Everybody's Favorite Series, Volume 40. Composed by Various. Music Sales America. Classical. Softcover. 192 pages. Music Sales #AM40205. Published by Music Sales

By Various. Arranged by Brent Jorgensen. For Cello and Piano. Published by Jackman Music Corporation.
Level: Medium Easy.

By Various. Arranged by Darwin Wolford. For cello and piano. Includes part for cello only. Piano accompaniment available separately (see item 01436). Medium. Published by Jackman Music Corporation (JK.01162). This book of hymns for cello with piano accompaniment includes: "A Poor Wayfaring Man of Grief" "Abide with Me; 'Tis Eventide" "Beautiful Zion for Me" "Come Thou Fount of Every Blessing" "God Is Love" "I Am a Child of God" "I Know That My Redeemer Lives" "Love at Home" "Sweet Hour of Prayer" "The Lord is My Shepherd".

Arranged by Doreen Smith. Fentone Play Along Books. Softcover with CD. 36 pages. Published by Fentone Music.

Cello and Piano. By David Popper. Arranged by Arpad Pejtski, Arpad Pejtsik. EMB. Size 9x12 inches. 27 pages. Published by Editio Musica Budapest.

Cello and Piano. Composed by Lalo Schifrin. LKM Music. Classical. 24 pages. Lauren Keiser Music Publishing #X531023. Published by Lauren Keiser Music Publishing

Christian, Contemporary Christian, Gospel, Inspirational. Jackman Music Corporation #09008. Published by Jackman Music Corporation

Edited by Rachel Lonergan. Arranged by Daniel Kelley. For Cello and Piano. Solos. Recital. Level: Intermediate. Piano Score and Solo Part. Published by Last Resort Music Publishing.

With online audio of piano accompaniments. Composed by Richard Rodgers and Oscar Hammerstein. Broadway, Movies, Musicals. Softcover Audio Online. 60 pages. Published by Hal Leonard

Arranged by Daniel Kelley. For Cello (or Bassoon) and Piano. Solos. Recital, Church. Level: Intermediate/Advanced. Piano Score and Solo Part. Published by Last Resort Music Publishing.

By Various. Arranged by A. Laurence Lyon. For Cello and Piano. Published by Jackman Music Corporation.
Level: Medium.

Altoflute, horn, viola d'amore, cello and piano (Score) - difficult

SKU: HL.49015289

Composed by Volker David Kirchner. Sheet music. Edition Schott. Classical. Score and Parts. Composed 1985. 73 pages. Duration 12'. Schott Music #ED 7364. Published by Schott Music (HL.49015289).

ISBN 9790001076807.

In 1983, my friend and colleague Arnt Martin made me read and listen to a most interesting piece of music for soprano, viola d'amore and strings, this work called my attention to the viola d'amore. In the following year, I became more and more absorbed in the possibilities this instrument offers and in 1985 decided to write a morceau d'ensemble including a viola d'amore. Thus birth was given to Mysterion, a composition for which these five musicians seem tailormade. As to content, Mysterion represents a reflection on death. Passing through various stages, the music describes a path up to the mysteries of Redemption. Volker David Kirchner.

Cello and Piano

SKU: HL.14006097

Composed by Per Norgard. Music Sales America. Classical. Book and Part(s). Music Sales #KP00873. Published by Music Sales (HL.14006097).

ISBN 9788759872222. Danish.

Programme Note CANTICA for cello and piano (1977)When in 1975 I had finished composing my Symphony no. 3 (begun in 1973), I wrote three simple melodies for two psalm texts by Ole Sarvig: The Year and Choral Hymn. These three tunes were derived from the same material as the second movement of the symphony and could be harmonized together in several different tempo relationships, like proportional canons. For this reason they inspired me to write several choral and instrumental works in the following decade: Frost Psalm, Winter Cantata, the tuba octet Now all the earth is white with snow, Canticles (and others).Cantica, meaning song or singing, was composed (forthe Danish musicians Hans Erik Dechert og Kjeld Hansen) as a instrumental little brother the long, polyphonic choral pieces. As in these the canonical melodies in Cantica drift from foreground to background, from cello to piano. The melodies are simple, diatonic and in traditional rhythms and the surface of the music in a way traditional. The intention of the composer with this easily understood expression is to lead the listeners ears to the many internal, proportional developments. The story is in a way hidden between the lines. In the myriads of rhythmic and tempo relations the Golden Mean (near to 2:3:5:8: et cetera) plays an important role, like in nature. Among the experiences giving by this natural phenomenon are - perhaps - the musical points to be found (?).Per Norgard(1997).

Cello and Piano

SKU: BT.EMBZ14779

Composed by Franz Liszt. Book Only. Composed 2011. 16 pages. Editio Musica Budapest #EMBZ14779. Published by Editio Musica Budapest (BT.EMBZ14779).

