Cello; Piano Accompaniment (Cello Part And Piano Score)

SKU: HL.50605489

For Cello and Piano. Composed by Máté Bella. EMB. Classical. Softcover. Editio Musica Budapest #Z15206. Published by Editio Musica Budapest (HL.50605489).

ISBN 9781705190531. UPC: 196288126560.

Mate Bella's (*1985) earliest composition, written in 2005, is based on Lorinc Szabo's poem, Dsuang Dsi's Dream. This duet of cello and piano pendulates between dream and reality, formulating the same musical thoughts first in a slow march towards ecstasy, and then in a dizzying perpetuum mobile. Contents: 1. Andante, effettuoso 2. Presto.

Performing Score Cello; Piano Accompaniment (Performance Score)

SKU: HL.50601466

Hommage a Peter Esterhazy Cello and Piano Performing Score. Composed by Balogh, Má, and té. EMB. Classical. Softcover. 16 pages. Editio Musica Budapest #Z15089. Published by Editio Musica Budapest (HL.50601466).

9.0x12.0 inches.

The piece is based on a text written by Peter Esterhazy entitled (seven ants) from his book Fancsiko and Pinta. Although this text can be regarded as the literary program of the composition, it is not an obligatory part of its performance. -Mate Balogh.

Cello and Piano

SKU: BT.PL0900

Book and Part(s). Composed 2003. Pierre Lafitan Editions #PL0900. Published by Pierre Lafitan Editions (BT.PL0900).

By Janice Tucker Rhoda. For Cello, Cello and Piano. CD contains piano accompaniments as audio and printable PDF; Also includes complete performances. Instructional. Instructional book and CD. Published by Carl Fischer

Cello; Piano Accompaniment (Cello Part And Piano Score)

SKU: HL.48025367

Cello and Piano. Composed by Simon Laks. Boosey & Hawkes Chamber Music. Classical. Softcover. Bote & Bock #M202538630. Published by Bote & Bock (HL.48025367).

UPC: 196288194286.

Simon Laks (1901-1983), who moved from Warsaw to Paris in 1926 at the age of 25, belonged to the large group of composers from Central and Eastern European countries who went down in 20th-century music history as the “École de Paris”. Slavic temperament amalgamated in their music with French esprit, the folklore of their native countries combined with the stylistic elements of neoclassicism and jazz typical of the time. As a member of the “Association of Young Polish Musicians”, Laks quickly made his way into French musical life. However, his career was ended with the beginning of World War 2 due to the collaboration of the Vichy government with Nazi Germany. Internment in 1941 was followed by deportation to Auschwitz in 1942. Laks survived the Shoah as a member and later leader of a camp band in Birkenau, which he testified to in his moving book Music in Auschwitz. After the traumatic experiences, Laks did not return to regular compositional activity until the 1960s, producing an opera, songs, and chamber music works, some of which were awarded important composition prizes. At the peak of this optimistic creative phase, he composed incidental music for Peretz Hirschbein's famous Yiddish comedy Dem Schmids Techter (The Blacksmith's Daughters), which premiered in New York in 1918, for a new production of the play at the Théâtre de'l’Entrepôt in Paris. Along with Prokofiev's Overture on Hebrew Themes and Shostakovich's cycle From Yiddish (Jewish) Folk Poetry, it is one of the most significant 20th-century explorations of art music with Jewish folklore – homage to a culture irreparably destroyed. From the original score, Holger Groschopp compiled two suites, for violoncello and piano and piano solo, that capture the essence of Lak's enchanting drama music. The premiere recording of the suites with Holger Groschopp and Adele Bitter was awarded the Opus Klassik 2023 in the category Editorial Achievement of the Year.

(Violoncello and Piano with CD of Performance and Play-Along Tracks Book/CD). Composed by Kurt Weill (1900-1950). Arranged by Martin Reiter. For Cello, Piano Accompaniment. String Solo. Universal Edition #UE34682. Published by Universal Edition

Cello and Piano

SKU: BT.EMBZ14779

Composed by Franz Liszt. Book Only. Composed 2011. 16 pages. Editio Musica Budapest #EMBZ14779. Published by Editio Musica Budapest (BT.EMBZ14779).

