Souvenirs Violoncelle, Piano - Intermédiaire Salabert
Cello and Piano - intermediate SKU: BT.SLB-00595900 Extrait de la musi...(+)
Cello and Piano -
intermediate
SKU:
BT.SLB-00595900
Extrait de la musique
de scène pour « Le
Voyageur sans bagages
». Composed by
Francis Poulenc.
Classical. Book and
Part(s). Composed 2016. 5
pages. Editions Salabert
#SLB 00595900. Published
by Editions Salabert
(BT.SLB-00595900).
From Jewish Life Violoncelle, Piano Guitare classique Carl Fischer
Chamber Music Cello, Piano SKU: CF.BF141 Composed by Ernest Bloch. Edited...(+)
Chamber Music Cello,
Piano
SKU:
CF.BF141
Composed by
Ernest Bloch. Edited by
Julian Schwarz. 12+8
pages. Carl Fischer Music
#BF141. Published by Carl
Fischer Music (CF.BF141).
ISBN 9781491159989.
UPC:
680160918584.
The
three pieces From Jewish
Life were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.
The
first movement, Prayer,
is a deeply heartfelt
plea to the almighty. As
Neil W Levin writes, The
initial four-note motive
in the minor mode,
together with its
elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt
pathos.
The second
movement, Supplication
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish
experience.
The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917.
Though
the popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance. The first
movement, Prayer, is a
deeply heartfelt plea to
the almighty. As Neil W
Levin writes, The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos. The
second movement,
Supplication (the act of
begging humbly), has more
angst, almost a sense of
urgency as a result of
the rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience. The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917. Though the
popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.The first
movement,
“Prayerâ€, is
a deeply heartfelt plea
to the almighty. As Neil
W Levin writes,
“The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max
Janowski’s
(1912–1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu.†This
prayer has special
meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both
“Prayer†and
Janowski’s Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos.The
second movement,
“Supplicationâ€
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, “Jewish
Songâ€, evokes a
quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience.The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of
Bloch’s most
celebrated work, Schelomo
in 1917.Though the
popularity of
Bloch’s oeuvre has
been dominated by works
of Jewish connection, we
should not forget that
Bloch had many other
stylistic periods,
including Franco-Belgian,
modal, serial, and even
American folk. In 1927,
he was awarded Musical
America’s
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music.
Schott Student Edition Repertoire. Composed by Jean Baptiste Breval. Edit...(+)
Schott Student Edition
Repertoire. Composed
by Jean Baptiste Breval.
Edited by Beverley Ellis.
This edition: Saddle
stitching. Sheet music.
Schott Student Edition.
Repertoire. Softcover.
Op. 40/1. 36 pages.
Schott Music #SE1006.
Published by Schott Music
(HL.49045503).
Violoncelle, Piano [Reduction] - Intermédiaire/avancé Last Resort Music Publishing
Edited by Jan Kelley. Arranged by Daniel Kelley. For Cello and Piano. Solos. Rec...(+)
Edited by Jan Kelley.
Arranged by Daniel
Kelley. For Cello and
Piano. Solos. Recital,
Wedding. Level:
Intermediate/Advanced.
Piano Score and Solo
Part. Published by Last
Resort Music Publishing.
Arranged by Daniel Kelley. For Cello (or Bassoon) and Piano. Solos. Recital, Chu...(+)
Arranged by Daniel
Kelley. For Cello (or
Bassoon) and Piano.
Solos. Recital, Church.
Level:
Intermediate/Advanced.
Piano Score and Solo
Part. Published by Last
Resort Music Publishing.
Urtext. Composed by Pauline Viardot-Garcia (1821-1910). Edited by Miriam-Alexa...(+)
Urtext. Composed by
Pauline
Viardot-Garcia
(1821-1910).
Edited by
Miriam-Alexandra
Wigners. Breitkopf and
Haertel #EB 8887.
