Cello and Piano - easy SKU: BT.EMBZ6748 Easy concert pieces in first p...(+)
Cello and Piano - easy
SKU: BT.EMBZ6748
Easy concert pieces in
first position. By
Arpad Pejtsik. By Endre
Lengyel. EMB Music for
Beginners. Educational
Tool. Book Only. Composed
1973. 64 pages. Editio
Musica Budapest
#EMBZ6748. Published by
Editio Musica Budapest
(BT.EMBZ6748).
Hungarian-English-Germ
an-French.
The
volumes of the series
cover the entire music
literature from the
earliest centurties to
our days. The material of
the individual volumes
containing short, easy
pieces to be played in
the first three-four
years of studying the
instrument has been
compiled by accomplished
music teachers. The
majority of the
contemporary works
included in the volumes
have been published in
this series for the first
time. An ABRSM syllabus
title, 2010-16, Grade
2-3.
Cello and Piano. Composed by Ludwig van Beethoven (1770- 1827). Edited by Jen...(+)
Cello and Piano. Composed
by
Ludwig van Beethoven
(1770-
1827). Edited by Jens
Dufner. Henle Music
Folios.
Classical. Softcover. 50
pages. G. Henle #HN1475.
Published by G. Henle
CD
available
here (Selections
from the Cello
Repertoire). Compiled,
ed., arr., and composed
by Carey Cheney. For
Cello and Piano. String -
Cello Studies or
Collection. Companion CD
also available (see item
21620X). Instrumental
Solo Book and Piano
Accompaniment Book. 88
pages. Published by
Alfred Publishing.
First Edition by Marina Lobanova. Composed by Nikolai Andreyevich Roslave...(+)
First Edition by
Marina Lobanova.
Composed by Nikolai
Andreyevich Roslavets
(1881-1944). Edited by
Marina Lobanova. This
edition: Saddle
stitching. Sheet music.
Schott. Composed 1922. 74
pages. Duration 13'.
Schott Music #ED 8039.
Published by Schott Music
(HL.49007737).
Violoncelle, Piano [Partition] - Intermédiaire Music Sales
Everybody's Favorite Series, Volume 40. Composed by Various. Music Sales America...(+)
Everybody's Favorite
Series, Volume 40.
Composed by Various.
Music Sales America.
Classical. Softcover. 192
pages. Music Sales
#AM40205. Published by
Music Sales
Composed by
Jimmy Baas. Sws.
Performance Score. 16
pages. Duration 3
minutes, 49 seconds. Carl
Fischer Music #CM9625.
Published by Carl Fischer
Music (CF.CM9625).
ISBN 9781491156988.
UPC: 680160915545. 6.875
x 10.5 inches. Key: Bb
major. English, English.
William Butler
Yeats.
The
Everlasting Voices is the
perfect blend of textural
variety and harmonic
interest for the advanced
treble ensemble.
Employing a powerful
text, Baas' vocal
layering coupled with
piano and optional cello
make this compelling
piece a programming
must!. O sweet
everlasting Voices, be
still; Go to the guards
of the heavenly fold And
bid them wander obeying
your will, Flame under
flame, till Time be no
more; Have you not heard
that our hearts are old,
That you call in birds,
in wind on the hill, In
shaken boughs, in tide on
the shore? O sweet
everlasting Voices, be
still. This SSAA choral
work by Jimmy Baas was
comissioned by the
Lumberton HS Varsity
Treble Choir. The opening
and closing lines of the
poem, O sweet everlasting
voices, be still provide
the perfect bookends for
two larger sections of
the poem. These two
sections are equally
divided into verses. The
opening line is used once
again as a transition
between the verses. The
previously mentioned
lines, O sweet
everlasting voices, are
overlapped as different
layers of voices enter
and sustain. A fifth and
sixth voice, the cello
and piano accompaniment
take part in these layers
as well. The words be
still are very much a
part of the mood each
time as the everlasting
voices become quiet and
still. The two verses
feature different voices
within the SSAA choir.
Verse 1, the sopranos,
and verse 2 the altos.
There are many moments in
this piece to explore the
full range and color of
the SSAA choir. The piano
and cello play an
important part
throughout, making this
piece an excellent choice
for any festival women's
chorus. O sweet
everlasting Voices, be
still;Go to the guards of
the heavenly foldAnd bid
them wander obeying your
will,Flame under flame,
till Time be no more;Have
you not heard that our
hearts are old,That you
call in birds, in wind on
the hill,In shaken
boughs, in tide on the
shore?O sweet everlasting
Voices, be still.This
SSAA choral work by Jimmy
Baas wascomissioned by
the Lumberton HS Varsity
Treble Choir.The opening
and closing lines of the
poem, “O
sweeteverlasting voices,
be still†provide
the perfect bookendsfor
two larger sections of
the poem. These two
sectionsare equally
divided into verses. The
opening line is usedonce
again as a transition
between the verses.The
previously mentioned
lines, “O sweet
everlastingvoices,â€
are overlapped as
different layers of
voices enterand sustain.
