Score and Parts Piano Quintet (Score & Parts) SKU: HL.49045797 For Two...(+)
Score and Parts Piano
Quintet (Score & Parts)
SKU: HL.49045797
For Two Violins,
Viola, Violoncello and
Piano Score and
Parts. Composed by
Olli Mustonen. Ensemble.
Classical. Softcover. 168
pages. Duration 1320
seconds. Schott Music
#ED22250. Published by
Schott Music
(HL.49045797).
The first
movement of my Piano
Quintet is filled with
drama and passion. Its
atmosphere can be related
to my Second Symphony
Johannes Angelos. The
second movement is a set
of polyphonic variations
in a form reminiscent of
a passacaglia. The music
seems to be hypnotized by
a theme consisting of a
chromatic cluster of ten
notes. In the beginning
of the last movement,
materials from the
previous movements start
to reappear, but this
time in a mysterious,
incoherent way. The
strings find new music
resembling a fragmented
hymn. Fast-moving
triplets start to appear
and the music reaches a
joyful and ecstatic
conclusion. Olli
Mustonen.
From Jewish Life Violoncelle, Piano Guitare classique Carl Fischer
Chamber Music Cello, Piano SKU: CF.BF141 Composed by Ernest Bloch. Edited...(+)
Chamber Music Cello,
Piano
SKU:
CF.BF141
Composed by
Ernest Bloch. Edited by
Julian Schwarz. 12+8
pages. Carl Fischer Music
#BF141. Published by Carl
Fischer Music (CF.BF141).
ISBN 9781491159989.
UPC:
680160918584.
The
three pieces From Jewish
Life were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.
The
first movement, Prayer,
is a deeply heartfelt
plea to the almighty. As
Neil W Levin writes, The
initial four-note motive
in the minor mode,
together with its
elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt
pathos.
The second
movement, Supplication
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish
experience.
The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917.
Though
the popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance. The first
movement, Prayer, is a
deeply heartfelt plea to
the almighty. As Neil W
Levin writes, The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos. The
second movement,
Supplication (the act of
begging humbly), has more
angst, almost a sense of
urgency as a result of
the rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience. The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917. Though the
popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.The first
movement,
“Prayerâ€, is
a deeply heartfelt plea
to the almighty. As Neil
W Levin writes,
“The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max
Janowski’s
(1912–1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu.†This
prayer has special
meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both
“Prayer†and
Janowski’s Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos.The
second movement,
“Supplicationâ€
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, “Jewish
Songâ€, evokes a
quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience.The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of
Bloch’s most
celebrated work, Schelomo
in 1917.Though the
popularity of
Bloch’s oeuvre has
been dominated by works
of Jewish connection, we
should not forget that
Bloch had many other
stylistic periods,
including Franco-Belgian,
modal, serial, and even
American folk. In 1927,
he was awarded Musical
America’s
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music.
(12 Works from the 20th Century Cello and Piano and Solo Cello). Composed by Var...(+)
(12 Works from the 20th
Century Cello and Piano
and Solo Cello). Composed
by Various. For Cello,
Piano Accompaniment.
String Solo. Softcover.
72 pages. G. Schirmer #ED
4550. Published by G.
Schirmer
Cello and piano SKU: BO.B.3652 Composed by Jordi Cervello. Published by E...(+)
Cello and piano
SKU:
BO.B.3652
Composed by
Jordi Cervello. Published
by Editorial de Musica
Boileau (BO.B.3652).
Sonata for
cello and piano was
written between September
and October of 2010. It
is made up of three
movements, each of which
has unique
characteristics. The
first, Allegro
appassionato, is
monothematic, although
the theme itself is
presented in several
ways. Following a
vigorous start featuring
cello cadenza, the
movement is developed
with a lively feel,
alternating lyrical
fragments with other
energetic ones. Its
conclusion is
resounding. Meanwhile,
the second movement,
Quasi un lamento, is
introspective and
fragile. A long melody is
sustained by a delicate
and transparent piano
accompaniment, evoking
once again the theme of
the first movement and
concluding with a Lento
of descending piano
harmonies while the cello
follows, in octaves, with
heartfelt
glissando.
