Soprano voice, violin, cello and piano - difficult SKU: HL.49018711 Fo...(+)
Soprano voice, violin,
cello and piano -
difficult
SKU:
HL.49018711
For
soprano and piano
trio. Composed by
Thomas Larcher. This
edition: Saddle
stitching. Sheet music.
Score and parts. Composed
2002. 86 pages. Duration
15'. Schott Music
#ED20066. Published by
Schott Music
(HL.49018711).
ISBN
9790001145190. UPC:
884088794019.
9.25x12.0x0.244 inches.
English.
In a
magazine with reports on
mental institutions,
Thomas Larcher came
across interviews with
patients: 'These
sentences are of a strong
inner power, yet do not
claim to convey an
overall picture of these
people. There rather
appear snatches from
their world like a
stroboscope.' The soprano
part in Larcher's
composition attends to
these texts in a very
restraint, often
introverted manner, but
they continue to have an
effect in the
instrumental parts, like
catalysts of seemingly
disturbing processes. The
world premiere with
Juliane Banse, Christian
Tetzlaff, Nikolaj
Schneider and the
composer on the piano
took place at the
renowned festival
'Spannungen' in the power
station of Heimbach in
2002. Recently, a
recording has been
released by ECM New
Series.
For
Narrator, Oboe, Trombone,
Percussion, Cello, and
Piano. Composed by
Daniel Dorff. Premiered
by members of the
Philadelphia Orchestra,
Charlotte Blake Alston,
narrator; Philadelphia,
PA. Traditional. Set of
Score and Parts. With
Standard notation.
Composed 13-Mar.
16+2+2+2+2 pages.
Duration 6 minutes.
Theodore Presser Company
#111-40244. Published by
Theodore Presser Company
(PR.111402440).
ISBN
9781491101308. UPC:
680160616053. 9.5 x 13
inches. Old MacDonald Had
A
Farm.
Commissioned
by the Philadelphia
Orchestra Association,
Dorff uses the familiar
Old MacDonald to
introduce children to
various instruments
within an orchestra,
calling upon each in turn
for examples of their
sounds, and then merging
all of the soloists into
an original variation on
the theme. An effective
showcase for children's
concerts. Duration:
6'.
For
Narrator, Oboe, Trombone,
Percussion, Cello, and
Piano. Composed by
Daniel Dorff. Premiered
by members of the
Philadelphia Orchestra,
Charlotte Blake Alston,
narrator; Philadelphia,
PA. Traditional.
Performance score. With
Standard notation.
Composed 13-Mar. 16
pages. Duration 6
minutes. Theodore Presser
Company #111-40244S.
Published by Theodore
Presser Company
(PR.11140244S).
UPC:
680160616077. 9.5 x 13
inches. Old MacDonald Had
A
Farm.
Commissioned
by the Philadelphia
Orchestra Association,
Dorff uses the familiar
Old MacDonald to
introduce children to
various instruments
within an orchestra,
calling upon each in turn
for examples of their
sounds, and then merging
all of the soloists into
an original variation on
the theme. An effective
showcase for children's
concerts. Duration:
6'.
Souvenirs Violoncelle, Piano - Intermédiaire Salabert
Cello and Piano - intermediate SKU: BT.SLB-00595900 Extrait de la musi...(+)
Cello and Piano -
intermediate
SKU:
BT.SLB-00595900
Extrait de la musique
de scène pour « Le
Voyageur sans bagages
». Composed by
Francis Poulenc.
Classical. Book and
Part(s). Composed 2016. 5
pages. Editions Salabert
#SLB 00595900. Published
by Editions Salabert
(BT.SLB-00595900).
Chamber Music cello, piano SKU: PR.144405190 For Piano Solo or Piano a...(+)
Chamber Music cello,
piano
SKU:
PR.144405190
For
Piano Solo or Piano and
Cello (ad lib.).
Composed by David
Ward-steinman. Saddle.
Premiere: Melbourne,
Australia; Imogen Manins,
cello; Tony Gould, piano.
Contemporary. Performance
Score. With Standard
notation. Composed March
5 2006. 4 pages. Duration
1:45. Theodore Presser
Company #144-40519.
Published by Theodore
Presser Company
(PR.144405190).
UPC:
680160575152. 9 x 12
inches.
Ward-Steinm
an has penned a short and
lovely lulllaby in
primarily 3/4 time.
Especially effective with
obbligato cello
accompaniment.
Cello and piano SKU: BR.EB-32083 Urtext. Composed by Camillo Schum...(+)
Cello and piano
SKU:
BR.EB-32083
Urtext. Composed
by Camillo Schumann.
Edited by Maria Kliegel.
Solo instruments;
stapled. Edition
Breitkopf.
With
supplementary violoncello
part marked by Maria
Kliegel
Sonata;
Late-romantic. Score. 108
pages. Breitkopf and
Haertel #EB 32083.
