Composed by Johannes Brahms (1833-1897). Edited by Clive Brown / Neal Peres Da Costa / Kate Bennett Wadsworth. For cello and piano. This edition: Urtext edition. Stapled. With an Urtext solo part by Clive Brown and a solo part with bowing and fingering by Kate Bennett Wadsworth; Fingering in the piano part by Neal Peres Da Costa; Performance Practice Commentary by C. Brown, N. P. Da Costa and K. B. Wadsworth. Level 3. Score and part. Text Language: German/English. Opus 38. Published by Baerenreiter Verlag

By Antonio Vivaldi. Edited by Hoffmann, Bettina. For Violoncello, Basso continuo. Score; Set of Parts (paperbound). RV 39-47. Published by Baerenreiter-Ausgaben (German import). ISBN M006520596.

Sonata for Violoncello and Piano. By Claude Debussy. Edited by Regina Back. For Cello, Piano. Urtext Edition. Playing score with critical commentary. Published by Baerenreiter Verlag (German import).

Cello; Piano Accompaniment (Cello Part And Piano Score)

SKU: HL.49046442

Cello and Piano. Composed by Richard Strauss. String Solo. Classical. Softcover. 80 pages. Duration 1560 seconds. Schott Music #CB301. Published by Schott Music (HL.49046442).

ISBN 9781540094780. UPC: 842819113003.

The Cello Sonata Op. 6 was composed over an apparently frequently interrupted period of three years, an extraordinarily long time for Strauss's early creative phase. The compositional process spawned two independent versions of the work, the first of which is published for the first time on the basis of the text in the Critical Edition of the Works of Richard Strauss in the current editionas a practical musical text. The genesis of the two versions and the reasons for revision can only be reconstructed in part: only one of the surviving autographs bears a date and the second version only survives in printed form. What is more, Strauss did not communicate in greater detail on this composition in correspondence with his family and friends. There are enormous differences between the two versions of the Sonata: Strauss deleted the entire second and third movements Larghetto and Allegro vivace, replacing them with a newly composed Andante and Finale. In the first movement, Allegro con brio, Strauss retained the thematic-motivic material and compositionally complex passages such as the three-voice fugue in the developmentsection (from bar 241 in the first version and bar 275 in the second version) almost intact in the new version of the sonata, but also undertook extensive alterations, particularly in the structure of the piano part, the motivic-thematic development of the movement and its harmony which became far more ambitious.12 Particular attention should be drawn to the repetitive accompaniment of the con espressione theme beginning in bar 32 and the significantly shorter development in the first version. The current printed edition of the first version of Richard Strauss's Cello Sonata now makes it possible to follow Strauss's compositional development during this period. The significance of the differences between the versions also mean that two sonata compositions for violoncello and piano by Richard Strauss with fundamental disparities in their underlying character are now available for performance.

Double bass (solos: vl.vc - 2.2.2.2. - 4.2.0.0. - timp - str)

SKU: BR.OB-16104-27

Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Johannes Brahms. Edited by Michael Struck. Stapled. Orchester-Bibliothek (Orchestral Library). The piano reduction and the study score (,,Studien-Edition) are available at G. Henle Verlag. Solo concerto; Romantic. Part. 12 pages. Duration 35'. Breitkopf and Haertel #OB 16104-27. Published by Breitkopf and Haertel (BR.OB-16104-27).

ISBN 9790004339459. 10 x 12.5 inches.

The publishers Henle and Breitkopf & Hartel are continuing their collaboration, now with Brahms, by publishing the performance material of the double concerto. Brahms's last work with orchestra was published in the new Brahms Complete Edition in 2002, whereby the editor was able to base himself on newly accessible sources. Of particular interest are the additional performance instructions for the solo violin and solo cello, which were gathered from the first edition of the solo parts. These indications were supplied by the soloists of the first performance, Joseph Joachim and Robert Hausmann. No doubt authorized by Brahms, they communicate valuable insights into the performance practice of the time. The new material also contains a part in which the solo violin and cello are notated one above the other. The trio edition for violin, violoncello and piano (EB 6040), which was made by Brahms himself, has proven itself for chamber performances; it continues to be available.The full score is a conductor's dream: big, bold, and beautifully laid out on glare-free bluff paper. (Strings).

Woodwinds (solos: vl.vc - 2.2.2.2. - 4.2.0.0. - timp - str)

SKU: BR.OB-16104-30

Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Johannes Brahms. Edited by Michael Struck. Folder. Orchester-Bibliothek (Orchestral Library). The piano reduction and the study score (,,Studien-Edition) are available at G. Henle Verlag. Solo concerto; Romantic. Set of parts. 100 pages. Duration 35'. Breitkopf and Haertel #OB 16104-30. Published by Breitkopf and Haertel (BR.OB-16104-30).

ISBN 9790004339466. 10 x 12.5 inches.

The publishers Henle and Breitkopf & Hartel are continuing their collaboration, now with Brahms, by publishing the performance material of the double concerto. Brahms's last work with orchestra was published in the new Brahms Complete Edition in 2002, whereby the editor was able to base himself on newly accessible sources. Of particular interest are the additional performance instructions for the solo violin and solo cello, which were gathered from the first edition of the solo parts. These indications were supplied by the soloists of the first performance, Joseph Joachim and Robert Hausmann. No doubt authorized by Brahms, they communicate valuable insights into the performance practice of the time. The new material also contains a part in which the solo violin and cello are notated one above the other. The trio edition for violin, violoncello and piano (EB 6040), which was made by Brahms himself, has proven itself for chamber performances; it continues to be available.The full score is a conductor's dream: big, bold, and beautifully laid out on glare-free bluff paper. (Strings).