The
third movement,
Scherzando-Allegro, is a
light-hearted game
between the piano and the
cello. The main theme is
repeated once again, this
time with a binary time
signature. The cello uses
ricochet (the rebounding
of notes in a bow
stroke), as well as
natural and artificial
harmonies in quick time.
The piano part unfolds
completely naturally,
excluding any gratuitous
artifice.
(Cello and Piano). Composed by Edward Gregson. For Cello, Piano Accompaniment. M...(+)
(Cello and Piano).
Composed by Edward
Gregson. For Cello, Piano
Accompaniment. Music
Sales America. 52 pages.
Novello and Co Ltd.
#NOV958089. Published by
Novello and Co Ltd.
Cello, piano SKU: FG.55011-673-3 Composed by Kalevi Aho. Fennica Gehrman ...(+)
Cello, piano
SKU:
FG.55011-673-3
Composed by Kalevi Aho.
Fennica Gehrman
#55011-673-3. Published
by Fennica Gehrman
(FG.55011-673-3).
ISBN
9790550116733.
A
large-scale work in four
movements lasting over
half an hour, Kalevi
Aho's Sonata for
violoncello and piano
(2019) in four movements
is furios, virtuosic and
poweful, with a lyrical
second movement. The
third movement is a cello
cadenza, provided in two
versions: with and
without throat
singing.
Violoncello and Piano SKU: AP.36-M388991 Arranged by Johannes Brahms and ...(+)
Violoncello and Piano
SKU: AP.36-M388991
Arranged by Johannes
Brahms and ed./arr. by
Janos Starker/ Emilio
Colon. Cello. Starker
Performance Editions.
Book. LudwigMasters
Publications #36-M388991.
Published by
LudwigMasters
Publications
(AP.36-M388991).
ISBN
9798892704182. UPC:
659359984921.
English.
An
immensely powerful piece
for solo cello and piano,
Brahms' SONATA NO. 2, OP.
99 is one of the most
impressive cello
repertoire selections.
Composed of four
movements, the first
Allegro vivace contains
the grandiose main theme.
The hauntingly beautiful
second movement is Adagio
affetuoso. The fiery and
furious third movement is
Allegro passionato. The
fourth Allegro molto
movement ends the piece
with exhilaration and an
optimistic feeling.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Chamber Music Clarinet, Piano, Viola, Violoncello SKU: CF.MXE5 For Cla...(+)
Chamber Music Clarinet,
Piano, Viola, Violoncello
SKU: CF.MXE5
For Clarinet, Viola,
Violoncello and Piano -
Full Score and Parts.
Composed by David
Carlson. SWS+Inserts.
Carl Fischer Chamber
Music Edition. First
performance: Park City
International Music
Festival - Park City,
Utah. Set of Score and
Parts. With Standard
notation. Composed 1998.
Carl Fischer Music #MXE5.
Published by Carl Fischer
Music (CF.MXE5).
ISBN
9780825853401. UPC:
798408053406. 9 X 12
inches.
Commissione
d in 1998, this chamber
piece is truly unique
experience! A short piece
(18 minutes), the work is
derived from the
composer’s
fascination with a theory
from quantum physics
stating that time is
fluid and that matter can
exist concurrently in one
place. To encompass this
idea, the composer asks
that a passage of music
that he wrote when he was
15 be pre-recorded and
played during the second
movement (Desolato). The
music of the adult David
Carlson is coupled with
music written thirty
years ago, creating a
sonic continuum. The
highly charged,
rhythmically aggressive
music of the first
movement is contrasted by
the nostalgic slow mood
of the second movement.
The final movement is
both energetic and
passionate, which brings
this imaginative work to
a positive
conclusion.
Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.48024888 ...(+)
Cello; Piano
Accompaniment (Cello Part
And Piano Score)
SKU:
HL.48024888
Cello
and Piano. Composed
by Bertold Hummel. Boosey
& Hawkes Chamber Music.
