszt-Kompositionen in der Sammlung sind auch ursprünglich Klavierwerke: der Bearbeiter ist beim Ave Maria und Cantique d'amour (Stücke aus dem Zyklus Harmonies poétiques et religieuses) der Liszt-Schüler Robert Pflughaupt. Von Jules de Swert, der damals Solocellist des Weimarer Orchesters war, wurde die in G-Dur transponierte Violoncelloversion der E-Dur Consolation, und vonLothar Windsperger, dem an der Wende zum 20. Jahrhundert lebenden deutschen Komponisten, das Angelus (das Eröffnungsstück des III. Bandes des Zyklus Pilgerjahre) bearbeitet.

(Cello and Piano). Composed by Johannes Brahms (1833-1897). Edited by Claus Kanngiesser, Egon Voss, Johannes Behr, and Klaus Schilde. For Cello, Piano Accompaniment. Henle Music Folios. G. Henle #HN1134. Published by G. Henle

Cello and Piano. Composed by Gabriel Faure (1845-1924). Edited by Fabian Kolb. Henle Music Folios. Classical. Softcover. G. Henle #HN1357. Published by G. Henle

Volume 1 Cello; Piano Accompaniment (Cello Part And Piano Score)

SKU: HL.48024686

Tarantelle - Trois Andante - Marche chinoise. Composed by Jacques Offenbach. Edited by Jean-Christophe Keck. Boosey & Hawkes Chamber Music. Classical. Softcover. 48 pages. Bote & Bock #M202535332. Published by Bote & Bock (HL.48024686).

ISBN 9781540058768. UPC: 888680952938.

Jacqu es Offenbach was not only a composer of inexhaustible imagination, but also a virtuoso cellist. Even after his first years in Paris, he liked to perform as a musician again and again. To mark his 200th birthday in 2019, the Offenbach Edition Keck OEK publishes original compositions by the 'Mozart of the Champs-Elysees' for 'his' instrument plus piano accompaniment. The pieces are suitable for amateur studies and concert performances alike - not only in the anniversary year! Some of them were already available in older separate editions, some of them have been unpublished until now. In the present edition, they are published in three volumes according to their musical relation, based on the multiple award-winning editorial standards of the OEK. Vol. 1 contains dance-like pieces (Tarantelle / Trois Andante / Marche chinoise), Vol. 2 baroque-style parodies (Musette / Chant des mariniers galants dapres Rameau / Tambourin dapres Rameau) and Vol. 3 Romantic character pieces (La Course en traineau / Introduction et valse melancolique / Reverie au bord de mer / Deux ames au ciel).

Cello; Piano Accompaniment (Cello Part And Piano Score)

SKU: HL.48024688

Le Course en traineau, Introduction et valse melancolique, Feverie au bord de mer, Deux ames au ciel. Composed by Jacques Offenbach. Edited by Jean-Christophe Keck. Boosey & Hawkes Chamber Music. Classical. Softcover. 56 pages. Bote & Bock #M202535356. Published by Bote & Bock (HL.48024688).

ISBN 9781540058782. UPC: 888680952952.

Jacqu es Offenbach was not only a composer of inexhaustible imagination, but also a virtuoso cellist. Even after his first years in Paris, he liked to perform as a musician again and again. To mark his 200th birthday in 2019, the Offenbach Edition Keck OEK publishes original compositions by the 'Mozart of the Champs-Elysees' for 'his' instrument plus piano accompaniment. The pieces are suitable for amateur studies and concert performances alike - not only in the anniversary year! Some of them were already available in older separate editions, some of them have been unpublished until now. In the present edition, they are published in three volumes according to their musical relation, based on the multiple award-winning editorial standards of the OEK. Vol. 1 contains dance-like pieces (Tarantelle / Trois Andante / Marche chinoise), Vol. 2 baroque-style parodies (Musette / Chant des mariniers galants dapres Rameau / Tambourin dapres Rameau) and Vol. 3 Romantic character pieces (La Course en traineau / Introduction et valse melancolique / Reverie au bord de mer / Deux ames au ciel).

Cello; Piano Accompaniment (Cello Part And Piano Score)

SKU: HL.48024687

Musette - Chant des mariniers galants d'apres Rameau - Tambourin d'apres Rameau. Composed by Jacques Offenbach. Edited by Jean-Christophe Keck. Boosey & Hawkes Chamber Music. Classical. Softcover. 52 pages. Bote & Bock #M202535349. Published by Bote & Bock (HL.48024687).

ISBN 9781540058775. UPC: 888680952945.

Jacqu es Offenbach was not only a composer of inexhaustible imagination, but also a virtuoso cellist. Even after his first years in Paris, he liked to perform as a musician again and again. To mark his 200th birthday in 2019, the Offenbach Edition Keck OEK publishes original compositions by the 'Mozart of the Champs-Elysees' for 'his' instrument plus piano accompaniment. The pieces are suitable for amateur studies and concert performances alike - not only in the anniversary year! Some of them were already available in older separate editions, some of them have been unpublished until now. In the present edition, they are published in three volumes according to their musical relation, based on the multiple award-winning editorial standards of the OEK. Vol. 1 contains dance-like pieces (Tarantelle / Trois Andante / Marche chinoise), Vol. 2 baroque-style parodies (Musette / Chant des mariniers galants dapres Rameau / Tambourin dapres Rameau) and Vol. 3 Romantic character pieces (La Course en traineau / Introduction et valse melancolique / Reverie au bord de mer / Deux ames au ciel).

Cello and Piano (VIOLONCELLO)

SKU: HL.50511723

Composed by Gabor Lisznyay. EMB. Pedagogical performance pieces. Book [Softcover]. 8 pages. Editio Musica Budapest #Z2525. Published by Editio Musica Budapest (HL.50511723).

ISBN 9790080025253. UPC: 884088402907. 8.25x11.75x0.052 inches. Hungarian, English.

ABRSM Cello Syllabus title - Grade 7.Gabor Lisznyay Szabo (1913-1981) was a pupil of Ernst von Dohnanyi at the Music Academy in Budapest and he later worked for decades as an organist. The years he spent studying in Belgium left a significant mark on his composition style. His work entitled Autumn also captures the French essence: the cello's flowing melody is reminiscent of the noblest chansons and filled with emotion, and as such it is akin to the Adagio that Zoltan Kodaly wrote for cello during his younger years as a composer.

Cello and Piano

SKU: BT.EMBZ2525

Composed by Gabor Lisznyay. Educational Tool. Book Only. Composed 1958. 8 pages. Editio Musica Budapest #EMBZ2525. Published by Editio Musica Budapest (BT.EMBZ2525).

English-Hungarian.

ABRSM Cello Syllabus title - Grade 7.Gábor Lisznyay Szabó (1913-1981) was a pupil of Ernst von Dohnányi at the Music Academy in Budapest and he later worked for decades as an organist. The years he spent studying in Belgium left a significant mark on his composition style. His work entitled Autumn also captures the French essence: the cello's flowing melody is reminiscent of the noblest chansons and filled with emotion, and as such it is akin to the Adagio that Zoltán Kodály wrote for cello during his younger years as a composer.

Cello and Piano. Composed by Ludwig van Beethoven (1770- 1827). Edited by Jens Dufner. Henle Music Folios. Classical. Softcover. 43 pages. G. Henle #HN1474. Published by G. Henle