By Pam Wedgwood. For Cello and Piano. Book; Method/Instruction; String - Cello S...(+)
By Pam Wedgwood. For
Cello and Piano. Book;
Method/Instruction;
String - Cello Studies or
Collection. Faber
Edition: After Hours.
Published by Faber Music
By William J. Kirkpatrick. Arranged by Joseph Hoffman. For Cello and Piano. Chri...(+)
By William J.
Kirkpatrick. Arranged by
Joseph Hoffman. For Cello
and Piano. Christmas.
Level: Medium Easy.
Duration 2:45. Published
by Jackman Music
Corporation.
By Jules Emile Frederic Massenet. For voice with cello and piano accompaniment. ...(+)
By Jules Emile Frederic
Massenet. For voice with
cello and piano
accompaniment. Vocal
music. 2 scores and 1
part. Language: French.
Published by Noten Roehr
Plus Ultra Violoncelle, Piano Editorial de Musica Boileau
Cello and piano SKU: BO.B.3724 Composed by J. Cassado/M. Mestre. Publishe...(+)
Cello and piano
SKU:
BO.B.3724
Composed by
J. Cassado/M. Mestre.
Published by Editorial de
Musica Boileau
(BO.B.3724).
Cassado could
be considered are the
first great Catalan
symphonist of the 19th
Century and one of the
first pre-coursers of
Nationalism in our
country. His is a
Nationalism that is
solidly based on central
European traditions,
mainly Germanic in
its.
Plus Ultra
is a special case in
which the desire to
exhibit his deepest
Nationalist sentiments
took a second place to a
more global style into
which he incorporated
harmonies and melodic
turns that recall
Rachmaninoff more than
Albeniz. Plus Ultra can
be considered as a
musical thought which, in
spite of references or
paraphrases of some
typical aspects of
Spanish music of the era,
is an authentic lied in
which the cello sings
out, using maximum of its
expressive possibilities,
with a piano
accompaniment of the
first order.
In
this work Cassado makes
more extensive use of
pianissimo, which is more
typical of the French
school, than in any other
of his works. Through the
use of gestures which are
almost Impressionist, as
well as refined and
tasteful harmonies, the
composer divides the
musical discourse between
the two instruments
creating a fantastic work
which his son Gaspar
performed in
concerts.
Cello and Piano SKU: HL.14030693 Composed by Ernest John Moeran. Music Sa...(+)
Cello and Piano
SKU:
HL.14030693
Composed
by Ernest John Moeran.
Music Sales America.
Post-1900. Book
[Softcover]. Music Sales
#NOV120092. Published by
Music Sales
(HL.14030693).
8.25x11.75x0.466
inches.
In the
second half of his life,
Moeran greatly extended
his sensibilities and his
musical palate to include
more energetic and
vigorous rhythms,
harmonic colours and
tonalities. In the Sonata
for ViolonCello and
Piano, the listener will
find grandeur in the
first movement and an
intricate rondo in the
finale. It is a piece by
a composer who has taken
an expansive step beyond
his immediate
surroundings and first
influences.E J Moeran was
a 20th century British
composer of Anglo-Irish
background who spent his
early years in Norfolk
and influences of
folksong and programmatic
elements can be easily
heard in this composer's
main body of work. Moeran
tended toward thesmaller
ensembles in his
compositions, which gave
an appropriate frame for
his lyric gifts.
Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.48024688 ...(+)
Cello; Piano
Accompaniment (Cello Part
And Piano Score)
SKU:
HL.48024688
Le
Course en traineau,
Introduction et valse
melancolique, Feverie au
bord de mer, Deux ames au
ciel. Composed by
Jacques Offenbach. Edited
by Jean-Christophe Keck.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. 56 pages. Bote
& Bock #M202535356.
Published by Bote & Bock
(HL.48024688).
ISBN
9781540058782. UPC:
888680952952.