Classical. Softcover. 20
pages. Duration 360
seconds. Simrock
#M221122575. Published by
Simrock (HL.48024888).
UPC:
840126919769.
As a
lesson and lecture piece,
Bertold Hummel's Sonatine
op. 35, created in 1969,
accompanied many young
musicians on their way.
Sold a thousand times all
over the world, it is one
of the composer's
best-known works and has
been included in the
repertoire list for the
'Jugend musiziert'
competition by the German
Music Council. Warmth and
sparkling rhythm
characterize the three
movements: inthe powerful
maestoso, the sonority of
the main theme is
contrasted with a lyrical
side theme; the
recapitulation ends with
an impulsive fugato. The
second movement Elegie
consists of a single
soulful melody about
spherical harmonies of
the piano. As the
highlight in the Finale
vivace, playful
lightness, marching
rhythms and dramatic
increases replace each
other in quick
succession; wild
arpeggios lead to the
end. Originally composed
for violin, versions for
viola and cello were
already familiar. For the
50th birthday, Simrock /
Boosey &
Hawkespresents the work
in a revised, revised
edition. A repertoire
enrichment for beginning
instrumentalists are the
first available versions
for alto and tenor
saxophone, which the
composer made himself in
the 1990s.
Violin, Cello and Piano SKU: BT.EMBZ14659 By András Soós. Education...(+)
Violin, Cello and Piano
SKU: BT.EMBZ14659
By András Soós.
Educational Tool. Book
Only. Composed 2009. 60
pages. Editio Musica
Budapest #EMBZ14659.
Published by Editio
Musica Budapest
(BT.EMBZ14659).
Hungarian-English-Germ
an-French.
This
volume of works by the
Viennese classical and
romantic composers
contains only
transcriptions, and only
from pieces for the
piano. In most cases the
right hand part is played
on the violin, often
alternating with or
responding to the cello,
thus the piano part is
considerably easier than
the original, and
therefore accessible to
children not yet capable
of playing the original
work. The selection
includes the most popular
pieces by the greatest
composers (Haydn,
Beethoven, Mendelssohn,
Schumann, Chopin and
Grieg), such as, for
instance, the second
movement of the
Mondschein-Sonate, and
Träumerei.
Dies
er Band beinhaltet
ausschließlich von
Klavierwerken
transkribierte Werke aus
der Wiener Klassik und
Romantik. Die Melodie der
rechten Hand wird
meistens von der Geige,
oft mit dem Cello
abwechselnd, einander
antwortend gespielt.
Dadurch ist die
Klavierstimme im
Vergleich zum Original
wesentlich leichter, also
sie ist auch für
Kinder zu meistern, die
das Originalstück
sonst noch nicht spielen
könnten. In der
Auswahl kommen die
beliebtesten Werke der
größten Komponisten
(Haydn, Beethoven,
Mendelssohn, Schumann,
Chopin und Grieg) wie z.
B. der zweite Satz der
‚Mondschein-Sonate
oder das
‚Träumerei'
vor.
Cello and Piano SKU: HL.14006097 Composed by Per Norgard. Music Sales Ame...(+)
Cello and Piano
SKU:
HL.14006097
Composed
by Per Norgard. Music
Sales America. Classical.
Book and Part(s). Music
Sales #KP00873. Published
by Music Sales
(HL.14006097).
ISBN
9788759872222.
Danish.
Programme
Note CANTICA for cello
and piano (1977)When in
1975 I had finished
composing my Symphony no.
3 (begun in 1973), I
wrote three simple
melodies for two psalm
texts by Ole Sarvig: The
Year and Choral Hymn.
These three tunes were
derived from the same
material as the second
movement of the symphony
and could be harmonized
together in several
different tempo
relationships, like
proportional canons. For
this reason they inspired
me to write several
choral and instrumental
works in the following
decade: Frost Psalm,
Winter Cantata, the tuba
octet Now all the earth
is white with snow,
Canticles (and
others).Cantica, meaning
song or singing, was
composed (forthe Danish
musicians Hans Erik
Dechert og Kjeld Hansen)
as a instrumental little
brother the long,
polyphonic choral pieces.
