6 Easy Concert Pieces. Composed by Arnold Trowell. Edited by Beverley Ellis. This edition: Saddle stitching. Sheet music. Schott Student Edition. 6 leichte Stucke fur Violoncello und Klavier. Classical. Softcover. Op. 4/7-12. 40 pages. Schott Music #SE 1050. Published by Schott Music

Violoncello & Piano or CD Play Back / Play Along - Grade 2

SKU: MA.EMR-49901

Composed by Bertrand Moren. Violoncello & CD Playback (Play Along). Score and parts. Duration 19'31. Editions Marc Reift #EMR 49901. Published by Editions Marc Reift (MA.EMR-49901).

1. Once Upon A Time In A Wonderful Kingdom / 2. Celtic Variations / 3. Caribbean Adventure / 4. Ancient Dances / 5. A Fairy Tale.

for Violoncello and Piano or Two Violoncellos. By James Hook. EMB. Size 9x12 inches. Published by Editio Musica Budapest.

By Heitor Villa-Lobos (1887-1959). For cello or violin and piano. Score and part. Published by Noten Roehr

For Violoncello and Piano. By Frederic Chopin. Edited by E.-G. Heinemann. Violoncello. Pages: Score = VII and 48 * Vc Part = 10. Urtext edition (Paper-bound). Published by G. Henle.

Composed by Jean-Baptiste Breval. Edited by Christoph Sassmannshaus. Stapled. Barenreiter's Concert Pieces. Piano reduction, part(s). 7/12 pages. Duration 8:00. Baerenreiter Verlag #BA 10698. Published by Baerenreiter Verlag

Cello and Piano Schott Student Edition Level 1. Composed by Arnold Trowell. Edited by Beverley Ellis. This edition: Saddle stitching. Sheet music. Schott Student Edition. Classical. Softcover. Op. 4/1-6. 40 pages. Schott Music #SE 1024. Published by Schott Music

Book with Audio Online Cello; Piano Accompaniment (Cello Part And Piano Score)

SKU: HL.49047366

Cello and Piano Book with Audio Online. Composed by Various. Edited by Katharina Deserno and Rainer Mohrs. String Solo. Classical, Concert, Recital, Renaissance. Softcover Audio Online. 60 pages. Schott Music #ED22216D. Published by Schott Music (HL.49047366).

ISBN 9783795731823. UPC: 196288207634. 9.0x12.0x0.207 inches.

For use in lessons or for your first concert performance – Easy Concert Pieces for Cello and Piano contains easy and well-known solo pieces from the Renaissance to the modern era, carefully selected according to technical and musical demands: Volume 1 very easy (1st position), Volume 2 easy (1st and half position), Volume 3 easy to intermediate (1st to 4th position). Besides original compositions by Bréval, de Fesch, Reinagle or Gretchaninoff there are readily playable arrangements of classical masterpieces and modern compositions from the world of pop, jazz, spirituals, bossa nova and tango. All pieces can be downloaded as an audio file.

(Fantasia for Cello and Piano). Composed by Edward Mollenhauer. Edited by Christoph Sassmannshaus. For cello solo and piano. Stapled. Barenreiter's Concert Pieces. Transcribed for Violoncello and Piano. Level 2. Piano reduction, part(s). Published by Baerenreiter Verlag

Cello and Piano. Composed by Various. Edited by Katharina Deserno, Rainer Mohrs. This edition: Saddle stitching. Sheet music with CD. String. Ob fur Unterricht oder das erste Konzert: Die Ausgabe enthalt leichte, bekannte Stucke von der Renaissance bis zur Moderne, die sorgfaltig nach technischen und musikalischen Anforderungen ausgewahlt wurden. Alle Stucke sind auf der beiliegenden CD enthalt. Renaissance, Modern, Classical. Edition/Softcover with CD. 21705. 44 pages. Schott Music #ED21705. Published by Schott Music

Violin, Cello and Piano

SKU: HL.14036966

Composed by Alan Bush. Music Sales America. Classical. Book [Softcover]. Music Sales #NOV120202. Published by Music Sales (HL.14036966).

English.

Score and Parts for Violin, Cello and Piano.

For Cello and Piano. Composed by Francois Couperin (1668- 1733). Leduc. Baroque. Softcover. 12 pages. Alphonse Leduc #AL16920. Published by Alphonse Leduc

Composed by Various. Arranged by Rainer Mohrs. Woodwind. Softcover. 192 pages. Schott Music #ED22354. Published by Schott Music

For Cello and Piano Schott Student Edition Repertoire. Composed by Hugo Schlemueller. Edited by Martin Mueller-Runte. This edition: Saddle stitching. Sheet music. Schott Student Edition. Repertoire. Softcover. Op. 12. 32 pages. Schott Music #SE1005. Published by Schott Music (HL.49045443).