Jacqu
es Offenbach was not only
a composer of
inexhaustible
imagination, but also a
virtuoso cellist. Even
after his first years in
Paris, he liked to
perform as a musician
again and again. To mark
his 200th birthday in
2019, the Offenbach
Edition Keck OEK
publishes original
compositions by the
'Mozart of the
Champs-Elysees' for 'his'
instrument plus piano
accompaniment. The pieces
are suitable for amateur
studies and concert
performances alike - not
only in the anniversary
year! Some of them were
already available in
older separate editions,
some of them have been
unpublished until now. In
the present edition, they
are published in three
volumes according to
their musical relation,
based on the multiple
award-winning editorial
standards of the OEK.
Vol. 1 contains
dance-like pieces
(Tarantelle / Trois
Andante / Marche
chinoise), Vol. 2
baroque-style parodies
(Musette / Chant des
mariniers galants dapres
Rameau / Tambourin dapres
Rameau) and Vol. 3
Romantic character pieces
(La Course en traineau /
Introduction et valse
melancolique / Reverie au
bord de mer / Deux ames
au ciel).
Cello SKU: HL.49047032 Cello and Piano. Composed by Johann Friedri...(+)
Cello
SKU:
HL.49047032
Cello
and Piano. Composed
by Johann Friedrich
Justus Dotzauer. Edited
by Tobias Bonz. String
Method. Classical, Etude.
Softcover. 76 pages.
Schott Music #ED23573.
Published by Schott Music
(HL.49047032).
UPC:
196288108702.
Dotza
uer etudes have been part
of the standard
repertoire in cello
lessons for generations.
Friedrich Dotzauer
(1783-1860) was amongthe
major cellists and cello
pedagogues of the 19th
century and knew what
makes a good etude: it
should deal specifically
with a certain technical
problem and at the same
time not be monotonous,
but musically appealing.
The cellist of the
Leipzig Gewandhaus and
the Dresden Hofkapelle
managed to do that in an
exemplary manner. 24
Caprici in tutti tuoni
Op. 35 (1816) is
Dotzauer's
masterpiece,wonderfully
showing off the varied
tone colours and playing
techniques of the
violoncello. Demanding
etudes for lessons and
performances, with
beautiful melodic and
harmonic ideas, some with
slow expressive
introductions, some with
artistic arpeggios or
contrapuntal polyphony.
Our new edition follows
the original sources and
contains the original
text.
Violoncello, piano SKU: FG.55011-903-1 Composed by Victoria Yagling. Arra...(+)
Violoncello, piano
SKU:
FG.55011-903-1
Composed by Victoria
Yagling. Arranged by
Yuriy Leonovich.
Classical, contemporary.
Score and part. Fennica
Gehrman #55011-903-1.
Published by Fennica
Gehrman (FG.55011-903-1).
ISBN
9790550119031.
Vict
oria Yagling's Suite for
Cello and String
Orchestra (1967) is one
of her first successes as
a composer. The movement
layout of the Suite is
fast-slow-fast-slow. The
first movement, Toccata,
is a perpetual motion
with a brisk tempo of 100
per dotted half. The Aria
is reminiscent of
Rachmaninov's Vocalise
melody and Prokofiev's
tonal language. This
movement is the
centerpiece of the Suite.
The Humoresque is closely
connected in style and
motives to the March and
Aria movements from Boris
Tchaikovsky's Suite for
Cello Solo. Mostly
homophonic Finale plays
with bitonality and
contains several
circle-of-fifth
sequences.
This
product is is the
reduction for violoncello
and piano by prof. Yuriy
Leonovich. Orchestral
material available on
hire from the publisher.
Stydy score with solo
part is available for
sale (ISMN
9790550116436).
Vi
ctoria Yagling
(1946?2011) was born in
Russia and lived in
Finland since 1990. Her
long career as a cellist
served as an excellent
accompaniment to the
composition she began at
an early age. For 11
years she was a cello
student of Mstislav
Rostropovich at the
Moscow Conservatory and
Dmitry Kabalevsky and
Tikhon Khrennikov taught
her
composition.