A fifth and sixth voice,
the cello and
pianoaccompaniment take
part in these layers as
well.The words “be
still†are very
much a part of the
moodeach time as the
everlasting voices become
quietand still.The two
verses feature different
voices within the
SSAAchoir. Verse 1, the
sopranos, and verse 2 the
altos. Thereare many
moments in this piece to
explore the full range
andcolor of the SSAA
choir. The piano and
cello play an
importantpart throughout,
making this piece an
excellent choice for
anyfestival
women’s
chorus.
Cello, Piano SKU: HU.HN418 Composed by Franz Joseph Haydn. Edited by Sonja Gerl...(+)
Cello, Piano
SKU: HU.HN418
Composed by Franz Joseph
Haydn. Edited by Sonja
Gerlach. Strings,
Repertoire, Solos.
Concerto for Cello and
Orchestra D major Hob.
VIIb:2. Softcover Book.
59 pages. G. Henle
#HN418. Published by G.
Henle (HU.HN418).
12.2 x 9.2 x 0.2 inches.
The Cello Concerto in D
major is a technically
demanding work written
for Anton Kraf. It
represents one of Haydns
few contributions to the
virtuoso concert
repertoire of the mature
Viennese classic period,
post-dating his first
cello concerto in C major
by about twenty years.
Violoncello and Piano SKU: AP.36-M388991 Arranged by Johannes Brahms and ...(+)
Violoncello and Piano
SKU: AP.36-M388991
Arranged by Johannes
Brahms and ed./arr. by
Janos Starker/ Emilio
Colon. Cello. Starker
Performance Editions.
Book. LudwigMasters
Publications #36-M388991.
Published by
LudwigMasters
Publications
(AP.36-M388991).
ISBN
9798892704182. UPC:
659359984921.
English.
An
immensely powerful piece
for solo cello and piano,
Brahms' SONATA NO. 2, OP.
99 is one of the most
impressive cello
repertoire selections.
Composed of four
movements, the first
Allegro vivace contains
the grandiose main theme.
The hauntingly beautiful
second movement is Adagio
affetuoso. The fiery and
furious third movement is
Allegro passionato. The
fourth Allegro molto
movement ends the piece
with exhilaration and an
optimistic feeling.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Cello; Piano Accompaniment (Score and Solo Part) SKU: HL.48024757 Cell...(+)
Cello; Piano
Accompaniment (Score and
Solo Part)
SKU:
HL.48024757
Cello
and Piano. Composed
by Magnus Lindberg.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. 68 pages.
Duration 1200 seconds.
Boosey & Hawkes
#M060132179. Published by
Boosey & Hawkes
(HL.48024757).
ISBN
9781784542085. UPC:
888680962067.
9.0x12.0x0.189
inches.
This work
was composed in 2013 to a
commission by the Los
Angeles Philharmonic
Association. It was first
performed that year at
Walt Disney Concert Hall,
Los Angeles, by Anssi
Karttunen (cello) and the
Los Angeles Philharmonic,
conducted by Esa-Pekka
Salonen. The piece is
formed in a single span
lasting 20 minutes.
Cello and piano - Level 4 SKU: VD.ED93069 Composed by Heinz Martin Lonqui...(+)
Cello and piano - Level 4
SKU: VD.ED93069
Composed by Heinz Martin
Lonquich. Classical.
Score, solo part.
Composed 1989. 7 S. Part.
+ 2 S. Stimme pages.
Verlag Dohr #ED93069.
Published by Verlag Dohr
(VD.ED93069).
(Movements I and II Arranged for Cello and Piano). Composed by Igor Fyodorovich ...(+)
(Movements I and II
Arranged for Cello and
Piano). Composed by Igor
Fyodorovich Stravinsky.
Arranged by David
Dutkanicz. For cello,
piano. 8 2 pages.
Published by Carl Fischer
F!nf Klavierkompositionen von Brahms, Chopin, Grieg und Schumann. Edited by Gell...(+)
F!nf Klavierkompositionen
von Brahms, Chopin, Grieg
und Schumann. Edited by
Geller, Doris;Schwarze,
Claudia. For Violoncello
(4). Violoncello. Score;
Set of Parts. Published
by Baerenreiter-Ausgaben
(German import).
Cello and piano SKU: FG.55011-609-2 Variaatioita sellolle ja orkesteri...(+)
Cello and piano
SKU:
FG.55011-609-2
Variaatioita sellolle
ja orkesterille op 5.
Composed by Aulis
Sallinen. Fennica Gehrman
#55011-609-2. Published
by Fennica Gehrman
(FG.55011-609-2).
ISBN
9790550116092.
Auli
s Sallinen (b. 1935) is
one of the most famous
Finnish contemporary
composers. In his early
instrumental works,
Sallinen was still
seeking to establish a
style of his own. He had
studied at the Sibelius
Academy in the late
1950s, first with Aarre
Merikanto - a composer
representing a national
brand of Neoclassicism -
and then with Joonas
Kokkonen, at that time
just transitioning from
Neoclassicism to
dodecaphony. Twelve-tone
music had won fairly
widespread acceptance in
contemporary Finn-ish
music, and Sallinen was
influenced, too. The
Variations are Sallinen's
first real work for the
cello - an instrument
that would later be one
of his favourites, its
warm, deep voice
corres-ponding to his
music's often dark
undercurrent.