Published
by Breitkopf and Haertel
Starter Solos Violoncelle, Piano [Partition + CD] - Facile Anglo Music
Cello and Piano - easy SKU: BT.AMP-347-400 20 Progressive Pieces with ...(+)
Cello and Piano - easy
SKU:
BT.AMP-347-400
20
Progressive Pieces with
Piano Accompaniment.
Composed by Philip
Sparke. Starter Solos.
Tuition. Book with CD.
Composed 2013. 32 pages.
Anglo Music Press #AMP
347-400. Published by
Anglo Music Press
(BT.AMP-347-400).
ISBN
9789043138659. 9x12
inches.
English-German-French-Dut
ch.
Philip
Sparke’s
Starter Solos is
the first volume of a
progressive series of
books that takes the
young wind player from
beginner to accomplished
musician. Specifically
tailored for each
instrument, this
collection of 20 solos
starts with pieces based
on only a handful of
notes and carefully
introduces new musical
elements, such as
articulation, dynamics
and key signatures, in a
structured progression to
speed the learning
process. The books
provide invaluable
additional material to
complement any teaching
method.Starter
Solos comes with a
play-along CD. The
advantages of playing
either with piano or CD
accompaniment are that
the beginning player can
nowexperience the
important aspects of
ensemble playing from
their earliest lessons,
thus developing the
essential skills of
listening while they play
and maintaining strict
tempo, which is not
always a factor when
playing alone.
Philip
Sparke’s
Starter Solos is
het eerste deel van een
serie boeken met muziek
voor jonge blazers. Deze
bundel van twintig
solo’s begint met
stukken die op een
handvol noten zijn
gebaseerd. Nieuwe
muzikale elementen
(articulatie,
dynamiek,enz.) worden op
een doordachte,
gestructureerde manier
toegevoegd. Dit
studiemateriaal vult elke
leermethode aan en is
steeds toegesneden op het
betreffende
instrument.Uitgave met
cd: De voordelen van het
spelen met begeleiding -
hetzij op de piano,hetzij
op de cd - zijn dat de
beginnende speler de
belangrijke aspecten van
het ensemblespel kan
ervaren vanaf de eerste
lessen en essentiële
vaardigheden kan
aanleren: het luisteren
tijdens het spelen en het
handhaven van een strak
tempo. Bij hetalleen
spelen komen deze
factoren minder aan de
orde.
Das frühe
Lernstadium ist, neben
einem guten Lehrer im
Unterricht, für jedes
Instrument zweifellos das
Wichtigste. Von großer
Bedeutung ist aber auch
motivierendes
Lehrmaterial. Für
diese zwei Solobücher
beriet sich Philip Sparke
mit vielen Lehrern, wie
man am besten neue Noten
einführt und zugleich
einen Rahmen schafft, in
den sich neue
musikalische Elemente in
sinnvoller Reihenfolge
einfügen lassen.
Unterstützt von
diesenSoli und Etüden
in drei verschiedenen
Schwierigkeitsstufen
können
Instrumentalschüler
schnell zu richtigen
Musikern heranreifen.
Jedes Buch ist genau auf
die Bedürfnisse und
Anforderungen des
einzelnen Instrumentes
zugeschnitten.
STARTER SOLOS und
SKILFUL SOLOS können
dank der im Buch und auf
der CD enthaltenen
Begleitungen auch gut
alleine oder mit einem
Pianisten einstudiert und
aufgeführt werden. Der
Vorteil dabei ist, dass
Anfänger so nicht nur
die wichtigsten Aspekte
desEnsemblespiels
erfahren sondern auch von
Anfang an die
Fähigkeit entwickeln,
zu hören während
sie spielen und das Tempo
zu halten.
Inhalt:
Follow me •Best
Foot Forward •Folk
Song •My Homeland
•Missing You
•Russian Winter
•On a Carousel
•Rush Hou •A
Dynamic Start
•Short but Sweet
•Ballad
•London Bridge
•Summer Breezes
•Modal Melody
•Toon Tune
•In a Balloon
•Yankee Doodle
•SadSong
•Count Me In
•Ragtime
March
Accanto
ad un buon insegnante, il
materiale da studio
valido è senza dubbio
la cosa più importante
al fine di un buon
apprendimento. E’
quindi importante mettere
a disposizione
dell’allievo
materiale motivante.
