(Cello and Piano). Composed by Edward Gregson. For Cello, Piano Accompaniment. M...(+)
(Cello and Piano).
Composed by Edward
Gregson. For Cello, Piano
Accompaniment. Music
Sales America. 52 pages.
Novello and Co Ltd.
#NOV958089. Published by
Novello and Co Ltd.
Violoncelle, Piano - Avancé IMC (International Music Co.)
Composed by Dmitri Kabalevsky (1904-1987). Instrumental solo book for cello and ...(+)
Composed by Dmitri
Kabalevsky (1904-1987).
Instrumental solo book
for cello and piano
accompaniment. With
introductory text. G
Minor. Composed 1948. 39
pages. Published by
International Music Co.
By Antonin Dvorak (1841-1904). Edited by Jonathan Del Mar. For cello and orchest...(+)
By Antonin Dvorak
(1841-1904). Edited by
Jonathan Del Mar. For
cello and orchestra. This
edition: Urtext. Solo
part and piano reduction.
Opus 104. Published by
Baerenreiter Verlag
Violoncello, piano SKU: FG.55011-903-1 Composed by Victoria Yagling. Arra...(+)
Violoncello, piano
SKU:
FG.55011-903-1
Composed by Victoria
Yagling. Arranged by
Yuriy Leonovich.
Classical, contemporary.
Score and part. Fennica
Gehrman #55011-903-1.
Published by Fennica
Gehrman (FG.55011-903-1).
ISBN
9790550119031.
Vict
oria Yagling's Suite for
Cello and String
Orchestra (1967) is one
of her first successes as
a composer. The movement
layout of the Suite is
fast-slow-fast-slow. The
first movement, Toccata,
is a perpetual motion
with a brisk tempo of 100
per dotted half. The Aria
is reminiscent of
Rachmaninov's Vocalise
melody and Prokofiev's
tonal language. This
movement is the
centerpiece of the Suite.
The Humoresque is closely
connected in style and
motives to the March and
Aria movements from Boris
Tchaikovsky's Suite for
Cello Solo. Mostly
homophonic Finale plays
with bitonality and
contains several
circle-of-fifth
sequences.
This
product is is the
reduction for violoncello
and piano by prof. Yuriy
Leonovich. Orchestral
material available on
hire from the publisher.
Stydy score with solo
part is available for
sale (ISMN
9790550116436).
Vi
ctoria Yagling
(1946?2011) was born in
Russia and lived in
Finland since 1990. Her
long career as a cellist
served as an excellent
accompaniment to the
composition she began at
an early age. For 11
years she was a cello
student of Mstislav
Rostropovich at the
Moscow Conservatory and
Dmitry Kabalevsky and
Tikhon Khrennikov taught
her
composition.
Yagli
ng won the first prize in
the Gaspar Cassadò
Cello Competition and the
following year the second
prize in the Moscow
Tchaikovsky Competition.
Her solo engagements took
her to countless
countries. She has also
taught at several
international music
courses and master
classes and was often a
jury member for
international cello
competitions.
Yagl
ing left a profilic
oeuvre, and the three
cello concertos are her
main works. Her other
orchestral works include
Finnish Notebook, Lyrical
Preludes and the Suite
for Cello and String
Orchestra. She has also
composed solo works (e.g.
the Suite for Cello Solo
No. 1 chosen as an
obligatory piece for the
7th Tchaikovsky
Competition in Moscow in
1982), chamber works,
including two string
quartets, and vocal
music. Her expressive,
romantically orientated
style is Russian in
spirit and has grown out
of the soil provided by
Prokofiev and
Shostakovich.
Sinfonische Werke (SYMPHONIC WO) SKU: HL.50487934 Five pieces for orch...(+)
Sinfonische Werke
(SYMPHONIC WO)
SKU:
HL.50487934
Five
pieces for orchestra.
Composed by Ernst Von
Dohnanyi. 20th Century.
EMB. Book Only. Op. 32/b.
Editio Musica Budapest
#Z2794. Published by
Editio Musica Budapest
(HL.50487934).
ISBN
9790080027943. A/4
inches.
Ruralia
Hungarica was originally
a five movements cycle of
piano pieces (Op. 32/a)
composed in 1923 on
Hungarian folk songs,
dedicated to Dohnanyi-s
mother. In 1924, five
movements of the piano
cycle was orchestrated
(Op. 32/b), the
orchestral version was
premiered under the baton
of the composer on 14
September 1924, in Pecs
(South Hungary). Ruralia
Hungarica was one of
Dohnanyi-s favorite
works. He often performed
both the version for
piano and the one for
orchestra, and he
composed other versions,
too: three movements for
violin and piano (Op.
32/c) and one movement
for violoncello and piano
(Op. 32/d).
From Jewish Life Violoncelle, Piano Guitare classique Carl Fischer
Chamber Music Cello, Piano SKU: CF.BF141 Composed by Ernest Bloch. Edited...(+)
Chamber Music Cello,
Piano
SKU:
CF.BF141
Composed by
Ernest Bloch. Edited by
Julian Schwarz. 12+8
pages. Carl Fischer Music
#BF141. Published by Carl
Fischer Music (CF.BF141).
ISBN 9781491159989.
UPC:
680160918584.
The
three pieces From Jewish
Life were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.
The
first movement, Prayer,
is a deeply heartfelt
plea to the almighty. As
Neil W Levin writes, The
initial four-note motive
in the minor mode,
together with its
elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt
pathos.
The second
movement, Supplication
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish
experience.
The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917.
Though
the popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance. The first
movement, Prayer, is a
deeply heartfelt plea to
the almighty. As Neil W
Levin writes, The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos. The
second movement,
Supplication (the act of
begging humbly), has more
angst, almost a sense of
urgency as a result of
the rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience. The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917. Though the
popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.The first
movement,
“Prayerâ€, is
a deeply heartfelt plea
to the almighty. As Neil
W Levin writes,
“The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max
Janowski’s
(1912–1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu.†This
prayer has special
meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both
“Prayer†and
Janowski’s Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos.The
second movement,
“Supplicationâ€
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, “Jewish
Songâ€, evokes a
quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience.The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of
Bloch’s most
celebrated work, Schelomo
in 1917.Though the
popularity of
Bloch’s oeuvre has
been dominated by works
of Jewish connection, we
should not forget that
Bloch had many other
stylistic periods,
including Franco-Belgian,
modal, serial, and even
American folk. In 1927,
he was awarded Musical
America’s
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music.
Pampas Violoncelle, Piano Lauren Keiser Music Publishing
Cello and Piano. Composed by Lalo Schifrin. LKM Music. Classical. 24 pages. Laur...(+)
Cello and Piano. Composed
by Lalo Schifrin. LKM
Music. Classical. 24
pages. Lauren Keiser
Music Publishing
#X531023. Published by
Lauren Keiser Music
Publishing
Composed by Jean-Baptiste Breval. Edited by Christoph Sassmannshaus. Stapled...(+)
Composed by Jean-Baptiste
Breval. Edited by
Christoph
Sassmannshaus. Stapled.
Barenreiter's
Concert
Pieces. Piano reduction,
part(s). 7/12 pages.
Duration 8:00.
Baerenreiter
Verlag #BA 10698.
Published
by Baerenreiter Verlag