As in these the canonical
melodies in Cantica drift
from foreground to
background, from cello to
piano. The melodies are
simple, diatonic and in
traditional rhythms and
the surface of the music
in a way traditional. The
intention of the composer
with this easily
understood expression is
to lead the listeners
ears to the many
internal, proportional
developments. The story
is in a way hidden
between the lines. In the
myriads of rhythmic and
tempo relations the
Golden Mean (near to
2:3:5:8: et cetera) plays
an important role, like
in nature. Among the
experiences giving by
this natural phenomenon
are - perhaps - the
musical points to be
found (?).Per
Norgard(1997).
Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.49046442 ...(+)
Cello; Piano
Accompaniment (Cello Part
And Piano Score)
SKU:
HL.49046442
Cello
and Piano. Composed
by Richard Strauss.
String Solo. Classical.
Softcover. 80 pages.
Duration 1560 seconds.
Schott Music #CB301.
Published by Schott Music
(HL.49046442).
ISBN
9781540094780. UPC:
842819113003.
The
Cello Sonata Op. 6 was
composed over an
apparently frequently
interrupted period of
three years, an
extraordinarily long time
for Strauss's early
creative phase. The
compositional process
spawned two independent
versions of the work, the
first of which is
published for the first
time on the basis of the
text in the Critical
Edition of the Works of
Richard Strauss in the
current editionas a
practical musical text.
The genesis of the two
versions and the reasons
for revision can only be
reconstructed in part:
only one of the surviving
autographs bears a date
and the second version
only survives in printed
form. What is more,
Strauss did not
communicate in greater
detail on this
composition in
correspondence with his
family and friends. There
are enormous differences
between the two versions
of the Sonata: Strauss
deleted the entire second
and third movements
Larghetto and Allegro
vivace, replacing them
with a newly composed
Andante and Finale. In
the first movement,
Allegro con brio, Strauss
retained the
thematic-motivic material
and compositionally
complex passages such as
the three-voice fugue in
the developmentsection
(from bar 241 in the
first version and bar 275
in the second version)
almost intact in the new
version of the sonata,
but also undertook
extensive alterations,
particularly in the
structure of the piano
part, the
motivic-thematic
development of the
movement and its harmony
which became far more
ambitious.12 Particular
attention should be drawn
to the repetitive
accompaniment of the con
espressione theme
beginning in bar 32 and
the significantly shorter
development in the first
version. The current
printed edition of the
first version of Richard
Strauss's Cello Sonata
now makes it possible to
follow Strauss's
compositional development
during this period. The
significance of the
differences between the
versions also mean that
two sonata compositions
for violoncello and piano
by Richard Strauss with
fundamental disparities
in their underlying
character are now
available for
performance.
Violoncello, piano SKU: FG.55011-903-1 Composed by Victoria Yagling. Arra...(+)
Violoncello, piano
SKU:
FG.55011-903-1
Composed by Victoria
Yagling. Arranged by
Yuriy Leonovich.
Classical, contemporary.
Score and part. Fennica
Gehrman #55011-903-1.
Published by Fennica
Gehrman (FG.55011-903-1).
ISBN
9790550119031.
Vict
oria Yagling's Suite for
Cello and String
Orchestra (1967) is one
of her first successes as
a composer. The movement
layout of the Suite is
fast-slow-fast-slow. The
first movement, Toccata,
is a perpetual motion
with a brisk tempo of 100
per dotted half. The Aria
is reminiscent of
Rachmaninov's Vocalise
melody and Prokofiev's
tonal language. This
movement is the
centerpiece of the Suite.
The Humoresque is closely
connected in style and
motives to the March and
Aria movements from Boris
Tchaikovsky's Suite for
Cello Solo. Mostly
homophonic Finale plays
with bitonality and
contains several
circle-of-fifth
sequences.
This
product is is the
reduction for violoncello
and piano by prof. Yuriy
Leonovich. Orchestral
material available on
hire from the publisher.
Stydy score with solo
part is available for
sale (ISMN
9790550116436).