Nello scrivere questi
soli, PhilipSparke si
è consultato a più
riprese con insegnanti ed
allievi per mettere a
punto brani che
consentono anche ai
più inesperti di
suonare in modo
soddisfacente. Gli
accompagnamenti al piano
sono inclusi nel CD.
Cello - difficult SKU: HL.49016913 Composed by Olli Mustonen. This editio...(+)
Cello - difficult
SKU:
HL.49016913
Composed
by Olli Mustonen. This
edition: Saddle
stitching. Sheet music.
Cello-Bibliothek (Cello
Library). Classical.
Score and part. Composed
2006. 40 pages. Duration
15'. Schott Music #CB193.
Published by Schott Music
(HL.49016913).
ISBN
9790001147620. UPC:
884088262228.
9.0x12.0x0.127
inches.
Mustonen
belongs to the young
generation of composing
piano virtuosos. What is
remarkable is that 'his
instrument' is not placed
in the foreground of his
works. He rather composed
pieces for strings,
sonatas with piano
accompaniment, orchestral
works and even a piece
for guitar referring to
the history of his home
country Finland.The cello
sonata was premiered by
Mustonen with the cellist
Daniel Muller-Schott in
Hamburg. No special
emphasis is given to
polyphonic coexistence;
instead, the piano,
playing chordally, acts
as a real accompaniment
most of the time.
Cantilenas of the cello,
tricky rhythms, and
almost symphonic sound
eruptions make the piece
a sure-fire hit with the
public.
Violoncelle, Piano [Partition] - Intermédiaire Music Sales
Everybody's Favorite Series, Volume 40. Composed by Various. Music Sales America...(+)
Everybody's Favorite
Series, Volume 40.
Composed by Various.
Music Sales America.
Classical. Softcover. 192
pages. Music Sales
#AM40205. Published by
Music Sales
Edited by Rachel Lonergan. Arranged by Daniel Kelley. For Cello and Piano. Solos...(+)
Edited by Rachel
Lonergan. Arranged by
Daniel Kelley. For Cello
and Piano. Solos.
Recital. Level:
Intermediate. Piano Score
and Solo Part. Published
by Last Resort Music
Publishing.
Cello and piano SKU: BR.EB-32083 Urtext. Composed by Camillo Schum...(+)
Cello and piano
SKU:
BR.EB-32083
Urtext. Composed
by Camillo Schumann.
Edited by Maria Kliegel.
Solo instruments;
stapled. Edition
Breitkopf.
With
supplementary violoncello
part marked by Maria
Kliegel
Sonata;
Late-romantic. Score. 108
pages. Breitkopf and
Haertel #EB 32083.
Published by Breitkopf
and Haertel
(BR.EB-32083).
ISBN
9790004186299. 9 x 12
inches.
There are
many composers about whom
it is believed, today,
that they composed
conservatively, or
against the taste of
their time. The question
is also raised, today,
which extract of this
large amount of effective
and high-quality music,
unknown for the most
part, should receive our
attention; which of it is
worth rediscovering or
re-editing. Camillo
Schumann is one of the
most important
representatives of these
composers, but his works
are still largely unknown
today. He was born on 10
March 1872 in Konigstein,
Saxony. His musical
language combines the
sound world of Brahms
with the grand,
late-romantic Liszt
School. He wrote piano
parts of incredible power
and virtuosity,
approaching the sounds of
Rachmaninoff. His
wonderfully individual
melodic language makes
these works a valuable
testimony to a composer
who never had his due
recognition. The cello
sonatas Opp. 59 (EB
32082) and 99 (EB 32083)
are the first of three
works for this
combination. Op. 59 was
composed around 1905/06,
Op. 99 followed in 1932.
