Score and Part cello and piano SKU: HL.49045757 For Cello and Piano Sc...(+)
Score and Part cello and
piano
SKU:
HL.49045757
For
Cello and Piano Score and
Part. Composed by Han
Lash. This edition:
Saddle stitching. Sheet
music. String Solo.
Softcover. Composed 2012.
44 pages. Duration 3600
seconds. Schott Music
#ED31215. Published by
Schott Music
(HL.49045757).
ISBN
9781540020321. UPC:
888680727222.
9.25x12.0x0.183
inches.
Friction,
Pressure, Impact
comprises three
movements, each of which
focuses on the question
of musical metabolism in
a different way. The
first movement, Friction,
has a moderately fast
metabolism, working
through the musical
material between the
instruments with some
speed yet with a kind of
compulsively controlled
rate of evolution.
Pressure has a much
slower pace of working
through its musical
argument, which is
relatively minimal. It
moves heavily and
sensuously through its
course. Impact changes
and shifts with a
mercurial speed; although
this movement has one
single argument
throughout, it is an
argument that is
constantly changing shape
and perspective:
phrase-lengths, local
patterns, registers, and
harmonic inversions are
constantly in flux,
pelting the music's
surface like a hale
storm.- Hannah Lash.
Starter Solos Violoncelle, Piano [Partition + CD] - Facile Anglo Music
Cello and Piano - easy SKU: BT.AMP-347-400 20 Progressive Pieces with ...(+)
Cello and Piano - easy
SKU:
BT.AMP-347-400
20
Progressive Pieces with
Piano Accompaniment.
Composed by Philip
Sparke. Starter Solos.
Tuition. Book with CD.
Composed 2013. 32 pages.
Anglo Music Press #AMP
347-400. Published by
Anglo Music Press
(BT.AMP-347-400).
ISBN
9789043138659. 9x12
inches.
English-German-French-Dut
ch.
Philip
Sparke’s
Starter Solos is
the first volume of a
progressive series of
books that takes the
young wind player from
beginner to accomplished
musician. Specifically
tailored for each
instrument, this
collection of 20 solos
starts with pieces based
on only a handful of
notes and carefully
introduces new musical
elements, such as
articulation, dynamics
and key signatures, in a
structured progression to
speed the learning
process. The books
provide invaluable
additional material to
complement any teaching
method.Starter
Solos comes with a
play-along CD. The
advantages of playing
either with piano or CD
accompaniment are that
the beginning player can
nowexperience the
important aspects of
ensemble playing from
their earliest lessons,
thus developing the
essential skills of
listening while they play
and maintaining strict
tempo, which is not
always a factor when
playing alone.
Philip
Sparke’s
Starter Solos is
het eerste deel van een
serie boeken met muziek
voor jonge blazers. Deze
bundel van twintig
solo’s begint met
stukken die op een
handvol noten zijn
gebaseerd. Nieuwe
muzikale elementen
(articulatie,
dynamiek,enz.) worden op
een doordachte,
gestructureerde manier
toegevoegd. Dit
studiemateriaal vult elke
leermethode aan en is
steeds toegesneden op het
betreffende
instrument.Uitgave met
cd: De voordelen van het
spelen met begeleiding -
hetzij op de piano,hetzij
op de cd - zijn dat de
beginnende speler de
belangrijke aspecten van
het ensemblespel kan
ervaren vanaf de eerste
lessen en essentiële
vaardigheden kan
aanleren: het luisteren
tijdens het spelen en het
handhaven van een strak
tempo. Bij hetalleen
spelen komen deze
factoren minder aan de
orde.
Das frühe
Lernstadium ist, neben
einem guten Lehrer im
Unterricht, für jedes
Instrument zweifellos das
Wichtigste. Von großer
Bedeutung ist aber auch
motivierendes
Lehrmaterial. Für
diese zwei Solobücher
beriet sich Philip Sparke
mit vielen Lehrern, wie
man am besten neue Noten
einführt und zugleich
einen Rahmen schafft, in
den sich neue
musikalische Elemente in
sinnvoller Reihenfolge
einfügen lassen.
Unterstützt von
diesenSoli und Etüden
in drei verschiedenen
Schwierigkeitsstufen
können
Instrumentalschüler
schnell zu richtigen
Musikern heranreifen.
Jedes Buch ist genau auf
die Bedürfnisse und
Anforderungen des
einzelnen Instrumentes
zugeschnitten.
STARTER SOLOS und
SKILFUL SOLOS können
dank der im Buch und auf
der CD enthaltenen
Begleitungen auch gut
alleine oder mit einem
Pianisten einstudiert und
aufgeführt werden. Der
Vorteil dabei ist, dass
Anfänger so nicht nur
die wichtigsten Aspekte
desEnsemblespiels
erfahren sondern auch von
Anfang an die
Fähigkeit entwickeln,
zu hören während
sie spielen und das Tempo
zu halten.