Violin 2 (solos: vl.vc - 2.2.2.2. - 4.2.0.0. - timp - str)

SKU: BR.OB-16104-16

Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Johannes Brahms. Edited by Michael Struck. Stapled. Orchester-Bibliothek (Orchestral Library). The piano reduction and the study score (,,Studien-Edition) are available at G. Henle Verlag. Solo concerto; Romantic. Part. 12 pages. Duration 35'. Breitkopf and Haertel #OB 16104-16. Published by Breitkopf and Haertel (BR.OB-16104-16).

ISBN 9790004339428. 10 x 12.5 inches.

The publishers Henle and Breitkopf & Hartel are continuing their collaboration, now with Brahms, by publishing the performance material of the double concerto. Brahms's last work with orchestra was published in the new Brahms Complete Edition in 2002, whereby the editor was able to base himself on newly accessible sources. Of particular interest are the additional performance instructions for the solo violin and solo cello, which were gathered from the first edition of the solo parts. These indications were supplied by the soloists of the first performance, Joseph Joachim and Robert Hausmann. No doubt authorized by Brahms, they communicate valuable insights into the performance practice of the time. The new material also contains a part in which the solo violin and cello are notated one above the other. The trio edition for violin, violoncello and piano (EB 6040), which was made by Brahms himself, has proven itself for chamber performances; it continues to be available.The full score is a conductor's dream: big, bold, and beautifully laid out on glare-free bluff paper. (Strings).

Violoncello (solos: vl.vc - 2.2.2.2. - 4.2.0.0. - timp - str)

SKU: BR.OB-16104-23

Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Johannes Brahms. Edited by Michael Struck. Stapled. Orchester-Bibliothek (Orchestral Library). The piano reduction and the study score (,,Studien-Edition) are available at G. Henle Verlag. Solo concerto; Romantic. Part. 12 pages. Duration 35'. Breitkopf and Haertel #OB 16104-23. Published by Breitkopf and Haertel (BR.OB-16104-23).

ISBN 9790004339442. 10 x 12.5 inches.

The publishers Henle and Breitkopf & Hartel are continuing their collaboration, now with Brahms, by publishing the performance material of the double concerto. Brahms's last work with orchestra was published in the new Brahms Complete Edition in 2002, whereby the editor was able to base himself on newly accessible sources. Of particular interest are the additional performance instructions for the solo violin and solo cello, which were gathered from the first edition of the solo parts. These indications were supplied by the soloists of the first performance, Joseph Joachim and Robert Hausmann. No doubt authorized by Brahms, they communicate valuable insights into the performance practice of the time. The new material also contains a part in which the solo violin and cello are notated one above the other. The trio edition for violin, violoncello and piano (EB 6040), which was made by Brahms himself, has proven itself for chamber performances; it continues to be available.The full score is a conductor's dream: big, bold, and beautifully laid out on glare-free bluff paper. (Strings).

Violoncello and Piano (Violin An Cello)

SKU: HL.50511950

Composed by Antonio Caldara. Baroque. EMB. Editio Musica Budapest #Z12043. Published by Editio Musica Budapest (HL.50511950).

ISBN 9790080120439. K/4 (23,5x31) inches. Antonio Caldara; Laszlo Mezo; Gyorgy Orban.

The two manuscripts in oblong size (by the same hand) entitled Sinfonia a Violoncello Solo which served as the basis for the present edition are being kept in the Osterreichische Nationalbibliothek in Vienna under shelf mark E.M.29. Apart from the continuo realization and modifications in the sense of present-day notation carried out tacitly all other changes are listed in the footnotes, editorial additions have been put in square brackets. The bass part was supported in contemporary practice by a melody instrument. If performing with piano accompaniment, the supporting of the bass is not necessary. In case of harpsichord accompaniment, however, it is recommended to play the bass on bassoon instead of violoncello. Territorial restrictions may apply. Please ask before ordering.

14 Easy Pieces. Composed by Daniel Kemminer. Edited by Katharina Deserno. This edition: Saddle stitching. Sheet music. Schott Student Edition. Classical. Softcover. 1035. 56 pages. Schott Music #SE 1035. Published by Schott Music (

Cello and Piano. Composed by Cesar Antonovich Cui (1835- 1918). Edited by Estelle Revaz. This edition: Saddle stitching. Sheet music. Schott Student Edition. Classical. Softcover. Op. 50/9. 14 pages. Schott Music #SE 1038. Published by Schott Music

Cello - intermediate

SKU: HL.49018923

Cello and Piano. Composed by Eduard Puetz. Edited by Julius Berger. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Softcover. Composed 1990. 12 pages. Duration 4' 30''. Schott Music #CB233. Published by Schott Music (HL.49018923).

ISBN 9790001176545. 9.0x12.0x0.078 inches.

Eduard Putz (1911-2000) studied with Heinrich Lemacher and Hermann Schroeder at the Cologne Musikhochschule and later worked as a music teacher at the grammar school in Rheinbach near Bonn as well as a composition teacher at the Rhenish Music School in Cologne. Overcoming the boundaries between serious and entertaining music was what mattered to him which is why he wrote many works which tried to combine jazz and new music. His 'Adagietto' for violoncello and piano (1990) was discovered within the composer's estate and published for the first time. Prof. Julius Berger arranged the piece for practical playing, adding appropriate fingerings. A short performance piece with interesting harmonies and arpeggios in the piano part and expressive cantilenas in the cello part.