Nothing is known so far
of the circumstances of
the composition of this
work, including for whom
it was composed. However,
it is quite evident that
Schumann wrote it, like
most of his works,
primarily for his own
concerts and befriended
musicians. The extensive
entries in the piano part
bear witness to a
considerably practical
approach. Crossed-out
bars, notes added or
crossed out in chords as
well as a number of
revisions of other kinds
are more the rule than
the exception. The
composer's own fingerings
written in the piano part
also underline this
assumption. The present
edition contains two
solo-parts each. One
clean Urtext-part free of
any additions from the
editor and a second one
with bowing marks and
fingerings by Maria
Kliegel who recorded both
sonatas for the first
time with the label
Naxos. Both sonatas show
evident resemblance to
the works of this
combination by Johannes
Brahms and are therefore
a must have for ambitious
cellists.
With
supplementary violoncello
part marked by Maria
Kliegel.
Chamber Music Cello, Piano SKU: PR.UT050402 Fassung fur Violoncello un...(+)
Chamber Music Cello,
Piano
SKU:
PR.UT050402
Fassung fur
Violoncello und
Klavier. Composed by
Franz Schubert. Set of
Score and Parts. With
Standard notation. Wiener
Urtext/Vienna Urtext
#UT050402. Published by
Wiener Urtext/Vienna
Urtext (PR.UT050402).
ISBN 9783850557795.
UPC:
800522003370.
It is
argued that the
arpeggione (think: bowed
guitar) would have been
left as a trivia question
for historians had
Schubert not written this
particular Sonata. By the
time this 1824
composition was first
published in 1871, the
arpeggione had already
fallen out of favor and
out of use. Even the
first publication
indicated the violoncello
as the viable alternative
solo. The editors have
gone back to the
autograph, which resides
at the National Library
of France, together with
the contemporary
arrangement for violin by
Diabelli, in creating
this critical edition.
The history of the sonata
and this edition,
together with performance
notes and critical
commentary, are
included.
By Antonio Vivaldi. Edited by Hoffmann, Bettina. For Violoncello, Basso continuo...(+)
By Antonio Vivaldi.
Edited by Hoffmann,
Bettina. For Violoncello,
Basso continuo. Score;
Set of Parts
(paperbound). RV 39-47.
Published by
Baerenreiter-Ausgaben
(German import). ISBN
M006520596.
Cello and Piano SKU: BT.EMBZ2990 Für Violoncello (Viola) und Klavie...(+)
Cello and Piano
SKU:
BT.EMBZ2990
Für
Violoncello (Viola) und
Klavier. Composed by
Ferenc Farkas. Book Only.
Composed 1960. 6 pages.
Editio Musica Budapest
#EMBZ2990. Published by
Editio Musica Budapest
(BT.EMBZ2990).
Arioso for
cello and piano by Ferenc
Farkas (1905-2000) is one
of the composer s
earliest-known
compositions. He wrote
the piece in 1926 during
his student years,
although it was
originally intended to be
the slow movement of a
viola sonata which was
never published. Only
later did Farkas rework
it as a stand-alone work
for cello. The
composition, like
Kodály's Adagio which
was published 20 years
prior and also written
for cello, focuses on the
singing melody of the
string instrument while
simultaneously showing
Farkas creative
preference for
Mediterranean colors and
Latin proportion.
Clarinet in Bb, cello and piano - difficult SKU: HL.49017074 Music for...(+)
Clarinet in Bb, cello and
piano - difficult
SKU:
HL.49017074
Music
for Clarinet in Bb, Cello
and Piano. Composed
by Christian Jost. This
edition: Saddle
stitching. Sheet music.
Misc. Score and parts.
Composed 2007. 52 pages.
Duration 12'. Schott
Music #ED 20369.
Published by Schott Music
(HL.49017074).
ISBN
9790001151573.
9.0x12.0x0.182
inches.
