Composed by Gabriel Faure (1845-1924). Edited by Fabian Kolb. Henle Music Folios. Softcover. G. Henle #HN1358. Published by G. Henle

(Violoncello and Piano With Marked and Unmarked String Parts). Composed by Edward Elgar (1857-1934). Edited by Claus Kanngiesser, Rolf Koenen, and Rupert Marshall-Luck. For Cello, Piano Accompaniment. Henle Music Folios. Softcover. 8 pages. G. Henle #HN1189. Published by G. Henle

Cello and Piano. Composed by Gabriel Faure (1845-1924). Edited by Jean-Christophe Monnier. Sheet Music. Paperbound. Henle Music Folios. With marked and unmarked string parts. Classical. Score and Parts. 14 pages. G. Henle #HN1088. Published by G. Henle

For Violoncello and Piano With Marked and Unmarked String Parts. Composed by Gabriel Fauré. Edited by David Geringas and Jean- Christophe Monnier. Henle Music Folios. Softcover. G. Henle #HN1038. Published by G. Henle

(Cello and Piano). Composed by Johannes Brahms (1833-1897). Edited by Claus Kanngiesser, Egon Voss, Johannes Behr, and Klaus Schilde. For Cello, Piano Accompaniment. Henle Music Folios. G. Henle #HN1134. Published by G. Henle

Cello and Piano. Composed by Gabriel Faure (1845-1924). Edited by Fabian Kolb. Henle Music Folios. Classical. Softcover. G. Henle #HN1357. Published by G. Henle

(Revised Edition With Marked and Unmarked String Parts). By Ludwig van Beethoven (1770-1827). Edited by Jens Dufner. For cello and piano. Henle Music Folios. Solo part and accompaniment. 266 pages

Cello and Piano. Composed by Ludwig van Beethoven (1770- 1827). Edited by Jens Dufner. Henle Music Folios. Classical. Softcover. 50 pages. G. Henle #HN1475. Published by G. Henle

Cello and Piano. Composed by Ludwig van Beethoven (1770- 1827). Edited by Jens Dufner. Henle Music Folios. Classical. Softcover. 43 pages. G. Henle #HN1474. Published by G. Henle

(Edition for Violoncello and Piano With Marked and Unmarked String). By Robert Schumann. Edited by Ernst Herttrich. Henle Music Folios. Book only. G. Henle #HN1024. Published by G. Henle

Cello and Piano. Composed by Evgeny Kissin. Edited by Steven Isserlis. Sheet Music. Paperbound. Henle Music Folios. With marked and unmarked string parts. Classical. Score and Parts. 20 pages. G. Henle #HN1050. Published by G. Henle

(With Marked and Unmarked String Parts). By Gabriel Faure (1845-1924). Edited by Jean-Christophe Monnier. For Cello, Piano Accompaniment (Score and Solo Part). Henle Music Folios. Softcover. 8 pages. G. Henle #HN563. Published by G. Henle

(Edition for Violoncello and Piano With Marked and Unmarked String Parts). Composed by Cesar Auguste Franck (1822-1890). Edited by Peter Jost. Arranged by Jules Delsart. For Cello, Piano Accompaniment. Henle Music Folios. Softcover. 60 pages. G. Henle #HN570. Published by G. Henle

(With Marked and Unmarked String Parts Version for Violoncello and Piano). By Robert Schumann. Edited by Ernst Herttrich. Henle Music Folios. Softcover. 48 pages. G. Henle Verlag #HN910. Published by G. Henle Verlag

(with marked and unmarked string parts). By Johannes Brahms (1833-1897). Edited by Egon Voss and Johannes Behr. For Cello, Piano. Henle Music Folios. Softcover. 62 pages. G. Henle #HN1135. Published by G. Henle

(Violoncello and Piano With Marked and Unmarked String Parts). By Camille Saint-Saëns. Edited by Peter Jost. For Cello, Piano Accompaniment. Henle Music Folios. Softcover. 70 pages. G. Henle #HN1057. Published by G. Henle

(With Marked and Unmarked String Parts). By Gabriel Fauré. Edited by Cornelia N̦ckel. Score and Parts. Henle Music Folios. Book only. 12 pages. G. Henle #HN1019. Published by G. Henle

(With Marked and Unmarked Cello Parts Cello and Piano). By Claude Debussy (1862-1918). Edited by Ernst-Günter Heinemann. Henle Music Folios. Softcover. 40 pages

(Violoncello and Piano With Marked and Unmarked Cello Part Score and Parts). By Camille Saint-Saens (1835-1921). Edited by Frank Buchstein. For cello and piano. Henle Music Folios. Softcover

(With Marked and Unmarked String Parts). By Edouard Lalo (1823-1892). Edited by Peter Jost. For cello and piano reduction. This edition: Urtext edition. Henle Music Folios. Solo part and piano score, softcover. 80 pages

Cello, Piano SKU: HU.HN711 Composed by Camille Saint-Saens. Edited by Peter Jost. Strings, Repertoire, Solos. Cello Concerto No. 1 in A minor Op. 33. Softcover Book. 58 pages. G. Henle #HN711. Published by G. Henle (HU.HN711). 12.2 x 9.2 x 0.2 inches. This urtext edition has been marked up by David Geringas and supplied with a detailed preface by the editor, Peter Jost. Johannes Umbreit has revised the composer's highly playable piano reduction to suit the needs of today's performers.

