Cello; Piano Accompaniment (Cello Part And Piano Score)

SKU: HL.48024888

Cello and Piano. Composed by Bertold Hummel. Boosey & Hawkes Chamber Music. Classical. Softcover. 20 pages. Duration 360 seconds. Simrock #M221122575. Published by Simrock (HL.48024888).

UPC: 840126919769.

As a lesson and lecture piece, Bertold Hummel's Sonatine op. 35, created in 1969, accompanied many young musicians on their way. Sold a thousand times all over the world, it is one of the composer's best-known works and has been included in the repertoire list for the 'Jugend musiziert' competition by the German Music Council. Warmth and sparkling rhythm characterize the three movements: inthe powerful maestoso, the sonority of the main theme is contrasted with a lyrical side theme; the recapitulation ends with an impulsive fugato. The second movement Elegie consists of a single soulful melody about spherical harmonies of the piano. As the highlight in the Finale vivace, playful lightness, marching rhythms and dramatic increases replace each other in quick succession; wild arpeggios lead to the end. Originally composed for violin, versions for viola and cello were already familiar. For the 50th birthday, Simrock / Boosey & Hawkespresents the work in a revised, revised edition. A repertoire enrichment for beginning instrumentalists are the first available versions for alto and tenor saxophone, which the composer made himself in the 1990s.

Accompanies Second Edition. Composed by David Blackwell and Kathy Blackwell. Cello Time. Oxford University Press #9780193563315. Published by Oxford University Press

Composed by George Gershwin (1898-1937). Arranged by Colette Mourey. Duration 60'00. Published by Editions Marc Reift (MA.EMR-22381).

Composed by Johannes Brahms (1833-1897). Edited by Clive Brown / Neal Peres Da Costa / Kate Bennett Wadsworth. For cello and piano. This edition: Urtext edition. Stapled. With an Urtext solo part by Clive Brown and a solo part with bowing and fingering by Kate Bennett Wadsworth; Fingering in the piano part by Neal Peres Da Costa; Performance Practice Commentary by C. Brown, N. P. Da Costa and K. B. Wadsworth. Level 3. Score and part. Text Language: German/English. Opus 38. Published by Baerenreiter Verlag

Chamber Music & Piano Accompaniment 1 Cello 1 Piano - Grade 4

SKU: FL.FX073523

Composed by Patrice Bernard. Original Composition. Classical, Educational. Score and Set of Parts. 7 (score); 3 (parts) pages. Duration 2 minutes, 50 seconds. FLEX Editions #FX073523. Published by FLEX Editions (FL.FX073523).

A very nice exercice on 9/8 rhythm. ; Instruments: 1 Cello 1 Piano; Difficuly Level: Grade 4.

Play Gershwin for Cello by George Gershwin (1898-1937). Arranged by Alan Gout. For Cello and Piano. Book; Masterworks; String - Cello Studies or Collection. Faber Edition. 20th Century; Masterwork Arrangement. Published by Faber Music

Cello and Piano Book/Online Audio. Composed by George Gershwin (1898-1937). For Classical Players. Softcover Audio Online. 56 pages. Published by Hal Leonard

Cello and Piano (BR)

SKU: HL.49034701

Composed by Konold. Edition Schott. Classical. Book Only. 228 pages. Schott Music #GS33606. Published by Schott Music (HL.49034701).

UPC: 884088096076. 305 X 229 inches.

Spanish composer Leonardo Balada dresses Bach's melodies in musical finery that examines thematic variation, shifting tonal centers, sharply contrasting timbres, and instrumental balance. Described as 'a work in continual nervous motion, full of contrasting, interlocking speeds and rhythm' by the New York Times this advanced work for Cello and Piano is an exploration of both Bach and of the two instruments.
Leonardo Balada serves as University Professor of Composition at Carnegie Mellon University.

Cello and Piano - intermediate

SKU: BT.DHP-1175829-401

Composed by Pascal Proust. De Haske String Series. Book and Part(s). Composed 2017. 12 pages. De Haske Publications #DHP 1175829-401. Published by De Haske Publications (BT.DHP-1175829-401).

ISBN 9789043153034. English-German-French-Dut ch.

To the beat of the Habanera rhythm, our young cellists will travel to the land of multi-coloured hats.
Composer Pascal Proust has many years of experience as a musician and music teacher. His work includes several hundred compositions for the most diverse instrumentations. He wrote Red Sombrero for cellists with an ability of approximately 3 4 years’ experience. He paid special attention to an easy-to-follow, attractive musical style. Red Sombrero is an ideal performance or competition work for young musicians.

Op het ritme van de Habanera, reizen onze jonge cellisten naar het land van de kleurrijke hoeden.
De componist Pascal Proust kan bogen op een jarenlange ervaring als muzikant en muziekdocent. Zijn oeuvre omvat honderden composities voor de meest diverse instrumentaties. Hij schreef Red Sombrero voor cellisten die ongeveer drie tot vier jaar les hebben gehad, waarbij hij speciaal aandacht heeft besteed aan een makkelijk te volgen, aantrekkelijke muziekstijl. Daardoor is Red Sombrero een ideaal voordrachts- of wedstrijdstuk voor jonge muzikanten.