Published by Breitkopf
and Haertel
(BR.EB-32083).
ISBN
9790004186299. 9 x 12
inches.
There are
many composers about whom
it is believed, today,
that they composed
conservatively, or
against the taste of
their time. The question
is also raised, today,
which extract of this
large amount of effective
and high-quality music,
unknown for the most
part, should receive our
attention; which of it is
worth rediscovering or
re-editing. Camillo
Schumann is one of the
most important
representatives of these
composers, but his works
are still largely unknown
today. He was born on 10
March 1872 in Konigstein,
Saxony. His musical
language combines the
sound world of Brahms
with the grand,
late-romantic Liszt
School. He wrote piano
parts of incredible power
and virtuosity,
approaching the sounds of
Rachmaninoff. His
wonderfully individual
melodic language makes
these works a valuable
testimony to a composer
who never had his due
recognition. The cello
sonatas Opp. 59 (EB
32082) and 99 (EB 32083)
are the first of three
works for this
combination. Op. 59 was
composed around 1905/06,
Op. 99 followed in 1932.
Nothing is known so far
of the circumstances of
the composition of this
work, including for whom
it was composed. However,
it is quite evident that
Schumann wrote it, like
most of his works,
primarily for his own
concerts and befriended
musicians. The extensive
entries in the piano part
bear witness to a
considerably practical
approach. Crossed-out
bars, notes added or
crossed out in chords as
well as a number of
revisions of other kinds
are more the rule than
the exception. The
composer's own fingerings
written in the piano part
also underline this
assumption. The present
edition contains two
solo-parts each. One
clean Urtext-part free of
any additions from the
editor and a second one
with bowing marks and
fingerings by Maria
Kliegel who recorded both
sonatas for the first
time with the label
Naxos. Both sonatas show
evident resemblance to
the works of this
combination by Johannes
Brahms and are therefore
a must have for ambitious
cellists.
With
supplementary violoncello
part marked by Maria
Kliegel.
Op. 112 B Minor Cello and Piano Student Level 3. Composed by Sebastian Lee ...(+)
Op. 112 B Minor Cello and
Piano Student Level 3.
Composed by Sebastian Lee
(1805-1887). Edited by
Anna
Catharina Nimczik. This
edition: Saddle
stitching.
Sheet music. Schott
Student
Edition. Classical.
Softcover. Op. 112. 16
pages.
Schott Music #SE1023.
Published by Schott Music
Cello and piano - easy to intermediate SKU: HL.49044195 Composed by Georg...(+)
Cello and piano - easy to
intermediate
SKU:
HL.49044195
Composed
by George Gershwin.
Arranged by Wolfgang
Birtel. This edition:
Saddle stitching. Sheet
music. String. Inspiriert
von den 24 Preludes
Chopins begann George
Gershwin er Mitte der
20er Jahre selbst
'Preludes' fur Klavier zu
schreiben. Diese
verbinden klassische
Momente mit
Jazz-Elementen zu einem
wirkungsvollen Ganzen,
konnen einzeln oder als
kleine Jazz-Son.
Softcover. 16 pages.
Schott Music #ED21485.
Published by Schott Music
(HL.49044195).
ISBN
9790001190879. UPC:
840126933604.
9.0x12.0x0.065
inches.
The
melodies from George
Gershwin's (1898-1937)
musicals, from 'Porgy and
Bess', from orchestral
pieces like 'Rhapsody in
Blue' or 'An American in
Paris', we all know them!
But the career of the
young musician started as
a pianist in a music
publishing house where he
was to encourage
customers to buy music by
playing it. Soon he began
to compose music himself
and caught the attention
of the Broadway, which
paved the way to his
international career.
Inspired by Frederic
Chopin's 24 Preludes, he
began to write his own
'Preludes' for the piano
in the mid-1920s: Of the
five preludes composed by
him, he used two for the
violin composition 'Short
Story' and presented the
other three at a concert
on 4 December 1926. These
'Preludes' combine
classical moments and
jazz elements into an
effective whole and can
be played individually or
as a little jazz sonata
(fast - slow - fast).
Thanks to the present
arrangement, the charming
miniatures are now
available in a version
for solo instrument and
piano accompaniment.
Violoncello and Piano (Violin An Cello) SKU: HL.50511962 Per violoncel...(+)
Violoncello and Piano
(Violin An Cello)
SKU:
HL.50511962
Per
violoncello solo, con
violini e basso
continuo. Composed by
Nicola Porpora. Baroque.
EMB. Piano score. Editio
Musica Budapest #Z12802.
Published by Editio
Musica Budapest
(HL.50511962).
ISBN
9790080128022. A/4
inches. Nicola Porpora;
Gyorgy Orban; Arpad
Pejtsik.
The source
of the present edition is
preserved in the Archivio
di Stato, Bologna.
