La Vida Breve Primera Danza Espanola. (for Cello and Piano). By Manuel de Falla ...(+)
La Vida Breve Primera
Danza Espanola. (for
Cello and Piano). By
Manuel de Falla
(1876-1946). For Cello,
Piano Accompaniment.
Music Sales America.
Classical. Book only. 18
pages. Union Musical
Ediciones #UMF1024.
Published by Union
Musical Ediciones
(Revised Edition With Marked and Unmarked String Parts). By Ludwig van Beethoven...(+)
(Revised Edition With
Marked and Unmarked
String Parts). By Ludwig
van Beethoven
(1770-1827). Edited by
Jens Dufner. For cello
and piano. Henle Music
Folios. Solo part and
accompaniment. 266 pages
Schott Student Edition Repertoire. Composed by Jean Baptiste Breval. Edit...(+)
Schott Student Edition
Repertoire. Composed
by Jean Baptiste Breval.
Edited by Beverley Ellis.
This edition: Saddle
stitching. Sheet music.
Schott Student Edition.
Repertoire. Softcover.
Op. 40/1. 36 pages.
Schott Music #SE1006.
Published by Schott Music
(HL.49045503).
Cello and piano (Cello Part And Piano Score) - intermediate SKU: HL.49019221<...(+)
Cello and piano (Cello
Part And Piano Score) -
intermediate
SKU:
HL.49019221
Composed
by George Goltermann.
Edited by Fritz Zumkley.
This edition: Saddle
stitching. Sheet music.
String Solo. Softcover.
Op. 92/2. 12 pages.
Schott Music #CB246.
Published by Schott Music
(HL.49019221).
ISBN
9790001180672. UPC:
841886018136.
9.0x12.0x0.092
inches.
Georg
Goltermann (1824-1898)
left a plethora of works
for his instrument,
including seven cello
concertos which still
play an important role in
the cello literature of
today. In addition, he
composed a large number
of character pieces,
including romances,
reveries, nocturnes and
serenades. Rooted
entirely in the romantic
spirit of their time with
regard to style, they are
relatively short pieces
of medium difficulty. It
is not least due to its
melodic and harmonic
catchiness that the
rather easy Reverie in G
minor Op. 92/2 enjoys
great popularity both in
lessons and in concerts.
The expression marking
'Allegro appassionato'
refers to the fundamental
character of the piece
which demands, in
particular, an expressive
vibrato rich in
modulation.
Cello Music By French Composers See larger cover Your pri...(+)
Cello Music By French
Composers
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About Cello Music By
French Composers
Arranged by Otto Deri.
Instrumental solo/piano
accompaniment set for
Cello and piano. 68
pages. Published by G.
Schirmer, Inc.
Cello; Piano Accompaniment - intermediate SKU: HL.49019267 Violoncello...(+)
Cello; Piano
Accompaniment -
intermediate
SKU:
HL.49019267
Violoncello and
Piano. Composed by
George Goltermann. Edited
by Fritz Zumkley. This
edition: Saddle
stitching. Sheet music.
String. Stilistisch ganz
dem romantischen Geist
ihrer Zeit verhaftet,
handelt es sich um
relativ kurze Stucke.
Nicht zuletzt aufgrund
ihrer melodischen und
harmonischen
Eingangigkeit erfreuen
sie sich nachhaltiger
Beliebtheit sowohl im
Unterricht wie im
hausliche. Classical.
Softcover. Op. 54/3. 8
pages. Schott Music
#CB247. Published by
Schott Music
(HL.49019267).
ISBN
9790001180689. UPC:
841886018143.
9.0x12.0x0.074 inches.
Edited with fingerings
and bowings by Fritz
Zumkley.
Goltermann
(1824-1898) left a
plethora of works for his
instrument, including
seven cello concertos
which sometimes go to the
limitsof what was
considered to be
technically playable in
his time. Even today,
these works have
maintained their
importance throughout the
methodological progress
in literature. Apart from
the concertos, Goltermann
also composed a large
number of character
pieces, including
romances, reveries,
nocturnes and serenades.
