By John Williams, arranged by Bill Galliford, Ethan Neuburg, Tod Edmondson. Cello solo book and accompaniment CD for cello solo and piano accompaniment. 72 pages. Published by Alfred Publishing.

Cello and piano

SKU: VD.ED13801

Composed by Jan Freidlin. Classical. Score, solo part. 33 S. Part. + 11 S. Stimme pages. Verlag Dohr #ED13801. Published by Verlag Dohr (VD.ED13801).

ISBN 9790202028018. 12 x 9 inches.

For Cello and Piano with Recorded Accompaniments. Composed by John Williams. For Classical Players. Classical, Movies. Softcover Audio Online. 72 pages. Published by Hal Leonard

By Charles Chaplin (1889-1977), edited by Beckman. Set of performance parts for cello and piano. Published by Edition Kunzelmann.

Encore! (Cello and Piano). Arranged by John Lenehan and Julian Lloyd Webber. For Cello. Music Sales America. Classical. 24 pages. Chester Music #CH63965. Published by Chester Music

Violoncello & Piano or CD Play Back / Play Along - Grade 2, Grade 3

SKU: MA.EMR-54486

Composed by John G. Mortimer. Score and parts. Duration 17'26. Editions Marc Reift #EMR 54486. Published by Editions Marc Reift (MA.EMR-54486).

1. Arabian Tales / 2. Pinocchio / 3. King Arthur / 4. Legends Of Crete.

Violoncello & Piano or CD Play Back / Play Along - Grade 3

SKU: MA.EMR-56031

Composed by John G. Mortimer. Score and parts. Duration 21'14. Editions Marc Reift #EMR 56031. Published by Editions Marc Reift (MA.EMR-56031).

1. A Day In Edinburgh / 2. Cinderella / 3. Creatures Of Legend / 4. Dances From Olden Times.

Violoncello & Piano or CD Play Back / Play Along - Grade 2, Grade 3

SKU: MA.EMR-54073

Composed by John G. Mortimer. Score and parts. Duration 16'18. Editions Marc Reift #EMR 54073. Published by Editions Marc Reift (MA.EMR-54073).

1. From The Highlands And Islands / 2. Old Vienna / 3. Dreaming Of Japan / 4. Gods Of The North.

Everybody's Favorite Series, Volume 40. Composed by Various. Music Sales America. Classical. Softcover. 192 pages. Music Sales #AM40205. Published by Music Sales

Cello and Piano

SKU: BT.EMBZ14779

Composed by Franz Liszt. Book Only. Composed 2011. 16 pages. Editio Musica Budapest #EMBZ14779. Published by Editio Musica Budapest (BT.EMBZ14779).

The arranger of this work (a well-known Hungarian composer living in Romania) writes: This piece has always excited my imagination, from several points of view. First of all, its name. The German title, the obstinate one, may refer to its ostinato character. This is close to Liszt's programme concept, but the French word 'obstiné' is closer in meaning to stubborn. There is just a shade of difference, but to me it is important, because the latter suggests the description of a type of behaviour, the emotional state of a dancer's inner frame of mind abstracted into movements, expressed in dance movements, and this is a fascinating interpretation. The demonstration ofstubborn resistance and defiance to the point of exhaustion was not a frequently occurring phenomenon with Liszt. Secondly, at the beginning of the seventies Zoltán Kocsis played the piece in Transylvania. At that time, I asked the composer, Is the character of the continuous staccato in the left hand sharp, short, or an accompanying background like a constant shadow? Is it a weighty Brahmsian staccato, an ominous knocking? - and so on. Then there are the Bartókian false relations that keep recurring in the work, the B-E flat-G, etc. That foreshadows Debussy, creating harmonic thrills that, when I hear the work, keep my continuing interest alive for it. Finally, my immediate reason for arranging the work was of a family nature: in connection with Liszt's jubilee year, my daughter, who is a cellist, wanted a 'more energetic' piece to play at a bicentenary concert an addition to the existing slow, lyrical, or sombre works written by Liszt for the cello.

The arranger of this work, the well-known Romania-based Hungarian composer Cs ky Boldizsár writes: This piece has always excited my imagination, from several points of view. First of all, its name. The German title, the obstinateone, may refer to its ostinato character, this is close to Liszt's programme concept, but the French word 'obstiné' is closer in meaning to stubborn. There is just a shade of difference, but to me it is important, because the lattersuggests the description of a type of behaviour, the emotional state of a dancer's inner frame of mind abstracted into movements, expressed in dance movements, and this is a fascinating interpretation. The demonstration of stubbornresistance , defiance to the point of exhaustion, was not a frequently occurring phenomenon with Liszt. Secondly, at the beginning of the seventies Zoltán Kocsis played the piece here in Transylvania (Romania).