Editorial principles: In
the score, the number of
editorial interventions
has been kept to a
minimum. The original
dynamic and expression
markings are extremely
few and far between, but
precise. Only three
dynamic levels are
specified: forte, dolce (
= piano) and dolce assai
( = pianissimo). As
regards expression
markings we note the
complete absence of the
legato sign, though the
appoggiatura, staccato,
trill and two different
types of bow-vibrato
(both in association with
dolce or dolce assai) can
all be found. It is a
well known fact that 18th
century vibrato, obtained
not by a movement of the
left hand but rather by a
variation in the pressure
of the bow, was an
expressive effect to be
used with discretion and
not, as today, a constant
means of sound
production. Territorial
restrictions may apply.
Please ask before
ordering.
Edited by George A. Speckert. Stapled. Ready to Play. Performance score, part(s...(+)
Edited by George A.
Speckert. Stapled. Ready
to Play. Performance
score, part(s),
anthology. With Language:
German/English. 43301
pages. Baerenreiter
Verlag #BA10632.
Published by Baerenreiter
Verlag (BA.BA10632).
Cello; Piano Accompaniment (CELLO/PIANO) SKU: HL.48025398 Cello and Pi...(+)
Cello; Piano
Accompaniment
(CELLO/PIANO)
SKU:
HL.48025398
Cello
and Piano. Composed
by Leon Gurvitch. Boosey
& Hawkes Chamber Music.
Classical. Softcover.
Duration 1200 seconds.
Bote & Bock #M202538289.
Published by Bote & Bock
(HL.48025398).
UPC:
196288195504.
The
composer, whose family
was severely affected by
the Second World War and
the Holocaust, considers
his Anne Frank Suite as a
“personal memorial
diary and a reminder in
view of the futility of
warâ€. The score is
prefaced by a quotation
from Anne Frank:
“In spite of
everything, I still
believe that people are
really good at
heartâ€, which has
impressed the composer
since his youth. His
three-movement suite
attempts to musically
reflect the emotionality
and thoughtfulness of the
theme, which eludes all
words. The piano is
treated in a classical
manner and creates the
emotional space for the
solo cello. Playing in a
high register in a
cantabilestyle over long
passages, the cello also
astounds with sound
effects, harmonics and an
expressive solo cadenza
in the middle of the
work.
Variations Violoncelle, Piano - Intermédiaire Schott
Cello; Piano Accompaniment - intermediate SKU: HL.49045328 For Cello a...(+)
Cello; Piano
Accompaniment -
intermediate
SKU:
HL.49045328
For
Cello and Piano
Reduction. Composed
by Wolfgang Koehler.
Arranged by Wayne
Foster-Smith. This
edition: Saddle
stitching. Sheet music.
String Solo. Classical.
Softcover. 20 pages.
Schott Music #ED22302.
Published by Schott Music
(HL.49045328).
ISBN
9790001203913. UPC:
841886025837.
9.0x12.0x0.091
inches.
Wolfgang
Köhler, professor of
jazz piano at the Berlin
Jazz Institute, writes
music in the border area
between classical, jazz
and contemporary music.
His 'Variations' for
cello and piano are
cross-over music in the
best sense of the word
and a rewarding concert
and examination piece of
medium difficulty (use of
thumb position demanded).
The three variations on a
vocal theme use different
styles like Latin (var.
1), ballad (var. 2) to
rhythm and harmony
inspired by Prokofiev
(var. 3). The
recapitulation of the
cantabile theme concludes
the original, effective
piece which has a
duration of six
minutes.
Serenata, Op. 34 Violoncelle, Piano [Conducteur et Parties séparées] Faber Music Limited
By Ferruccio Busoni (1866-1924). For Cello and Piano. Masterworks; Part(s); Scor...(+)
By Ferruccio Busoni
(1866-1924). For Cello
and Piano. Masterworks;
Part(s); Score; Solo;
String - Cello and Piano.
Faber Edition. 20th
Century; Masterwork.
Published by Faber Music
No. 2 Love's Sorrow
Cello and Piano.
Composed by Fritz
Kreisler. Edited by Mats
Lidströ and m.
Arranged by Mats
Lidstroem and Sergei
Wassiljewitsch
Rachmaninoff. This
edition: Saddle
stitching. Sheet music.
String Solo. Classical.
Softcover. 24 pages.
Duration 300 seconds.
Schott Music #CB291.
Published by Schott Music
(HL.49045737).
ISBN
9790001166287. UPC:
888680735227.
9.0x12.0x0.081
inches.
This
treatment of the
three-part collection,
published in 1905, is
based on Fritz Kreisler's
original version and the
later pianist
transcriptions by Sergei
Rachmaninoff. The
harmonies, the chromatic
developments, and the
counterpoint of the
pianoforte transcriptions
are preserved; the
original and
transcription are
combined into a virtuoso
and effective solo piece.
The three-triennial act
typical of Vienna
requires a certain,
hardly noticeable freedom
of tempo formation
without metronomical
compulsion.