By Tobias Picker. Edited by Lynn Harrell and Simon Mulligan. Misc. Softcover. 58 pages

By W. S. Lloyd Webber. For Cello and Piano. Strings. Published by Stainer and Bell Ltd.

Cello and Piano - advanced

SKU: ST.Y184

Composed by Rhian Samuel. String music. Advanced. Score and part. Stainer & Bell Ltd. #Y184. Published by Stainer & Bell Ltd. (ST.Y184).

ISBN 9790220220357.

Adva nced.

(Mother Goose) Cinq pieces enfantines Cello and Piano. By Maurice Ravel. Arranged by Mark Fish. This edition: DF1573600. Editions Durand. Softcover. 34 pages. Published by Editions Durand.

Aria na wiolonszele i fortepian. Composed by Pawel Lukaszewski. PWM. Classical. Softcover. 16 pages. Polskie Wydawnictwo Muzyczne #11315010. Published by Polskie Wydawnictwo Muzyczne

Cello Music By French Composers See larger cover Your price $14.95 Usually ships in 24 hours 1 2 Ready to buy? Quantity: (you can remove it later) Save 10% when you buy 2 or more copies of this title. Average customer rating: Add a review for this title! About Cello Music By French Composers Arranged by Otto Deri. Instrumental solo/piano accompaniment set for Cello and piano. 68 pages. Published by G. Schirmer, Inc.

By Daniel Kelley. Arranged by Daniel Kelley. For Cello solo and Piano accompaniment. Solos. Contemporary Solo Series. Incredible New Works that exemplify the gorgeous and virtuosic qualities of the cello. Recital. Intermediate/Advanced. Piano score and solo part. Published by Last Resort Music Publishing

(Revised Edition With Marked and Unmarked String Parts). By Ludwig van Beethoven (1770-1827). Edited by Jens Dufner. For cello and piano. Henle Music Folios. Solo part and accompaniment. 266 pages

Cello and Piano. By Morton Gould. (Cello). String Solo. Size 9x12 inches. Published by G. Schirmer, Inc.

For Cello and Piano. Composed by Bohuslav Martinu (1890- 1959). Leduc. Classical. Softcover. 3 pages. Alphonse Leduc #AL18014. Published by Alphonse Leduc

Cello; Piano Accompaniment (Score & Parts)

SKU: HL.14041936

By Florence Hooton. By William Busch. Music Sales America. Classical. Softcover. Composed 2012. 12 pages. Chester Music #CH80245. Published by Chester Music (HL.14041936).

8.25x11.75x0.127 inches.

In four movements: 1. Prelude, 2. Capriccio, 3. Nocturne, 4. Tarantella.

Violoncello, piano

SKU: FG.55011-903-1

Composed by Victoria Yagling. Arranged by Yuriy Leonovich. Classical, contemporary. Score and part. Fennica Gehrman #55011-903-1. Published by Fennica Gehrman (FG.55011-903-1).

ISBN 9790550119031.

Vict oria Yagling's Suite for Cello and String Orchestra (1967) is one of her first successes as a composer. The movement layout of the Suite is fast-slow-fast-slow. The first movement, Toccata, is a perpetual motion with a brisk tempo of 100 per dotted half. The Aria is reminiscent of Rachmaninov's Vocalise melody and Prokofiev's tonal language. This movement is the centerpiece of the Suite. The Humoresque is closely connected in style and motives to the March and Aria movements from Boris Tchaikovsky's Suite for Cello Solo. Mostly homophonic Finale plays with bitonality and contains several circle-of-fifth sequences.

This product is is the reduction for violoncello and piano by prof. Yuriy Leonovich. Orchestral material available on hire from the publisher. Stydy score with solo part is available for sale (ISMN 9790550116436).

Vi ctoria Yagling (1946?2011) was born in Russia and lived in Finland since 1990. Her long career as a cellist served as an excellent accompaniment to the composition she began at an early age. For 11 years she was a cello student of Mstislav Rostropovich at the Moscow Conservatory and Dmitry Kabalevsky and Tikhon Khrennikov taught her composition.

Yagli ng won the first prize in the Gaspar Cassadò Cello Competition and the following year the second prize in the Moscow Tchaikovsky Competition. Her solo engagements took her to countless countries. She has also taught at several international music courses and master classes and was often a jury member for international cello competitions.

