Cello; Piano Accompaniment (Cello Part And Piano Score)

SKU: HL.48024888

Cello and Piano. Composed by Bertold Hummel. Boosey & Hawkes Chamber Music. Classical. Softcover. 20 pages. Duration 360 seconds. Simrock #M221122575. Published by Simrock (HL.48024888).

UPC: 840126919769.

As a lesson and lecture piece, Bertold Hummel's Sonatine op. 35, created in 1969, accompanied many young musicians on their way. Sold a thousand times all over the world, it is one of the composer's best-known works and has been included in the repertoire list for the 'Jugend musiziert' competition by the German Music Council. Warmth and sparkling rhythm characterize the three movements: inthe powerful maestoso, the sonority of the main theme is contrasted with a lyrical side theme; the recapitulation ends with an impulsive fugato. The second movement Elegie consists of a single soulful melody about spherical harmonies of the piano. As the highlight in the Finale vivace, playful lightness, marching rhythms and dramatic increases replace each other in quick succession; wild arpeggios lead to the end. Originally composed for violin, versions for viola and cello were already familiar. For the 50th birthday, Simrock / Boosey & Hawkespresents the work in a revised, revised edition. A repertoire enrichment for beginning instrumentalists are the first available versions for alto and tenor saxophone, which the composer made himself in the 1990s.

Arranged for Violoncello and Piano. Composed by Antonin Dvorak (1841-1904). Arranged by Jiri Gemrot. Stapled. Performance score and part. 60/16 pages. Published by Baerenreiter Verlag

Sonata brevis, Op. 11a. (Cello and Piano). By Bertold Hummel (1925-2002). For Cello, Piano. Boosey and Hawkes Chamber Music. Softcover. 28 pages. Simrock #M221120786. Published by Simrock

Cello; Piano Accompaniment (Cello Part And Piano Score)

SKU: HL.48020576

Volume 1 Cello and Piano. Composed by Johannes Brahms. Edited by Alfred Piatti. Boosey & Hawkes Miscellaneous. Classical. 32 pages. Simrock #M221104687. Published by Simrock (HL.48020576).

9.0x12.0x0.11 inches.

Includes: No. 1 G Minor No. 2 D Minor No. 3 F Major No. 4 D Minor (orig. F Minor) No. 5 F Minor (orig. F sharp Minor).

Cello; Piano (Cello)

SKU: HL.48018221

Cello and Piano. Composed by Henry Eccles. Edited by Alfred Moffat. Boosey & Hawkes Chamber Music. Classical, Contemporary. 14 pages. Simrock #M221105349. Published by Simrock (HL.48018221).

UPC: 073999246155. 9.25x12.0x0.063 inches.

Cello and Piano

SKU: BT.SCHEE582-03

From Gipsy Melodies. Composed by H. Grünfeld. Book Only. 4 pages. Simrock #SCHEE582-03. Published by Simrock (BT.SCHEE582-03).

Cello, Piano. Dvorak, A.

Cello; Piano Accompaniment

SKU: HL.48018843

Composed by Eugene Ysaye. Boosey & Hawkes Chamber Music. Classical. 12 pages. Simrock #M221120885. Published by Simrock (HL.48018843).

UPC: 073999730999. 9.0x12.0x0.046 inches.

Cello; Piano (Cello)

SKU: HL.48018620

Cello and Piano. Composed by Max Bruch. Boosey & Hawkes Chamber Music. Classical, Contemporary. 22 pages. Simrock #M221115805. Published by Simrock (HL.48018620).

UPC: 073999898491. 9.0x12.0x0.082 inches.

Cello and Piano

SKU: BT.SCHEE725

Composed by Johannes Brahms. Book Only. Simrock #SCHEE725. Published by Simrock (BT.SCHEE725).

Cello and Piano

SKU: BT.SCHEE5239

Composed by David Geringas. Exam Material. Book Only. 20 pages. Simrock #SCHEE5239. Published by Simrock (BT.SCHEE5239).