In this
trio, as in most of his
compositions, Jost has
pictures and associations
with true incidents,
films and novels in his
mind. What inspired him
to write this piece was
Joseph Conrad's novel
'Heart of Darkness' in
which the protagonist
Marlow says about the
city of Brussels: 'In a
few hours I arrived in a
city that always make me
think of a whited
sepulchre.'In 'Sepulchral
City', a work
commissioned to mark the
tenth anniversary of the
Jerusalem Chamber Music
Festival, however, the
title refers to
Jerusalem, the city of
white tombs. The topic of
Jost's trio is a travel
into the soul and living
spirit of a city, with no
physical movement being
needed to find the heart
of impenetrable darkness:
It lies within the city
walls.In this respect,
'Sepulchral City' equals
a compositionally
unfolded funeral bell.
Even the animated middle
section rather has
insisting than
progressive power. At the
end, the only thing to do
is to inhale and
exhale.
18 Recital Pieces in First Position for Cello and Piano or Two Celli. Edited b...(+)
18 Recital Pieces in
First
Position for Cello and
Piano
or Two Celli. Edited by
Christoph Sassmannshaus /
Melissa Lusk. Stapled.
Baerenreiter's
Sassmannshaus.
Performance score, parts.
22/24/17 pages pages.
Published by Baerenreiter
Verlag
Composed by Johannes Brahms (1833-1897). Edited by Clive Brown / Neal Peres Da C...(+)
Composed by Johannes
Brahms (1833-1897).
Edited by Clive Brown /
Neal Peres Da Costa /
Kate Bennett Wadsworth.
For cello and piano. This
edition: Urtext edition.
Stapled. With an Urtext
solo part by Clive Brown
and a solo part with
bowing and fingering by
Kate Bennett Wadsworth;
Fingering in the piano
part by Neal Peres Da
Costa; Performance
Practice Commentary by C.
Brown, N. P. Da Costa and
K. B. Wadsworth. Level 3.
Score and part. Text
Language: German/English.
Opus 38. Published by
Baerenreiter Verlag
By Various. Arranged by David Marlatt. Various. For Cello/Bass and Piano. String...(+)
By Various. Arranged by
David Marlatt. Various.
For Cello/Bass and Piano.
String - Cello Studies or
Collection. Solo
Performer Series.
Renaissance. Level:
Medium-Difficult.
Published by Eighth Note
Publications.
(Selections from the Cello Repertoire). Compiled, ed., and arr. Carey Cheney. Fo...(+)
(Selections from the
Cello Repertoire).
Compiled, ed., and arr.
Carey Cheney. For Cello
and Piano. String - Cello
Studies or Collection.
Companion CD also
available (see item
24483). Instrumental Solo
Book and Piano
Accompaniment Book. 104
pages. Published by
Alfred Publishing.
Super Solos Violoncelle, Piano [Partition + CD] - Intermédiaire Anglo Music
Cello and Piano - late intermediate SKU: BT.AMP-353-400 10 Selected So...(+)
Cello and Piano - late
intermediate
SKU:
BT.AMP-353-400
10
Selected Solos with Piano
Accompaniment.
Composed by Philip
Sparke. Super Solos.
Tuition. Book with CD.
Composed 2013. 56 pages.
Anglo Music Press #AMP
353-400. Published by
Anglo Music Press
(BT.AMP-353-400).
ISBN
9789043138710. 9x12
inches.
English-German-French-Dut
ch.
Philip
Sparke’s Super
Solos is the third
volume of a progressive
series of solo books that
takes the young wind
player from beginner to
accomplished musician.
Following on from the
first two books in the
series (Starter
Solos and Skilful
Solos) this
collection generally
contains longer pieces
suitable for the
developing young
musicians. Specifically
tailored for each
instrument, Super
Solos extends
technical and musical
demands, takes the player
into new keys with larger
instrumental ranges and
adds new notes in a
gradual and logical
manner.The books provide
invaluable additional
material to complement
any teaching method.
Including play-along
CD.