Yagl ing left a profilic oeuvre, and the three cello concertos are her main works. Her other orchestral works include Finnish Notebook, Lyrical Preludes and the Suite for Cello and String Orchestra. She has also composed solo works (e.g. the Suite for Cello Solo No. 1 chosen as an obligatory piece for the 7th Tchaikovsky Competition in Moscow in 1982), chamber works, including two string quartets, and vocal music. Her expressive, romantically orientated style is Russian in spirit and has grown out of the soil provided by Prokofiev and Shostakovich.

By Claude Bolling. For violoncello. Swing, Big Band and Play Along. Sheet music and accompaniment CD

For Cello. (Cello). CD Sheet Music (Version 2.0). PDF file on CD. 1000 pages. Published by Subito Music.

For Cello and Piano Schott Student Edition Repertoire. Composed by Hugo Schlemueller. Edited by Martin Mueller-Runte. This edition: Saddle stitching. Sheet music. Schott Student Edition. Repertoire. Softcover. Op. 12. 32 pages. Schott Music #SE1005. Published by Schott Music (HL.49045443).

Cello and Piano. Composed by Gabriel Faure (1845-1924). Edited by Jean-Christophe Monnier. Sheet Music. Paperbound. Henle Music Folios. With marked and unmarked string parts. Classical. Score and Parts. 14 pages. G. Henle #HN1088. Published by G. Henle

Cello and Piano

SKU: ST.CLD103

Composed by Mats Lidstroem. String music. CelloLid.com #CLD103. Published by CelloLid.com (ST.CLD103).

ISBN 9790900217943.

(Suite for Violoncello and Piano). Composed by Mikis Theodorakis (1925-). For Cello, Piano Accompaniment. String. Softcover. 76 pages. Schott Music #ED21249. Published by Schott Music

For Cello. (Cello). CD Sheet Music (Version 2.0). PDF file on CD. 2400 pages. Published by Subito Music.

Cello and Piano. Composed by Bela Bartok (1881-1945). Arranged by Hywel Davies. Boosey and Hawkes Chamber Music. Softcover. 28 pages. Boosey and Hawkes #M060132049. Published by Boosey and Hawkes

For Cello and Piano. Composed by Camille Saint-Saens. Edited by Maria Kliegel. Strings, Repertoire, Solos. Cello Library. Suite in D minor Op. 16. Softcover Book. 52 pages. Schott Music #CB229. Published by Schott Music

Cello and Piano. Composed by Various. Edited by Katharina Deserno, Rainer Mohrs. This edition: Saddle stitching. Sheet music with CD. String. Ob fur Unterricht oder das erste Konzert: Die Ausgabe enthalt leichte, bekannte Stucke von der Renaissance bis zur Moderne, die sorgfaltig nach technischen und musikalischen Anforderungen ausgewahlt wurden. Alle Stucke sind auf der beiliegenden CD enthalt. Renaissance, Modern, Classical. Edition/Softcover with CD. 21706. 60 pages. Schott Music #ED21706. Published by Schott Music

Cello and Piano. By Various. Arranged by Lengyel, Pejtsik. EMB. Size 9x12 inches. 43 pages. Published by Editio Musica Budapest.

Cello and Piano

SKU: IS.VCP4195EM

Composed by Flor Alpaerts. Strings - Cello. Metropolis Music Publishers #VCP4195EM. Published by Metropolis Music Publishers (IS.VCP4195EM).

ISBN 9790365041954.

In 1901, Flor Alpaerts finished his music studies at the Flemish School of Music of Antwerp, which later became the Royal Flemish Conservatory. He studied harmony and composition with Jan Blockx. In 1903 he became professor at this institute and from 1934 until 1941 its director. For one season (1922-1923) he was also director of the Royal Flemish Opera House of Antwerp together with the Bass Arthur Steurbaut. His fame, as a composer and a conductor, came shortly after World War I, when he succeeded in 1919 Eduard Keurvels as conductor of the concerts organized by the Royal Zoological Society of Antwerp and as artistic director of the Peter Benoit Fonds. He also conducted the choral group Arti Vocali. As a composer, Flor Alpaerts was the leading figure in the Flemish impressionistic movement. An impressionism that came closer to Richard Strauss and Ottorino Respighi than to Claude Debussy. A highlight in this direction was the symphonic poem Pallieter (1921-1924). With his suite James Ensor, inspired by four works of the Ostend painter, he created an expressionistic work. In his later compositions he turned to neo-classicism.