The Variations for Cello
and Orchestra, Op. 5 were
composed in 1961-1962 and
premiered in October
1962. The basic motif
consists of a set of
three descending
intervals stated by the
cello at the beginning:
D-D flat-F, C-B-G and B
flat-A-F sharp. Their use
as basic material is a
ref-lection of the
composer's
dodecaphony-oriented
period, and variation of
this material provides
the framework for the
piece.
Variations for Cello and
Orchestra are now
published for the first
time. Available are a
reduction for cello and
piano, study score and
complete performance
material with
orchestra.
Souvenirs Violoncelle, Piano - Intermédiaire Salabert
Cello and Piano - intermediate SKU: BT.SLB-00595900 Extrait de la musi...(+)
Cello and Piano -
intermediate
SKU:
BT.SLB-00595900
Extrait de la musique
de scène pour « Le
Voyageur sans bagages
». Composed by
Francis Poulenc.
Classical. Book and
Part(s). Composed 2016. 5
pages. Editions Salabert
#SLB 00595900. Published
by Editions Salabert
(BT.SLB-00595900).
Bass Clarinet, Cello, Piano Chamber SKU: HL.14033080 Player's Score(+)
Bass Clarinet, Cello,
Piano Chamber
SKU:
HL.14033080
Player's Score.
Composed by Pelle
Gudmundsen-holmgreen.
Music Sales America.
Classical. Score. 22
pages. Music Sales
#KP01076. Published by
Music Sales
(HL.14033080).
ISBN
9788759869840.
Danish.
Territorial
Song - Clarinet Trio no.
2 for Bass Clarinet,
Cello and Piano was
composed by Pelle
Gudmundsen-Holmgreen in
1995-97. Programme Note:
Signals, expressions and
sounds (not necessarily
pleasant ones) in
different layers - that
is to say in different
tempi or polyrhythms - is
what one can hear in
Territorial Song. The
experience of nature's
diversity and the living
being's tendency to hold
their own and to
territoralise is
surprising and forever
inspiring. And this
experience does not make
one think of European,
classical form! Pelle
Gudmundsen-Holmgreen
 .
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Michael
Struck. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
piano reduction and the
study score
(,,Studien-Edition) are
available at G. Henle
Verlag. Solo concerto;
Romantic. Part. 12 pages.
Duration 35'. Breitkopf
and Haertel #OB 16104-16.
Published by Breitkopf
and Haertel
(BR.OB-16104-16).
ISBN
9790004339428. 10 x 12.5
inches.
The
publishers Henle and
Breitkopf & Hartel are
continuing their
collaboration, now with
Brahms, by publishing the
performance material of
the double concerto.
Brahms's last work with
orchestra was published
in the new Brahms
Complete Edition in 2002,
whereby the editor was
able to base himself on
newly accessible sources.
Of particular interest
are the additional
performance instructions
for the solo violin and
solo cello, which were
gathered from the first
edition of the solo
parts. These indications
were supplied by the
soloists of the first
performance, Joseph
Joachim and Robert
Hausmann. No doubt
authorized by Brahms,
they communicate valuable
insights into the
performance practice of
the time. The new
material also contains a
part in which the solo
violin and cello are
notated one above the
other. The trio edition
for violin, violoncello
and piano (EB 6040),
which was made by Brahms
himself, has proven
itself for chamber
performances; it
continues to be
available.The full score
is a conductor's dream:
big, bold, and
beautifully laid out on
glare-free bluff paper.
(Strings).
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Michael
Struck. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
piano reduction and the
study score
(,,Studien-Edition) are
available at G. Henle
Verlag. Solo concerto;
Romantic. Part. 12 pages.
Duration 35'. Breitkopf
and Haertel #OB 16104-19.
Published by Breitkopf
and Haertel
(BR.OB-16104-19).
ISBN
9790004339435. 10 x 12.5
inches.
The
publishers Henle and
Breitkopf & Hartel are
continuing their
collaboration, now with
Brahms, by publishing the
performance material of
the double concerto.
Brahms's last work with
orchestra was published
in the new Brahms
Complete Edition in 2002,
whereby the editor was
able to base himself on
newly accessible sources.
Of particular interest
are the additional
performance instructions
for the solo violin and
solo cello, which were
gathered from the first
edition of the solo
parts. These indications
were supplied by the
soloists of the first
performance, Joseph
Joachim and Robert
Hausmann. No doubt
authorized by Brahms,
they communicate valuable
insights into the
performance practice of
the time. The new
material also contains a
part in which the solo
violin and cello are
notated one above the
other. The trio edition
for violin, violoncello
and piano (EB 6040),
which was made by Brahms
himself, has proven
itself for chamber
performances; it
continues to be
available.The full score
is a conductor's dream:
big, bold, and
beautifully laid out on
glare-free bluff paper.
(Strings).