Der Bearbeiter des Werkes, der renommierte ungarische Komponist aus Rumänien, schreibt: Dieses Stück reizte immer schon meine Phantasie, sogar in vielerlei Hinsicht. Als erstes sein Name. Der deutsche Titel ‚Hartnäckiger' kann auf den ihm innewohnenden ostinativen Charakter hinweisen, was der Liszt'schen Programm-Konzeption näher kommt, das französische ,obstiné' steht jedoch eher dem Wort ‚dickköpfig' nah. Das sind nur geringfügige Unterschiede, mir ist das dennoch wichtig, weil aus Letzterem die Darstellung eines Verhaltens, der in Tanzgesten ausgedrückte, zur Bewegung abstrahierte innere emotionale Zustand eines Tänzers durchscheint, und das ist eine überaus beeindruckendeErklärun g. Die Demonstration des bis zur Erschöpfung reichenden Trotzes, der störrischen Kraft erscheint bei Liszt selten. Der zweite Aspekt: Zu Beginn der 70er Jahre spielte bei uns Zoltán Kocsis das Stück. Schon damals (und seitdem) frage ich den Komponisten:.

Short Cello Pieces by Hywel Davies. Music Sales America. Film and TV. 64 pages. Bosworth and Co. #BOE005186. Published by Bosworth and Co.

Cello and piano

SKU: M7.DOHR-13801

In Memory of my Father. Composed by Jan Freidlin. Sheet music. 44 pages. MDS (Music Distribution Services) #DOHR 13801. Published by MDS (Music Distribution Services) (M7.DOHR-13801).

ISBN 9790202028018.

Composed by Johann Sebastian Bach. Arranged by J. Remy. Book Only. Clifton Edition #STACLI127. Published by Clifton Edition

Cello and Piano

SKU: BT.EMBZ2525

Composed by Gabor Lisznyay. Educational Tool. Book Only. Composed 1958. 8 pages. Editio Musica Budapest #EMBZ2525. Published by Editio Musica Budapest (BT.EMBZ2525).

English-Hungarian.

ABRSM Cello Syllabus title - Grade 7.Gábor Lisznyay Szabó (1913-1981) was a pupil of Ernst von Dohnányi at the Music Academy in Budapest and he later worked for decades as an organist. The years he spent studying in Belgium left a significant mark on his composition style. His work entitled Autumn also captures the French essence: the cello's flowing melody is reminiscent of the noblest chansons and filled with emotion, and as such it is akin to the Adagio that Zoltán Kodály wrote for cello during his younger years as a composer.

Cello and Piano with Online Accompaniments. Composed by Stephen Sondheim (1930-). Softcover Audio Online. Published by Hal Leonard

By Various. Edited by William Bruce / Tom Wells. For cello and piano. Violoncello and Piano. Set of parts

By Janice Tucker Rhoda. For Cello, Cello and Piano. CD contains piano accompaniments as audio and printable PDF; Also includes complete performances. Instructional. Instructional book and CD. Published by Carl Fischer

Violoncello & Piano (Organ) + CD Play Back / Play Along - Grade 2, Grade 3

SKU: MA.EMR-33833

Auld Lang Syne / The First Nowell / Ode To Joy / Go Down Moses / My Bonny / Walking The Dog / Washing The Car / Rainy Sunday Afternoon / Poltergeist / March Of The Elefants / On The Trail / Jig / Hornpipe / Saraband / Offbeat / Kangaroo Blues etc.... Composed by John G. Mortimer. Violoncello & CD Playback (Play Along). 17 Titles. Score and parts. Duration 17'20. Editions Marc Reift #EMR 33833. Published by Editions Marc Reift (MA.EMR-33833).

Possible instrumentations:

Violoncello & CD Play Back / Play Along
Violoncello & Organ (+ Play Back / Play Along CD optional)
Violoncello & Piano (+ Play Back / Play Along CD optional).

Score and Parts Cello

SKU: HL.51481469

For Violoncello and Piano. Composed by Richard Strauss. Edited by Peter Jost. Henle Music Folios. Classical. Softcover. 64 pages. G. Henle #HN1469. Published by G. Henle (HL.51481469).

UPC: 840126989649. 9.0x12.0x0.258 inches.

Fingering Michael Korstick; fingering & bowing for cello Johannes Moser Aside from the Piano Quartet op. 13 and the Violin Sonata op. 18, the Cello Sonata numbers among the most mature works of chamber music from Strauss' early oeuvre. The influences of Mendelssohn, Schumann, and Brahms are noticeable, while leaving sufficient space for a very personal tonal language, often with surprising rhythmic and harmonic turns of phrase. Strauss subjected the first version completed in early 1881 to a radical revision over the winter of 1882/83; the opening movement was thoroughly reworked, the two subsequent movements rewritten completely. It was worth it, because after the premiere in Dresden, the composer wrote to his mother, “My sonata garnered extraordinary acclaim, the applause was enormous, congratulations came to me from all sides.”.

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