Vi
ctoria Yagling
(1946?2011) was born in
Russia and lived in
Finland since 1990. Her
long career as a cellist
served as an excellent
accompaniment to the
composition she began at
an early age. For 11
years she was a cello
student of Mstislav
Rostropovich at the
Moscow Conservatory and
Dmitry Kabalevsky and
Tikhon Khrennikov taught
her
composition.
Yagli
ng won the first prize in
the Gaspar Cassadò
Cello Competition and the
following year the second
prize in the Moscow
Tchaikovsky Competition.
Her solo engagements took
her to countless
countries. She has also
taught at several
international music
courses and master
classes and was often a
jury member for
international cello
competitions.
Yagl
ing left a profilic
oeuvre, and the three
cello concertos are her
main works. Her other
orchestral works include
Finnish Notebook, Lyrical
Preludes and the Suite
for Cello and String
Orchestra. She has also
composed solo works (e.g.
the Suite for Cello Solo
No. 1 chosen as an
obligatory piece for the
7th Tchaikovsky
Competition in Moscow in
1982), chamber works,
including two string
quartets, and vocal
music. Her expressive,
romantically orientated
style is Russian in
spirit and has grown out
of the soil provided by
Prokofiev and
Shostakovich.
Composed by Johannes Brahms (1833-1897). Edited by Clive Brown / Neal Peres Da C...(+)
Composed by Johannes
Brahms (1833-1897).
Edited by Clive Brown /
Neal Peres Da Costa /
Kate Bennett Wadsworth.
For cello and piano. This
edition: Urtext edition.
Stapled. With an Urtext
solo part by Clive Brown
and a solo part with
bowing and fingering by
Kate Bennett Wadsworth;
Fingering in the piano
part by Neal Peres Da
Costa; Performance
Practice Commentary by C.
Brown, N. P. Da Costa and
K. B. Wadsworth. Level 3.
Score and part. Text
Language: German/English.
Opus 38. Published by
Baerenreiter Verlag
Violoncelle, Piano - Avancé IMC (International Music Co.)
Composed by Dmitri Kabalevsky (1904-1987). Instrumental solo book for cello and ...(+)
Composed by Dmitri
Kabalevsky (1904-1987).
Instrumental solo book
for cello and piano
accompaniment. With
introductory text. G
Minor. Composed 1948. 39
pages. Published by
International Music Co.
Cello; Piano Accompaniment (CELLO/PIANO) SKU: HL.48025398 Cello and Pi...(+)
Cello; Piano
Accompaniment
(CELLO/PIANO)
SKU:
HL.48025398
Cello
and Piano. Composed
by Leon Gurvitch. Boosey
& Hawkes Chamber Music.
Classical. Softcover.
Duration 1200 seconds.
Bote & Bock #M202538289.
Published by Bote & Bock
(HL.48025398).
UPC:
196288195504.
The
composer, whose family
was severely affected by
the Second World War and
the Holocaust, considers
his Anne Frank Suite as a
“personal memorial
diary and a reminder in
view of the futility of
warâ€. The score is
prefaced by a quotation
from Anne Frank:
“In spite of
everything, I still
believe that people are
really good at
heartâ€, which has
impressed the composer
since his youth. His
three-movement suite
attempts to musically
reflect the emotionality
and thoughtfulness of the
theme, which eludes all
words. The piano is
treated in a classical
manner and creates the
emotional space for the
solo cello. Playing in a
high register in a
cantabilestyle over long
passages, the cello also
astounds with sound
effects, harmonics and an
expressive solo cadenza
in the middle of the
work.
Cello and Piano. Composed by Gabriel Faure (1845-1924). Edited by Fabian Kolb....(+)
Cello and Piano. Composed
by
Gabriel Faure
(1845-1924).
Edited by Fabian Kolb.
Henle
Music Folios. Classical.
Softcover. G. Henle
#HN1357.
Published by G. Henle
Cello and Piano SKU: BT.EMBZ14832 Composed by Nicola Porpora. Educational...(+)
Cello and Piano
SKU:
BT.EMBZ14832
Composed
by Nicola Porpora.
