(Cello and Piano). By John Harbison (1938-). String. 20 pages. Associated Music Publishers, Inc #AMP 8257. Published by Associated Music Publishers, Inc

For Cello and Piano. Composed by Carl Vine (1954-). Duet or Duo; Piano Supplemental; String - Cello Solo and Piano. Faber Edition. Form: Sonata. 20th Century. Part(s); Score. Faber Music #12-0571540635. Published by Faber Music

Cello and Piano. Composed by Evgeny Kissin. Edited by Steven Isserlis. Sheet Music. Paperbound. Henle Music Folios. With marked and unmarked string parts. Classical. Score and Parts. 20 pages. G. Henle #HN1050. Published by G. Henle

Cello and Piano

SKU: SU.50000920

For Cello and Piano. Composed by Seymour Barab. Strings, Cello. Score and Parts. Seesaw Music Corp #50000920. Published by Seesaw Music Corp (SU.50000920).

Published by: Seesaw Music.

Composed by Ludwig van Beethoven (1770-1827). Henle Music Folios. Classical. Softcover. 62 pages. G. Henle #HN1472. Published by G. Henle

Cello and Piano. By Benjamin Lees. (Cello). Boosey and Hawkes Chamber Music. Size 9x12 inches. 16 pages. Published by Boosey and Hawkes.

(Cello and Piano). Composed by Edward Gregson. For Cello, Piano Accompaniment. Music Sales America. 52 pages. Novello and Co Ltd. #NOV958089. Published by Novello and Co Ltd.

Sonata brevis, Op. 11a. (Cello and Piano). By Bertold Hummel (1925-2002). For Cello, Piano. Boosey and Hawkes Chamber Music. Softcover. 28 pages. Simrock #M221120786. Published by Simrock

Hommage to Beethoven - Piano Sonata no 23, op, 57 Cello and Piano. Composed by Karl Jenkins. Boosey and Hawkes Chamber Music. Classical. Softcover. 18 pages. Boosey and Hawkes #M060135026. Published by Boosey and Hawkes

Composed by Ralph Vaughan Williams (1872-1958). Edited by Julian Lloyd Webber. For solo cello and orchestra. Level A-B (very easy to easy). Cello part and piano reduction. 36 pages. Duration 15 minutes. Published by Oxford University Press

By Martin Bresnick (1946-). For cello, piano. 24 pages. Duration 14 minutes, 30 seconds. Published by Carl Fischer

(Violoncello and Piano). Composed by Justin Dello Joio. For Cello, Piano Accompaniment (Score and Parts). E.B. Marks. Softcover. Published by Edward B. Marks Music

(Piano and Violoncello). By Carl Reinecke (1824-1910). For Cello, Piano Accompaniment (Score and Parts). String. Softcover. 52 pages. Sikorski #SIK1667. Published by Sikorski . Softcover.

Score and Parts. By Karel Husa. (Cello). String. 44 pages. Published by G. Schirmer (Associated Music Publishers).

By Tobias Picker. Edited by Lynn Harrell and Simon Mulligan. Misc. Softcover. 58 pages

Piano; Violin; Cello

SKU: AP.12-0571540805

Composed by Tom Coult. Piano Trio; Trio. Score. Faber Music #12-0571540805. Published by Faber Music (AP.12-0571540805).

ISBN 9780571540808. English.

Accelerati on, deceleration, and the inconsistent nature of time are at the heart of Piano Trio The Chronophage by Tom Coult. Throughout the 17-minute work, cello and piano lines constantly speed up or slow down relative to one another, while the violin has only one role---to accelerate throughout. The listener feels clunky gear changes, as previously reliable demarcations of time seem unsteady, even unsafe. The trio's subtitle comes from The Corpus Clock in Cambridge, a clock that plays with exactly this perception. Completely accurate every five minutes, the clock lurches unevenly from second to second, the grinding mechanism driven by the terrifying metal insect escapement known as the Chronophage (from the Greek meaning of time-eater).