Yagli
ng won the first prize in
the Gaspar Cassadò
Cello Competition and the
following year the second
prize in the Moscow
Tchaikovsky Competition.
Her solo engagements took
her to countless
countries. She has also
taught at several
international music
courses and master
classes and was often a
jury member for
international cello
competitions.
Yagl
ing left a profilic
oeuvre, and the three
cello concertos are her
main works. Her other
orchestral works include
Finnish Notebook, Lyrical
Preludes and the Suite
for Cello and String
Orchestra. She has also
composed solo works (e.g.
the Suite for Cello Solo
No. 1 chosen as an
obligatory piece for the
7th Tchaikovsky
Competition in Moscow in
1982), chamber works,
including two string
quartets, and vocal
music. Her expressive,
romantically orientated
style is Russian in
spirit and has grown out
of the soil provided by
Prokofiev and
Shostakovich.
Cello; Chamber Ensemble; Clarinet; Flute; Piano Accompaniment; Violin (Score) (+)
Cello; Chamber Ensemble;
Clarinet; Flute; Piano
Accompaniment; Violin
(Score)
SKU:
HL.50600993
For
Flute, Clarinet, Violin,
Cello and Piano.
Composed by Guoping Jia.
Score. Classical.
Softcover. 16 pages.
Sikorski #SIK8795.
Published by Sikorski
(HL.50600993).
8.0x11.75x0.078
inches.
The
ensemble work
“Scattered
Shades,†composed
in 2014, of the Chinese
composer Guoping Jia for
the instrumentation
flute, clarinet, violin,
violoncello and piano was
premiered on 21 May 2014
in Beijing at the
'Beijing Modern Music
Festival,' performed by
the ensemble 'Les Temps
Modernes.' Although this
work received its
essential inspiration
from ancient Chinese
pen-and-ink painting, it
also simultaneously
documents the overcoming
of a creative crisis.
During an artistically
difficult period, Jia
assigned himself the task
in 1997 to compose a
study that was to
supersede the
compositional techniques
used so far with the
means of rational
construction.
“Scattered
Shades†has
recourse to this study,
retracing its structure
in a more profound way
with a different
ensemble.
Clarinet in Bb, cello and piano - difficult SKU: HL.49017074 Music for...(+)
Clarinet in Bb, cello and
piano - difficult
SKU:
HL.49017074
Music
for Clarinet in Bb, Cello
and Piano. Composed
by Christian Jost. This
edition: Saddle
stitching. Sheet music.
Misc. Score and parts.
Composed 2007. 52 pages.
Duration 12'. Schott
Music #ED 20369.
Published by Schott Music
(HL.49017074).
ISBN
9790001151573.
9.0x12.0x0.182
inches.
In this
trio, as in most of his
compositions, Jost has
pictures and associations
with true incidents,
films and novels in his
mind. What inspired him
to write this piece was
Joseph Conrad's novel
'Heart of Darkness' in
which the protagonist
Marlow says about the
city of Brussels: 'In a
few hours I arrived in a
city that always make me
think of a whited
sepulchre.'In 'Sepulchral
City', a work
commissioned to mark the
tenth anniversary of the
Jerusalem Chamber Music
Festival, however, the
title refers to
Jerusalem, the city of
white tombs. The topic of
Jost's trio is a travel
into the soul and living
spirit of a city, with no
physical movement being
needed to find the heart
of impenetrable darkness:
It lies within the city
walls.In this respect,
'Sepulchral City' equals
a compositionally
unfolded funeral bell.
Even the animated middle
section rather has
insisting than
progressive power. At the
end, the only thing to do
is to inhale and
exhale.
50 Popular Classics in Easy Arrangements. Composed by Various. Arranged b...(+)
50 Popular Classics in
Easy Arrangements.
Composed by Various.
Arranged by Barrie Carson
Turner. String. Softcover
Audio Online. 56 pages.
Schott Music #ED13862.
Published by Schott Music
(HL.49045387).