Educational Tool. Book
Only. Composed 2012. 48
pages. Editio Musica
Budapest #EMBZ14832.
Published by Editio
Musica Budapest
(BT.EMBZ14832).
The source of
this publication was
issued in London in 1745
by John Walsh Jr. Walsh s
publication contains six
four-movement works,
originally written for
violin, solo cello, a
keyboard instrument and a
second cello to reinforce
the bass of the latter,
but the role of the
violin is insignificant,
so these works can be
regarded as pieces for
cello. Of the six works,
the arranger of the
volume was publishing the
three most suitable ones
to that as cello
concertos the piano part
incorporates both the
violin interludes and the
continuo. In the cello
part higher positions do
occur, but they do not
necessarily require use
of the thumb they are
playable after 4-5 years
intensivestudy of the
instrument.
Die
1745 in London
veröffentlichten
Stücke waren
ursprünglich für
Geige, Solo-Cello, ein
Tasteninstrument und ein
zweites Cello
geschrieben. Die Rolle
der Geige war jedoch so
unwesentlich, dass es
sich im Grunde um
Cellowerke handelt. Von
den ursprünglich sechs
Werken hat der Arrangeur
die drei geeignetsten
ausgewählt, wobei die
Klavierstimme die Geigen-
und die Continuostimme in
sich vereint. Die
Cellopassagen sind für
fortgeschrittene Spieler
geeignet.
Score and Part cello and piano SKU: HL.49045757 For Cello and Piano Sc...(+)
Score and Part cello and
piano
SKU:
HL.49045757
For
Cello and Piano Score and
Part. Composed by Han
Lash. This edition:
Saddle stitching. Sheet
music. String Solo.
Softcover. Composed 2012.
44 pages. Duration 3600
seconds. Schott Music
#ED31215. Published by
Schott Music
(HL.49045757).
ISBN
9781540020321. UPC:
888680727222.
9.25x12.0x0.183
inches.
Friction,
Pressure, Impact
comprises three
movements, each of which
focuses on the question
of musical metabolism in
a different way. The
first movement, Friction,
has a moderately fast
metabolism, working
through the musical
material between the
instruments with some
speed yet with a kind of
compulsively controlled
rate of evolution.
Pressure has a much
slower pace of working
through its musical
argument, which is
relatively minimal. It
moves heavily and
sensuously through its
course. Impact changes
and shifts with a
mercurial speed; although
this movement has one
single argument
throughout, it is an
argument that is
constantly changing shape
and perspective:
phrase-lengths, local
patterns, registers, and
harmonic inversions are
constantly in flux,
pelting the music's
surface like a hale
storm.- Hannah Lash.
Cello; Piano Accompaniment SKU: HL.50512037 Cello and Piano. Compo...(+)
Cello; Piano
Accompaniment
SKU:
HL.50512037
Cello
and Piano. Composed
by Franz Liszt. Edited by
Csiky Boldizsar. Arranged
by Csí, ky
Boldizsá, and r.
Romantic. EMB. Classical.
Softcover. 14 pages.
Editio Musica Budapest
#Z14779. Published by
Editio Musica Budapest
(HL.50512037).
ISBN
9790080147795. UPC:
884088668723.
9.0x12.0x0.079 inches.
Ferenc Liszt; Boldizsar
Csiky.
The arranger
of this work (a
well-known Hungarian
composer living in
Romania) writes: +This
piece has always excited
my imagination, from
several points of view.
First of all, its name.
The German title, the
obstinate one, may refer
to its ostinato
character. This is close
to Liszt's programme
concept, but the French
word 'obstine' is closer
in meaning to stubborn.
There is just a shade of
difference, but to me it
is important, because the
latter suggests the
description of a type of
behaviour, the emotional
state of a dancer's inner
frame of mind abstracted
into movements, expressed
in dance movements, and
this is a fascinating
interpretation. The
demonstration of stubborn
resistance and defiance
to the point of
exhaustion was not a
frequently occurring
phenomenon with Liszt.
