Violoncelle, Piano - Avancé IMC (International Music Co.)
Composed by William Henry Squire (1871-1963), edited by Pierre Fournier. Instrum...(+)
Composed by William Henry
Squire (1871-1963),
edited by Pierre
Fournier. Instrumental
solo book for cello and
piano. With standard
notation and piano
accompaniment. D Minor.
11 pages. Published by
International Music Co.
Composed by William Henry Squire (1871-1963). Set of performance parts for cello...(+)
Composed by William Henry
Squire (1871-1963). Set
of performance parts for
cello and piano. With
bowings and fingerings.
13 pages. Published by
Carl Fischer.
Intermezzo Violoncelle, Piano Theodore Presser Co.
By Claude Debussy. Edited by Gregor Piatigorsky, Jeffrey Solow. Arranged by Greg...(+)
By Claude Debussy. Edited
by Gregor Piatigorsky,
Jeffrey Solow. Arranged
by Gregor Piatigorsky.
For cello and piano.
Published by Theodore
Presser Company.
From Jewish Life Violoncelle, Piano Guitare classique Carl Fischer
Chamber Music Cello, Piano SKU: CF.BF141 Composed by Ernest Bloch. Edited...(+)
Chamber Music Cello,
Piano
SKU:
CF.BF141
Composed by
Ernest Bloch. Edited by
Julian Schwarz. 12+8
pages. Carl Fischer Music
#BF141. Published by Carl
Fischer Music (CF.BF141).
ISBN 9781491159989.
UPC:
680160918584.
The
three pieces From Jewish
Life were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.
The
first movement, Prayer,
is a deeply heartfelt
plea to the almighty. As
Neil W Levin writes, The
initial four-note motive
in the minor mode,
together with its
elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt
pathos.
The second
movement, Supplication
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish
experience.
The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917.
Though
the popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance. The first
movement, Prayer, is a
deeply heartfelt plea to
the almighty. As Neil W
Levin writes, The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos. The
second movement,
Supplication (the act of
begging humbly), has more
angst, almost a sense of
urgency as a result of
the rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience. The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917. Though the
popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.The first
movement,
“Prayerâ€, is
a deeply heartfelt plea
to the almighty. As Neil
W Levin writes,
“The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max
Janowski’s
(1912–1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu.†This
prayer has special
meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both
“Prayer†and
Janowski’s Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos.The
second movement,
“Supplicationâ€
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, “Jewish
Songâ€, evokes a
quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience.The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of
Bloch’s most
celebrated work, Schelomo
in 1917.Though the
popularity of
Bloch’s oeuvre has
been dominated by works
of Jewish connection, we
should not forget that
Bloch had many other
stylistic periods,
including Franco-Belgian,
modal, serial, and even
American folk. In 1927,
he was awarded Musical
America’s
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music.
(With Marked and Unmarked String Parts). By Gabriel Fauré. Edited by Cornelia N...(+)
(With Marked and Unmarked
String Parts). By Gabriel
Fauré. Edited by
Cornelia N̦ckel. Score
and Parts. Henle Music
Folios. Book only. 12
pages. G. Henle #HN1019.
Published by G. Henle
By John Williams, arranged by Bill Galliford, Ethan Neuburg, Tod Edmondson. Cell...(+)
By John Williams,
arranged by Bill
Galliford, Ethan Neuburg,
Tod Edmondson. Cello solo
book and accompaniment CD
for cello solo and piano
accompaniment. 72 pages.
Published by Alfred
Publishing.
Passcaglia Violoncelle, Piano [Conducteur et Parties séparées] Schott
Score and Parts Cello; Piano; Violin - difficult SKU: HL.49033212 For ...(+)
Score and Parts Cello;
Piano; Violin - difficult
SKU: HL.49033212
For Violin,
Violoncello and Piano
Score and Parts.
Composed by Jö and rg
Widmann. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. Score and
Parts. Composed
2000/2006. 46 pages.
Duration 30'. Schott
Music #ED9633. Published
by Schott Music
(HL.49033212).