In einem Habanera-Rhythmus unternehmen die jungen Cellisten eine Reise ins Land der bunten Hüte.
Der Komponist Pascal Proust kann aus seiner langjährigen Erfahrung als Musiker und Musikpädagoge schöpfen, sein Oeuvre umfasst mehrere hundert Kompositionen für verschiedenste Besetzungen. Er schrieb Red Sombrero für Cellisten mit ungefähr 3 4 Jahren Unterrichtserfahrung und legte besonderes Augenmerk auf einen leicht verständlichen, attraktiven musikalischen Stil. Dadurch eignet sich Red Sombrero ideal als Vortrags- und Wettbewerbsstück für junge Musiker.

Sur un rythme de Habanera, nos jeunes violoncellistes feront un voyage au pays des chapeaux multicolores ....
Le compositeur Pascal Proust puise volonté dans son immense expérience de musicien et professeur de musique - son catalogue d’œuvres englobe plusieurs centaines de compositions pour divers instruments. Il a notamment écrit Red Sombrero pour violoncellistes ayant environ 3 4 années de pratique, dans un style musical accessible et coloré. De ce fait, Red Sombrero est la pièce idéale pour tout examen ou audition de jeunes musiciens.

Violoncello and Piano. By Ferenc Farkas. EMB. Book only. Published by Editio Musica Budapest.

Violoncello & Piano or CD Play Back / Play Along - Grade 1, Grade 2

SKU: MA.EMR-54727

Melodies pour Debutants / Melodien fur Anfanger. Composed by John G. Mortimer. Score and parts. Duration 10'39. Editions Marc Reift #EMR 54727. Published by Editions Marc Reift (MA.EMR-54727).

Superhero / Summer Holiday / Rainy Afernoon / Lazy Samba / Rumba Rhythm / Setting Sail / Jasmine Blossom / New Year's Polka.

(Cello and Piano). Composed by Edward Gregson. For Cello, Piano Accompaniment. Music Sales America. 52 pages. Novello and Co Ltd. #NOV958089. Published by Novello and Co Ltd.

Cello and Piano. Composed by Cesar Antonovich Cui (1835- 1918). Edited by Estelle Revaz. This edition: Saddle stitching. Sheet music. Schott Student Edition. Classical. Softcover. Op. 50/9. 14 pages. Schott Music #SE 1038. Published by Schott Music

By Ernest Chausson (1855-1899). For Cello and Piano. Masterworks; Part(s); Score; Solo; String - Cello and Piano. Faber Edition. Impressionistic; Masterwork; Romantic. 12 pages. Published by Faber Music

Cello and piano (Cello Part And Piano Score) - advanced

SKU: HL.49045076

For violoncello and piano. Composed by Aribert Reimann. This edition: Saddle stitching. Sheet music. String. Softcover. Composed 1962. 8 pages. Duration 4'. Schott Music #CB285. Published by Schott Music (HL.49045076).

ISBN 9790001159302. UPC: 888680633141. 9.25x12.0x0.057 inches.

Eine fruhe Komposition von Aribert Reimann: Das knapp vierminutige Werk fur Violoncello und Klavier verbindet ein elegisches Adagio mit gewohnt anspruchsvoller Rhythmik - jetzt als Neuauflage erschienen.

Cello; Piano Accompaniment (Cello Part And Piano Score)

SKU: HL.48025366

Cello and Piano. Composed by Hans Winterberg. Boosey & Hawkes Chamber Music. Classical. Softcover. Bote & Bock #M202538104. Published by Bote & Bock (HL.48025366).

UPC: 196288194279.

Hans Winterberg, born in Prague in 1901, lived through almost the entire period of the 20th century and was influenced as a composer by its most important artistic innovations. Already a brilliant pianist as an adolescent, he studied with Alois Hába and Alexander von Zemlinsky in Prague. Both his life and his music reflect the Austrian-Czech-Jewish cultural symbiosis; he saw himself as a bridge builder between Western and Eastern, i.e. Slavic, cultures. Owing to his Jewish ancestry, he was deported to the Terezin concentration camp after the annexation of Czechoslovakia by Nazi Germany. He was the only Jewish representative of the Czech musical avant-garde of the 1920s and 1930s to survive the Shoah and, in 1947, followed his non-Jewish wife and their daughter to the FRG in the course of the expulsion of the German-speaking population from Czechoslovakia. Winterberg's fascinating oeuvre, which was kept under lock and key in a German music archive for years after his death, is now being made accessible in first editions due to a cooperation between the Exilarte Center for Banned Music at the University of Music in Vienna and Boosey & Hawkes. The first printed edition is Winterberg's Cello Sonata, composed in 1951, in which all the characteristics of his unmistakable personal style come to the fore: dance-like energy, polyrhythm, intimate yet unsentimental melos, subtle handling of folkloristic material, and an unerring sense of form and balance. This work is of medium technical and great interpretative difficulty.