Secondly, at the
beginning of the
seventies Zoltan Kocsis
played the piece in
Transylvania. At that
time, I asked the
composer, +Is the
character of the
continuous staccato in
the left hand sharp,
short, or an accompanying
background like a
constant shadow? Is it a
weighty Brahmsian
staccato, an ominous
knocking? - and so on.
Then there are the
Bartokian false relations
that keep recurring in
the work, the B-E flat-G,
etc. That foreshadows
Debussy, creating
harmonic thrills that,
when I hear the work,
keep my continuing
interest alive for it.
Finally, my immediate
reason for arranging the
work was of a family
nature: in connection
with Liszt's jubilee
year, my daughter, who is
a cellist, wanted a 'more
energetic' piece to play
at a bicentenary concert
an addition to the
existing slow, lyrical,
or sombre works written
by Liszt for the
cello.+.
Cello and Piano SKU: HL.14030693 Composed by Ernest John Moeran. Music Sa...(+)
Cello and Piano
SKU:
HL.14030693
Composed
by Ernest John Moeran.
Music Sales America.
Post-1900. Book
[Softcover]. Music Sales
#NOV120092. Published by
Music Sales
(HL.14030693).
8.25x11.75x0.466
inches.
In the
second half of his life,
Moeran greatly extended
his sensibilities and his
musical palate to include
more energetic and
vigorous rhythms,
harmonic colours and
tonalities. In the Sonata
for ViolonCello and
Piano, the listener will
find grandeur in the
first movement and an
intricate rondo in the
finale. It is a piece by
a composer who has taken
an expansive step beyond
his immediate
surroundings and first
influences.E J Moeran was
a 20th century British
composer of Anglo-Irish
background who spent his
early years in Norfolk
and influences of
folksong and programmatic
elements can be easily
heard in this composer's
main body of work. Moeran
tended toward thesmaller
ensembles in his
compositions, which gave
an appropriate frame for
his lyric gifts.
Chamber Music Cello, Piano SKU: PR.114423720 Composed by Andrii Dido...(+)
Chamber Music Cello,
Piano
SKU:
PR.114423720
Composed
by Andrii Didorenko. Set
of Score and Parts.
Duration 10 minutes.
Theodore Presser Company
#114-42372. Published by
Theodore Presser Company
(PR.114423720).
ISBN
9781491129487. UPC:
680160690404.
POSTC
ARDS FROM UKRAINE is a
charming-yet-fiery suite
of six character pieces
reflecting the culture
and music of
Didorenkoâ??s homeland.
The work was composed in
early 2022 following the
invasion. Movements 2 and
3 are inspired by folk
music with the piano
imitating sounds of the
bandura, and the other
four movements are free
settings of authentic
folk melodies. More
and more in recent times,
I turn to the musical
heritage of my native
Ukraine for inspiration.
Shortly after the start
of the war in Spring
2022, my friend and New
York pianist Evelyne
Luest approached me with
a suggestion to compose a
piece based on Ukrainian
folk music. As I began to
research authentic song
and dance styles, I was
immediately drawn to
their soulful melodies
and stirring rhythms.
Postcards from Ukraine
came into being in just
under a month.The second
of these six pieces is
written in the style of
duma, a sung epic poem
recited by itinerant
bards, accompanied on a
bandura; strumming on the
high piano strings
imitates the banduraâ??s
sound. In the third
piece, an ostinato bass
is another impression of
bandura playing, while
the cello references
Carpathian dance tunes.
The other four pieces are
my interpretations of
true Ukrainian folk
songs, typically sung a
cappella by a womenâ??s
choir, from small
villages that keep their
vocal traditions
alive.
Score and Parts Chamber Ensemble (Score & Parts) SKU: HL.49046417 Viol...(+)
Score and Parts Chamber
Ensemble (Score & Parts)
SKU: HL.49046417
Violin, Cello and
Piano Score and
Parts. Composed by
Anno Schreier. String
Ensemble. Classical.
Softcover. 60 pages.
Duration 900 seconds.
Schott Music #ED23191.
Published by Schott Music
(HL.49046417).
ISBN
9781540090553. UPC:
840126915457.