Inhalt:
Follow me •Best
Foot Forward •Folk
Song •My Homeland
•Missing You
•Russian Winter
•On a Carousel
•Rush Hou •A
Dynamic Start
•Short but Sweet
•Ballad
•London Bridge
•Summer Breezes
•Modal Melody
•Toon Tune
•In a Balloon
•Yankee Doodle
•SadSong
•Count Me In
•Ragtime
March
Accanto
ad un buon insegnante, il
materiale da studio
valido è senza dubbio
la cosa più importante
al fine di un buon
apprendimento. E’
quindi importante mettere
a disposizione
dell’allievo
materiale motivante.
Nello scrivere questi
soli, PhilipSparke si
è consultato a più
riprese con insegnanti ed
allievi per mettere a
punto brani che
consentono anche ai
più inesperti di
suonare in modo
soddisfacente. Gli
accompagnamenti al piano
sono inclusi nel CD.
Piano; Violin; Cello SKU: AP.12-0571540805 Composed by Tom Coult. Piano T...(+)
Piano; Violin; Cello
SKU:
AP.12-0571540805
Composed by Tom Coult.
Piano Trio; Trio. Score.
Faber Music
#12-0571540805. Published
by Faber Music
(AP.12-0571540805).
ISBN 9780571540808.
English.
Accelerati
on, deceleration, and the
inconsistent nature of
time are at the heart of
Piano Trio The
Chronophage by Tom Coult.
Throughout the 17-minute
work, cello and piano
lines constantly speed up
or slow down relative to
one another, while the
violin has only one
role---to accelerate
throughout. The listener
feels clunky gear
changes, as previously
reliable demarcations of
time seem unsteady, even
unsafe. The trio's
subtitle comes from The
Corpus Clock in
Cambridge, a clock that
plays with exactly this
perception. Completely
accurate every five
minutes, the clock
lurches unevenly from
second to second, the
grinding mechanism driven
by the terrifying metal
insect escapement known
as the Chronophage (from
the Greek meaning of
time-eater).
18 Recital Pieces in First Position for Cello and Piano or Two Celli. Edited b...(+)
18 Recital Pieces in
First
Position for Cello and
Piano
or Two Celli. Edited by
Christoph Sassmannshaus /
Melissa Lusk. Stapled.
Baerenreiter's
Sassmannshaus.
Performance score, parts.
22/24/17 pages pages.
Published by Baerenreiter
Verlag
Cello and Piano SKU: HL.14023628 Composed by Michael Nyman. Music Sales A...(+)
Cello and Piano
SKU:
HL.14023628
Composed
by Michael Nyman. Music
Sales America. Exam
Material. Book
[Softcover]. Composed
2002. 24 pages. Chester
Music #CH61478. Published
by Chester Music
(HL.14023628).
ISBN
9780711975729.
12.0x9.0x0.095
inches.
On The
Fiddle consists of three
pieces derived from
scores to three Peter
Greenaway films. The
first piece Full Fathom
Five, is a version of the
Shakespeare song setting
made for Prospero's Books
(1990). The second
Angelfish Decay, is an
arrangement of an
arrangement: the music
for the speeded up time
lapse decaying animal
sequences in A Zed And
Two Noughts (1985) was
written for two violins
and a harpsichord. This
was subsequently
'reduced' to a violin
solo for Zoo Caprices
(1986). For On The Fiddle
a piano part has been
added. The final piece
Miserere Paraphrase, was
written for use in The
Cook, The Thief, His Wife
And Her Lover (1989), and
is a transcription of
Nyman's setting of the
'Miserere' text (Psalm
51) sung in the film by a
boy soprano and mixed
chorus. This version for
cello and piano written
in 1997. Duration c.15
mins.
Cello and Piano (BR) SKU: HL.49034701 Composed by Konold. Edition Schott....(+)
Cello and Piano (BR)
SKU: HL.49034701
Composed by Konold.
Edition Schott.
Classical. Book Only. 228
pages. Schott Music
#GS33606. Published by
Schott Music
(HL.49034701).
UPC:
884088096076. 305 X 229
inches.
Spanish
composer Leonardo Balada
dresses Bach's melodies
in musical finery that
examines thematic
variation, shifting tonal
centers, sharply
contrasting timbres, and
instrumental balance.
Described as 'a work in
continual nervous motion,
full of contrasting,
interlocking speeds and
rhythm' by the New
York Times this
advanced work for Cello
and Piano is an
exploration of both Bach
and of the two
instruments. Leonardo
Balada serves as
University Professor of
Composition at Carnegie
Mellon University.