Chamber Music Cello, Piano

SKU: PR.114422760

Composed by Ricky Ian Gordon. Set of Score and Parts. 8+4 pages. Duration 5 minutes. Theodore Presser Company #114-42276. Published by Theodore Presser Company (PR.114422760).

ISBN 9781491135785. UPC: 680160687855.

A heartfelt memorial to the composer’s sister, SAMBA FOR SUSAN bears a tempo marking of “Sensual,” and this 5-minute elegy is set as a slow bossa nova, full of the jazz flavor and syncopations of samba tradition. In the hands of this celebrated opera and theater composer, Gordon’s samba is a drama cast in a dance feel. Themes alternate, always returning transformed into fresh textures at each recurrence, creating a work that is catchy on first hearing, and reveals its depth upon repeated hearings.

Cello; Piano Accompaniment (Cello Part And Piano Score)

SKU: HL.48024838

Cello and Piano Reduction. Composed by Magnus Lindberg. Boosey & Hawkes Chamber Music. Classical. Softcover. 100 pages. Duration 1500 seconds. Bote & Bock #M060123436. Published by Bote & Bock (HL.48024838).

ISBN 9780851627946. UPC: 840126908787. 9.0x12.0x0.256 inches.

Commissione d by the Orchestre de Paris, and first performed by them in 1999 with soloist Anssi Karttunen, conducted by Esa-Pekka Salonen. The work is cast in a 25-minute span punctuated by an improvised cadenza. Performers not wishing to improvise may substitute Boria from Lindbergs solo cello suite Partia, which is included in the publication. Diapason commented, The writing is homogeneous, virtuosic, energetic, with the cello up near the bridge almost without interruption in a highly taut style which travels at a quickstep through all the possibilities of the instrument. Those possibilities include scordatura (for both soloist and orchestral cellos) and the so-called 'seagull' glissando.

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Cello & Piano

SKU: AP.12-0571572146

Cello & Piano. Composed by Carl Vine. Masterworks; Solo; Solo Small Ensembles; String - Cello and Piano. Faber Edition. Form: Concerto. 20th Century; Masterwork. Score and Part(s). Faber Music #12-0571572146. Published by Faber Music (AP.12-0571572146).

ISBN 9780571572144. English.

Composed for Steven Isserlis in 2004, Carl Vine's Concerto for Cello is an exhilarating 20-minute work that traverses a vast emotional palette. The concerto begins arrestingly, with soloist pitted against orchestra, though as it develops the two factions move towards union. A slow chorale led by the cellist frames the central section, whilst relentless motor rhythms drive the work to its close.

Chamber Music Cello, Piano

SKU: PR.114415120

For Cello and Piano. Composed by Ralph Shapey. Contemporary. Set of Score and Parts. With Standard notation. 4+1 pages. Duration 1 minute, 40 seconds. Theodore Presser Company #114-41512. Published by Theodore Presser Company (PR.114415120).

UPC: 680160600397. 8.5 x 11 inches.

We are pleased to make available For Lucy, a deceptively simple cello solo paired with a somewhat demanding piano accompaniment. For intermediate to advanced performers.

Pour Violoncelle Et Orchestre (for cello and orchestra). Composed by Guillaume Connesson. This edition: reduction for cello and piano. Premiered at the Maison de Radio France-Paris (France), during Les Paris de la Musique festival, by Jerome Pernoo (cello) and the Orchestre de l'Opera de Rouen, dir. Jeremie Rhorer. Solo part with piano reduction. 60 + 16 pages. Duration 27 minutes. Gerard Billaudot Editeur #GB8943. Published by Gerard Billaudot Editeur (PR.514054090).

(Pour Violoncelle Et Piano). Composed by Marc-Didier Thirault. For Cello, Piano. Score and parts. Standard notation. Duration 2 minutes. Gerard Billaudot Editeur #514-00613. Published by Gerard Billaudot Editeur

Cello

SKU: RM.SL10377

Composed by Jean Michel Defaye. Cello and piano. Instrumental music. Duration 16 minutes. Editions Robert Martin #SL10377. Published by Editions Robert Martin (RM.SL10377).