Stylistically wholly
rooted in the Romantic
spirit of their time, the
pieces are relatively
short and of medium
difficulty as regards the
technical demands. It is
not least due to their
melodic and harmonic
catchiness that they
enjoy a lasting
popularity both in music
lessons and in domestic
concerts.
Sonata brevis, Op. 11a. (Cello and Piano). By Bertold Hummel (1925-2002). For Ce...(+)
Sonata brevis, Op. 11a.
(Cello and Piano). By
Bertold Hummel
(1925-2002). For Cello,
Piano. Boosey and Hawkes
Chamber Music. Softcover.
28 pages. Simrock
#M221120786. Published by
Simrock
Cello and Piano. Composed by Cesar Antonovich Cui (1835- 1918). Edited by Est...(+)
Cello and Piano. Composed
by
Cesar Antonovich Cui
(1835-
1918). Edited by Estelle
Revaz. This edition:
Saddle
stitching. Sheet music.
Schott Student Edition.
Classical. Softcover. Op.
50/9. 14 pages. Schott
Music
#SE 1038. Published by
Schott Music
For Cello and Piano. Composed by Jean-Baptiste Breval. Strings, Repertoire, ...(+)
For Cello and Piano.
Composed
by Jean-Baptiste Breval.
Strings, Repertoire,
Solos.
Concertino No. 2 in C
major.
Softcover Book. Edition
Delrieu #DF429. Published
by
Edition Delrieu
For Cello and Piano. Composed by Jean-Baptiste Breval. Strings, Repertoire, ...(+)
For Cello and Piano.
Composed
by Jean-Baptiste Breval.
Strings, Repertoire,
Solos.
Concerto No. 2 in D
major.
Softcover Book. Edition
Delrieu #DF516. Published
by
Edition Delrieu
Composed by Jean-Baptiste Breval. Edited by Christoph Sassmannshaus. Stapled...(+)
Composed by Jean-Baptiste
Breval. Edited by
Christoph
Sassmannshaus. Stapled.
Barenreiter's
Concert
Pieces. Piano reduction,
part(s). 7/12 pages.
Duration 8:00.
Baerenreiter
Verlag #BA 10698.
Published
by Baerenreiter Verlag
Composed by Jean Baptiste Sebastien Breval, edited by Carl Schroeder, Leonard Ro...(+)
Composed by Jean Baptiste
Sebastien Breval, edited
by Carl Schroeder,
Leonard Rose.
Instrumental solo book
for cello and piano.
Published by
International Music Co.
Souvenirs Violoncelle, Piano - Intermédiaire Salabert
Cello and Piano - intermediate SKU: BT.SLB-00595900 Extrait de la musi...(+)
Cello and Piano -
intermediate
SKU:
BT.SLB-00595900
Extrait de la musique
de scène pour « Le
Voyageur sans bagages
». Composed by
Francis Poulenc.
Classical. Book and
Part(s). Composed 2016. 5
pages. Editions Salabert
#SLB 00595900. Published
by Editions Salabert
(BT.SLB-00595900).
Score & Parts Cello SKU: HL.51481132 For Violoncello and Piano. Co...(+)
Score & Parts Cello
SKU: HL.51481132
For Violoncello and
Piano. Composed by
Jean-Louis Duport. Edited
by Norbert Gertsch. Henle
Music Folios. Classical.
Softcover. 42 pages. G.
Henle #HN1132. Published
by G. Henle
(HL.51481132).
UPC:
840126989656.
9.0x12.0x0.35
inches.
“More
than 20 years ago I was
called upon by friends,
artists, and aficionados
to write about fingerings
for the
violoncello,â€
then-famous Berlin
cellist Jean-Louis Duport
thus opens his
“Essai†from
1806, dedicated to
“Professeurs de
Violoncelle.†His
methodology
revolutionized cello
technique, and the 21
etudes printed in its
appendix are still
regarded today as perhaps
the most important set of
studies for all budding
cellists. Modelled after
the volumes of etudes for
violin, Henle is also
issuing the Urtext here,
together with all
original fingerings and
bowings, while also
offering alternatives by
the famous cellist and
teacher Wolfgang Emanuel
Schmidt. This edition
also offers a second
cello part provided by
Duport for
accompaniment.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Schirmer's Library of Musical Classics Volume 2081 Intermediate to Advanced Leve...(+)
Schirmer's Library of
Musical Classics Volume
2081 Intermediate to
Advanced Level. By
Various. String. Book
only. 188 pages.