ISBN
9790001135894. UPC:
073999282085.
9.0x12.0x0.132
inches.
This Piano
Trio Passacaglia is the
'junior' companion piece
to my Cello Concerto
Dunkle Saiten [Dark
Strings], or more
precisely to the
concerto's
large-dimensional
introductory section with
the indication
'Feierlich, schreitend'
[solemnly, striding].
What in the Cello
concerto then inescapably
culminates in a
catastrophe remains in
this composition
ostensibly largely
conflict-free. This is in
fact perhaps one of my
most peaceful and
conflict-free
compositions; it consists
of half an hour of almost
exclusively tonal
progressions. Here,
passacaglia (stepping
dance!) is taken
literally: the step
progressions themselves
become the subject of the
work. This also includes
pausing, not being able
to progress, feeling
one's way, stumbling and
taking compulsive steps
forward.As familiar as
the harmonic surface of
the structure appears,
for me the natural
adaptation of the musical
flow was new to a similar
degree. This is my
attempt to produce a
linear tonal band (a
horizontal) exclusively
with the aid of harmonic
- i.e. vertical -
progressions.- Jorg
Widmann.
By William J. Kirkpatrick. Arranged by Joseph Hoffman. For Cello and Piano. Chri...(+)
By William J.
Kirkpatrick. Arranged by
Joseph Hoffman. For Cello
and Piano. Christmas.
Level: Medium Easy.
Duration 2:45. Published
by Jackman Music
Corporation.
Decalage Violoncelle, Piano [Reduction] Theodore Presser Co.
For Violoncello and Piano. By William Bolcom. For Cello, Piano. This edition: sc...(+)
For Violoncello and
Piano. By William Bolcom.
For Cello, Piano. This
edition: score and part.
Classical. Solo part with
piano reduction. Composed
1962. 16 pages. Duration
9:00. Published by
Theodore Presser Company.
A Song of Orpheus Violoncelle, Piano [Reduction] Theodore Presser Co.
Fantasy for Ceelo and Orchestra. By William Schuman. For Violoncello, Piano. Sol...(+)
Fantasy for Ceelo and
Orchestra. By William
Schuman. For Violoncello,
Piano. Solo Part with
Piano Reduction. Duration
21:. Published by
Theodore Presser Company.
Cello and Piano SKU: BT.DV-21495 By Emilio Lede. By Cleto Zabala. Contemp...(+)
Cello and Piano
SKU:
BT.DV-21495
By Emilio
Lede. By Cleto Zabala.
Contemporary Music. Book
and Part(s). 16 pages. Da
Vinci Publishing #DV
21495. Published by Da
Vinci Publishing
(BT.DV-21495).
Cello; Piano Accompaniment (Score and Solo Part) SKU: HL.48024773 Cell...(+)
Cello; Piano
Accompaniment (Score and
Solo Part)
SKU:
HL.48024773
Cello
and Piano. Composed
by Harrison Birtwistle.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. 76 pages.
Boosey & Hawkes
#M060136283. Published by
Boosey & Hawkes
(HL.48024773).
ISBN
9781540063755. UPC:
888680964122. 9.0x12.0
inches.
Lied ohne
Worte was commissioned by
the Ruhr Piano Festival
for Alfred Brendel's 75th
birthday. First performed
(as Lied) on 9 August
2006 with Adrian Brendel
and Till Fellner,
Wuppertal, Historische
Stadthalle, Germany.
Variationen was
commissioned by Adrian
Brendel. First performed
by Adrian Brendel and
Till Fellner on 14
October 2007, Wigmore
Hall, London. Bogenstrich
was commissioned by
Winery Alois Lageder and
Cheltenham Music
Festival. World premiere
of complete cycle on 22
May 2009 with Roderick
Williams (baritone),
Adrian Brendel (cello),
Till Fellner (piano),
Margreid, Alto Adige,
Italy.