Cello and piano (Cello Part And Piano Score) - intermediate

SKU: HL.49019221

Composed by George Goltermann. Edited by Fritz Zumkley. This edition: Saddle stitching. Sheet music. String Solo. Softcover. Op. 92/2. 12 pages. Schott Music #CB246. Published by Schott Music (HL.49019221).

ISBN 9790001180672. UPC: 841886018136. 9.0x12.0x0.092 inches.

Georg Goltermann (1824-1898) left a plethora of works for his instrument, including seven cello concertos which still play an important role in the cello literature of today. In addition, he composed a large number of character pieces, including romances, reveries, nocturnes and serenades. Rooted entirely in the romantic spirit of their time with regard to style, they are relatively short pieces of medium difficulty. It is not least due to its melodic and harmonic catchiness that the rather easy Reverie in G minor Op. 92/2 enjoys great popularity both in lessons and in concerts. The expression marking 'Allegro appassionato' refers to the fundamental character of the piece which demands, in particular, an expressive vibrato rich in modulation.

Cello and Piano

SKU: BT.EMBZ14768

Composed by Franz Liszt. Book Only. Composed 2011. 76 pages. Editio Musica Budapest #EMBZ14768. Published by Editio Musica Budapest (BT.EMBZ14768).

Not many people know that Franz Liszt arranged some of his piano pieces for the cello, with piano accompaniment, and that these versions of the works appeared in print during the maestro's lifetime. Árpád Pejtsik selected two of these for this volume compiled to mark Liszt's jubilee: Elegies I and II. The other compositions by Liszt that appear in the collection were likewise originally works for piano: the Ave Maria and Cantique d'amour (pieces from the Harmonies poétiques et religieuses cycle) were transcribed by a pupil of Liszt, Robert Pflughaupt the cello version, transposed into G major, of the E Major Consolation is by Jules de Swert, solo cellist in the Weimar orchestraof those days that of the Angelus (the opening piece in Volume 3 of the cycle entitled Years of Pilgrimage ) is by Lothar Windsperger, a German composer who lived at the turn of the 19th-20th century. The Valse oubliée No. 1 was transcribed by Liszt s virtuoso piano pupil Ferruccio Busoni Notturno, which became famous as the third piece in the Liebesträume series, is a transposed version of the original song ( O lieb, so lang du lieben kannst ) made by the editor of this volume.

Not many people know that Ferenc Liszt arranged some of his piano pieces for the cello, with piano accompaniment, and this version of the works appeared in print during the maestro's lifetime. Árpád Pejtsik selected two of these forthis volume compiled to mark Liszt's jubilee: Elegy I and Elegy II. The other compositions by Liszt that appear in the collection were likewise originally works for piano: the Ave Maria and Cantique d'amour(pieces from the Harmonies poétiques et religieuses cycle) were transcribed by a pupil of Liszt, Robert Pflughaupt; the cello version, transposed into G major, of the E major Consolation is by Jules de Swert, solo cellistin the Weimar orchestra of those days; that of the Angelus (the opening piece in Volume 3 of the cycle entitled Years of Pilgrimage) is by Lothar Windsperger, a German composer who lived at the turn of the 19th-20thcentury.

Nur Wenigen ist bekannt, dass Liszt einige seiner Klavierstücke auch für Violoncello mit Klavierbegleitung bearbeitet hatte, und dass diese Version der Werke noch zu Lebzeiten des Komponisten in Druck erschien. In diesem Band nahm Árpád Pejtsik zwei dieser Stücke, die I. und II. Elegie auf. Die anderen Liszt-Kompositionen in der Sammlung sind auch ursprünglich Klavierwerke: der Bearbeiter ist beim Ave Maria und Cantique d'amour (Stücke aus dem Zyklus Harmonies poétiques et religieuses) der Liszt-Schüler Robert Pflughaupt. Von Jules de Swert, der damals Solocellist des Weimarer Orchesters war, wurde die in G-Dur transponierte Violoncelloversion der E-Dur Consolation, und vonLothar Windsperger, dem an der Wende zum 20. Jahrhundert lebenden deutschen Komponisten, das Angelus (das Eröffnungsstück des III. Bandes des Zyklus Pilgerjahre) bearbeitet.

Cello and Piano

SKU: BT.EMBZ2525

Composed by Gabor Lisznyay. Educational Tool. Book Only. Composed 1958. 8 pages. Editio Musica Budapest #EMBZ2525. Published by Editio Musica Budapest (BT.EMBZ2525).

English-Hungarian.

ABRSM Cello Syllabus title - Grade 7.Gábor Lisznyay Szabó (1913-1981) was a pupil of Ernst von Dohnányi at the Music Academy in Budapest and he later worked for decades as an organist. The years he spent studying in Belgium left a significant mark on his composition style. His work entitled Autumn also captures the French essence: the cello's flowing melody is reminiscent of the noblest chansons and filled with emotion, and as such it is akin to the Adagio that Zoltán Kodály wrote for cello during his younger years as a composer.