25 Concert Pieces from 5 Centuries for Cello and Piano – Book/Audio. Edited by Katharina Deserno. String Method. Classical, Educational, Recital. Softcover Audio Online. 86 pages. Schott Music #ED20881D. Published by Schott Music

(25 Concert Pieces from 5 Centuries for Cello and Piano). Edited by Katharina Deserno. Schott. Softcover with CD. 88 pages. Schott Music #ED20881. Published by Schott Music

(Cello and Piano). By Various. Edited by Maria Kliegel. String. Softcover. 112 pages. Schott Music #ED20916. Published by Schott Music

Cello and piano (original scoring: vagb,orch)

SKU: BR.EB-7430

Composed by Giuseppe Tartini. Edited by Walter Heinz Bernstein. Solo instruments; Softcover. Edition Breitkopf. Thanks to the increasing concern for historically accurate interpretations of early music, the viola da gamba once again belongs to the more frequently played Instruments. This new edition makes the work accessible again to its original solo Instrument. Baroque period. Piano reduction. 56 pages. Duration 15'. Breitkopf and Haertel #EB 7430. Published by Breitkopf and Haertel (BR.EB-7430).

ISBN 9790004173947. 9 x 12 inches.

Thanks to the increasing concern for historically accurate interpretations of early music, the viola da gamba once again belongs to the more frequently played Instruments. This new edition makes the work accessible again to its original solo Instrument.

Cello and Piano or 3 Cellos, Level 3 Schott Student Edition Repertoire. Composed by Bernhard Romberg. Edited by Beverley Ellis. Arranged by Friedrich Janssen. This edition: Saddle stitching. Sheet music. Schott Student Edition. Repertoire. Softcover. Op. 38/1. 32 pages. Schott Music #SE1007. Published by Schott Music (HL.49045501).

Choral Cello, Piano, alto 1, alto 2, soprano 1, soprano 2

SKU: CF.CM9625

Composed by Jimmy Baas. Sws. Performance Score. 16 pages. Duration 3 minutes, 49 seconds. Carl Fischer Music #CM9625. Published by Carl Fischer Music (CF.CM9625).

ISBN 9781491156988. UPC: 680160915545. 6.875 x 10.5 inches. Key: Bb major. English, English. William Butler Yeats.

The Everlasting Voices is the perfect blend of textural variety and harmonic interest for the advanced treble ensemble. Employing a powerful text, Baas' vocal layering coupled with piano and optional cello make this compelling piece a programming must!.
O sweet everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will, Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore? O sweet everlasting Voices, be still. This SSAA choral work by Jimmy Baas was comissioned by the Lumberton HS Varsity Treble Choir. The opening and closing lines of the poem, O sweet everlasting voices, be still provide the perfect bookends for two larger sections of the poem. These two sections are equally divided into verses. The opening line is used once again as a transition between the verses. The previously mentioned lines, O sweet everlasting voices, are overlapped as different layers of voices enter and sustain. A fifth and sixth voice, the cello and piano accompaniment take part in these layers as well. The words be still are very much a part of the mood each time as the everlasting voices become quiet and still. The two verses feature different voices within the SSAA choir. Verse 1, the sopranos, and verse 2 the altos. There are many moments in this piece to explore the full range and color of the SSAA choir. The piano and cello play an important part throughout, making this piece an excellent choice for any festival women's chorus.
O sweet everlasting Voices, be still;Go to the guards of the heavenly foldAnd bid them wander obeying your will,Flame under flame, till Time be no more;Have you not heard that our hearts are old,That you call in birds, in wind on the hill,In shaken boughs, in tide on the shore?O sweet everlasting Voices, be still.This SSAA choral work by Jimmy Baas wascomissioned by the Lumberton HS Varsity Treble Choir.The opening and closing lines of the poem, “O sweeteverlasting voices, be still” provide the perfect bookendsfor two larger sections of the poem. These two sectionsare equally divided into verses. The opening line is usedonce again as a transition between the verses.The previously mentioned lines, “O sweet everlastingvoices,” are overlapped as different layers of voices enterand sustain. A fifth and sixth voice, the cello and pianoaccompaniment take part in these layers as well.The words “be still” are very much a part of the moodeach time as the everlasting voices become quietand still.The two verses feature different voices within the SSAAchoir. Verse 1, the sopranos, and verse 2 the altos. Thereare many moments in this piece to explore the full range andcolor of the SSAA choir. The piano and cello play an importantpart throughout, making this piece an excellent choice for anyfestival women’s chorus.

Cello and piano

SKU: BO.B.3652

Composed by Jordi Cervello. Published by Editorial de Musica Boileau (BO.B.3652).