ISBN 9790231093773.

Sonatine for Cello and Piano. Composed by Lars-Erik Larsson. Op. 60. Duration 10 minutes. Published by Gehrmans Musikforlag (GH.CG-5787).

Cello and piano

SKU: BO.B.3652

Composed by Jordi Cervello. Published by Editorial de Musica Boileau (BO.B.3652).

Sonata for cello and piano was written between September and October of 2010. It is made up of three movements, each of which has unique characteristics. The first, Allegro appassionato, is monothematic, although the theme itself is presented in several ways. Following a vigorous start featuring cello cadenza, the movement is developed with a lively feel, alternating lyrical fragments with other energetic ones. Its conclusion is resounding.
Meanwhile, the second movement, Quasi un lamento, is introspective and fragile. A long melody is sustained by a delicate and transparent piano accompaniment, evoking once again the theme of the first movement and concluding with a Lento of descending piano harmonies while the cello follows, in octaves, with heartfelt glissando.

The third movement, Scherzando-Allegro, is a light-hearted game between the piano and the cello. The main theme is repeated once again, this time with a binary time signature. The cello uses ricochet (the rebounding of notes in a bow stroke), as well as natural and artificial harmonies in quick time. The piano part unfolds completely naturally, excluding any gratuitous artifice.

The piece lasts approximately 20 minutes.

Choral Cello, Piano, alto 1, alto 2, soprano 1, soprano 2

SKU: CF.CM9625

Composed by Jimmy Baas. Sws. Performance Score. 16 pages. Duration 3 minutes, 49 seconds. Carl Fischer Music #CM9625. Published by Carl Fischer Music (CF.CM9625).

ISBN 9781491156988. UPC: 680160915545. 6.875 x 10.5 inches. Key: Bb major. English, English. William Butler Yeats.

The Everlasting Voices is the perfect blend of textural variety and harmonic interest for the advanced treble ensemble. Employing a powerful text, Baas' vocal layering coupled with piano and optional cello make this compelling piece a programming must!.
O sweet everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will, Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore? O sweet everlasting Voices, be still. This SSAA choral work by Jimmy Baas was comissioned by the Lumberton HS Varsity Treble Choir. The opening and closing lines of the poem, O sweet everlasting voices, be still provide the perfect bookends for two larger sections of the poem. These two sections are equally divided into verses. The opening line is used once again as a transition between the verses. The previously mentioned lines, O sweet everlasting voices, are overlapped as different layers of voices enter and sustain. A fifth and sixth voice, the cello and piano accompaniment take part in these layers as well. The words be still are very much a part of the mood each time as the everlasting voices become quiet and still. The two verses feature different voices within the SSAA choir. Verse 1, the sopranos, and verse 2 the altos. There are many moments in this piece to explore the full range and color of the SSAA choir. The piano and cello play an important part throughout, making this piece an excellent choice for any festival women's chorus.
O sweet everlasting Voices, be still;Go to the guards of the heavenly foldAnd bid them wander obeying your will,Flame under flame, till Time be no more;Have you not heard that our hearts are old,That you call in birds, in wind on the hill,In shaken boughs, in tide on the shore?O sweet everlasting Voices, be still.This SSAA choral work by Jimmy Baas wascomissioned by the Lumberton HS Varsity Treble Choir.The opening and closing lines of the poem, “O sweeteverlasting voices, be still” provide the perfect bookendsfor two larger sections of the poem. These two sectionsare equally divided into verses. The opening line is usedonce again as a transition between the verses.The previously mentioned lines, “O sweet everlastingvoices,” are overlapped as different layers of voices enterand sustain. A fifth and sixth voice, the cello and pianoaccompaniment take part in these layers as well.The words “be still” are very much a part of the moodeach time as the everlasting voices become quietand still.The two verses feature different voices within the SSAAchoir. Verse 1, the sopranos, and verse 2 the altos. Thereare many moments in this piece to explore the full range andcolor of the SSAA choir. The piano and cello play an importantpart throughout, making this piece an excellent choice for anyfestival women’s chorus.