The arranger of this work (a well-known Hungarian composer living in Romania) writes: This piece has always excited my imagination, from several points of view. First of all, its name. The German title, the obstinate one, may refer to its ostinato character. This is close to Liszt's programme concept, but the French word 'obstiné' is closer in meaning to stubborn. There is just a shade of difference, but to me it is important, because the latter suggests the description of a type of behaviour, the emotional state of a dancer's inner frame of mind abstracted into movements, expressed in dance movements, and this is a fascinating interpretation. The demonstration ofstubborn resistance and defiance to the point of exhaustion was not a frequently occurring phenomenon with Liszt. Secondly, at the beginning of the seventies Zoltán Kocsis played the piece in Transylvania. At that time, I asked the composer, Is the character of the continuous staccato in the left hand sharp, short, or an accompanying background like a constant shadow? Is it a weighty Brahmsian staccato, an ominous knocking? - and so on. Then there are the Bartókian false relations that keep recurring in the work, the B-E flat-G, etc. That foreshadows Debussy, creating harmonic thrills that, when I hear the work, keep my continuing interest alive for it. Finally, my immediate reason for arranging the work was of a family nature: in connection with Liszt's jubilee year, my daughter, who is a cellist, wanted a 'more energetic' piece to play at a bicentenary concert an addition to the existing slow, lyrical, or sombre works written by Liszt for the cello.

The arranger of this work, the well-known Romania-based Hungarian composer Cs ky Boldizsár writes: This piece has always excited my imagination, from several points of view. First of all, its name. The German title, the obstinateone, may refer to its ostinato character, this is close to Liszt's programme concept, but the French word 'obstiné' is closer in meaning to stubborn. There is just a shade of difference, but to me it is important, because the lattersuggests the description of a type of behaviour, the emotional state of a dancer's inner frame of mind abstracted into movements, expressed in dance movements, and this is a fascinating interpretation. The demonstration of stubbornresistance , defiance to the point of exhaustion, was not a frequently occurring phenomenon with Liszt. Secondly, at the beginning of the seventies Zoltán Kocsis played the piece here in Transylvania (Romania).

Der Bearbeiter des Werkes, der renommierte ungarische Komponist aus Rumänien, schreibt: Dieses Stück reizte immer schon meine Phantasie, sogar in vielerlei Hinsicht. Als erstes sein Name. Der deutsche Titel ‚Hartnäckiger' kann auf den ihm innewohnenden ostinativen Charakter hinweisen, was der Liszt'schen Programm-Konzeption näher kommt, das französische ,obstiné' steht jedoch eher dem Wort ‚dickköpfig' nah. Das sind nur geringfügige Unterschiede, mir ist das dennoch wichtig, weil aus Letzterem die Darstellung eines Verhaltens, der in Tanzgesten ausgedrückte, zur Bewegung abstrahierte innere emotionale Zustand eines Tänzers durchscheint, und das ist eine überaus beeindruckendeErklärun g. Die Demonstration des bis zur Erschöpfung reichenden Trotzes, der störrischen Kraft erscheint bei Liszt selten. Der zweite Aspekt: Zu Beginn der 70er Jahre spielte bei uns Zoltán Kocsis das Stück. Schon damals (und seitdem) frage ich den Komponisten:.

With online audio of piano accompaniments. By Various. By Various. For Classical Players. Broadway. Softcover Audio Online. 64 pages. Published by Hal Leonard

For Cello and Piano with Recorded Accompaniments. Composed by John Williams. For Classical Players. Classical, Movies. Softcover Audio Online. 72 pages. Published by Hal Leonard

Cello and Piano. Composed by Ludwig van Beethoven (1770- 1827). Edited by Jens Dufner. Henle Music Folios. Classical. Softcover. 62 pages. G. Henle #HN1471. Published by G. Henle

Cello and Piano - easy

SKU: BT.DHP-1175823-401

Composed by Pascal Proust. De Haske String Series. Book and Part(s). Composed 2017. 8 pages. De Haske Publications #DHP 1175823-401. Published by De Haske Publications (BT.DHP-1175823-401).

ISBN 9789043152938. English-German-French-Dut ch.

A small, playful piece that revives the famous Twinkle, twinkle, little star in a dance version (a short tango).
Composer Pascal Proust has many years of experience as a musician and music teacher. His work includes several hundred compositions for the most diverse instrumentations. He wrote El violonchelo del niño for cellists with an ability of approximately one year’s experience. He paid special attention to an easy-to-follow, attractive musical style. El violonchelo del niño is an ideal performance or competition work for young musicians.

