By Camille Saint-SaÌÇns. For Cello and Piano. Masterworks; Part(s); Score; Sol...(+)
By Camille
Saint-SaÌÇns. For Cello
and Piano. Masterworks;
Part(s); Score; Solo;
String - Cello and Piano.
Faber Edition.
Masterwork; Romantic.
Published by Faber Music
Fingerprints for Cello and Piano. (Grade 1-4). For Cello and Piano. Book; Method...(+)
Fingerprints for Cello
and Piano. (Grade 1-4).
For Cello and Piano.
Book; Method/Instruction;
String - Cello Studies or
Collection. Faber
Edition. Published by
Faber Music
Virtuoso and Entertaining Pieces for Cello and Piano. Composed by Various. Edi...(+)
Virtuoso and Entertaining
Pieces for Cello and
Piano.
Composed by Various.
Edited
by Beverley Ellis and
Rainer
Mohrs. String. Softcover.
Schott Music #ED23310.
Published by Schott Music
Plus Ultra Violoncelle, Piano Editorial de Musica Boileau
Cello and piano SKU: BO.B.3724 Composed by J. Cassado/M. Mestre. Publishe...(+)
Cello and piano
SKU:
BO.B.3724
Composed by
J. Cassado/M. Mestre.
Published by Editorial de
Musica Boileau
(BO.B.3724).
Cassado could
be considered are the
first great Catalan
symphonist of the 19th
Century and one of the
first pre-coursers of
Nationalism in our
country. His is a
Nationalism that is
solidly based on central
European traditions,
mainly Germanic in
its.
Plus Ultra
is a special case in
which the desire to
exhibit his deepest
Nationalist sentiments
took a second place to a
more global style into
which he incorporated
harmonies and melodic
turns that recall
Rachmaninoff more than
Albeniz. Plus Ultra can
be considered as a
musical thought which, in
spite of references or
paraphrases of some
typical aspects of
Spanish music of the era,
is an authentic lied in
which the cello sings
out, using maximum of its
expressive possibilities,
with a piano
accompaniment of the
first order.
In
this work Cassado makes
more extensive use of
pianissimo, which is more
typical of the French
school, than in any other
of his works. Through the
use of gestures which are
almost Impressionist, as
well as refined and
tasteful harmonies, the
composer divides the
musical discourse between
the two instruments
creating a fantastic work
which his son Gaspar
performed in
concerts.
Cello and Piano SKU: HL.14006097 Composed by Per Norgard. Music Sales Ame...(+)
Cello and Piano
SKU:
HL.14006097
Composed
by Per Norgard. Music
Sales America. Classical.
Book and Part(s). Music
Sales #KP00873. Published
by Music Sales
(HL.14006097).
ISBN
9788759872222.
Danish.
Programme
Note CANTICA for cello
and piano (1977)When in
1975 I had finished
composing my Symphony no.
3 (begun in 1973), I
wrote three simple
melodies for two psalm
texts by Ole Sarvig: The
Year and Choral Hymn.
These three tunes were
derived from the same
material as the second
movement of the symphony
and could be harmonized
together in several
different tempo
relationships, like
proportional canons. For
this reason they inspired
me to write several
choral and instrumental
works in the following
decade: Frost Psalm,
Winter Cantata, the tuba
octet Now all the earth
is white with snow,
Canticles (and
others).Cantica, meaning
song or singing, was
composed (forthe Danish
musicians Hans Erik
Dechert og Kjeld Hansen)
as a instrumental little
brother the long,
polyphonic choral pieces.
As in these the canonical
melodies in Cantica drift
from foreground to
background, from cello to
piano. The melodies are
simple, diatonic and in
traditional rhythms and
the surface of the music
in a way traditional. The
intention of the composer
with this easily
understood expression is
to lead the listeners
ears to the many
internal, proportional
developments. The story
is in a way hidden
between the lines. In the
myriads of rhythmic and
tempo relations the
Golden Mean (near to
2:3:5:8: et cetera) plays
an important role, like
in nature. Among the
experiences giving by
this natural phenomenon
are - perhaps - the
musical points to be
found (?).Per
Norgard(1997).
