Composed by Alexander Borodin (1833-1887), edited by David Curran. For cello solo and piano accompaniment. Format: instrumental solo book. With solo part, standard notation and piano accompaniment. Romantic Period. 11 pages. 9x12 inches. Published by C.F. Peters.

Edited by Jan Kelley. Arranged by Daniel Kelley. For Cello and Piano. Solos. Recital, Wedding. Level: Intermediate/Advanced. Piano Score and Solo Part. Published by Last Resort Music Publishing.

Edited by Rachel Lonergan. Arranged by Daniel Kelley. For Cello and Piano. Solos. Recital. Level: Intermediate. Piano Score and Solo Part. Published by Last Resort Music Publishing.

Cello; Piano Accompaniment (Cello Part And Piano Score)

SKU: HL.49047040

30 Concert and Salon Pieces for Cello and Piano. Composed by Various. Edited by Beverley Ellis and Rainer Mohrs. String. Classical. Softcover. 192 pages. Schott Music #ED22414. Published by Schott Music (HL.49047040).

ISBN 9783795711436. UPC: 196288116332. 9.0x12.0x0.535 inches.

This volume from the popular Cellissimo series contains 30 entertaining recital pieces, mostly from the Romantic period. In additionto three original serenades by Jacques Offenbach, Nikolai Rimsky-Korsakov and the French composer Mel Bonis, the volume contains beautiful character pieces, mostly one-movement forms such as berceuse, elegy, humoresque, meditation, melody, nocturne, romance, tarantella, valse de concert and much more . Expressive lyrical pieces are represented as well as cheerful and virtuoso works. In addition to original works, there are numerous arrangements of popular works, including Schumann's Traumerei, Grieg's Anitras Tanz, Fauré's Après un rêve, Elgar's Salut d'amour or Rachmaninoff's Vocalise - all pieces that are well suited as concert and encore pieces . The volume also contains rarities and new discoveries, including original works by cello virtuosos such as Dotzauer, Offenbach, Goltermann, van Goens and Trowell, as well as works by composers Mel Bonis, Juliette Dantin, Ethel Harraden and Claudine Smidt. The level of difficulty is demanding and is aimed at advanced cellists. Many pieces use the 5th-7th position, others have passages in a simple thumb position, sometimes also with high harmonics. They are therefore very good practice examples for advanced users who want to apply sophisticated techniques to beautiful examples of literature. Last but not least, the requirements for expression and design offer plenty of room for cellist and musical development.