18 Recital Pieces in First Position for Cello and Piano or Two Celli. Edited b...(+)
18 Recital Pieces in
First
Position for Cello and
Piano
or Two Celli. Edited by
Christoph Sassmannshaus /
Melissa Lusk. Stapled.
Baerenreiter's
Sassmannshaus.
Performance score, parts.
22/24/17 pages pages.
Published by Baerenreiter
Verlag
12 Recital Pieces in First Position for Cello and Piano or Two Celli. Edited b...(+)
12 Recital Pieces in
First
Position for Cello and
Piano
or Two Celli. Edited by
Christoph Sassmannshaus /
Melissa Lusk. Stapled.
Baerenreiter's
Sassmannshaus.
Performance score, parts.
16/23/21 pages pages.
Published by Baerenreiter
Verlag
Virtuoso and Entertaining Pieces for Cello and Piano. Composed by Various. Edi...(+)
Virtuoso and Entertaining
Pieces for Cello and
Piano.
Composed by Various.
Edited
by Beverley Ellis and
Rainer
Mohrs. String. Softcover.
Schott Music #ED23310.
Published by Schott Music
Cello and Piano SKU: BT.EMBZ14110 By Lajos Vigh. By Arpad Pejtsik. Educat...(+)
Cello and Piano
SKU:
BT.EMBZ14110
By Lajos
Vigh. By Arpad Pejtsik.
Educational Tool. Book
Only. Composed 1996. 40
pages. Editio Musica
Budapest #EMBZ14110.
Published by Editio
Musica Budapest
(BT.EMBZ14110).
ABRSM Syllabus
title, Grade 5 The
original source of these
sonatas for cello and
double bass duo was a
collection created by
G.A. Perti and his pupils
in Bologna around 1695.
Among the easy and
small-scale movements (at
most 28 measures long),
the most quintessential
dances of the Baroque era
are represented.Some of
these compositions can be
played after a mere 3
years of instrumental
study, therefore music
students can use them as
an opportunity to
familiarize themselves
with the fundamentals of
baroque style. The simple
development of the
continuo allows for it to
be played by a pupil
performing alongside
their teacher. The pieces
also sound great when
played on two cellos.