Cello/bass - Intermediate SKU: MB.30562 Piano Accompaniment Included.<...(+)
Cello/bass - Intermediate
SKU: MB.30562
Piano Accompaniment
Included.. Composed
by Craig Duncan.
Saddle-stitched,
Alternative Style,
Bluegrass, Duet/Ensemble,
Country. Style. Book. 80
pages. Mel Bay
Publications, Inc #30562.
Published by Mel Bay
Publications, Inc
(MB.30562).
ISBN
9780786697823. 8.75 x
11.75
inches.
Fiddling
Classics contains 14
arrangements of classic
fiddle tunes from Texas,
cowboy and Western Swing
music traditions, written
in an exciting
twin/triple fiddle style.
The series includes three
books for different
instrumentation:MB30560
Fiddling Classics for
Solo and Ensemble:
Violins 1 and 2 Includes
2 violin parts .MB30561
Fiddling Classics for
Solo and Ensemble: Viola,
Violin 3 and Score
Includes parts for viola
melody, harmony, third
violin and a full score
.MB30562 Fiddling
Classics for Solo and
Ensemble: Cello/Bass
Includes cello/bass
melody and harmony parts
.Each book includes piano
accompaniment with guitar
chords. All three work
together, providing
readers with material for
all possible combination
of instruments; solo
instrument with piano or
guitar, duets, trios,
string quartets and much
more.
Cello - difficult SKU: HL.49016913 Composed by Olli Mustonen. This editio...(+)
Cello - difficult
SKU:
HL.49016913
Composed
by Olli Mustonen. This
edition: Saddle
stitching. Sheet music.
Cello-Bibliothek (Cello
Library). Classical.
Score and part. Composed
2006. 40 pages. Duration
15'. Schott Music #CB193.
Published by Schott Music
(HL.49016913).
ISBN
9790001147620. UPC:
884088262228.
9.0x12.0x0.127
inches.
Mustonen
belongs to the young
generation of composing
piano virtuosos. What is
remarkable is that 'his
instrument' is not placed
in the foreground of his
works. He rather composed
pieces for strings,
sonatas with piano
accompaniment, orchestral
works and even a piece
for guitar referring to
the history of his home
country Finland.The cello
sonata was premiered by
Mustonen with the cellist
Daniel Muller-Schott in
Hamburg. No special
emphasis is given to
polyphonic coexistence;
instead, the piano,
playing chordally, acts
as a real accompaniment
most of the time.
Cantilenas of the cello,
tricky rhythms, and
almost symphonic sound
eruptions make the piece
a sure-fire hit with the
public.
Sel., transcr., and ed. Samuel Applebaum. For Cello Piano Acc. String Series - C...(+)
Sel., transcr., and ed.
Samuel Applebaum. For
Cello Piano Acc. String
Series - Cello / Piano
Acc. Level: Easy (grade
1-2). 24 pages. Published
by Alfred Publishing.
Pampas Violoncelle, Piano Lauren Keiser Music Publishing
Cello and Piano. Composed by Lalo Schifrin. LKM Music. Classical. 24 pages. Laur...(+)
Cello and Piano. Composed
by Lalo Schifrin. LKM
Music. Classical. 24
pages. Lauren Keiser
Music Publishing
#X531023. Published by
Lauren Keiser Music
Publishing
Party Time! Violoncelle, Piano - Facile ABRSM Publishing
By BULLARD. For violoncello, piano. (17 party pieces for violoncello and piano -...(+)
By BULLARD. For
violoncello, piano. (17
party pieces for
violoncello and piano --
includes alternative
pieces for the
Preparatory Test for
Cello). Published by
ABRSM (Associated Board
of the Royal Schools of
Music).
Plus Ultra Violoncelle, Piano Editorial de Musica Boileau
Cello and piano SKU: BO.B.3724 Composed by J. Cassado/M. Mestre. Publishe...(+)
Cello and piano
SKU:
BO.B.3724
Composed by
J. Cassado/M. Mestre.
Published by Editorial de
Musica Boileau
(BO.B.3724).
Cassado could
be considered are the
first great Catalan
symphonist of the 19th
Century and one of the
first pre-coursers of
Nationalism in our
country. His is a
Nationalism that is
solidly based on central
European traditions,
mainly Germanic in
its.
Plus Ultra
is a special case in
which the desire to
exhibit his deepest
Nationalist sentiments
took a second place to a
more global style into
which he incorporated
harmonies and melodic
turns that recall
Rachmaninoff more than
Albeniz. Plus Ultra can
be considered as a
musical thought which, in
spite of references or
paraphrases of some
typical aspects of
Spanish music of the era,
is an authentic lied in
which the cello sings
out, using maximum of its
expressive possibilities,
with a piano
accompaniment of the
first order.
In
this work Cassado makes
more extensive use of
pianissimo, which is more
typical of the French
school, than in any other
of his works. Through the
use of gestures which are
almost Impressionist, as
well as refined and
tasteful harmonies, the
composer divides the
musical discourse between
the two instruments
creating a fantastic work
which his son Gaspar
performed in
concerts.