Composed by Johannes Driessler. Edited by Hugo Ruf. Stapled. Performance score, part(s). Composed 1956. Opus 41, No. 2. Baerenreiter Verlag #BA03968. Published by Baerenreiter Verlag (BA.BA03968).

Composed by Antonin Dvorak (1841-1904). Stapled. Czech title: Klid op. 68, 5. Classical. Performance score, part(s). With Publication language: Czech/German/English/Fren ch. Opus 68, No. 5. Editio Baerenreiter Praha #H01532. Published by Editio Baerenreiter Praha

Composed by Antonin Dvorak (1841-1904), edited by Leonard Rose. Instrumental solo book for cello and piano accompaniment. With bowings and fingerings. Composed 1894-95. 63 pages. Published by International Music Co.

Cello and Piano

SKU: BT.PMC4181

Composed by Mieczyslaw Weinberg. Book Only. Peermusic Classical #PMC4181. Published by Peermusic Classical (BT.PMC4181).

(With Marked and Unmarked String Parts Version for Violoncello and Piano). By Robert Schumann. Edited by Ernst Herttrich. Henle Music Folios. Softcover. 48 pages. G. Henle Verlag #HN910. Published by G. Henle Verlag

(For Violoncello And Piano). Composed by Lowell Liebermann. For Violoncello, Piano. Contemporary. Solo part an dpiano reduction. Standard notation. 32 pages. Duration 14 minutes. Theodore Presser Company #114-41423. Published by Theodore Presser Company

Cello; Piano Accompaniment (Cello Part And Piano Score)

SKU: HL.48025367

Cello and Piano. Composed by Simon Laks. Boosey & Hawkes Chamber Music. Classical. Softcover. Bote & Bock #M202538630. Published by Bote & Bock (HL.48025367).

UPC: 196288194286.

Simon Laks (1901-1983), who moved from Warsaw to Paris in 1926 at the age of 25, belonged to the large group of composers from Central and Eastern European countries who went down in 20th-century music history as the “École de Paris”. Slavic temperament amalgamated in their music with French esprit, the folklore of their native countries combined with the stylistic elements of neoclassicism and jazz typical of the time. As a member of the “Association of Young Polish Musicians”, Laks quickly made his way into French musical life. However, his career was ended with the beginning of World War 2 due to the collaboration of the Vichy government with Nazi Germany. Internment in 1941 was followed by deportation to Auschwitz in 1942. Laks survived the Shoah as a member and later leader of a camp band in Birkenau, which he testified to in his moving book Music in Auschwitz. After the traumatic experiences, Laks did not return to regular compositional activity until the 1960s, producing an opera, songs, and chamber music works, some of which were awarded important composition prizes. At the peak of this optimistic creative phase, he composed incidental music for Peretz Hirschbein's famous Yiddish comedy Dem Schmids Techter (The Blacksmith's Daughters), which premiered in New York in 1918, for a new production of the play at the Théâtre de'l’Entrepôt in Paris. Along with Prokofiev's Overture on Hebrew Themes and Shostakovich's cycle From Yiddish (Jewish) Folk Poetry, it is one of the most significant 20th-century explorations of art music with Jewish folklore – homage to a culture irreparably destroyed. From the original score, Holger Groschopp compiled two suites, for violoncello and piano and piano solo, that capture the essence of Lak's enchanting drama music. The premiere recording of the suites with Holger Groschopp and Adele Bitter was awarded the Opus Klassik 2023 in the category Editorial Achievement of the Year.

By Antonin Dvorak (1841-1904). Edited by Jonathan Del Mar. For cello and orchestra. This edition: Urtext. Solo part and piano reduction. Opus 104. Published by Baerenreiter Verlag

By Antonin Dvorak (1841-1904). For cello/piano. Czech title: Rondo g moll op. 94. Classical. Performance score. Publication language: Czech/German/English/Fren ch. Opus 94. Published by Editio Baerenreiter Praha

Cello and piano - intermediate to advanced

SKU: HL.49017952

Composed by Johanna Senfter. Edited by Guenter Matthes. This edition: Saddle stitching. Sheet music. String. Op. 79. 76 pages. Duration 18'. Schott Music #CB197. Published by Schott Music (HL.49017952).

ISBN 9790001149426. UPC: 841886009684. 9.0x12.0x0.243 inches.

The composer Johanna Senfter (1879-1961) from Oppenheim studied composition with Max Reger in Leipzig. Her expressive style is characterised by polyphonic settings and late-Romantic harmony. Sonate fur Violoncello und Klavier Opus 79 was written by Johanna Senfter around 1935. But it was not before 1993 that the long forgotten cello sonata was released on CD for the first time. The current edition of the previously unpublished sonata, now presented by us, is based on the autograph kept at the library of the Cologne Hochschule fur Musik. A rewarding concert piece for advanced cellists.