Cello and Piano. By Bertold Hummel. Boosey and Hawkes. 36 pages. Published by Simrock.

Cello and Piano. By Sergei Bortkiewicz. (Cello). Boosey and Hawkes Chamber Music. Size 9x12 inches. Published by Simrock.

Chamber Music Cello, Piano

SKU: CF.BF141

Composed by Ernest Bloch. Edited by Julian Schwarz. 12+8 pages. Carl Fischer Music #BF141. Published by Carl Fischer Music (CF.BF141).

ISBN 9781491159989. UPC: 680160918584.

The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.

The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.

The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.

The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917.

Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.
The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance. The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos. The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience. The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917. Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.
The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.The first movement, “Prayer”, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, “The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski’s (1912–1991) now well-known setting of the High Holyday prayer Avinu Malkenu.” This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both “Prayer” and Janowski’s Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.The second movement, “Supplication� � (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, “Jewish Song”, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch’s most celebrated work, Schelomo in 1917.Though the popularity of Bloch’s oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America’s composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.

Cello and Piano - Grade 4

SKU: BT.EMBZ14895

Composed by Zoltan Kodaly. Educational Tool. Book and Part(s). Composed 2014. 12 pages. Editio Musica Budapest #EMBZ14895. Published by Editio Musica Budapest (BT.EMBZ14895).

Zoltán Kodály (1882-1967) composed Adagio for violin and piano in 1905 and dedicated it to the outstanding violinist Imre Waldbauer. In 1910 Kodály made versions of the work for both viola and cello, while Norbert Duka transcribed it for double bass. In 2014 we published all four versions of Adagio in a new edition.Adagio for violin and piano: Z. 14911 Adagio for viola and piano: Z. 14894 Adagio for violoncello and piano: Z. 14895 Adagio for double bass and piano: Z. 14896 (The former catalogue number was Z. 768.)

Zoltán Kodály (1882-1967) komponierte sein Adagio für Violine und Klavier im Jahre 1905 und widmete es dem hervorragenden Geigenvirtuosen Imre Waldbauer. 1910 schuf Kodály Fassungen für Viola sowie Violoncello: für Kontrabass wurde das Werk von Norbert Duka bearbeitet. 2014 wurden alle vier Fassungen des Adagios in einer neuen Edition in Einzelausgaben veröffentlicht.

Composed by David Conte (1955-). For cello and piano. 21st Century. Moderately Difficult. Score and part. Published by E.C. Schirmer Publishing

Chamber Music & Piano Accompaniment 1 Cello 1 Piano - Grade 2

SKU: FL.FX074241

Composed by Jerome Naulais. Original Composition. Classical, Educational. Score and Set of Parts. FLEX Editions #FX074241. Published by FLEX Editions (FL.FX074241).

An entertaining little piece depicting Mr. Loyal who is the master of the circus track and the conductor of all acts, including clowns entrance. From 3 years of instruments practice. - Jerome NAULAIS ; Instruments: 1 Cello 1 Piano; Difficuly Level: Grade 2; Duration: 1 mn 30 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Jerome NAULAIS.

Cello and Piano. By Edward Huws Jones. (Cello). Boosey and Hawkes Chamber Music. Size 9x12 inches. 40 pages. Published by Boosey and Hawkes.

Cello and Piano

SKU: HL.50510805

Cello and Piano. Composed by Bé, k, and la Bartó. Arranged by Lá, Mezö, and szló. 20th Century. EMB. Book [Softcover]. 4 pages. Editio Musica Budapest #Z8319. Published by Editio Musica Budapest (HL.50510805).

ISBN 9790080083192. UPC: 073999538205. 9.0x12.0x0.048 inches. Hungarian, English, German. Imre Mezo; Laszlo Mezo.

