Soprano voice, flute, clarinet, saxophone, violin, cello and piano (Score & Part...(+)
Soprano voice, flute,
clarinet, saxophone,
violin, cello and piano
(Score & Parts)
SKU:
HL.49045225
Soprano, flute,
clarinet, saxophone,
violin, cello and
piano. Composed by
Thierry Pé and cou.
This edition: Saddle
stitching. Sheet music.
Ensemble. Softcover.
Composed 2015. 44 pages.
Duration 9'. Schott Music
#ED22340. Published by
Schott Music
(HL.49045225).
ISBN
9790001129602.
9.0x12.0x0.122 inches.
French.
If a
chanson is combined with
a birthday celebration
(in this case, that of
the Ensemble Utopik who
commissioned this new
work), this inevitably
brings back scenes of
childhood. For me, Adieu
Madras conjures up
memories of the homeland
of my family, and in
particular Henri and
Jacqueline Salvador whose
wonderful TV programmes I
watched during the 1970s.
It is without doubt
thanks to Henri Salvadors
wonderful interpretation
that this old chanson
from Martinique, dating
from the late eighteenth
century and almost a
national anthem both in
Martinique and
Guadeloupe, has also
gained such popularity in
France. Thierry
Pecou.
Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.48024888 ...(+)
Cello; Piano
Accompaniment (Cello Part
And Piano Score)
SKU:
HL.48024888
Cello
and Piano. Composed
by Bertold Hummel. Boosey
& Hawkes Chamber Music.
Classical. Softcover. 20
pages. Duration 360
seconds. Simrock
#M221122575. Published by
Simrock (HL.48024888).
UPC:
840126919769.
As a
lesson and lecture piece,
Bertold Hummel's Sonatine
op. 35, created in 1969,
accompanied many young
musicians on their way.
Sold a thousand times all
over the world, it is one
of the composer's
best-known works and has
been included in the
repertoire list for the
'Jugend musiziert'
competition by the German
Music Council. Warmth and
sparkling rhythm
characterize the three
movements: inthe powerful
maestoso, the sonority of
the main theme is
contrasted with a lyrical
side theme; the
recapitulation ends with
an impulsive fugato. The
second movement Elegie
consists of a single
soulful melody about
spherical harmonies of
the piano. As the
highlight in the Finale
vivace, playful
lightness, marching
rhythms and dramatic
increases replace each
other in quick
succession; wild
arpeggios lead to the
end. Originally composed
for violin, versions for
viola and cello were
already familiar. For the
50th birthday, Simrock /
Boosey &
Hawkespresents the work
in a revised, revised
edition. A repertoire
enrichment for beginning
instrumentalists are the
first available versions
for alto and tenor
saxophone, which the
composer made himself in
the 1990s.
