For Cello and Piano Reduction. Composed by Richard Strauss (1864-1949). Edite...(+)
For Cello and Piano
Reduction. Composed by
Richard Strauss
(1864-1949).
Edited by Peter Jost.
Henle
Music Folios. Softcover.
G.
Henle #HN1468. Published
by
G. Henle
Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.49046442 ...(+)
Cello; Piano
Accompaniment (Cello Part
And Piano Score)
SKU:
HL.49046442
Cello
and Piano. Composed
by Richard Strauss.
String Solo. Classical.
Softcover. 80 pages.
Duration 1560 seconds.
Schott Music #CB301.
Published by Schott Music
(HL.49046442).
ISBN
9781540094780. UPC:
842819113003.
The
Cello Sonata Op. 6 was
composed over an
apparently frequently
interrupted period of
three years, an
extraordinarily long time
for Strauss's early
creative phase. The
compositional process
spawned two independent
versions of the work, the
first of which is
published for the first
time on the basis of the
text in the Critical
Edition of the Works of
Richard Strauss in the
current editionas a
practical musical text.
The genesis of the two
versions and the reasons
for revision can only be
reconstructed in part:
only one of the surviving
autographs bears a date
and the second version
only survives in printed
form. What is more,
Strauss did not
communicate in greater
detail on this
composition in
correspondence with his
family and friends. There
are enormous differences
between the two versions
of the Sonata: Strauss
deleted the entire second
and third movements
Larghetto and Allegro
vivace, replacing them
with a newly composed
Andante and Finale. In
the first movement,
Allegro con brio, Strauss
retained the
thematic-motivic material
and compositionally
complex passages such as
the three-voice fugue in
the developmentsection
(from bar 241 in the
first version and bar 275
in the second version)
almost intact in the new
version of the sonata,
but also undertook
extensive alterations,
particularly in the
structure of the piano
part, the
motivic-thematic
development of the
movement and its harmony
which became far more
ambitious.12 Particular
attention should be drawn
to the repetitive
accompaniment of the con
espressione theme
beginning in bar 32 and
the significantly shorter
development in the first
version. The current
printed edition of the
first version of Richard
Strauss's Cello Sonata
now makes it possible to
follow Strauss's
compositional development
during this period. The
significance of the
differences between the
versions also mean that
two sonata compositions
for violoncello and piano
by Richard Strauss with
fundamental disparities
in their underlying
character are now
available for
performance.
Score and Parts Cello SKU: HL.51481469 For Violoncello and Piano. ...(+)
Score and Parts Cello
SKU: HL.51481469
For Violoncello and
Piano. Composed by
Richard Strauss. Edited
by Peter Jost. Henle
Music Folios. Classical.
Softcover. 64 pages. G.
Henle #HN1469. Published
by G. Henle
(HL.51481469).
UPC:
840126989649.
9.0x12.0x0.258
inches.
Fingering
Michael Korstick;
fingering & bowing
for cello Johannes Moser
Aside from the Piano
Quartet op. 13 and the
Violin Sonata op. 18, the
Cello Sonata numbers
among the most mature
works of chamber music
from Strauss' early
oeuvre. The influences of
Mendelssohn, Schumann,
and Brahms are
noticeable, while leaving
sufficient space for a
very personal tonal
language, often with
surprising rhythmic and
harmonic turns of phrase.
Strauss subjected the
first version completed
in early 1881 to a
radical revision over the
winter of 1882/83; the
opening movement was
thoroughly reworked, the
two subsequent movements
rewritten completely. It
was worth it, because
after the premiere in
Dresden, the composer
wrote to his mother,
“My sonata garnered
extraordinary acclaim,
the applause was
enormous, congratulations
came to me from all
sides.â€.
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Cello and Piano SKU: IS.VCP4195EM Composed by Flor Alpaerts. Strings - Ce...(+)
Cello and Piano
SKU:
IS.VCP4195EM
Composed
by Flor Alpaerts. Strings
- Cello. Metropolis Music
Publishers #VCP4195EM.
Published by Metropolis
Music Publishers
(IS.VCP4195EM).
ISBN
9790365041954.
In
1901, Flor Alpaerts
finished his music
studies at the Flemish
School of Music of
Antwerp, which later
became the Royal Flemish
Conservatory. He studied
harmony and composition
with Jan Blockx. In 1903
he became professor at
this institute and from
1934 until 1941 its
director. For one season
(1922-1923) he was also
director of the Royal
Flemish Opera House of
Antwerp together with the
Bass Arthur Steurbaut.
His fame, as a composer
and a conductor, came
shortly after World War
I, when he succeeded in
1919 Eduard Keurvels as
conductor of the concerts
organized by the Royal
Zoological Society of
Antwerp and as artistic
director of the Peter
Benoit Fonds. He also
conducted the choral
group Arti Vocali. As a
composer, Flor Alpaerts
was the leading figure in
the Flemish
impressionistic movement.
An impressionism that
came closer to Richard
Strauss and Ottorino
Respighi than to Claude
Debussy. A highlight in
this direction was the
symphonic poem Pallieter
(1921-1924). With his
suite James Ensor,
inspired by four works of
the Ostend painter, he
created an
expressionistic work. In
his later compositions he
turned to
neo-classicism.
Cello, Piano SKU: PR.UE001340 Composed by Richard Strauss. Arranged by Ja...(+)
Cello, Piano
SKU:
PR.UE001340
Composed
by Richard Strauss.
Arranged by Jaques van
Lier. With Standard
notation. Universal
Edition #UE001340.
Published by Universal
Edition (PR.UE001340).