50 Popular Classics in Easy Arrangements. Composed by Various. Arranged by Barrie Carson Turner. String. Softcover Audio Online. 56 pages. Schott Music #ED13862. Published by Schott Music (HL.49045387).

Cello and Piano

SKU: HL.50510626

Composed by Imre Mezo. EMB. Contemporary Hungarian Works. Book [Softcover]. Editio Musica Budapest #Z7518. Published by Editio Musica Budapest (HL.50510626).

ISBN 9790080075180. UPC: 073999274981. Bach (23 x 30,2 cm) inches.

Composed by Edward Elgar (1857-1934). For cello and piano. Grade 2. Score and solo part. Published by Editions Marc Reift

Cello and Piano. Composed by Various. Classical. Softcover. 136 pages. Published by Hal Leonard

Violoncello & Piano

SKU: SU.50021560

For Violoncello & Piano. Composed by Mrs. Calliope Michaelides. Strings, Cello. Accompanied by piano. Score & Parts. Seesaw Music Corp #50021560. Published by Seesaw Music Corp (SU.50021560).

Published by: Seesaw Music.

Violoncello & Piano or CD Play Back / Play Along - Grade 6

SKU: MA.EMR-56856

Le Roi de l'Enfer / Der Konig der Holle. Composed by Bertrand Moren. Score and parts. Duration 6'24. Editions Marc Reift #EMR 56856. Published by Editions Marc Reift (MA.EMR-56856).

Possible instrumentations:

Violoncello & CD Play Back / Play Along
Violoncello & Piano (+ CD Play Back / Play Along optional).

Violoncello & Piano (Organ) + CD Play Back / Play Along - Grade 3, Grade 4

SKU: MA.EMR-33836

Romance / Ragtime Dance / Marche Militaire / Pavane / The Trout / Winter / Apres un reve / Badinerie / Anitra's Dance / Drunken Sailor Fantasy. Composed by John G. Mortimer. Violoncello & CD Playback (Play Along). 10 Titles. Score and parts. Duration 19'58. Editions Marc Reift #EMR 33836. Published by Editions Marc Reift (MA.EMR-33836).

Possible instrumentations:

Violoncello & CD Play Back / Play Along
Violoncello & Organ (+ Play Back / Play Along CD optional)
Violoncello & Piano (+ Play Back / Play Along CD optional).

Violoncello & Piano (Organ) + CD Play Back / Play Along - Grade 4

SKU: MA.EMR-33837

Albanian Wedding Song / Allegro con grazia / Impromptu / Cuius animam / The Speakeasy / Samba Tramba / Caprice Nr 24. Composed by John G. Mortimer. Violoncello & CD Playback (Play Along). 7 Titles. Score and parts. Duration 17'17. Editions Marc Reift #EMR 33837. Published by Editions Marc Reift (MA.EMR-33837).

Possible instrumentations:

Violoncello & CD Play Back / Play Along
Violoncello & Organ (+ Play Back / Play Along CD optional)
Violoncello & Piano (+ Play Back / Play Along CD optional).

Violoncello & Piano (Organ) + CD Play Back / Play Along - Grade 2, Grade 3

SKU: MA.EMR-33833

Auld Lang Syne / The First Nowell / Ode To Joy / Go Down Moses / My Bonny / Walking The Dog / Washing The Car / Rainy Sunday Afternoon / Poltergeist / March Of The Elefants / On The Trail / Jig / Hornpipe / Saraband / Offbeat / Kangaroo Blues etc.... Composed by John G. Mortimer. Violoncello & CD Playback (Play Along). 17 Titles. Score and parts. Duration 17'20. Editions Marc Reift #EMR 33833. Published by Editions Marc Reift (MA.EMR-33833).

Possible instrumentations:

Violoncello & CD Play Back / Play Along
Violoncello & Organ (+ Play Back / Play Along CD optional)
Violoncello & Piano (+ Play Back / Play Along CD optional).