The arranger of this work (a well-known Hungarian composer living in Romania) writes: This piece has always excited my imagination, from several points of view. First of all, its name. The German title, the obstinate one, may refer to its ostinato character. This is close to Liszt's programme concept, but the French word 'obstiné' is closer in meaning to stubborn. There is just a shade of difference, but to me it is important, because the latter suggests the description of a type of behaviour, the emotional state of a dancer's inner frame of mind abstracted into movements, expressed in dance movements, and this is a fascinating interpretation. The demonstration ofstubborn resistance and defiance to the point of exhaustion was not a frequently occurring phenomenon with Liszt. Secondly, at the beginning of the seventies Zoltán Kocsis played the piece in Transylvania. At that time, I asked the composer, Is the character of the continuous staccato in the left hand sharp, short, or an accompanying background like a constant shadow? Is it a weighty Brahmsian staccato, an ominous knocking? - and so on. Then there are the Bartókian false relations that keep recurring in the work, the B-E flat-G, etc. That foreshadows Debussy, creating harmonic thrills that, when I hear the work, keep my continuing interest alive for it. Finally, my immediate reason for arranging the work was of a family nature: in connection with Liszt's jubilee year, my daughter, who is a cellist, wanted a 'more energetic' piece to play at a bicentenary concert an addition to the existing slow, lyrical, or sombre works written by Liszt for the cello.

The arranger of this work, the well-known Romania-based Hungarian composer Cs ky Boldizsár writes: This piece has always excited my imagination, from several points of view. First of all, its name. The German title, the obstinateone, may refer to its ostinato character, this is close to Liszt's programme concept, but the French word 'obstiné' is closer in meaning to stubborn. There is just a shade of difference, but to me it is important, because the lattersuggests the description of a type of behaviour, the emotional state of a dancer's inner frame of mind abstracted into movements, expressed in dance movements, and this is a fascinating interpretation. The demonstration of stubbornresistance , defiance to the point of exhaustion, was not a frequently occurring phenomenon with Liszt. Secondly, at the beginning of the seventies Zoltán Kocsis played the piece here in Transylvania (Romania).

Der Bearbeiter des Werkes, der renommierte ungarische Komponist aus Rumänien, schreibt: Dieses Stück reizte immer schon meine Phantasie, sogar in vielerlei Hinsicht. Als erstes sein Name. Der deutsche Titel ‚Hartnäckiger' kann auf den ihm innewohnenden ostinativen Charakter hinweisen, was der Liszt'schen Programm-Konzeption näher kommt, das französische ,obstiné' steht jedoch eher dem Wort ‚dickköpfig' nah. Das sind nur geringfügige Unterschiede, mir ist das dennoch wichtig, weil aus Letzterem die Darstellung eines Verhaltens, der in Tanzgesten ausgedrückte, zur Bewegung abstrahierte innere emotionale Zustand eines Tänzers durchscheint, und das ist eine überaus beeindruckendeErklärun g. Die Demonstration des bis zur Erschöpfung reichenden Trotzes, der störrischen Kraft erscheint bei Liszt selten. Der zweite Aspekt: Zu Beginn der 70er Jahre spielte bei uns Zoltán Kocsis das Stück. Schon damals (und seitdem) frage ich den Komponisten:.

Cello; Piano Accompaniment

SKU: HL.50512037

Cello and Piano. Composed by Franz Liszt. Edited by Csiky Boldizsar. Arranged by Csí, ky Boldizsá, and r. Romantic. EMB. Classical. Softcover. 14 pages. Editio Musica Budapest #Z14779. Published by Editio Musica Budapest (HL.50512037).

ISBN 9790080147795. UPC: 884088668723. 9.0x12.0x0.079 inches. Ferenc Liszt; Boldizsar Csiky.

The arranger of this work (a well-known Hungarian composer living in Romania) writes: +This piece has always excited my imagination, from several points of view. First of all, its name. The German title, the obstinate one, may refer to its ostinato character. This is close to Liszt's programme concept, but the French word 'obstine' is closer in meaning to stubborn. There is just a shade of difference, but to me it is important, because the latter suggests the description of a type of behaviour, the emotional state of a dancer's inner frame of mind abstracted into movements, expressed in dance movements, and this is a fascinating interpretation. The demonstration of stubborn resistance and defiance to the point of exhaustion was not a frequently occurring phenomenon with Liszt. Secondly, at the beginning of the seventies Zoltan Kocsis played the piece in Transylvania. At that time, I asked the composer, +Is the character of the continuous staccato in the left hand sharp, short, or an accompanying background like a constant shadow? Is it a weighty Brahmsian staccato, an ominous knocking? - and so on. Then there are the Bartokian false relations that keep recurring in the work, the B-E flat-G, etc. That foreshadows Debussy, creating harmonic thrills that, when I hear the work, keep my continuing interest alive for it. Finally, my immediate reason for arranging the work was of a family nature: in connection with Liszt's jubilee year, my daughter, who is a cellist, wanted a 'more energetic' piece to play at a bicentenary concert an addition to the existing slow, lyrical, or sombre works written by Liszt for the cello.+.

Cello and piano - Intermediate

SKU: MN.20-617

Composed by Duane Funderburk. Instrumental Solo. Lent, 21st Century. MorningStar Music Publishers #20-617. Published by MorningStar Music Publishers (MN.20-617).