(Cello and Piano Reduction). Composed by Mikis Theodorakis (1925-). For Cello, P...(+)
(Cello and Piano
Reduction). Composed by
Mikis Theodorakis
(1925-). For Cello, Piano
Accompaniment. String.
Softcover. Schott Music
#CB262. Published by
Schott Music
Music from All Nine Films. Composed by John Williams. Instrumental Play-Along....(+)
Music from All Nine
Films.
Composed by John
Williams.
Instrumental Play-Along.
Disney, Movies. Softcover
Audio Online. 24 pages.
Published by Hal Leonard
Cello; Piano Accompaniment (Score and Solo Part) SKU: HL.50601134 Cell...(+)
Cello; Piano
Accompaniment (Score and
Solo Part)
SKU:
HL.50601134
Cello
and Piano. Composed
by Pier Adolfo
Tirindelli. Edited by
Giuliano Cavaliere.
String. Classical,
Romantic Period.
Softcover. Ricordi
#NR141714. Published by
Ricordi (HL.50601134).
9.0x12.0
inches.
The Romanza
for cello and piano by
Pier Adolfo Tirindelli
(1858-1937), who was
particularly noted for
his vocal compositions,
is a cantabile,
expressive piece that is
typical of the salon
romanza. This critical
edition is based on the
manuscript kept in the
Biblioteca del
Conservatorio di Musica
Santa Cecilia in Rome. It
is hoped that this will
contribute to the
rediscovery of Tirindelli
- one of the greatest
Italian composers from
the late nineteenth
century - and his
instrumental chamber
music.
Composed by
Jimmy Baas. Sws.
Performance Score. 16
pages. Duration 3
minutes, 49 seconds. Carl
Fischer Music #CM9625.
Published by Carl Fischer
Music (CF.CM9625).
ISBN 9781491156988.
UPC: 680160915545. 6.875
x 10.5 inches. Key: Bb
major. English, English.
William Butler
Yeats.
The
Everlasting Voices is the
perfect blend of textural
variety and harmonic
interest for the advanced
treble ensemble.
Employing a powerful
text, Baas' vocal
layering coupled with
piano and optional cello
make this compelling
piece a programming
must!. O sweet
everlasting Voices, be
still; Go to the guards
of the heavenly fold And
bid them wander obeying
your will, Flame under
flame, till Time be no
more; Have you not heard
that our hearts are old,
That you call in birds,
in wind on the hill, In
shaken boughs, in tide on
the shore? O sweet
everlasting Voices, be
still. This SSAA choral
work by Jimmy Baas was
comissioned by the
Lumberton HS Varsity
Treble Choir. The opening
and closing lines of the
poem, O sweet everlasting
voices, be still provide
the perfect bookends for
two larger sections of
the poem. These two
sections are equally
divided into verses. The
opening line is used once
again as a transition
between the verses. The
previously mentioned
lines, O sweet
everlasting voices, are
overlapped as different
layers of voices enter
and sustain. A fifth and
sixth voice, the cello
and piano accompaniment
take part in these layers
as well. The words be
still are very much a
part of the mood each
time as the everlasting
voices become quiet and
still. The two verses
feature different voices
within the SSAA choir.
Verse 1, the sopranos,
and verse 2 the altos.
There are many moments in
this piece to explore the
full range and color of
the SSAA choir. The piano
and cello play an
important part
throughout, making this
piece an excellent choice
for any festival women's
chorus. O sweet
everlasting Voices, be
still;Go to the guards of
the heavenly foldAnd bid
them wander obeying your
will,Flame under flame,
till Time be no more;Have
you not heard that our
hearts are old,That you
call in birds, in wind on
the hill,In shaken
boughs, in tide on the
shore?O sweet everlasting
Voices, be still.This
SSAA choral work by Jimmy
Baas wascomissioned by
the Lumberton HS Varsity
Treble Choir.The opening
and closing lines of the
poem, “O
sweeteverlasting voices,
be still†provide
the perfect bookendsfor
two larger sections of
the poem. These two
sectionsare equally
divided into verses. The
opening line is usedonce
again as a transition
between the verses.The
previously mentioned
lines, “O sweet
everlastingvoices,â€
are overlapped as
different layers of
voices enterand sustain.