Published by G. Schirmer,
Inc.
Cello and piano SKU: BR.EB-9391 Urtext based on the Complete Edition J...(+)
Cello and piano
SKU:
BR.EB-9391
Urtext
based on the Complete
Edition Jean Sibelius
Works (JSW). Composed
by Jean Sibelius. Edited
by Anna Pulkkis. Solo
instruments; stapled.
Edition Breitkopf.
Late-romantic; Early
modern. Score. 28 pages.
Duration 12'. Breitkopf
and Haertel #EB 9391.
Published by Breitkopf
and Haertel (BR.EB-9391).
ISBN 9790004188651. 9
x 12 inches.
Jean
Sibelius composed far
less music for the cello
than for the violin.
Malinconia (op. 20) -
published in 1911 but
composed in 1900 under
the title Fantasia -
remained his only
opus-numbered work
exclusively for cello and
piano. The Fantasia for
cello and piano, an early
stage of Malinconia , was
premiered at a soiree in
the Solemnity Hall of the
University of Helsinki on
12 March 1900 and was
given positive press
reviews: The work, which
mainly drew attention
with its logical and
clear structure, begins
with a powerful and
substantial cello solo,
to which the piano
responds with a
glimmering series of
arpeggiated chords. At
the end where the
instruments unite in a
harmonious, deeply
emotional song, the
harmonic impression they
create is very bright and
lovely. The autograph
manuscript of Fantasia
shows that Sibelius
omitted a larger passage
of music between the
present bars 24 and 25
and that he made further
revisions to the work,
either before the
publishing process or in
the proofs he read in
April 1911 for
Breitkopf.
For Cello and Piano. Composed by Francois Couperin (1668- 1733). Leduc. Baroq...(+)
For Cello and Piano.
Composed
by Francois Couperin
(1668-
1733). Leduc. Baroque.
Softcover. 12 pages.
Alphonse
Leduc #AL16920. Published
by
Alphonse Leduc
Composed by
Jimmy Baas. Sws.
Performance Score. 16
pages. Duration 3
minutes, 49 seconds. Carl
Fischer Music #CM9625.
Published by Carl Fischer
Music (CF.CM9625).
ISBN 9781491156988.
UPC: 680160915545. 6.875
x 10.5 inches. Key: Bb
major. English, English.
William Butler
Yeats.
The
Everlasting Voices is the
perfect blend of textural
variety and harmonic
interest for the advanced
treble ensemble.
Employing a powerful
text, Baas' vocal
layering coupled with
piano and optional cello
make this compelling
piece a programming
must!. O sweet
everlasting Voices, be
still; Go to the guards
of the heavenly fold And
bid them wander obeying
your will, Flame under
flame, till Time be no
more; Have you not heard
that our hearts are old,
That you call in birds,
in wind on the hill, In
shaken boughs, in tide on
the shore? O sweet
everlasting Voices, be
still. This SSAA choral
work by Jimmy Baas was
comissioned by the
Lumberton HS Varsity
Treble Choir. The opening
and closing lines of the
poem, O sweet everlasting
voices, be still provide
the perfect bookends for
two larger sections of
the poem. These two
sections are equally
divided into verses. The
opening line is used once
again as a transition
between the verses. The
previously mentioned
lines, O sweet
everlasting voices, are
overlapped as different
layers of voices enter
and sustain. A fifth and
sixth voice, the cello
and piano accompaniment
take part in these layers
as well. The words be
still are very much a
part of the mood each
time as the everlasting
voices become quiet and
still. The two verses
feature different voices
within the SSAA choir.
Verse 1, the sopranos,
and verse 2 the altos.