Violoncello and Piano (Violin An Cello) SKU: HL.50511962 Per violoncel...(+)
Violoncello and Piano
(Violin An Cello)
SKU:
HL.50511962
Per
violoncello solo, con
violini e basso
continuo. Composed by
Nicola Porpora. Baroque.
EMB. Piano score. Editio
Musica Budapest #Z12802.
Published by Editio
Musica Budapest
(HL.50511962).
ISBN
9790080128022. A/4
inches. Nicola Porpora;
Gyorgy Orban; Arpad
Pejtsik.
The source
of the present edition is
preserved in the Archivio
di Stato, Bologna.
Editorial principles: In
the score, the number of
editorial interventions
has been kept to a
minimum. The original
dynamic and expression
markings are extremely
few and far between, but
precise. Only three
dynamic levels are
specified: forte, dolce (
= piano) and dolce assai
( = pianissimo). As
regards expression
markings we note the
complete absence of the
legato sign, though the
appoggiatura, staccato,
trill and two different
types of bow-vibrato
(both in association with
dolce or dolce assai) can
all be found. It is a
well known fact that 18th
century vibrato, obtained
not by a movement of the
left hand but rather by a
variation in the pressure
of the bow, was an
expressive effect to be
used with discretion and
not, as today, a constant
means of sound
production. Territorial
restrictions may apply.
Please ask before
ordering.
Cello and Piano. Composed by Ludwig van Beethoven (1770- 1827). Edited by Jen...(+)
Cello and Piano. Composed
by
Ludwig van Beethoven
(1770-
1827). Edited by Jens
Dufner.
Henle Music Folios.
Classical. Softcover. 62
pages. G. Henle #HN1471.
Published by G. Henle
Cello; Piano Accompaniment SKU: HL.50512037 Cello and Piano. Compo...(+)
Cello; Piano
Accompaniment
SKU:
HL.50512037
Cello
and Piano. Composed
by Franz Liszt. Edited by
Csiky Boldizsar. Arranged
by Csí, ky
Boldizsá, and r.
Romantic. EMB. Classical.
Softcover. 14 pages.
Editio Musica Budapest
#Z14779. Published by
Editio Musica Budapest
(HL.50512037).
ISBN
9790080147795. UPC:
884088668723.
9.0x12.0x0.079 inches.
Ferenc Liszt; Boldizsar
Csiky.
The arranger
of this work (a
well-known Hungarian
composer living in
Romania) writes: +This
piece has always excited
my imagination, from
several points of view.
First of all, its name.
The German title, the
obstinate one, may refer
to its ostinato
character. This is close
to Liszt's programme
concept, but the French
word 'obstine' is closer
in meaning to stubborn.
There is just a shade of
difference, but to me it
is important, because the
latter suggests the
description of a type of
behaviour, the emotional
state of a dancer's inner
frame of mind abstracted
into movements, expressed
in dance movements, and
this is a fascinating
interpretation. The
demonstration of stubborn
resistance and defiance
to the point of
exhaustion was not a
frequently occurring
phenomenon with Liszt.
Secondly, at the
beginning of the
seventies Zoltan Kocsis
played the piece in
Transylvania. At that
time, I asked the
composer, +Is the
character of the
continuous staccato in
the left hand sharp,
short, or an accompanying
background like a
constant shadow? Is it a
weighty Brahmsian
staccato, an ominous
knocking? - and so on.
Then there are the
Bartokian false relations
that keep recurring in
the work, the B-E flat-G,
etc. That foreshadows
Debussy, creating
harmonic thrills that,
when I hear the work,
keep my continuing
interest alive for it.
Finally, my immediate
reason for arranging the
work was of a family
nature: in connection
with Liszt's jubilee
year, my daughter, who is
a cellist, wanted a 'more
energetic' piece to play
at a bicentenary concert
an addition to the
existing slow, lyrical,
or sombre works written
by Liszt for the
cello.+.
Cello and Piano SKU: IS.VCP4195EM Composed by Flor Alpaerts. Strings - Ce...(+)
Cello and Piano
SKU:
IS.VCP4195EM
Composed
by Flor Alpaerts. Strings
- Cello. Metropolis Music
Publishers #VCP4195EM.