UPC: 688670206177.

This is the first solo cello collection in the Duane Funderburk Chamber Music Series. Like the other pieces Funderburk writes, the writing is impactful and idiomatic, requiring excellent players. Includes Alas, and Did My Savior Bleed (MARTYRDOM/AVON) and On Jordan's Stormy Banks (PROMISED LAND).

Cello and Piano. Composed by Georges Boulanger (1893- 1958). Boosey & Hawkes Chamber Music. Classical. Softcover. 12 pages. Boosey & Hawkes #M202535264. Published by Boosey & Hawkes

Cello and Piano (VIOLONCELLO)

SKU: HL.50511723

Composed by Gabor Lisznyay. EMB. Pedagogical performance pieces. Book [Softcover]. 8 pages. Editio Musica Budapest #Z2525. Published by Editio Musica Budapest (HL.50511723).

ISBN 9790080025253. UPC: 884088402907. 8.25x11.75x0.052 inches. Hungarian, English.

ABRSM Cello Syllabus title - Grade 7.Gabor Lisznyay Szabo (1913-1981) was a pupil of Ernst von Dohnanyi at the Music Academy in Budapest and he later worked for decades as an organist. The years he spent studying in Belgium left a significant mark on his composition style. His work entitled Autumn also captures the French essence: the cello's flowing melody is reminiscent of the noblest chansons and filled with emotion, and as such it is akin to the Adagio that Zoltan Kodaly wrote for cello during his younger years as a composer.

Cello and Piano

SKU: BT.EMBZ2525

Composed by Gabor Lisznyay. Educational Tool. Book Only. Composed 1958. 8 pages. Editio Musica Budapest #EMBZ2525. Published by Editio Musica Budapest (BT.EMBZ2525).

English-Hungarian.

ABRSM Cello Syllabus title - Grade 7.Gábor Lisznyay Szabó (1913-1981) was a pupil of Ernst von Dohnányi at the Music Academy in Budapest and he later worked for decades as an organist. The years he spent studying in Belgium left a significant mark on his composition style. His work entitled Autumn also captures the French essence: the cello's flowing melody is reminiscent of the noblest chansons and filled with emotion, and as such it is akin to the Adagio that Zoltán Kodály wrote for cello during his younger years as a composer.

Composed by Joe Hisaishi. Studio Ghibli Songs. Anime. Score and part. Yamaha Music Media #GPW01100360. Published by Yamaha Music Media

Cello and Piano - Grade 2

SKU: AP.36-52730061

Composed by Ted Hunter. Method/Instruction; Reference Textbooks; Solo Small Ensembles. Ludwig Masters. Sacred. Book. Latham Music Enterprises #36-52730061. Published by Latham Music Enterprises (AP.36-52730061).

ISBN 9781628760101. UPC: 746241200297. English.

1st-4th positions; cello plays melody with simple accompaniments. Includes optional descant for violin in addition to descant part for cello. Hymns included: Jesus Loves Me; I Sing the Mighty Power of God; Take My Life, and Let it Be; Come Thou Long-Expected Jesus; Joyful, Joyful, We Adore Thee; Amazing Grace; For the Beauty of the Earth; Holy, Holy, Holy; Be Thou My Vision; Fairest Lord Jesus.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Encore! (Cello and Piano). Arranged by John Lenehan and Julian Lloyd Webber. For Cello. Music Sales America. Classical. 24 pages. Chester Music #CH63965. Published by Chester Music

Strings. Japanese Traditional Songs. Score and part with CD. Yamaha Music Media #GTW01091438. Published by Yamaha Music Media

Cello; Piano Accompaniment (Cello Part And Piano Score)

SKU: HL.48024730

Cello and Piano. Composed by Einojuhani Rautavaara. Boosey & Hawkes Chamber Music. Classical. Softcover. Fennica Gehrman #M550114319. Published by Fennica Gehrman (HL.48024730).

UPC: 888680955731.

Rauta vaara reworked his touching song from the opera Aleksis Kivi for cello and piano in 2000, to commemorate his late composer colleague Lepo Sumera. The melody is calm, in the style of chanson sans paroles - fit for many occasions. Song of My heart for celloand piano has been recorded (Ondine, 2018) by Tanja Tetzlaff and Gunilla Sussmann.

Cello and Piano - Grade 3.5

SKU: AP.36-52730076

Composed by Vernon Taranto Jr. Method/Instruction; Reference Textbooks; Solo Small Ensembles. Ludwig Masters. Sacred. Book. Latham Music Enterprises #36-52730076. Published by Latham Music Enterprises (AP.36-52730076).

ISBN 9781628760804. UPC: 746241220219. English.

This collection of hymns for cello with piano accompaniment includes the following: 1. O Master, Let Me Walk with Thee, 2. Praise, My Soul, the King of Heaven, 3. Praise Ye, the Lord, the Almighty, 4. Immortal, Invisible, 5. The Wondrous Cross Medley, 6. Crown Him with Many Crowns.  Volume 1 is no longer available. Please check out 10 EASY HYMNS by Ted Hunter (36-52730061) as a substitution.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.