There are many moments in
this piece to explore the
full range and color of
the SSAA choir. The piano
and cello play an
important part
throughout, making this
piece an excellent choice
for any festival women's
chorus. O sweet
everlasting Voices, be
still;Go to the guards of
the heavenly foldAnd bid
them wander obeying your
will,Flame under flame,
till Time be no more;Have
you not heard that our
hearts are old,That you
call in birds, in wind on
the hill,In shaken
boughs, in tide on the
shore?O sweet everlasting
Voices, be still.This
SSAA choral work by Jimmy
Baas wascomissioned by
the Lumberton HS Varsity
Treble Choir.The opening
and closing lines of the
poem, “O
sweeteverlasting voices,
be still†provide
the perfect bookendsfor
two larger sections of
the poem. These two
sectionsare equally
divided into verses. The
opening line is usedonce
again as a transition
between the verses.The
previously mentioned
lines, “O sweet
everlastingvoices,â€
are overlapped as
different layers of
voices enterand sustain.
A fifth and sixth voice,
the cello and
pianoaccompaniment take
part in these layers as
well.The words “be
still†are very
much a part of the
moodeach time as the
everlasting voices become
quietand still.The two
verses feature different
voices within the
SSAAchoir. Verse 1, the
sopranos, and verse 2 the
altos. Thereare many
moments in this piece to
explore the full range
andcolor of the SSAA
choir. The piano and
cello play an
importantpart throughout,
making this piece an
excellent choice for
anyfestival
women’s
chorus.
Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.48024888 ...(+)
Cello; Piano
Accompaniment (Cello Part
And Piano Score)
SKU:
HL.48024888
Cello
and Piano. Composed
by Bertold Hummel. Boosey
& Hawkes Chamber Music.
Classical. Softcover. 20
pages. Duration 360
seconds. Simrock
#M221122575. Published by
Simrock (HL.48024888).
UPC:
840126919769.
As a
lesson and lecture piece,
Bertold Hummel's Sonatine
op. 35, created in 1969,
accompanied many young
musicians on their way.
Sold a thousand times all
over the world, it is one
of the composer's
best-known works and has
been included in the
repertoire list for the
'Jugend musiziert'
competition by the German
Music Council. Warmth and
sparkling rhythm
characterize the three
movements: inthe powerful
maestoso, the sonority of
the main theme is
contrasted with a lyrical
side theme; the
recapitulation ends with
an impulsive fugato. The
second movement Elegie
consists of a single
soulful melody about
spherical harmonies of
the piano. As the
highlight in the Finale
vivace, playful
lightness, marching
rhythms and dramatic
increases replace each
other in quick
succession; wild
arpeggios lead to the
end. Originally composed
for violin, versions for
viola and cello were
already familiar. For the
50th birthday, Simrock /
Boosey &
Hawkespresents the work
in a revised, revised
edition. A repertoire
enrichment for beginning
instrumentalists are the
first available versions
for alto and tenor
saxophone, which the
composer made himself in
the 1990s.
Chamber Music & Piano Accompaniment 1 Cello 1 Piano - Grade 1 SKU: FL.FX07432...(+)
Chamber Music & Piano
Accompaniment 1 Cello 1
Piano - Grade 1
SKU:
FL.FX074322
Composed
by Andre Telman. Original
Composition. Classical,
Educational. Score and
Set of Parts. FLEX
Editions #FX074322.
Published by FLEX
Editions (FL.FX074322).
This sweet and
singing piece, for cello
and piano, will allow the
young budding artist,
from the first years of
practice, to develop
his/her sensitivity, as
in a dream... - Andre
TELMAN ; Instruments: 1
Cello 1 Piano; Difficuly
Level: Grade 1; Duration:
1 mn 15 s; Musical Style:
Classical, Educational;
Category: Original
Composition; Composer:
Andre TELMAN.
By Antonin Dvorak (1841-1904). Edited by Jonathan Del Mar. For cello and orchest...(+)
By Antonin Dvorak
(1841-1904). Edited by
Jonathan Del Mar. For
cello and orchestra. This
edition: Urtext. Solo
part and piano reduction.
Opus 104. Published by
Baerenreiter Verlag