A fifth and sixth voice,
the cello and
pianoaccompaniment take
part in these layers as
well.The words “be
still†are very
much a part of the
moodeach time as the
everlasting voices become
quietand still.The two
verses feature different
voices within the
SSAAchoir. Verse 1, the
sopranos, and verse 2 the
altos. Thereare many
moments in this piece to
explore the full range
andcolor of the SSAA
choir. The piano and
cello play an
importantpart throughout,
making this piece an
excellent choice for
anyfestival
women’s
chorus.
Edited by Julian Lloyd Webber. For Cello and Piano. Book; Method/Instruction; St...(+)
Edited by Julian Lloyd
Webber. For Cello and
Piano. Book;
Method/Instruction;
String - Cello Studies or
Collection. Faber
Edition. Published by
Faber Music
Cello and piano - Medium-easy / medium-easy acc. SKU: JK.09178 Composed b...(+)
Cello and piano -
Medium-easy / medium-easy
acc.
SKU: JK.09178
Composed by William J.
Kirkpatrick. Arranged by
Joseph Hoffman.
Difficulty Easy Medium,
Instrumental Cello,
Seasonal Music Christmas,
Christmas. Christian,
Inspirational. Duration
2:45. Jackman Music
Corporation #09178.
Published by Jackman
Music Corporation
(JK.09178).
Luke 2:7,
Luke
18:15-17.
Christmas
carol arranged for cello
and piano accompaniment,
moving arpeggios tie
beautifully to the simple
melody and spirit of the
carol. Composer:
William J.
Kirkpatrick Arranger:
Joseph Hoffman
Difficulty: Medium-easy /
medium-easy acc.
Performance time:
2:45 References: Luke
2:7, Luke 18:15-17.
Chamber Music Cello and Piano SKU: CF.O4963 Composed by Peter Mennin. Thi...(+)
Chamber Music Cello and
Piano
SKU:
CF.O4963
Composed by
Peter Mennin. This
edition: Piano Reduction.
Set of Score and Parts.
With Standard notation.
64+20 pages. Carl Fischer
Music #O4963. Published
by Carl Fischer Music
(CF.O4963).
ISBN
9780825894374. UPC:
798408094379. 9 x 12
inches.
A director
of Peabody Conservatory
and long-time president
of the Juilliard School
of Music, the very busy
Mennin found time to
compose a number of major
works in the post-World
War II American music
scene, up until his
untimely death at age 60.
His Cello Concerto was
commissioned by the
Juilliard Music
Foundation in 1955, one
of many commissions from
prestigious
organizations. Enjoy a
YouTube performance from
Albany Records' American
Archives, as performed by
Janos Starker and the
Louisville Orchestra
(Jorge Mester,
cond.).
Cello and Piano SKU: HL.50602301 For Cello and Piano Reduction. Co...(+)
Cello and Piano
SKU:
HL.50602301
For
Cello and Piano
Reduction. Composed
by Brian Elias.
Instrumental. Softcover.
Chester Music #CH87769.
Published by Chester
Music (HL.50602301).
UPC: 840126900217.
8.5x11.0x0.097
inches.
A work for
cello and piano,
L'innominata means 'the
unnamed' or 'the
nameless'. This work was
commissioned by the
Purbeck International
Chamber Music Festival.
It was first performed on
31st August 2018 by
Natalie Clein (cello) and
Vadym Kholodenko (piano),
at the Priory Church of
Lady St. Mary, Wareham,
Dorset. The world
premiere can be watched
here:
https://www.youtube.com/w
atch?v=9fFNlpJZmbE.
(12 Works from the 20th Century Cello and Piano and Solo Cello). Composed by Var...(+)
(12 Works from the 20th
Century Cello and Piano
and Solo Cello). Composed
by Various. For Cello,
Piano Accompaniment.
String Solo. Softcover.
72 pages. G. Schirmer #ED
4550. Published by G.
Schirmer