Na Starter
Solos en Skilful
Solos sluit Philip
Spark deze reeks met het
nieuw verschenen boek
Super Solos. De
solos in deze boeken zijn
qua mogelijkheden en
moeilijkheidsgraad
perfect toegesneden op
het betreffende
instrument.Bovendien vult
het de vorige uitgaven in
deze reeks gestructureerd
aan, waardoor het de
instrumentalist een
zinvol en motiverend
vervolg biedt. Elk boek
bevat een cd met
begeleiding. Het voordeel
hiervan is dat jonge
muzikanten de
belangrijkeaspecten van
het samenspel al vanaf
het begin kunnen ervaren.
Zo ontwikkelen ze
essentiële
vaardigheden, zoals het
luisteren tijdens het
spelen en het handhaven
van een strak
tempo.
Nach
STARTER SOLOS und SKILFUL
SOLOS vollendete Philip
Sparke seine Reihe
Solobücher mit SUPER
SOLOS. Die Soli in jedem
Buch sind genau auf die
Bedürfnisse und
Anforderungen des
jeweiligen Instruments
zugeschnitten, im
Schwierigkeitsgrad
angepasstund schaffen
somit einen Rahmen, in
dem sich
Instrumentalschüler
neue Elemente in
sinnvoller Reihenfolge
aneignen können. Dank
der im Buch und auf CD
enthaltenen
Klavierbegleitung lernen
sie außerdem wichtige
Aspekte des
Ensemblespiels. SUPER
SOLOS für
fortgeschrittene
Schüler hält
mitreißende Stücke
parat, mit denen neue
technische und
musikalische
Schwierigkeiten
gemeistert und ein
größerer Tonumfang
sowie neue Tonarten
gelernt werden
können.
Inhalt:
Little Overture -
Berceuse - March of the
Toy Soldiers - Air and
Variations - Chicago
Blues - Moto Perpetuo -
Song of Farewell -
Promenade - September
Song - Scherzo
Finale
Dopo Starter
Solos e Skilful
Solos, Philip Sparke
completa la serie di
libri per strumenti
solisti con Super
Solos. I brani
proposti rispondono alle
richieste e alle
caratteristiche dei vari
strumenti. Grazie al CD
incluso,
conlaccompagnamento del
pianoforte, si apprendono
i vari aspetti del
suonare in ensemble.
Cello and piano, basso ad libitum SKU: HL.49044586 Famous Original Pie...(+)
Cello and piano, basso ad
libitum
SKU:
HL.49044586
Famous
Original Pieces for
Violoncello and
Piano. Edited by
Rainer Mohrs. This
edition: Saddle
stitching. Sheet music.
String Solo. Softcover.
32 pages. Schott Music
#ED22072-01. Published by
Schott Music
(HL.49044586).
ISBN
9783795749330. UPC:
841886023543. German -
English -
French.
13 pieces
of easy to intermediate
standard ideal for
lessons and concerts. As
well as popular Baroque
sonatas by the likes of
Vivaldi and de Fesch,
there are also some
charming, lesser-known
compositions by Lanzetti
and Zocarini. Also
included are Classical
sonatas by J. C. F. Bach,
Stephen Paxton and
Beethoven alongside
pieces from the Romantic
era including
Mendelssohn's Song
Without Words Op. 109,
Faure's Sicilienne Op. 79
as well as two little
pieces by Goltermann.
(Cello and Piano). Composed by Edward Gregson. For Cello, Piano Accompaniment. M...(+)
(Cello and Piano).
Composed by Edward
Gregson. For Cello, Piano
Accompaniment. Music
Sales America. 52 pages.
Novello and Co Ltd.
#NOV958089. Published by
Novello and Co Ltd.
For Cello and Piano Reduction. Composed by Richard Strauss (1864-1949). Edite...(+)
For Cello and Piano
Reduction. Composed by
Richard Strauss
(1864-1949).
Edited by Peter Jost.
Henle
Music Folios. Softcover.
G.
Henle #HN1468. Published
by
G. Henle