Composed by Camille Saint- Saens (1835-1921). Edited by Denis Herlin. This edition: First Edition; Urtext edition. Published by Baerenreiter Verlag

26 Pieces for Cello Players Cello and Piano. Composed by Katherine and Hugh Colledge. Boosey and Hawkes Chamber Music. Classical. Softcover Audio Online. 32 pages. Boosey and Hawkes #M060135484. Published by Boosey and Hawkes

Cello and piano

SKU: BR.MN-12031

Composed by Meinrad Schutter. Solo instruments; Folder. Musikverlag Nepomuk. Early modern; Music post-1945. Score. Composed 1998. 18 pages. Breitkopf and Haertel #MN 12031. Published by Breitkopf and Haertel (BR.MN-12031).

ISBN 9790004791547. 8.5 x 12 inches.

Die Musik Meinrad Schutters (*1910) ist gekennzeichnet durch Transparenz und konzentrierte Dichte; Anliegen ist die Klangfarbe, das Aushoren eines Akkords. Pragnante Rhythmik, Expressivitat, ein tanzerischer Impetus sowie die Neigung des Komponisten zu Humor und Ironie fuhren zu besonderer Eigenwilligkeit der Tonsprache.

Cello and Piano

SKU: HL.14030693

Composed by Ernest John Moeran. Music Sales America. Post-1900. Book [Softcover]. Music Sales #NOV120092. Published by Music Sales (HL.14030693).

8.25x11.75x0.466 inches.

In the second half of his life, Moeran greatly extended his sensibilities and his musical palate to include more energetic and vigorous rhythms, harmonic colours and tonalities. In the Sonata for ViolonCello and Piano, the listener will find grandeur in the first movement and an intricate rondo in the finale. It is a piece by a composer who has taken an expansive step beyond his immediate surroundings and first influences.E J Moeran was a 20th century British composer of Anglo-Irish background who spent his early years in Norfolk and influences of folksong and programmatic elements can be easily heard in this composer's main body of work. Moeran tended toward thesmaller ensembles in his compositions, which gave an appropriate frame for his lyric gifts.

Cello; Piano Accompaniment (Cello Part And Piano Score)

SKU: HL.49047317

Cello and Piano. Composed by Wolfgang Koehler. String. Classical. Softcover. Schott Music #CB309. Published by Schott Music (HL.49047317).

ISBN 9798350121902. UPC: 196288201052.

This cello sonata by the renowned jazz pianist and professor of jazz piano unites in a certain way “the best of two worlds”: melodies, sophisticated harmonies and rousing rhythms, which are also convincing in a pure jazz context, are fused here with a formal language and movement techniques that are oriented towards classical models. The voices of both instruments are interwoven on an equal footing and take the listener on an exciting musical journey from the very first moment, which finds its virtuoso climax in the lively rondo via a classical sonata main movement and a quiet middle movement.

Cello (cello part and piano score)

SKU: HL.48180232

Composed by Luigi Boccherini. Leduc. Classical. Softcover. 8 pages. Alphonse Leduc #AL16769. Published by Alphonse Leduc (HL.48180232).

UPC: 888680795016. 9.0x12.0x0.04 inches.

As a prestigious composer of the late 18th century, Luigi Boccherini's (1743-1805) Rondo, transcribed for the cello by Paul Bazelaire, contains many features which continue to make the composer's music popular and loved to this day. Known for his courtly, gallant style, Rondo, originally composed for violin and harpsichord, clearly exemplifies these qualities through the 2/4 time signature, flourishing cello lines and evocative, chordal and rhythmic Piano accompaniment. Moreover, syncopation rhythms and ornamentation heard throughout the piece create further excitement. All of these musical elements combine to create a highly enjoyable piece for the cello repertoire. In addition, the clear print of separate cello and piano parts in this edition of Rondo add to this irresistable purchase for budding cellists.

Cello - difficult

SKU: HL.49016913

Composed by Olli Mustonen. This edition: Saddle stitching. Sheet music. Cello-Bibliothek (Cello Library). Classical. Score and part. Composed 2006. 40 pages. Duration 15'. Schott Music #CB193. Published by Schott Music (HL.49016913).

ISBN 9790001147620. UPC: 884088262228. 9.0x12.0x0.127 inches.

Mustonen belongs to the young generation of composing piano virtuosos. What is remarkable is that 'his instrument' is not placed in the foreground of his works. He rather composed pieces for strings, sonatas with piano accompaniment, orchestral works and even a piece for guitar referring to the history of his home country Finland.The cello sonata was premiered by Mustonen with the cellist Daniel Muller-Schott in Hamburg. No special emphasis is given to polyphonic coexistence; instead, the piano, playing chordally, acts as a real accompaniment most of the time. Cantilenas of the cello, tricky rhythms, and almost symphonic sound eruptions make the piece a sure-fire hit with the public.