Play 10 classical pop selections arranged for piano and optional cellos as performed by the Piano Guys on their brand new holiday album! Includes: Angels We Have Heard on High - Christmas Morning - Good King Wenceslas - O Come O Come Emmanuel - Still Still Still - Where Are You Christmas? - Winter Wind - and more. Includes separate pull-out cello part. / Violoncelle Et Piano

Bernhard Romberg (1767-1841) probably was the greatest cello virtuoso of his time and compared to Paganini in his lifetime. He gave cello lessons at the famous Conservatoire de Paris among others.Romberg's popular Trio in E minor originally was the first part of the Trois Trios d'une Difficulté Progressive pour le Violoncelle Viola et Violoncelle Op. 38. The solo violoncello was accompanied by a viola and a second violoncello. The two other trios are much more difficult, with a lot of passage work, thumb position, tenor and violin clef.The Trio in E minor Op. 38/1 was arranged many times and scored for various combinations of instruments. This edition refers to the popular arrangement for violoncello and piano by Friedrich Gustav Jansen (1837-1910) which is ideal for music lessons and concerts.Also available is another arrangement of the Trio Op. 38/1 for three violoncellos (SE 1008). The easy bass part can be played by another student.This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons:In print or electronic formatAvailable as printed editions or PDF downloadPractising - efficiently and with pleasureAccompanying tracks of the pieces available as downloads / Violoncelle Et Piano

Original Version - Edition for Cello and Piano. Par SCHUMANN ROBERT. Schumann’s Cello Concerto Rediscovered In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann’s original version of his Cello Concerto in A minor Op. 129 – a piece he actually called a ‘Concertstück’ – removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer’s manuscript held in the Biblioteka Jagiellonska in Kraków. This Full Score matches the separately available edition for Cello and Piano (EP 73488). Matching orchestral material is also available from the publisher. Only modern Urtext edition based on Schumann’s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Cello and piano edition available separately from Edition Peters: orchestral parts available for rental Recording of the Concertstück featuring Josephine Knight available from Dutton Robert Schumann’s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann’s original conception of the work – not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann’s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists. Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiellonska in Kraków, to reveal Schumann’s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann’s original conception of the work as a Concertstück and restores Schumann’s musical text, free of posthumous interventions. ‘My ultimate wish,’ says the editor, ‘is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character – one that is lighter and happier, even “cheerful”, as Schumann himself described the work.'/ Répertoire / Violoncelle et Piano

Sonata no. 2 in g minor op. 117 for Violoncello and Piano. Par FAURE GABRIEL. In contrast to the first cello sonata (HN 1357) composed four years earlier, this substantially more catchy and playful second sonata enjoyed great success with audiences and critics right from the start. Friend and associate Vincent d'Indy wrote to Fauré the day after the premiere in May 1922: I would like to tell you how much I am still charmed by your so beautiful sonata. In it I found what is seemingly forgotten these days: music.” It therefore comes as no surprise that the sonata rapidly found its way into the concert repertoire, where it maintains an uncontested position to this today. The duo David Geringas and Markus Bellheim provided fingerings. / Classique / Répertoire / Violoncelle et Piano

Die schönsten klassischen Werke bearbeitet für Violoncello und Klavier. Par . / Niveau : Moyen - Avancé / Date parution : 2022-10-12/ Recueil / Violoncelle et Piano

Bruce William (Editor). Par BRUCE WILLIAM. Expand your musical scope and your performance repertoire in new worlds of expression with a special selection of 14 contemporary works, all written by some of today's celebrated composers. Here's your chance to learn some music by real, living composers - not just those only known by their surnames who dies long ago! The musical styles are diverse and exciting, from elements of ragtime and dance to a sombre and gently sad melody, and each piece features a full Piano accompaniment. ...Perhaps you might even be inspired to start composing some new music of your own! / Niveau : Facile / Recueil / Violoncelle et Piano

Legg P And Gout A (Editors). Par LEGG PAT / GOUT ALAN. La variété est l'épice de la vie musicale et l'essence du ' Premier répertoire pour violoncelle '. Il s'agit de la première des trois livres contenant le répertoire soigneusement classés qui habilement explore les sonorités uniques du violoncelle et offre une superbe littérature d'introduction pour le jeune joueur. / Date parution : 1996-06-20/ Recueil / Violoncelle et Piano

This first publication of the Sonata in D major is based on Barenreiters series Camille Saint-Saens OEuvres instrumentales completes. Although we know from correspondence that two complete autographs existed, only an incomplete autograph source containing the 1st movement and part of the 2nd movement, which breaks off, have come down to us. In his final work for violoncello Saint-Saens juxtaposes highly rhythmical episodes with more poetic ones. These contrasts are reinforced by bold shifts of harmonic coloring and a highly inventive thematic development. These movements are destined to become standards for cellists. / Violoncelle Et Piano

Par HISAISHI JOE. If you are a Studio Ghibli fan and play an instrument, here it is! All time favorite Studio Ghibli songs are arranged for cello (solo) and piano (accompaniment). Includes 10 songs from Nausicaä of the Valley of the Wind, Castle in the Sky, My Neighbor Totoro, Kiki?s Delivery Service, Princess Mononoke, Spirited Away, Ponyo on the Cliff by the Sea, and Howl?s Moving Castle. The book of a 40-page cello and piano score includes a separate 16-page cello solo part score. Perfect for casual piano playing scenes as well as for online video live streaming, lessons, and recitals! Check out more Studio Ghibli books available in the same series. / Date parution : 2022-05-31/ Recueil / Violoncelle et Piano

Par WEDGWOOD PAM. Ces livres sont parfaites pour ceux qui recherchent quelque chose de combler le fossé entre les grades. PAM Wedgwood de l'inimitable, style est garanti à insuffler une nouvelle vie à votre violoncelle jouant - les pièces variées dans cette nouvelle collection brillante varient de numéros jazzy toe-tapping à des styles plus classiques, tous conçus pour vous faciliter doucement sur vers l'année prochaine. Alors lighten up et aller de l'avant avec Up-Grade ! / Date parution : 2000-05-18/ Recueil / Violoncelle et Piano

Par ROSTROPOVITCH. Mstislab Rostropovich was not only one of the most significant Cellists of the 20th century, he was also a successful and highly regarded composer. This is his Humoresque Op. 5 for Cello and Piano./ Répertoire / Violoncelle et Piano

Par HOLST GUSTAV. Invocation was composed in 1911 and first performed on May 2nd of that year in the Queen's Hall, London, by May Mukle with the New Symphony Orchestra conducted by Landon Ronald. The work received several performances with Piano accompaniment before 1914, but with the public success of The Planets , it became one of many works that Holst never had time to revise or publish. A certain amount of editing of dynamics and phrasing has been necessary, and the Piano reduction has occasionally been slightly adjusted to match the orchestral accompaniment more closely. The separate Cello part has been edited by Julian Lloyd-Webber. / Niveau : Elémentaire / Répertoire / Violoncelle et Piano