Published by Metropolis
Music Publishers
(IS.VCP4195EM).
ISBN
9790365041954.
In
1901, Flor Alpaerts
finished his music
studies at the Flemish
School of Music of
Antwerp, which later
became the Royal Flemish
Conservatory. He studied
harmony and composition
with Jan Blockx. In 1903
he became professor at
this institute and from
1934 until 1941 its
director. For one season
(1922-1923) he was also
director of the Royal
Flemish Opera House of
Antwerp together with the
Bass Arthur Steurbaut.
His fame, as a composer
and a conductor, came
shortly after World War
I, when he succeeded in
1919 Eduard Keurvels as
conductor of the concerts
organized by the Royal
Zoological Society of
Antwerp and as artistic
director of the Peter
Benoit Fonds. He also
conducted the choral
group Arti Vocali. As a
composer, Flor Alpaerts
was the leading figure in
the Flemish
impressionistic movement.
An impressionism that
came closer to Richard
Strauss and Ottorino
Respighi than to Claude
Debussy. A highlight in
this direction was the
symphonic poem Pallieter
(1921-1924). With his
suite James Ensor,
inspired by four works of
the Ostend painter, he
created an
expressionistic work. In
his later compositions he
turned to
neo-classicism.
Clarinet, Cello and Piano - intermediate-advanced SKU: HL.14022234 Compos...(+)
Clarinet, Cello and Piano
- intermediate-advanced
SKU: HL.14022234
Composed by Thea
Musgrave. Music Sales
America. Classical.
Score. 6 pages. Music
Sales #NOV95371101.
Published by Music Sales
(HL.14022234).
8.5x11.75x0.445
inches.
Canta,
Canta! is a slow and
expressive piece for
Clarinet, Cello and Piano
by Thea Musgrave. This
short song is taken from
Cantata for a Summer's
Day, written in 1954
while the composer was a
student in Paris. This is
the score only.
Bass Clarinet, Cello, Piano Chamber SKU: HL.14033080 Player's Score(+)
Bass Clarinet, Cello,
Piano Chamber
SKU:
HL.14033080
Player's Score.
Composed by Pelle
Gudmundsen-holmgreen.
Music Sales America.
Classical. Score. 22
pages. Music Sales
#KP01076. Published by
Music Sales
(HL.14033080).
ISBN
9788759869840.
Danish.
Territorial
Song - Clarinet Trio no.
2 for Bass Clarinet,
Cello and Piano was
composed by Pelle
Gudmundsen-Holmgreen in
1995-97. Programme Note:
Signals, expressions and
sounds (not necessarily
pleasant ones) in
different layers - that
is to say in different
tempi or polyrhythms - is
what one can hear in
Territorial Song. The
experience of nature's
diversity and the living
being's tendency to hold
their own and to
territoralise is
surprising and forever
inspiring. And this
experience does not make
one think of European,
classical form! Pelle
Gudmundsen-Holmgreen
 .
(Cello and Piano). By Alexander Glazunov (1865-1936). Edited by Wolfgang Birtel....(+)
(Cello and Piano). By
Alexander Glazunov
(1865-1936). Edited by
Wolfgang Birtel. For
Cello, Piano
Accompaniment. String.
Softcover. 10 pages.
Schott Music #CB252.
Published by Schott Music
(With Marked and Unmarked String Parts). By Gabriel Fauré. Edited by Cornelia N...(+)
(With Marked and Unmarked
String Parts). By Gabriel
Fauré. Edited by
Cornelia N̦ckel. Score
and Parts. Henle Music
Folios. Book only. 12
pages. G. Henle #HN1019.
Published by G. Henle
Canta, Canta! is a slow and expressive piece for Clarinet, Cello and Piano by Th...(+)
Canta, Canta! is a slow
and expressive piece for
Clarinet, Cello and Piano
by Thea Musgrave. This
short song is taken from
Cantata for a Summer's
Day, written in 1954
while the composer was a
student in Paris. This is
the score and parts
Chamber Music Cello, Piano SKU: CF.B3473 Composed by Ernest Bloch. Edited...(+)
Chamber Music Cello,
Piano
SKU:
CF.B3473
Composed by
Ernest Bloch. Edited by
Julian Schwarz. Set of
Score and Parts. 12+4
pages. Carl Fischer Music
#B3473. Published by Carl
Fischer Music (CF.B3473).