Een kort, vrolijk werkje waarin Twinkel, Twinkel, little star is verwerkt als een dansbaar nummer (een korte tango).
De componist Pascal Proust kan bogen op een jarenlange ervaring als muzikant en muziekdocent. Zijn oeuvre omvat honderden composities voor de meest diverse instrumentaties. Hij schreef El violonchelo del niño voor cellisten die ongeveer een jaar les hebben gehad, waarbij hij speciaal aandacht heeft besteed aan een makkelijk te volgen, aantrekkelijke muziekstijl. Daardoor is El violonchelo del niño een ideaal voordrachts- of wedstrijdstuk voor jonge muzikanten.

Ein kurzes spielerisches Stück, in dem das bekannte LiedAh! vous dirais-je, maman in einer tänzerischen Version (ein kleiner Tango) verwendet wird.
Der Komponist Pascal Proust kann aus seiner langjährigen Erfahrung als Musiker und Musikpädagoge schöpfen, sein Oeuvre umfasst mehrere hundert Kompositionen für verschiedenste Besetzungen. Er schrieb El violonchelo del niño für Cellisten mit ungefähr 1 Jahr Unterrichtserfahrung und legte besonderes Augenmerk auf einen leicht verständlichen, attraktiven musikalischen Stil. Dadurch eignet sich El violonchelo del niño ideal als Vortrags- und Wettbewerbsstück für junge Musiker.

Une petite pièce ludique reprenant le célèbre Ah! vous dirai-je, maman dans une version dansante (un petit tango).
Le compositeur Pascal Proust puise volonté dans son immense expérience de musicien et professeur de musique - son catalogue d’œuvres englobe plusieurs centaines de compositions pour divers instruments. Il a notamment écrit El violonchelo del niño pour violoncellistes ayant environ une année de pratique, dans un style musical accessible et coloré. De ce fait, El violonchelo del niño est la pièce idéale pour tout examen ou audition de jeunes musiciens.

By The Piano Guys. For Cello, Piano/Keyboard. Personality. Softcover. 120 pages. Published by Hal Leonard

(Solo Piano with Optional Cello). By The Piano Guys. For Cello, Piano/Keyboard. Personality. Softcover. 90 pages. Published by Hal Leonard

Score and Parts Bassoon; Cello; Piano Accompaniment (Score & Parts)

SKU: HL.50606503

For Basoon, Cello, and Piano (or 2 Cellos and Piano) Score and Pa. Composed by Máté Bella. EMB. Classical, Contemporary. Softcover. 16 pages. Editio Musica Budapest #Z15196. Published by Editio Musica Budapest (HL.50606503).

ISBN 9781705190661. UPC: 196288126799.

A special piece - a special story: In 2020, a renowned architect approached a composer to create a new piece of music for his daughter's wedding, which the happy father could give to the young couple as a wedding present. In earlier eras of private patronage, such a story would have been natural, but in the 21st century it is an odd story. The composition subtly alludes to the occasion: against the background of the piano, a duet of two instruments tells the story of a serene love (the piece can either be performed with a bassoon and a violoncello, or with two violoncellos). Mate Bella, who moves at home among different musical styles, shapes the song of lovers longing for each other in a way reminiscent of barcarolas sung by Venetian gondoliers.

Cello and Piano

SKU: IS.VCP7707EM

Composed by Karel Van Marcke. Strings - Cello. Metropolis Music Publishers #VCP7707EM. Published by Metropolis Music Publishers (IS.VCP7707EM).

ISBN 9790365077076.

The main theme of ‘Remembrance� � was written at the exact moment the 9 -11 attacks in the US happened. The composer didn’t have any knowledge of the attack until his neighbour came shouting at his window. Obviously, this theme became the composers homage for the victims of this cruel act. ‘Remembrance� � became the title track of Van Marcke’s second CD. This chamber music version for cello and piano was premiered exactly 20 years later during the Musica@Parola Festival at the church of Sint Martens Bodegem (Belgium).

(Cello and Piano). By Francisco Tarrega (1852-1909). Arranged by Wolfgang Birtel. String. Softcover. 12 pages

Cello and Piano. By Sheila Nelson. (Cello). Boosey and Hawkes Chamber Music. Size 9x12 inches. 20 pages. Published by Boosey and Hawkes.

Composed by Ludwig van Beethoven (1770-1827). Henle Music Folios. Classical. Softcover. 62 pages. G. Henle #HN1472. Published by G. Henle