Sonata for cello and piano was written between September and October of 2010. It is made up of three movements, each of which has unique characteristics. The first, Allegro appassionato, is monothematic, although the theme itself is presented in several ways. Following a vigorous start featuring cello cadenza, the movement is developed with a lively feel, alternating lyrical fragments with other energetic ones. Its conclusion is resounding.
Meanwhile, the second movement, Quasi un lamento, is introspective and fragile. A long melody is sustained by a delicate and transparent piano accompaniment, evoking once again the theme of the first movement and concluding with a Lento of descending piano harmonies while the cello follows, in octaves, with heartfelt glissando.

The third movement, Scherzando-Allegro, is a light-hearted game between the piano and the cello. The main theme is repeated once again, this time with a binary time signature. The cello uses ricochet (the rebounding of notes in a bow stroke), as well as natural and artificial harmonies in quick time. The piano part unfolds completely naturally, excluding any gratuitous artifice.

The piece lasts approximately 20 minutes.

Cello; Piano Accompaniment (Cello Part And Piano Score)

SKU: HL.49046788

Cello and Piano. Composed by Anno Schreier. String Solo. Classical. Softcover. 16 pages. Duration 540 seconds. Schott Music #ED23248. Published by Schott Music (HL.49046788).

UPC: 842819110644. 9.0x12.0x0.075 inches.

In his short studies, Anno Schreier describes his homeland, the northern Eifel, which is characterized by sparse beauty and sharp contrasts. The two pieces look at the landscape differently - once calm and once furious.

Score and Parts Bassoon; Cello; Piano Accompaniment (Score & Parts)

SKU: HL.50606503

For Basoon, Cello, and Piano (or 2 Cellos and Piano) Score and Pa. Composed by Máté Bella. EMB. Classical, Contemporary. Softcover. 16 pages. Editio Musica Budapest #Z15196. Published by Editio Musica Budapest (HL.50606503).

ISBN 9781705190661. UPC: 196288126799.

A special piece - a special story: In 2020, a renowned architect approached a composer to create a new piece of music for his daughter's wedding, which the happy father could give to the young couple as a wedding present. In earlier eras of private patronage, such a story would have been natural, but in the 21st century it is an odd story. The composition subtly alludes to the occasion: against the background of the piano, a duet of two instruments tells the story of a serene love (the piece can either be performed with a bassoon and a violoncello, or with two violoncellos). Mate Bella, who moves at home among different musical styles, shapes the song of lovers longing for each other in a way reminiscent of barcarolas sung by Venetian gondoliers.

Violoncello and Piano (Violin An Cello)

SKU: HL.50511974

(No. 4-6). Composed by Benedetto Marcello. Baroque. EMB. Volume 2. Playing score. Op. 2. Editio Musica Budapest #Z13491. Published by Editio Musica Budapest (HL.50511974).

ISBN 9790080134917. Bach (23 x 30,2 cm) inches. Benedetto Marcello; Arpad Pejtsik.

Territoria l restrictions may apply. Please ask before ordering.

Cello and piano (solo: vc - 2.2.2.2 - 4.2.3.0 - timp - str)

SKU: BR.EB-10802

Urtext. Composed by Edouard Lalo. Edited by Peter Jost. Arranged by J. Schiff and J. Umbreit. Solo instruments; Softbound. Edition Breitkopf.

The first definitive author's version - In Cooperation with G. Henle Verlag

Solo concerto; Romantic. Piano reduction. 92 pages. Breitkopf and Haertel #EB 10802. Published by Breitkopf and Haertel (BR.EB-10802).

ISBN 9790201808024. 9.5 x 12 inches.

In the past years, French music has become a focal point of Breitkopf's orchestral library. With Edouard Lalo's popular violoncello concerto, these new editions of French music now bring publishers Breitkopf and G. Henle together once again in another example of their proven cooperation. Peter Jost, an expert on French music who established his claim to expertise through his Debussy, Franck and Saint-Saens editions, ensures a flawless Urtext edition which is based for the first time on the autograph piano reduction. This piano-cello score shows traces of several layers of arrangements, the last two of which were obviously not taken into account in the first edition. The new edition thus offers a wealth of new, authentic readings.A carefully researched text with clear and spacious printing highlights this sympathetic collaboration of two esteemed publishing houses, Breitkopf & Hartel and Henle. (Mary Nemet, Strings).

Schott Student Edition Repertoire. Composed by Jean Baptiste Breval. Edited by Beverley Ellis. This edition: Saddle stitching. Sheet music. Schott Student Edition. Repertoire. Softcover. Op. 40/1. 36 pages. Schott Music #SE1006. Published by Schott Music (HL.49045503).