The
Seven Ballet Scenes have
been extracted from a
ballet music that I
composed in 2008. The
basic idea was to use
different combinations of
the three instruments and
to get very different
characters and forms of
movement, which
nevertheless form a
whole. There is a piece
for cello solo, one for
violin and piano, one for
violin and cello etc. At
the beginning, in the
middle and at the end
there are different
variants of a fast
movement for all three
instruments, which form a
kind of refrain. Anno
Schreier.
Sonata No. 1 Violoncelle, Piano Theodore Presser Co.
Chamber Music Cello, Piano SKU: PR.114414830 For Cello and Piano. ...(+)
Chamber Music Cello,
Piano
SKU:
PR.114414830
For
Cello and Piano.
Composed by Eric Ewazen.
Set of Score and Parts.
With Standard notation.
Composed Jan-73.
32+32+16+16 pages.
Duration 18 minutes.
Theodore Presser Company
#114-41483. Published by
Theodore Presser Company
(PR.114414830).
UPC:
680160598366. 9 x 12
inches.
Written in
1972, while Ewazen was
pursuing undergraduate
studies at Eastman, the
Sonata No. 1 for Cello
and Piano is his first
foray into the
20th-century American
tonal music that he first
embraced at that time.
Composed for a classmate
and proficient cellist,
Julie Charland, the
Sonata is in three
movements, the second of
which is quite demanding
of virtuosity.
(Manuscript).
Duo Concertante Violoncelle, Piano [Conducteur et Parties séparées] Subito Music
Cello & Piano SKU: SU.27120040 For Cello & Piano. Composed by Pete...(+)
Cello & Piano
SKU:
SU.27120040
For
Cello & Piano.
Composed by Peter Scott
Lewis. Score & Parts.
Subito Music Corporation
#27120040. Published by
Subito Music Corporation
(SU.27120040).
Concert duo in
four movements titled
Introduction and Jubilant
Light; Dance of
Enveloping Wind and Fire;
The Hills Beyond;
Acrobatic Lines. Also
acts as the duo version
of my Second Cello
Concerto. Cello & Piano
Duration: 23' Composed:
2015 Published by: Lapis
Island Press.
Farewell Violoncelle, Piano PWM (Polskie Wydawnictwo Muzyczne)
Cello; Piano Accompaniment SKU: HL.215268 For Cello and Piano Reductio...(+)
Cello; Piano
Accompaniment
SKU:
HL.215268
For
Cello and Piano
Reduction. Composed
by Marcel Chyrzynski.
PWM. Classical.
Softcover. 16 pages.
Duration 630 seconds.
Polskie Wydawnictwo
Muzyczne #11698010.
Published by Polskie
Wydawnictwo Muzyczne
(HL.215268).
9.0x12.0x0.117
inches.
Farewell
for cello and piano
(2013) has been
commissioned by the
Cracow Duo consisting of
Jan Kalinowski (cello)
and Marek Szlezer
(piano). The composition
has a single-movement
structure but it
differentiates
internally. A poem
written by Nakano
Shigeharu (1902-1979)
entitled Wakare (Parting)
was the inspiration for
the composition. In the
poem, Nakano raises very
important issues for all
to consider: of love,
fragility of well-being,
suffering, death and
vanishing. Deeply moved,
I decided to write a
compostion which gives
the atmosphere of this
muted and very personal
poetry. -Marcel
Chyrzynski.
Score and Parts Cello; Piano Accompaniment; Violin (Score and Parts) SKU: HL....(+)
Score and Parts Cello;
Piano Accompaniment;
Violin (Score and Parts)
SKU: HL.49047370
For Violin, Cello, and
Piano Score and
Parts. Composed by
Nikolai Kapustin. Edition
Schott. Classical.
Softcover. 96 pages.
Duration 1320 seconds.
Schott Music #ED23383.
Published by Schott Music
(HL.49047370).
ISBN
9798350124873. UPC:
196288207672.
Nikol
ai Kapustin's
Divertissement op. 126
for violin, cello and
piano dates from 2005.
The four-movement work is
now available in a sheet
music edition for the
first time.