ISBN 9781491161999.
UPC: 680160920679. Key: C
major.
Cello and piano SKU: BR.EB-32078 Composed by Friedrich Schneider. Edited ...(+)
Cello and piano
SKU:
BR.EB-32078
Composed
by Friedrich Schneider.
Edited by Nick
Pfefferkorn. Solo
instruments; stapled.
Edition Breitkopf.
Sonata; Romantic. Score.
76 pages. Breitkopf and
Haertel #EB 32078.
Published by Breitkopf
and Haertel
(BR.EB-32078).
ISBN
9790004186633. 9 x 12
inches.
Friedrich
Schneider is known today
above all for his
extensive oeuvre in the
area of the oratorio. No
less important, however,
in addition to his
symphonic work, is his
group of works for piano
and/or chamber music. His
cello sonata in F major,
with all four movements
large in scale, was
probably composed in 1831
for the daughter of the
Cologne music patron, Dr.
Erich Heinrich Verkenius.
With its expressiveness,
monumental structure, and
post-Beethovenian
sensuality, this sonata
already seriously
anticipates Romanticism.
Our edition offers two
solo parts: an unmarked
original text as well as
a version with fingerings
and bowings by the
Leipzig based cellist
Jurnjakob Timm.
Winter Rondo Violoncelle, Piano Theodore Presser Co.
Chamber Music Cello, Piano SKU: PR.114415500 For Cello and Piano. ...(+)
Chamber Music Cello,
Piano
SKU:
PR.114415500
For
Cello and Piano.
Composed by Eric Ewazen.
Christmas and Holiday.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 2007. 16+8
pages. Theodore Presser
Company #114-41550.
Published by Theodore
Presser Company
(PR.114415500).
UPC:
680160607280. 8.5 x 11
inches.
Another
commissioned work has
Ewazen borrowing from his
own The Eternal Dance of
Life for a special new
gift for cello and piano.
The composer says it
best: As a former cellist
in my youth, have always
loved the instrument, and
have enjoyed writing for
it. The work contains
swirling arpeggiated
gestures, a lilting
compound meter and a real
sense of expressivity,
allowing the cello to
sing with soaring lines
and genuine lyricism. For
advanced performers.
Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.49047040 ...(+)
Cello; Piano
Accompaniment (Cello Part
And Piano Score)
SKU:
HL.49047040
30
Concert and Salon Pieces
for Cello and Piano.
Composed by Various.
Edited by Beverley Ellis
and Rainer Mohrs. String.
Classical. Softcover. 192
pages. Schott Music
#ED22414. Published by
Schott Music
(HL.49047040).
ISBN
9783795711436. UPC:
196288116332.
9.0x12.0x0.535
inches.
Three Pieces Violoncelle, Piano Theodore Presser Co.
Chamber Music cello, piano SKU: PR.114414310 For Cello and Piano. ...(+)
Chamber Music cello,
piano
SKU:
PR.114414310
For
Cello and Piano.
Composed by Samuel Adler.
Sws each. 1st movement
premiered 1992 in
Rochester, NY; 2nd
movement premiered 1980
in Hartford, CT; 3rd
movement premiered 2009
in New York, NY.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 1992, 1980,
2009. 20+16 pages.
Duration 12 minutes.
Theodore Presser Company
#114-41431. Published by
Theodore Presser Company
(PR.114414310).
UPC:
680160594467. 9 x 12
inches.
Three
diverse pieces by Samuel
Adler are presented.
Emunah (Faith) is a paean
to his wife, Emily.
L'olam Vaed dates back to
1978 and is printed in
proportional notation, to
better guide the
musicians and to maximize
the performers'
expressive freedom.
Tribute, the most recent
of the three, was written
to mark the reopening of
Alice Tully Hall in
2009.