Cello Music By French Composers See larger cover Your pri...(+)
Cello Music By French
Composers
See larger cover
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About Cello Music By
French Composers
Arranged by Otto Deri.
Instrumental solo/piano
accompaniment set for
Cello and piano. 68
pages. Published by G.
Schirmer, Inc.
By Gabriel Faure. Edited by Werner Thomas-Mifune. For violoncello, piano. Includ...(+)
By Gabriel Faure. Edited
by Werner Thomas-Mifune.
For violoncello, piano.
Includes: Apres une reve,
Green, Mandoline,
Tonjours, Mai, Chanson
dAmour. Edited and
arranged by Thomas
Werner-Mifune. Published
by Edition Kunzelmann.
Volume 1 Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.4802...(+)
Volume 1 Cello; Piano
Accompaniment (Cello Part
And Piano Score)
SKU:
HL.48024686
Tarantelle - Trois
Andante - Marche
chinoise. Composed by
Jacques Offenbach. Edited
by Jean-Christophe Keck.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. 48 pages. Bote
& Bock #M202535332.
Published by Bote & Bock
(HL.48024686).
ISBN
9781540058768. UPC:
888680952938.
Jacqu
es Offenbach was not only
a composer of
inexhaustible
imagination, but also a
virtuoso cellist. Even
after his first years in
Paris, he liked to
perform as a musician
again and again. To mark
his 200th birthday in
2019, the Offenbach
Edition Keck OEK
publishes original
compositions by the
'Mozart of the
Champs-Elysees' for 'his'
instrument plus piano
accompaniment. The pieces
are suitable for amateur
studies and concert
performances alike - not
only in the anniversary
year! Some of them were
already available in
older separate editions,
some of them have been
unpublished until now. In
the present edition, they
are published in three
volumes according to
their musical relation,
based on the multiple
award-winning editorial
standards of the OEK.
Vol. 1 contains
dance-like pieces
(Tarantelle / Trois
Andante / Marche
chinoise), Vol. 2
baroque-style parodies
(Musette / Chant des
mariniers galants dapres
Rameau / Tambourin dapres
Rameau) and Vol. 3
Romantic character pieces
(La Course en traineau /
Introduction et valse
melancolique / Reverie au
bord de mer / Deux ames
au ciel).
Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.48024687 ...(+)
Cello; Piano
Accompaniment (Cello Part
And Piano Score)
SKU:
HL.48024687
Musette - Chant des
mariniers galants d'apres
Rameau - Tambourin
d'apres Rameau.
Composed by Jacques
Offenbach. Edited by
Jean-Christophe Keck.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. 52 pages. Bote
& Bock #M202535349.
Published by Bote & Bock
(HL.48024687).
ISBN
9781540058775. UPC:
888680952945.
Jacqu
es Offenbach was not only
a composer of
inexhaustible
imagination, but also a
virtuoso cellist. Even
after his first years in
Paris, he liked to
perform as a musician
again and again. To mark
his 200th birthday in
2019, the Offenbach
Edition Keck OEK
publishes original
compositions by the
'Mozart of the
Champs-Elysees' for 'his'
instrument plus piano
accompaniment. The pieces
are suitable for amateur
studies and concert
performances alike - not
only in the anniversary
year! Some of them were
already available in
older separate editions,
some of them have been
unpublished until now. In
the present edition, they
are published in three
volumes according to
their musical relation,
based on the multiple
award-winning editorial
standards of the OEK.
Vol. 1 contains
dance-like pieces
(Tarantelle / Trois
Andante / Marche
chinoise), Vol. 2
baroque-style parodies
(Musette / Chant des
mariniers galants dapres
Rameau / Tambourin dapres
Rameau) and Vol. 3
Romantic character pieces
(La Course en traineau /
Introduction et valse
melancolique / Reverie au
bord de mer / Deux ames
au ciel).
Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.48025366 ...(+)
Cello; Piano
Accompaniment (Cello Part
And Piano Score)
SKU:
HL.48025366
Cello
and Piano. Composed
by Hans Winterberg.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. Bote & Bock
#M202538104. Published by
Bote & Bock
(HL.48025366).
UPC:
196288194279.
Hans
Winterberg, born in
Prague in 1901, lived
through almost the entire
period of the 20th
century and was
influenced as a composer
by its most important
artistic innovations.
Already a brilliant
pianist as an adolescent,
he studied with Alois
Hába and Alexander von
Zemlinsky in Prague. Both
his life and his music
reflect the
Austrian-Czech-Jewish
cultural symbiosis; he
saw himself as a bridge
builder between Western
and Eastern, i.e. Slavic,
cultures. Owing to his
Jewish ancestry, he was
deported to the Terezin
concentration camp after
the annexation of
Czechoslovakia by Nazi
Germany. He was the only
Jewish representative of
the Czech musical
avant-garde of the 1920s
and 1930s to survive the
Shoah and, in 1947,
followed his non-Jewish
wife and their daughter
to the FRG in the course
of the expulsion of the
German-speaking
population from
Czechoslovakia.
Winterberg's fascinating
oeuvre, which was kept
under lock and key in a
German music archive for
years after his death, is
now being made accessible
in first editions due to
a cooperation between the
Exilarte Center for
Banned Music at the
University of Music in
Vienna and Boosey &
Hawkes. The first printed
edition is Winterberg's
Cello Sonata, composed in
1951, in which all the
characteristics of his
unmistakable personal
style come to the fore:
dance-like energy,
polyrhythm, intimate yet
unsentimental melos,
subtle handling of
folkloristic material,
and an unerring sense of
form and balance. This
work is of medium
technical and great
interpretative
difficulty.
Cello; Piano - intermediate SKU: HL.49045283 For Cello and Piano Reduc...(+)
Cello; Piano -
intermediate
SKU:
HL.49045283
For
Cello and Piano
Reduction. Composed
by Wolfgang Koehler. This
edition: Saddle
stitching. Sheet music.
String Solo. Classical.
Softcover. 16 pages.
Schott Music #ED22651.
Published by Schott Music
(HL.49045283).
ISBN
9790001162470. UPC:
841886028913.
9.0x12.0x0.073
inches.
Take Seven
is a tried and trusted
showpiece with audience
appeal. The title Take
Seven is of course a play
on Paul Desmond's famous
Take Five and its
recording by the Dave
Brubeck Quartet. As
there, the rhythms in
this piece are largely
based on an asymmetric
metre - in this case, 7/4
time. Unlike most jazz
pieces with an uneven
metre, however, Take
Seven goes through
various moods, sections
and tempo changes,
illuminating the main
theme from different
angles.
Score and Part cello and piano SKU: HL.49045757 For Cello and Piano Sc...(+)
Score and Part cello and
piano
SKU:
HL.49045757
For
Cello and Piano Score and
Part. Composed by Han
Lash. This edition:
Saddle stitching. Sheet
music. String Solo.
Softcover. Composed 2012.
44 pages. Duration 3600
seconds. Schott Music
#ED31215. Published by
Schott Music
(HL.49045757).
ISBN
9781540020321. UPC:
888680727222.
9.25x12.0x0.183
inches.
Friction,
Pressure, Impact
comprises three
movements, each of which
focuses on the question
of musical metabolism in
a different way. The
first movement, Friction,
has a moderately fast
metabolism, working
through the musical
material between the
instruments with some
speed yet with a kind of
compulsively controlled
rate of evolution.
Pressure has a much
slower pace of working
through its musical
argument, which is
relatively minimal. It
moves heavily and
sensuously through its
course. Impact changes
and shifts with a
mercurial speed; although
this movement has one
single argument
throughout, it is an
argument that is
constantly changing shape
and perspective:
phrase-lengths, local
patterns, registers, and
harmonic inversions are
constantly in flux,
pelting the music's
surface like a hale
storm.- Hannah Lash.